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SNAP


Freeman Keller

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This could be subtitled "mothers, don't let your children leave their guitars out on stands...."

 

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In the past year I have fixed eight broken headstocks. When I was asked to give an estimate on this one I turned it down - I said that first it was a very difficult break and second there was no way I was going to try to match the finish. The shop asked me to reconsider - the guitar belonged to a kid who was heartbroken at the damage and couldn't afford a new one.

 

I told them that I would try - but to expect a visible line where the repair was made on both sides of the headstock.

 

While this looks like a "clean break" it is actually pretty hard to fix. Think of laying the fingers of one hand on top of the other and gluing them together - that is a nice long "scarf" joint with lots of gluing surface - that's the kind of break I like to fix. For this one think of gluing the tips of the fingers of one hand to the tips of the other - that is more what we have here. Add to that the fact that there are all sorts of little splinters of wood that are in the way of the joint sliding together. In fact the experts on this kind of repair caution not to do any trial fitting - you get one chance, do it with glue.

 

I cleaned out the little pieces of splinters with a dentist's probe

 

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And got everything ready.

 

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Two flat pieces of wood covered with waxed paper, some clamps, some slow set epoxy in both black and clear and some cherry red stain. Also a little plastic headed hammer to tap it together.

 

 

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I performed the ritual incantations to the glue gods and mixed up two dabs of epoxy. This stuff cures in a couple of hours and becomes very fluid before setting. I'm going to try putting the black stuff in the top of the crack and the red in the back at the same time - the squeeze out will fill the crack with hopefully the right color. I have also rubbed paraffin wax on the headstock right up to the edge of the cracks - I don't want any epoxy sticking to the outside if I can help it. Put everything together, smacked it with the mallet to seat the pieces and clamped it up

 

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It came out OK, but the tuner holes had some squeeze out so I reamed them out clean. By the way, when I first started I noticed some white stuff in the tuner holes - it was polishing compound from when Epiphone buffed the headstock. Stop and think about that for a minute - they left a bunch of abrasive stuff in next to the little gears on the tuners..... Not too impressive, eh? Anyway, I cleaned all that crap out and reamed the holes back to correct size.

 

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I told the kid that I could just lightly polish the repair or I could many hours into trying to drop fill it and make it better, but there was still going to be a line. He said this was good enough and I agree

 

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He promised to be more careful in the future.

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Wow, never seen a break there before. Tough job, glad he is happy. What did you charge him? As it's an Epi, I'd have just bought a new one but I get he didn't have much cash. He can play now, most importantly. Good on ya.

 

No, most of the time it is into the area routed out for the truss rod nut - that is notoriously weak on Gibsons and their clones. My estimate was two hours of labor for the basic fix, two more if I tried to restore the finish. I charged him for one and a half hour - my rate is $30 per.

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Wonderful job and story. Highly reminiscent of a HS fracture on my ooooooooold Sonex 180 that my Dad (who is a pretty good woodworker as a hobby) repaired with a similar visible crack.

 

The funny thing is that as a kid, I did not care one whit about the fracture line/cosmetic damage. I just wanted to rock and was so glad I could. I'm sure that kid is wailing away on his axe this weekend and you should congratulate yourself.

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