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Lets build something that looks like an ES-175


Freeman Keller

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The fretboard is radiused at 16 inches, I've got this home made thingie that bends fretwire at about that radius (actually its 12 but that's fine)

 

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When I'm done I've got two pieces of fretwire that looks like this

 

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Because this is a bound fretboard I have to remove the tang at the very ends of the fret, just clamp it in between a couple of blocks and file it down

 

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Before starting I get everything together that I'll need. The frets are all cut to length and have their tangs trimmed back, the thing above the fretboard and to the left is a radiused clamping caul with inserts for various fretboard radii, the L shape thingie is a piece of fretwire that I've filed the barbs off the tang - its used to check the depth of the slot. That's a dental tool that I clean the slots out with. A little super glue, my favorite hammer - I think we are ready

 

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There are different ways to install frets - hammer 'em in, press 'em, glue 'em, I use a combination of all three - I wick a thin bead of CA into the slot, tap one end in with my hammer, then lightly tap across the fret. Then move it to my drill press where I have the caul - clamp it down and hold for 10 seconds.

 

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Do about half the board, then clamp it with a 16 inch radius sanding block for 15 minutes or so - let the CA work its way to the ends at the binding and cure

 

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After that I file the ends flush with the edge of the board, then give them a little angle - somewhere between 45 and 60 degrees. With a little jewler's file I round the edges of each fret - that is a draftsman's eraser shield protecting the binding

 

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Polish the ends of the frets (I haven't leveled or crowned them yet) and it looks like

 

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Those are basically the steps your repair guy would take in refretting your guitar (plus leveling and crowning) - now you know why it costs so much

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I don't hang around the electric forum very much but frankly I'm kind of disappointed. One of the reasons that I thought I would post this thread here instead of HGAG where it probably belongs is that I figured you guys (and girls) were a bunch of bad-asses. I figured that since Jesse is kind of bad-ass and this guitar is a bit bad-ass that HCEG regulars would really like it. I kind of expected the reaction to the skulls to be "whoa, dud, that's really bad-ass, I dig it" but instead I've got a bunch of my buddies from HGAG over here saying "gee, I don't like the skulls". Well, whatever you think of the skulls,

 

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Time to move on

 

 

OK then. You DID ask. You got a bone to pick or is it the customer? ;-)

 

Personally I think you should do a goat inlay.

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OK then. You DID ask. You got a bone to pick or is it the customer? ;-)

 

Personally I think you should do a goat inlay.

 

LOL - the mountain goat is my personal talisman and that would make a great inlay. If I was doing a guitar for my wife it would be the Great Blue Heron. When I made my daughters it was her dragon fly

 

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I would never put a Grateful Dead sticker on a Lambo...I would not put one on a Yugo though. It would be insulting to the Yugo.

 

The skulls are cool beans. To me it is like a subtle eff you to tradition.

 

I am in awe of your abilities, and jealous too.

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Sand the feet on the bridge to fit the contour of the top

 

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Double and triple check the neck angle - I'm not too familiar with setting up an archtop but I figure that if I set the fretboard plane to just hit the top of the bridge at its lowest position I will get a little bit of action from the string tension and I can set the rest with the little wheels on the bridge. We'll see....

 

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Routed the binding channels on the top

 

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Laminated some b-w-b purfling

 

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Another cool little StewMac tool - you brush acetone on the strips of pufling material and pull it thru the little UHMW block which glues them all together.

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Glue the binding and purfling in place. With plastic binding you can tape it in place, then wick thin superglue in the crack - the glue will go down inside and hold it together.

 

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Scrape the binding back flush with the top and sides

 

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Last thing I did was make a pickguard out of ebony and bound it too - here are all the bits and pieces together

 

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I'll bind the back today, then there are about a zillion little details

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I looked at those last pictures that I posted and I'm pretty ashamed of them. I keep a cheap little camera in the shop to document things that go on there - it looks like the white balance has gone to hell and the focus is terrible. I brought my good camera out today - lets see if these are any better.

 

Routed out the ledge for the back binding

 

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A razor blade or box cutter blade makes a really good scraper for plastic binding

 

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Here is the back

 

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And here is a better picture of that cheap looking plastic binding on the top

 

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I think it looks OK

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Wow, that's incredible.

 

While I personally wouldn't prefer the skulls, you sure did a good job with them, and afterall that's exactly what your friend is expecting. Great work, and thanks for showing all the steps that you've shown thus far; I love the picture of the binding scraping in progress.

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Details, details, details. Or should I say sanding, sanding, sanding. I'm afraid the next few days are going to be pretty boring with lots of sanding and little details. I'll try to post a few of the more interesting things. In addition, we're going over to Rainier for a few days so I'll be out of the shop (and away from a computer).

 

Anyway, glued a little ebony cap on the heel and bound it

 

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Set the neck perfectly flat and filed the frets so they are too. The thing on the fretboard is a flat piece of steel the has some 120 grit sandpaper stuck to it with double sticky tape - I ran a mill bastard fill over the frets then finished them off with the sandpaper

 

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Each fret should have the top gently sanded flat - number three and four were a bit high and so there was more removed.

 

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Recrown them with a special file and give them a slight polish with 220 grit - we'll do a lot more work on the frets during the final setup

 

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More sanding on the neck - I'm close to the final shape based on the templates but I want Jesse to fondle it and make sure it meets his needs. I can always remove more wood but its pretty hard to put it back on

 

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Finally (for today, at least) we need a truss rod cover so some of the scrap ebony gives us

 

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And since we are a bit over the top with the skull theme, how about we put one in the truss rod cover and the pick guard?

 

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See ya all in a few days - be good now.

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More skulls? *grroooooooaaaaan!* Just kidding. Water off a duck's back and all that you know. Not my guitar so my opinion shouldn't matter. I'm amazed at how quickly thus went together but you have a lot of practice and mad skills. You HAVE to put a goat in there somewhere, though. Given that this is an acoustic electric It's a tradition. ;-)

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