Jump to content

Can you predict your top three likeliest guitar purchases?


honeyiscool

Recommended Posts

  • Members

I'm in no hurry to make these, but here are my top three guitars that I'm likely to buy in the near future:

1. Taylor GS Mini. I love the idea of a good short-scale traveler guitar, and it'd be a nice contrast to my other acoustics (Taylor 316ce and Seagull Entourage)

2. Gibson 60s Tribute Les Paul Studio in Worn White - I love the looks, and I love the idea of a P90 LP. For some reason, I love LP in white, but if I go with a humbucker, I feel like I need the full Custom everything, but w/ soapbars, the Studio look appeals a lot more to me, as does the lower weight and the price.

3. Daisy Rock Bangles Signature Guitar - This is basically the same as my Daisy Rock Retro-H but with hardtail instead of Bigsby, and that's exactly the guitar I want, something with the same sound and feel but no trem. Plus, this is actually cheap.

Link to comment
Share on other sites

  • Replies 65
  • Created
  • Last Reply
  • Members

I to am wanting a 60's tribute in honeyburst,white wouldn't be bad either. Not hot on the dark backs though. A full blown all the works 60's neck LP would be fine toicon_lol.gif
Another Charvel/Ibanez or super strat with a floyd type trem.
Some parts I want for my Jazzmaster.

Link to comment
Share on other sites

  • Members
Quote Originally Posted by SpaceProg View Post
Martin D28
G&L Bluesboy Semi-hollow
... That's all that really comes to mind right now.
My first thought was to say that I really already have about every guitar I want, but the post above reminds me that I do have a quest for my dream dreadnaught acoustic. I've had them in my hands, played them, but never sealed the deal. The ones I've bought have been nice, but didn't quite measure up to my hopes. Acoustic guitars should be purchased in person, not through the mail. I know that, but I've violated it as well - so here I am.

There's just too much variation, even with a guitar as esteemed as a Martin D28, HD28, HD35, etc.; you need to pick them up and see if they resonate in the way that works for you.

As far as electrics go, sure there's boutique guitars out there I haven't come close to acquiring, but I know I baby my Gibson Custom Shop guitars too much, so why would I want to acquire even more - more expensive guitars when I know I don't get the most bang for the buck out of them.

But other than "that dream acoustic dreadnaught" I know that my next dream really has to start with disposition because I'd like to explore acquisition of Custom Shop Fenders. Now that's exactly opposite of what I said above, but the issue is, I have Strats, and Teles, and Jazzmasters, and Jaguars, etc. etc. but in the Fender family, no Custom Shop models. Signature models, yes, at least 4 (let's see: Muddy Waters, Eric Johnson, Stevie Ray Vaughan, Jimmie Vaughan, and Elvis Costello) but I know I'm missing out on possibilities of hearing (by playing) some of the best Fender pieces available out there due to my patterned purchasing preferences towards variety. Variety is cool, but density is not; so it's a project, i.e. selling off six or more to buy just one that is much better. But it is something that should be done, however, minimizing losses in that transition is always a restraint. I may have to wait until I retire to make a dent in that project. icon_lol.gif

Meanwhile, it's an overpriced MIM Fender Jaguarillo that arrives in the mail tomorrow.

Why?, it's faded sonic blue with a 3-ply mint/black pickguard love.gif and variety (humbucker) in the bridge. icon_lol.gif my ass off icon_lol.gif
Link to comment
Share on other sites

  • Members
Quote Originally Posted by GAS Man View Post
...My first thought was to say that I really already have about every guitar I want, but the post above reminds me that I do have a quest for my dream dreadnaught acoustic. I've had them in my hands, played them, but never sealed the deal. The ones I've bought have been nice, but didn't quite measure up to my hopes. Acoustic guitars should be purchased in person, not through the mail. I know that, but I've violated it as well - so here I am.

There's just too much variation, even with a guitar as esteemed as a Martin D28, HD28, HD35, etc.; you need to pick them up and see if they resonate in the way that works for you. ...
I agree. The D28 is my dream acoustic. Not anything more fancy than that or much more pricey, because I want to be able to use it. To play it without worrying about damaging an 'investment-priced' instrument. I would take a top of the line Collings if it was given to me, but I'd be too nervous to play it. If that makes any sense, hehe.

It's the same way to me for electrics. I want tools and 'friends' if you get what I mean. Guitars that will grow with me and not be case-queened because I'm scared to play them.
Link to comment
Share on other sites

  • Members
Quote Originally Posted by SpaceProg View Post
I agree. The D28 is my dream acoustic. Not anything more fancy than that or much more pricey, because I want to be able to use it. To play it without worrying about damaging an 'investment-priced' instrument. I would take a top of the line Collings if it was given to me, but I'd be too nervous to play it. If that makes any sense, hehe.
The last "great" Martin I played was a dreadnaught model from the VS series with a large soundhole. It's been discontinued now frown.gif . I'm hearing good things about some of their D16s as well.

My last purchase was a $2800 MAP Alvarez that I picked up for $1,000. Despite its pedigree of Brazilian rosewood sides and back, it still just sounds like a good Asian acoustic guitar, kind of like a Takamine. But I want that deeper resonance that you get from a good quality American brand (Martin, Taylor, Gibson, Santa Cruz, etc.) so I'll keep looking. Some time ago, my wife did get me an Eric Clapton Martin (00028-EC) and although it's nice, it demands a fairly high level of picking skill to get the most out of it. Although I'll keep it as my nemesis, I still want that great dreadnaught that can turn a simple cadence through a simple progression into a chorus of angels. biggrin.gif
Link to comment
Share on other sites

  • Members
Quote Originally Posted by GAS Man View Post
The last "great" Martin I played was a dreadnaught model from the VS series with a large soundhole. It's been discontinued now frown.gif . I'm hearing good things about some of their D16s as well.

My last purchase was a $2800 MAP Alvarez that I picked up for $1,000. Despite its pedigree of Brazilian rosewood sides and back, it still just sounds like a good Asian acoustic guitar, kind of like a Takamine. But I want that deeper resonance that you get from a good quality American brand (Martin, Taylor, Gibson, Santa Cruz, etc.) so I'll keep looking. Some time ago, my wife did get me an Eric Clapton Martin (00028-EC) and although it's nice, it demands a fairly high level of picking skill to get the most out of it. Although I'll keep it as my nemesis, I still want that great dreadnaught that can turn a simple cadence through a simple progression into a chorus of angels. biggrin.gif
I'm not much of a Taylor person, but I can say that a D28 or HD28 would be good ones to try. A lot of them. They're all different. I'm just lucky my local is a Martin dealer.
Link to comment
Share on other sites

  • Members

 

Quote Originally Posted by SpaceProg

View Post

I'm not much of a Taylor person, but I can say that a D28 or HD28 would be good ones to try. A lot of them. They're all different. I'm just lucky my local is a Martin dealer.

 

I'm not either, but I had one in my hands recently (a used one at a local ma n pa store) that made me think, "maybe this is what they're talking about". It sounded somewhere between Gibson and Martin.
Link to comment
Share on other sites

  • Members

My first thought was to say that I really already have about every guitar I want, but the post above reminds me that I do have a quest for
my dream dreadnaught acoustic
. I've had them in my hands, played them, but never sealed the deal. The ones I've bought have been nice, but didn't quite measure up to my hopes. Acoustic guitars should be purchased in person, not through the mail. I know that, but I've violated it as well -
so
here I am.


There's just too much variation, even with a guitar as esteemed as a Martin D28, HD28, HD35, etc.; you need to pick them up and see if they resonate in the way that works for you.


As far as electrics go, sure there's boutique guitars out there I haven't come close to acquiring, but I know I baby my Gibson Custom Shop guitars too much, so why would I want to acquire even more - more expensive guitars when I know I don't get the most bang for the buck out of them.


But other than "that dream acoustic dreadnaught" I know that my next dream really has to start with disposition because I'd like to explore acquisition of Custom Shop Fenders. Now that's exactly opposite of what I said above, but the issue is, I have Strat
s
, and Tele
s
, and Jazzmaster
s
, and Jaguar
s
, etc. etc. but in the Fender family, no
Custom Shop
models. Signature models, yes, at least 4 (let's see:
Muddy Waters, Eric Johnson, Stevie Ray Vaughan, Jimmie Vaughan, and Elvis Costello
) but I know I'm missing out on possibilities of hearing (by playing) some of the best Fender pieces available out there due to my patterned purchasing preferences towards
variety
.
Variety
is cool, but
density
is not; so it's a project, i.e. selling off six or more to buy just one that is much better. But it is something that should be done, however, minimizing losses in that transition is always a restraint. I may have to wait until I retire to make a dent in that project.
:lol:

Meanwhile, it's an overpriced MIM Fender Jaguarillo that arrives in the mail tomorrow.


Why?, it's faded sonic blue with a 3-ply mint/black pickguard
:love:
and
variety
(humbucker) in the bridge.
:lol:
my ass off
:lol:

 

I think I know what you mean.

I keep telling myself to get rid of a bunch of stuff and get 1 awesome specimen for each tonal configuration. I try, but get distracted by different aspects that catch my eye.

Wood combinations, oil finished vs nitro vs poly, type of pickup. It feels never ending and I'm afraid I'll miss something cool if I don't try everything to the best of my ability.

Link to comment
Share on other sites

  • Members

 

I'm not either, but I had one in my hands recently (a used one at a local ma n pa store) that made me think, "maybe this is what they're talking about". It sounded somewhere between Gibson and Martin.

 

 

My local deals in both Martins and Taylors. I've tried lots of Taylors, but it seems like I keep drifting back into Martin territory. I remember one particular Smartwood that I should have gotten at the time, but missed my chance... I still kick myself for that. It had all different kinds of wood, but sounded great. All it would have taken was a trip to the bank but... Ah well... wasn't meant to be.

Link to comment
Share on other sites

  • Members

I like this kind of thread. I have two lists - an 'in your dreams mate' one, and a 'you really don't need this' one.

 

'In your dreams' list

 

1. Gibson ES335 dot

2. Epiphone 1965 Elitist Casino

3. Fender Rory Gallagher Strat

 

(position 4 - one of the 2012 Gibson Les Pauls)

 

'You really don't need this' list:

 

1. Gibson SG Junior

2. Squier VM Tele custom/ or white cv tele

3. Gretsch electromatic pro jet

Link to comment
Share on other sites

  • Members

1. Hollow/semi hollow. Probably an Epi Dot for now but I would really like to nab a Gretsch 5422 in Cadillac Green or Walnut.

2. US Strat of some sort, probably a HWY1. They seem to be going for only a few bills more than MIMs on the used market.

3. Something vintage/investment piece. I wouldn't mind something that I can play and cherish for years and not have to sell it at a loss if/when the time comes.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.


×
×
  • Create New...