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The magic powers of the all-access pass


Magpel

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Because of some fancy finagling by the front man/leader of my "side project" (a band that keeps me 5x busier than my "main project") I got to play at Mountain Jam yesterday at Hunter Mountain in NY's Catskills. In fact we opened the show to a sparsely populated mountainside that, today and tomorrow, will have about 100k people packed on it

 

The lineup still favors "jam" and roots type stuff--Umphrys McGee; Scofield with Medeski Martin and Wood; Grace Potter; Gov't Mule, Levon Helm, Bob Weir, and host of other names not so familiar to me including some really cool more song-oriented bands that I liked a lot, one called Phonograph.

 

Anyway, it was a hoot. We played well, though the other guitarist's volume dwarfed mine, I later found out, which really brought me down, 'cause like I am the "lead and tricky bits" player in the band...oh well. I played my tricky bits well even if da people could barely hear it. And the energy was good. It was an anomaly, an aberration that we were even on that stage, and we certainly didn't drop the ball. While I wouldn't say, "we acted as if we belonged there," 'cause that really woulda been some acting, I would say "we seized the moment and enjoyed every second of it."

 

I don't think I've ever worn a shiny blue "All Access" Lanyard that says "Artist" on it before. It really is magic, the things that lanyard does. I am standing in from my front door today, still wearing it and saying, "open...damnit, open!"

 

Back to the unwashed, baby. Back to the bars.

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:thu:

 

Nice to hear that you are out there. You guys have a strange and lovely voice.

 

Um, from a marketing perspective, aren't you supposed to let us know before the gig? I would have brought a gap-toothed 6 year old to sit on my shoulders.

 

Jerry

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Heh, thx. It was fun, and the temporarily inflated head is actually not a bad thing for me as my natural inclination is quite in the other direction.

 

This was with the band Ratboy, not "my" band, The Sweet Clementines. The Sweet Clementines were semi-finalists in the "Join the Jam" competition, through which one regional band would get a spot on the Mountain Jam roster (the winner in fact is taking the stage as I write). We didn't get enough votes to make the finals.

 

Let me make it clear: we played to a field prepped for a crowd of 100,000. There were considerably fewer actual bodies there when we played, like maybe 99825 fewer. People were just starting to roll in. By Grace Potter, were were maybe 5 thousand people there, I would say. But the thing is this: you couldn't buy Friday-only tickets for the event. So the only people there yesterday were the 3-day passholders, and probably only a minority of those. By the time Umphrys McGee and Gov't Mule and Galactic played, I am sure the body count was much higher. Today and tomorrow are going to be sheer post-hippie, muddy madness. I am going back up tomorrow to see one of my most favoritist musical heroes of ever, John Scofield. I'm skipping today.

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Today, a sparse Hunter Mountain field.

 

Tomorrow, Bethel Woods!

 

Congratulations, Mag. I'll bet your audience smelled much better and had cleaner feet than the 100K crowd. So, you have that going for you, which is nice.

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Even if only 5K saw you, from that day on you can say "I played at Mountain Jam."
:thu:

 

Considerably fewer than 5k even, but the second part of what you say is indubitably and permanently true: we opened Mt. Jam.

 

BTW, I returned on Sunday and feel the 100k estimate to be somewhat malarky.

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The lean: my only rock move. The pictures report that I was less animated on stage than I remember being.

 

Oh and btw if you look right at the end of my guitar's headstock, you will see a mohawked figure with shades on. That's our buddy Johnnie Wang, an excellent guitarist and writer who got in as our "guitar tech" but looks here to be functioning in more of a Colonel Parker capacity.

 

l_551a81cd9d4a4963cf0bc16259cc4832.jpg

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I have an old backstage pass from MANY years ago that says: "The Doobie Brothers, Farewell Tour". And, since I have no talent and am obviously not an "Artist", mine just says "Guest". I hated to see this band on their "final tour". :D

 

Even though I have no talent and am not an artist, I bet you guys had a good time.

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The lean: my only rock move. The pictures report that I was less animated on stage than I remember being.


Oh and btw if you look right at the end of my guitar's headstock, you will see a mohawked figure with shades on. That's our buddy Johnnie Wang, an excellent guitarist and writer who got in as our "guitar tech" but looks here to be functioning in more of a Colonel Parker capacity.


l_551a81cd9d4a4963cf0bc16259cc4832.jpg

 

 

That is an absolutely awesome "lean" by the way! Did you get chance to see Levon?!?!

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Did you get chance to see Levon?!?!

 

 

I saw his set. It was great. It was The Ramble (a regular musical event held at Levon's house about 30 minutes from me) thrown on a big stage. He opened on drums with Ophelia and some other classics, then Little Sammi Davis came out and they did a 3 or 4 song blues set, then everyone got all acoustic and they did a generous set of the Dirt Farmer material + some standards like Evangeline and Long Black Veil, back to electric and Rag Mama Rag, etc.

 

Great band, featuring Larry Campbell and Jimmy Vivino on guitars, both of whom are absolutely lights out roots rock guitarists. I've seen Vivino in a number of bands (mostly notably The Fab Faux--the best Beatle tribute there is or ever will be) and he appears to be able to play anything, but Larry Campbell, man, if I've ever seen a more melodic roots guitarist or one who plays over changes better, I don't know who it might be. The guy is a really elegant and inventive player.

 

Oh, Lee, BTW, the Fab Faux is playing San Diego very soon. If you don't go see them, I will have to kill you.

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