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Newest release of Pro Tools 2019, the go-to digital audio workstation for audio post production, enables smooth 4K resolution and high frame rate playback, while simplifying Dolby ‘in the box’ mixing BURLINGTON, Mass., Oct. 16, 2019 — Avid® (Nasdaq: AVID) today announced that the newest version of Pro Tools® will be unveiled at AES 2019 in New York. Pro Tools 2019 will support higher video resolutions and frame rates, giving users the highest precision when editing and mixing sound to picture, smoother collaboration between editorial and sound mixing, and streamlined end-to-end audio post-creative workflows. “The latest Pro Tools 2019 update allows audio professionals to work on the same high-resolution video used in Media Composer® (video editing software) within Pro Tools, eliminating the need for transcoding and file format or resolution conversion,” said Rob D’Amico, Director of Product Marketing for Audio & Video Solutions at Avid. “This dramatically streamlines end-to-end audio post-production workflows, saving time and costly storage.” With the demand for more high-resolution video content to be captured in 4K, the newest version of Pro Tools increases the efficiency of sound editing and engineering teams by enabling playback and display of 4K resolution files and higher frame rates. The flexibility to select frame rates and resolutions independently, and work with non-standard video sizes, is critical to support a range of projects such as web-based video, gaming, or new formats that become popular in the future. Pro Tools 2019 also improves Dolby Atmos ‘in the box’ mixing workflows and delivery of multiple mixes in a single file. With full Core Audio support of the Dolby Audio Bridge, users can now send 130 channels from Pro Tools (up from 32) to the Dolby Atmos Renderer, simplifying Dolby Atmos ‘in the box’ mixing and playback workflows with Pro Tools | HDX and other Core Audio devices. Users can also deliver multiple mixes in a single WAV file for easier delivery of localized mixes to streaming services. With the addition of Pro Tools into the Netflix Post Technology Alliance, Avid is now working closely with Netflix to ensure its solutions support technical and workflow requirements today and in the future. Pro Tools is used in music, film and TV to compose, record, edit, and mix audio—in the studio or in the cloud. Pro Tools empowers artists, whether creating and mixing stereo soundtracks in sync with images, editing audio timeclips with timecode precision, or sculpting and shaping audio quickly when building scenes from scratch. For more information on the next release of Pro Tools 2019, visit http://www.avidblogs.com/pro-tools-2019-Fall or stop by Avid’s exhibit at AES 2019 (booth #503), October 16-18. About Avid Avid delivers the most open and efficient media platform, connecting content creation with collaboration, asset protection, distribution, and consumption. Avid’s preeminent customer community uses Avid’s comprehensive tools and workflow solutions to create, distribute and monetize the most watched, loved and listened to media in the world—from prestigious and award-winning feature films to popular television shows, news programs and televised sporting events, and celebrated music recordings and live concerts. With the most flexible deployment and pricing options, Avid’s industry-leading solutions include Media Composer®, Pro Tools®, Avid NEXIS®, MediaCentral®, iNEWS®, AirSpeed®, Sibelius®, Avid VENUE™, FastServe®, and Maestro™. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Instagram, Twitter, YouTube, LinkedIn, or subscribe to Avid Blogs. © 2019 Avid Technology, Inc. All rights reserved. Avid, the Avid logo, Avid NEXIS, FastServe, AirSpeed, iNews, Maestro, MediaCentral, Media Composer, Pro Tools, Avid VENUE, and Sibelius are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice.

AES debut for Austrian Audio’s revolutionary OC818 microphone AES, New York, booth 234 (October 16, 2019) - Austrian Audio announces that its new large diaphragm microphone, the OC818, will be displayed for the first time at the AES NY show courtesy of Cranborne Audio on booth #234. Handmade in Vienna, the OC818 is a multi-pattern dual-output condenser microphone equipped with a world-first: optional wireless control. Its unique design and outstanding sonics, combined with new wireless control technologies offering highly optimised workflows, has garnered the OC818 five-star reviews from all over the world in its first three months on the market. The OC818 also features a second output that allows the recordist, engineer, musician and forward- thinking artist to record the rear-facing capsule independently of the forward-facing capsule. If both capsules are recorded to a stereo or dual-mono track, our free and Open Source PolarDesigner plug-in (Mac/Win: VST, AU & AAX) allows unprecedented control and tailoring of polar patterns between 1 and 5 bands with selectable crossover points. At the heart of the OC818 is the patent-pending, handmade CKR12 ceramic capsule, made to the same critical dimensions as the best legacy CK12 capsules but with far more stability which means every OC818 is inherently paired with any other OC818, or even the OC18, its smaller and more affordable sibling. Key features include: Multiple polar patterns Microprocessor control of polarisation voltages 2 different analogue high-pass filters with 3 settings 2 different types of analogue pads Dual outputs for recording each diaphragm separately Features Austrian Audio’s Open Acoustics Technology (OAT™) “The OC818 and OC18 microphones have been received incredibly well,” says Martin Seidl, CEO of Austrian Audio. “We designed them with ultimate quality, ease of use and improved workflows in mind, leaving more time for the users’ creativity, whether it is in the recording or broadcast studio, or live out on the road. Our reviews have been amazing, as have those of Cranborne Audio’s 500ADAT and 500R8. Both companies share the same vision: we fuse classic design and new technologies to create great products.” If you would like more information on Austrian Audio’s new products, Walter Ruehrig (Manager Artist Endorsement and Market Development) will be attending the show all week and will be delighted to show you more: walter.ruehrig@austrianaudio.com +43 676 847 490 227 Austrian audio products are distributed in the USA through Momentum Audio Sales: John@MomentumAudioSales.com Cell: 805-420-8211, Office: 805-233-7831. More information at https://austrian.audio/ About Austrian Audio Austrian Audio opened its doors on July 1st, 2017 with approximately 22 former AKG personnel from management and the core engineering disciplines of: Acoustics, Electronics, Test & Measurement, Mechanical Design, RF/Wireless, and Software/Firmware. After the closure of their legacy home in Vienna, this core team set out to create something new, challenging, and respectful of the best of their heritage, bringing along 335 years of cumulative engineering experience. More information at https://austrian.audio/

FAIRFIELD, N.J. — Oct. 16, 2019 — At InfoComm 2019, LundHalsey announced a partnership with Middle Atlantic Products, a brand of Legrand | AV, making LundHalsey's premier line of furniture solutions available in the U.S. for first time. Now broadcasters can experience the Kontrol Command fixed-height console, the Kontrol Air height-adjustable console, and the E-Type II fixed-height broadcast console at 2019 NAB Show New York, Oct. 16-17, in booth N275. "As partners with LundHalsey, we share a common passion for delivering solutions that set the standard in design and quality," said Paul Dolynchuk, director, product management at Legrand | AV. "We're proud to stand beside them at 2019 NAB Show New York and demonstrate the functionality and durability of their internationally recognized consoles, which are now available to customers in the U.S. for the first time directly from Legrand | AV." Stylish and ergonomically designed, the Kontrol Command, Kontrol Air, and E-Type II all feature a modular steel bay system architecture and a .5-inch-thick compact laminate work surface with unmatched durability, manufacturability, and integrated cable management. Each unit can be customized and enhanced to customer specifications with a wide range of accessories, including LED lighting in different colors, touch-sensitive cable outlets that automatically open and close with the lightest touch, monitor arms that fully adjust to any user height and reach, pullout PC trays, and more. Additionally, the Kontrol Air features a height-adjustable work surface that can be moved at the touch of a button or remotely via the Kontrol Air mobile app. Broadcasters will also receive complimentary custom design services to achieve the perfect solution for any broadcast and control space. A dedicated project manager at Middle Atlantic will work with customers throughout the project, from design, to quote, to shipment. Services will include concept drawings and high-quality 3D renderings for an accurate vision of what the finished product will look like in the environment. More information about Middle Atlantic Products is available at https://info.legrandav.com/LundHalsey. About Legrand and Legrand, North and Central America Legrand is the global specialist in electrical and digital building infrastructures. Its comprehensive offering of solutions for use in commercial, industrial, and residential markets makes it a benchmark for customers worldwide. Drawing on an approach that involves all teams and stakeholders, Legrand is pursuing its strategy of profitable and sustainable growth driven by acquisitions and innovation, with a steady flow of new offerings — including connected products stemming from Legrand's global Eliot (Electricity and IoT) program. Legrand is one of the most sustainable companies in the world, as ranked by the Corporate Knights, and is committed to achieving carbon, water, and waste reductions in its operations, deepening its community relationships, and continuously improving the environmental profile of its products. Legrand reported sales of around $7.1 billion (USD) in 2018. Legrand has a strong presence in North and Central America, with a portfolio of well-known market brands and product lines. Legrand is listed on Euronext Paris and is a component stock of indexes including the CAC40, www.legrand.us.

Hi from everyone at iConnectivity! Today's a big day for us; it's the day we launch what we humbly believe are our best MIDI interfaces to date, the mioX series. mioXL and mioXM offer super-charged network connectivity. Now you can use the power of the network to connect piles of computers (Mac, PC, and mobile devices). Additionally, there's more USB ports for peripherals and onboard presets. If you are in need of MIDI connectivity, these interfaces are incomparable. Introducing the new mioX series interfaces mioXL mioXL is our all-new flagship MIDI interface. Taking the form of a 1U rackmount unit, mioXL features vast DIN-MIDI, USB-MIDI, and RTP/Network-MIDI connectivity. mioXL is an ideal choice for studio installations or MIDI intensive live rigs requiring huge amounts of connectivity. What you'll notice straight away about the mioXL is its new, high-resolution OLED display and encoder, alongside obscene amounts of physical connectivity. 8-in 12-out DIN-MIDI ports, 10xUSB-MIDI ports and also 22 virtual RTP/Network-MIDI ports. Brand new to the mioXL is also the ability to save and recall presets directly from the front panel of the interface. Perfect for DAW-less rigs or complex live setups. It's XL by name and XL by nature; it's impossible to pack any more MIDI connectivity inside a 1U rackmount interface. Believe us, we tried! mioXL makes you the master of your own MIDI domain mioXM mioXM takes the fundamental architecture of the flagship mioXL and places it within a compact, half unit space enclosure. Like its big brother, the mioXL, mioXM has unprecedented RTP/Network-MIDI connectivity. 12 virtual network ports, per mioXM, lets you assign an RTP/Network-MIDI port(s) for each of your connected peripherals and/or computing devices, and access them from virtually anywhere. 4 user-definable presets can be saved to the mioXM and recalled from the capacitive touch panel on the front of the interface. These allow you to quickly toggle between your four favourite configurations with a single tap. Ideal for moderate-sized MIDI setups operating without a computer or any systems that require switching between multiple configurations on-the-fly. mioXM is an ideal choice for compact, portable MIDI applications, or multiple placements throughout a studio, stage, or venue. Available now! mioXL and mioXM are available now at iConnectivity.com and iConnectivity dealers worldwide. Please visit www.iConnectivity.com to purchase, learn more, or find a dealer.

(STEVENSVILLE, MD) October 15, 2019 – PRS Guitars is pleased to announce two long-awaited signature models: the SE Mark Holcomb SVN and the DW CE 24 Floyd. Mark Holcomb and the band Periphery are a force to be reckoned with in the progressive metal scene thanks to their complex rhythms and soaring melodies. PRS and longtime signature artist Holcomb have now teamed up to offer a Signature 7-string model, a truly pro-level instrument with amazing versatility and response. The progressive metal band Between the Buried and Me has a sound that is both heavy and melodic, lush and menacing. It is this demand for versatility without sacrifice that led to the development of BTBAM guitarist Dustie Waring’s PRS signature model: the DW CE 24 “Floyd,” an addictive guitar that is as fun to play as it is reliable night after night. “Collaboration is key when working on artist models. We want to make sure we are designing something that is true to the artist’s vision and meets their needs as a player,” said Bev Fowler, Director of Artist Relations. “But, we also want to make sure that our signature gear delivers value to all players out there who are trying to make music, make a living, or just have fun. It’s rewarding when you find that balance and end up with a magic instrument.” SE Mark Holcomb SVN The SE Mark Holcomb SVN model truly stands on its own in the PRS lineup and delivers addictive playability thanks to some unique specifications, including a 24-fret, 26.5” scale length wide thin satin maple neck with 20” radius ebony fretboard. Holcomb’s signature Seymour Duncan Alpha and Omega 7-string pickups provide the right amount of output and articulation whether you’re playing sophisticated chords or solos and whether you’re playing alone or working in the mix of a band. Other specifications include the choice of a quilted maple or walnut veneer, black hardware, and a 3-way blade pickup switch with push/pull tone knob for coil splitting. The model is topped off with coil-taps for the pickups and a string-through, plate-style, 7-string bridge. "My SE SVN has become the perfect counterpart to my SE six-string, and an absolute mainstay in Periphery's live rig. It's designed to be aggressive, but its core features allow it to be diverse enough to handle clean and mid-gain tones just as effectively. If you've played my SE six, you'll find that this builds off what we established with that guitar and more." - Mark Holcomb, Periphery DW CE 24 Floyd The DW CE 24 Floyd model starts with the PRS CE bolt-on platform and includes a satin-finished maple neck, maple fretboard, a slightly modified Pattern Thin neck carve (Waring’s carve is slightly thinner front to back), and Floyd Rose tremolo system. The pickups and electronics are also unique to Waring’s signature axe. The pickups are Waring’s signature Mojotone “DW Tomahawk” pickups. Made with a blend of Ceramic and Alnico magnets and a special winding technique, DW Tomahawks have plenty of output and big bottom end while remaining articulate and clear - a unique quality for high gain pickups. Paired with a volume and tone control and 5-way blade pickup selector that have been shifted slightly to allow plenty of room to work the tremolo, the DW CE 24 “Floyd” is comfortable, fun, and inspiring to play. The DW CE 24 “Floyd” comes with satin black hardware and is available in four color options, including Waring’s signature finish: Waring Burst. “This model has been the most stable, pleasure-to-play instrument I’ve ever had. I’ve put it through the paces, and it’s made me proud to have my name on it.” – Dustie Waring, Between the Buried & Me For full specifications and artist videos, please visit www.prsguitars.com. Follow @prsguitars on social media to join the conversation. About PRS Guitars: Paul Reed Smith Guitars is a leading manufacturer of high-quality instruments in Stevensville, Maryland and has provided some of the world’s most renowned musicians with instruments since 1985. The PRS team of highly skilled craftspeople design and build a wide variety of musical instruments and gear for worldwide distribution, including electric, acoustic, and bass guitars as well as boutique-style guitar amplifiers. The PRS SE line of products complements the Maryland-made PRS line by offering highly approachable and more affordable electric, acoustic, and bass guitars. Carlos Santana, Neal Schon, John McLaughlin, John Mayer, Jimmy Herring, Tim Pierce, Orianthi, Mark Tremonti, Zach Myers of Shinedown, Brian Kelley of Florida Georgia Line, David Grissom, Martin Simpson, and Tony McManus are among the artists currently playing PRS instruments and/or amplifiers. PRS Guitars Info: www.prsguitars.com

ELECTRO-HARMONIX ANNOUNCES THE RE-RELEASE OF THEIR 1973 V2 RAM’S HEAD BIG MUFF PI New York City, NY, October 15, 2019: Electro-Harmonix has unveiled a faithful re-creation of their original 1973 Violet Ram’s Head Big Muff renowned for its exceptional sustain and articulate string separation. The new pedal is housed in a pedalboard friendly die-cast chassis and equipped with a few select updates for convenience. These include true bypass switching, an LED to indicate effect status and the option of being powered by a 9-volt AC adapter. Electro-Harmonix founder, Mike Matthews, stated: “Prices of original Ram’s Head Big Muffs have reached astronomical heights. This reissue nails that classic V2 tone heard on legendary recordings and famous guitar solos, and does it at a price the working musician can afford.” The Ram’s Head Big Muff is available now and features a U.S. Street Price of $99.00 www.ehx.com

It’s new release day and this week we’ve got Aura - Progressive House, giving this amazing genre a little breath of fresh air. Zenhiser Pack: Aura - Progressive HousePrice: $60.00 AUDDirect Link: http://www.zenhiser.com/aura-progressive-house-samples-sounds.htmlwww.zenhiser.com Zenhiser | Samples, Sounds, Loops & Midi Download Packs. 100% Royalty Free | Zenhiser Zenhiser | 100% Royalty Free Wav Sounds, Samples, Loops, Stems & Midi. Bespoke Sample Packs & Sound Libraries Designed Exclusively For Music Producers, Remixers & DJ's. Download New Sounds Now! www.zenhiser.com --------------------------

Cort X700 Duality Guitar Strikes Balance between Shredding Beast and Chic Beauty SEOUL, SOUTH KOREA — With the introduction of the X700 Duality, Cort has designed an electric guitar that can seamlessly transition from shred machine to chic refinement. The new flagship of the venerated X Series brings together boutique-quality materials and hardware components with custom-wired electronics that unleash the beast or quickly reign them in, making this guitar suitable for virtually any musical genre and style. At first sight, the design of the X700 Duality conveys “speed,” with its flamed maple top on a swamp ash body. These materials complement each other to produce a warm, yet punchy high-midrange sound that cuts through the mix with authority. Imaginations will be sparked by the Light Blue Burst finish and chrome hardware, but there’s so much more to the X700 Duality than its visual pizzazz. The X700 Duality’s Seymour Duncan TB4 bridge humbucker and SH2N neck humbucker, combined with a special 5-way wiring, present all of the modern and classic humbucker tones as well as two exceptional single-coil sounds for unmatched versatility. The X700 Duality achieves clarity and depth, whether the player is tearing it up on a metal riff or riding the wave with a sparkling, clean tone. This model’s “duality” comes into play through its unique electronics. The 5-way switch is custom-wired to provide glassy and sparkling single-coil sounds in the second and fourth positions, as well as full-bodied and powerful humbucker sounds in the bridge, middle, and neck positions. So as the player is driving with over-the-top metal tone, they can just as easily dial down to a jazzy warmth. A simple, yet versatile control layout, 1 volume and 1 tone knob, allows the player to focus on making music. The X700 Duality’s hardware also has a significant influence on its sonic character. This guitar features the Cort CFA-III Tremolo System made from a metal injection molding manufacturing technique with stainless steel on the saddle, bridge plate and block for a big, solid, bold and articulate sound as well as enhanced sustain. The recessed tremolo bridge allows for pull-ups to raise the pitch as well as for push-downs to lower it, providing even more sonic versatility. Staggered locking tuners provide excellent tuning stability by eliminating string slippage at the posts while facilitating quick string changes. Cort’s world-class craftsmanship is evident throughout the X700 Duality, but especially with high-quality materials where they matter. On the neck, the strength and brightness of the 3PC maple is balanced by the warm midrange of panga panga, resulting in super playability, feel and tonal definition. The ebony fingerboard provides jet-black beauty and slick smoothness, while the Luminlay side dot position marks make it easy for players to see the fretboard position markers while performing on dark stages. As another road-friendly feature, the 24 stainless steel frets (25.5’’ scale) boast excellent resistance to corrosion. The wide and tall fret-type offers a quick response with good articulation when playing chords as well as a clear tone when playing single notes. Learn more about Cort’s X700 Duality and watch demos by world-renowned guitarist Hedras Ramos at www.cortguitars.com. MSRP $1299.99 USD About Cort Guitars Cort designs, manufactures and delivers some of the finest guitars and basses to musicians and music enthusiasts all around the world. Over the past 50 years, the company has worked with some of the largest and most well-recognized guitar companies in the industry, as well as artists of international recognition. Cort remains focused on providing instruments that will last generations with the best workmanship possible, the best materials and components, and the best service long after the instruments have been purchased. For more information, visit www.cortguitars.com.

Mastering Audio with New WaveLab 10 The highly anticipated tenth version of the WaveLab audio mastering software now supports video playback, Reference Track, Audio Montage editing enhancements plus many other new features for mastering, editing, restoration and refinement. HAMBURG, Germany — Steinberg today announced the immediate availability of WaveLab Pro 10 and WaveLab Elements 10. WaveLab offers two editions of its award-winning audio mastering software. WaveLab Pro offers a comprehensive feature set that meets all demands of mixing and mastering studios, post-production facilities, sound designers, musicians, journalists, broadcasters and other audio creatives. Used by many musicians, radio journalists and podcasters, WaveLab Elements is a highly cost-effective editing and mastering environment for analyzing, editing and enhancing audio material. Exclusive Pro features WaveLab 10 offers several tools and enhancements that are exclusive to the Pro edition, such as allowing users to integrate external effect devices into the signal flow by providing more flexible ways to integrate external hardware effects. New to WaveLab Pro is also Reference Track for adding a reference audio file and then toggling between the reference audio file and other tracks. WaveLab Pro now also opens up to other audio editors, providing users the option to access and modify audio with other editors like SpectraLayers from within WaveLab. Highlights of Audio Montage include the support of multitrack recording and non-destructive inline editing. WaveLab Pro 10 also records and renders live input streams through the Master Section and the inserted plug-in chain. Covering common ground Both Pro and Elements versions now offer video playback support, letting users arrange, edit and process the audio of video within Audio Montage. The Audio Editor now includes undo/redo edit history in order for users to move from one edit to the next and recover previous versions of edited part without losing the changes made to the rest of the audio. The former Effect Tool Windows has been redesigned and renamed the Montage Inspector, making it easier to use. The track list in the Audio Montage has also witnessed an overhaul, with several improvements to the user interface. Due to the enhanced audio I/O routing provided in WaveLab 10, the audio connections settings dialog has also been renewed. The many other features There are many more feature additions to WaveLab 10, making this major update move further ahead. Import markers from XML files (Pro only) Move markers to their nearest zero cross position (Pro only) Increased number of effects and playback processing slots in the Master section (Pro only) New Follow Playback control in the Marker window of the Audio Editor and Audio Montage New performance monitoring meter in the transport bar (Pro and Elements) Offset information now available in fade out tool-tip (Pro and Elements) Additional Riff meta data now available (Pro only) CD Tool Window now displays CD album title (Pro only) Option to remove all batch processor plug-ins from a chain at once (Pro only) Enhanced preview in File Browser Real-time rendering with audition Improved third-party VST plug-in support (Pro and Elements) Improved playback performance (Pro and Elements) Steinberg’s Head of Pro Audio, Timo Wildenhain, commented: “Releasing WaveLab 10 rounds out a very successful year for the Pro Audio business unit at Steinberg. After Nuendo 10’s overwhelming launch, we successfully introduced the sixth version of SpectraLayers Pro to the industry. And we’ve been working hard in order for the new version of WaveLab to remain the apex for advanced audio editing and mastering.” Availability and pricing The WaveLab Pro 10 and WaveLab Elements 10 full retail versions are available from resellers and through the Steinberg Online Shop. The suggested retail price for WaveLab Pro 10 is US $499.99; the download version is US $472.00. Until December 31, 2019, the introductory price for WaveLab Pro 10 is US $377.60. The suggested retail price for WaveLab Elements 10 is US $99.99. Various downloadable updates and upgrades are exclusively available through the Steinberg Online Shop. Customers who have activated WaveLab 9.5 or earlier versions of WaveLab since September 17, 2019, are eligible for a free, downloadable Grace Period update to the latest corresponding version. Key features Video playback support to arrange, edit and process the audio of a video file in synchronization with the visuals. Extended external effects support for integrating external effect devices into the WaveLab signal flow via external FX buses (Pro only). Reference Track for adding a reference audio file to the Audio Montage, allowing switching between it and the audio files being worked on (Pro only). External editor support for integrating other audio editors into the WaveLab workflow, allowing clips to be modified in those applications from within the WaveLab session (Pro only). Undo/Redo History is a completely new undo/redo edit history system, also now available for the first time in the Audio Editor workspace. Multitrack recording in the Audio Montage (Pro only). Audio Montage Inspector and track list overhaul which delivers user interface improvements in the Audio Montage window, with dedicated controls for audio, reference and video tracks. Audio Montage Inline Editing allows complete clips to be opened from within the Audio Montage and non-destructively edited in the Waveform Editor or Spectrum Editor (Pro only). Live input stream recording which lets as many audio streams as the input device/system can handle be recorded/rendered through the Master section and inserted plug-in chain (Pro only). Further improvements including an enhanced audio settings dialog; Marker list and CD list follow playback indicator; import markers from XML files (Pro only); more effects and playback processing in the Master section (Pro only); performance monitor; CD album display in the CD Tool window; real-time rendering with audition; improved third-party VST plug-in support; improved playback and more. Links Product page: www.steinberg.net/wavelab YouTube channel: www.youtube.com/wavelab About Steinberg Media Technologies GmbH Steinberg is known the world over for its music and audio software and hardware solutions. The company has been developing, manufacturing and selling innovative products for musicians and producers in the music, film, post production and multimedia industries since 1984. Steinberg products are used by Grammy and Oscar award-winning composers, engineers and producers. The company also offers business customers license-management and copy-protection systems. Visit www.steinberg.net for further details.

Originally released in 2002 and residing on the pedalboards of iconic musicians like George Lynch, Peter Frampton, and Alex Skolnick, the Pickup Booster is a true-bypass pedal with a class A, low-noise circuit design, and can be used to dial in the tone you need for every situation. It will emphasize your guitar’s natural tone while adding some muscle and fatness. It uses a discrete push-pull output stage for increased drive capability so, even with the Gain knob down to 0dB from a maximum 25dB, your signal chain will sound cleaner—even with long cable runs—essentially acting as a buffer on your pedalboard. Like the original, this pedal is designed to boost your signal without altering the character of your guitar, while also hiding a few tone-shaping tricks up its sleeve. Unlike the original, it is available for a limited time and is finished in a matte black chassis. LEARN MORE

'Deep Classic House Bundle (Vols 1-3)’ by Producer Loops is inspired by the days when you'd put your Dance Compilation in the CD player, press play, and get ready for a night out at the club. No existing audio recordings, loops or MIDI files were used in this pack. Everything is 100% original and 100% Royalty-Free. With its effortless, upbeat, Pop-inspired basslines, piano riffs, melodies, kicks, claps, FX, and much more, this huge bundle of 15 Construction Kits is ready to inspire your next 90s flash back track. This one's for producers who want to emulate the sound of the 90s and take it into the present day with the quality of modern production techniques. Everything was created from scratch, including all melodies, riffs, chord progressions, instrument tracks and drums. This pack is ideal for making Classic House, Dance tracks, Deep House, or even Lo-Fi House. Royalty-Free: All of the loops in this product are 100% Royalty-Free, so once purchased, you can use these loops in your commercial releases without having to pay mechanical royalties. Product Details: Vol 1: • 5 Construction Kits • 123-124 BPM • 106 WAV Loops • 22 MIDI • 27 One-Shots Vol 2: • 5 Construction Kits • 122-125 BPM • 97 WAV Loops • 23 MIDI • 24 One-Shots Vol 3: • 5 Construction Kits • 91 WAV Loops • 22 MIDI • 28 One-Shots Formats: • ACIDized WAV Files • REX2 Loops • Reason ReFill • Apple Loops • Loops Sync To BPM • 44.1kHz/24-Bit • PC/Mac Compatible • Key & Tempo Labelled • 100% Royalty-Free Price and Availability: 'Deep Classic House Bundle (Vols 1-3)’ is available for instant download exclusively at ProducerLoops.com for £49.95 / 58.96 EUR. More information is available at: https://www.producerloops.com

Bliss Sampler 1.7 released Available for macOS, Windows and Linux. Take a closer look Upgrade discoDSP

NUGEN AUDIO ANNOUNCES SIGMOD SOFTWARE UPDATE AT AES 2019 NEW YORK, OCTOBER 14, 2019 – NUGEN Audio unveils the latest SigMod Software plug-in update at AES 2019 (Booth 504I – Avid Partner Pavilion). The update allows SigMod to host multiple instances of the Insert module and incorporates hosting support for third-party VST2 and AU plug-ins. This enables users to access a wider pool of plug-ins – particularly in DAWs that support limited plug-in formats – and increases access for creative routing options such as mid/side processing for any stereo or multi-mono plug-in. The company has also implemented a wet/dry control for the Insert module. This provides even further flexibility, allowing users to blend their effected signal with the original sound without the use of an AUX send. Improved navigation controls for third-party plug-ins, including a search bar functionality, enables users to filter by name and increases efficiency and ease of use. NUGEN’s SigMod software provides custom, simple signal architecture with 12 single-process modules to enhance plug-in and DAW functionality. It offers creative new ways to work by allowing users to easily insert, swap and move modules to fit to the correction, conversion and tweaking of audio. Included among the available modules are Mid/side; Protect; Tap; Crossover; Insert – now with VST2/3 and AU; Mute/Solo; Trim; Switch; DC Off-Set; Mono; Phase; and Delay. Several of these modules offer easy access to functionality that is often either missing or difficult to access in certain DAWs. With SigMod’s intuitive signal routing, the creative options are endless. The software is available in AAX, VST 2/3, AU and AudioSuite formats in both 32- and 64-bit versions, and is available on both Mac and Windows OS. “Our release of SigMod VST2 is a great example of how we continually strive to be at the forefront of technology,” says Paul Tapper, CEO, NUGEN Audio. “We find that tailoring our products to the specific needs of audio professionals enables them to accomplish their full creative vision in a time- and results-oriented manner. We’re excited to release this product and look forward to speaking with audio pros at AES to discuss its features in greater detail.” About NUGEN Audio NUGEN Audio provides the broadcast and post-production industry’s most advanced solutions for surround upmixing and end-to-end loudness management, metering, and correction from content acquisition through to playout. Reflecting the real-world production experience of the NUGEN Audio design team, the company’s products make it easier to deliver high-quality, compliant audio while saving time, reducing costs, and preserving the creative process. NUGEN Audio’s tools for audio analysis, loudness metering, mixing/mastering, and tracking are used by the world’s top names in broadcast, post-production, and music production. For more information, visit nugenaudio.com. All trademarks appearing herein are the property of their respective owners. Follow NUGEN: https://www.facebook.com/nugenaudio https://twitter.com/NUGENAudio

PEORIA, AZ — Headbangers know there’s nothing more sinister than when a string snaps during a monstrous moment. Inspired by Doyle Wolfgang Von Frankenstein, the epicenter of the punk thrash band Doyle and original founding member/lead guitarist of the Misfits, Dean Markley unveils the Doyle Artist Series Signature Set—the perfect fit for players who need electric guitar strings that can endure physical challenge while maintaining excellent tone. Doyle is widely considered a pioneer of speed/thrash metal guitar playing. The Misfits’ last album, 1983’s “Earth AD/Wolf’s Blood,” is revered as a genre blueprint, and Doyle later embarked on a successful solo career, starting his eponymous band and launching his own label, Monsterman Records. When it comes to his guitar strings, Doyle turns to the Dean Markley Signature Series. When asked why, the monster man of few words simply remarks, “Because I beat the [expletive] out of them, and they don’t break.” Like many artists, Doyle has left the science behind the strings to the pros at Dean Markley. Signature Series strings are made of nickel-plated steel hand-wound slowly over a hex core. The outer string wrap maintains 100% contact with the core resulting in a string that vibrates completely for maximum sustain, creating a warm, full sound. The core-to-wrap ratio also makes bending easier than other strings. In Doyle’s case, the wrap ratio provides the physical and tonal durability he needs for his aggressive style of playing. Honoring the man, the monster and the legend himself, Dean Markley now introduces The Doyle Artist Series Signature set with custom gauges at .011/.013/.017/.030/.042/.052. Players who want to invoke fear without the dread of breaking their strings can pick up the Doyle Artist Series Signature Set at their local music shop. Learn more about Dean Markley’s Electric Signature Series and other products at www.deanmarkley.com. About Dean Markley Established in 1972, Dean Markley is recognized as an innovator and leader in the world of musical instrument strings. Over the years, the company has expanded its product line to include guitar amplifiers, pickups and accessories. Celebrated by retailers for their sales performance and endorsed by an elite caliber of musicians, Dean Markley products are the smart choice. Visit www.deanmarkley.com to learn more.

Eventide Audio releases Rotary Mod emulation of classic Leslie speaker for mobile music creation on iPhone and iPad LITTLE FERRY, NJ, USA: Eventide is proud to release Rotary Mod for iOS, introducing the legendary sound effect produced from an authentic emulation based on the liquid and lush Leslie cabinet — used on thousands of recordings, most notably by The Beatles, Beach Boys, Cream, and Pink Floyd, and many more — to iPhone- and iPad-based mobile music-makers as an AUv3 plug-in and Standalone app, as of October 10… Just like the original sound derived from the uber-famous Hammond organ’s Leslie speaker cabinet, musicians and sound designers alike are able to achieve the coveted rotating tremolo cabinet effect heard on numerous recordings with Eventide’s Rotary Mod for iOS. This iconic emulation brings that classic ’60s whirling modulation bliss into the 21st century and the palm of your hand. Rotary Mod produces a pulse-like vibrato effect depending on the speed of rotation. Rotary Mod makes available precise control to dial in the exact amount of movement needed to create pulsating, lush effects used to ‘liquify’ instrument sounds and create dramatic musical gestures. The classic, swirly effect of Rotary Mod for iOS can be utilized to drastically transform guitars, bass, synths, strings, vocals, and more. Features: Ability to change the speed of the ROTOR and HORN independently, and adjust the mix of the two to produce pulsing effects and special vibratos. Option to add frequency modulation to the ROTOR and HORN speed using secondary LFO (Low Frequency Oscillator) with selectable modulation SOURCE. Ability to choose cabinet size — STD (standard) or GIANT — to alter the sweetness of the tone. Included HICUT control for precise sound design. TAP TEMPO feature to SYNC effect to the BPM (beats per minute) of the song. Incredibly easy to use with included Factory Presets. Innovative ‘Ribbon’ control allows for changing any combination of parameters simultaneously. MIX lock control to scroll through the Factory Presets while keeping the wet-dry MIX constant. Compatible as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone app for iPhone and iPad. Eventide’s Rotary Mod is now available for download as an Audio Units AUv3 plug-in, Inter-App Audio, and Standalone app for iPhone and iPad from the App Store for $7.99 USD here: https://etide.io/rotarymod For more in-depth information, please visit the dedicated Rotary Mod webpage here: https://www.eventideaudio.com/rotary Watch Eventide’s enlightening Rotary Mod demo video here: https://youtu.be/WbWHhJEhfc0 About Eventide (www.eventideaudio.com) For over 48 years, Eventide has remained at the forefront of recording and music technology. In 1975, they revolutionized the audio industry by creating the world’s first commercially available digital audio effects unit. Since then, their legacy continues to reign with legendary studio processors, stompboxes, and plug-ins that have been used on countless hit records, and continue to be used by millions of musicians in studios worldwide. Eventide is a registered trademark of Eventide Inc. iPhone and iPad are trademarks of Apple Inc., registered in the U.S. and other countries and regions.App Store is a service mark of Apple Inc.

TORRANCE, CA, OCTOBER 10, 2019 – MXL Microphones, a leading manufacturer of consumer and professional audio products, introduces its APS Podcasting Bundle, offering three standout hardware components including a microphone, stand and XLR/USB adapter, specifically designed for live streamers and podcasters. These products provide users with easy-to-use and professional-sounding tools to create high-quality audio podcasts. The MXL BCD-1 Broadcast Dynamic Microphone is an end address microphone with warm, rich tones designed to make vocals stand out in any recording or broadcast. It delivers a bright sound, with built-in shock mount to negate vibrations and unwanted noise and features excellent side rejection. The tuned grill eliminates internal reflections while the built-in swivel mount allows for perfect positioning when combined with the MXL BCD-Stand. The BCD-Stand with articulating hinge arm allows for easy mic placement and provides a professional look and feel for podcasters. Additional clamp and swivel mount options are also available. The Mic Mate Pro is an XLR-to-USB audio interface adapter that allows podcasters and live streamers to connect their microphones directly to their computer, effectively converting any XLR microphone into a USB microphone. With 48V phantom power, gain and headphone volume control, and studio-quality preamp capabilities, the Mic Mate Pro is a versatile and compact universal interface. It allows podcasters to instantly start recording without any special driver installations for a plug-and-play solution. To further simplify use, the MXL Mic Mate Pro handles microphone gain and headphone volume adjustments with low-profile rotary knobs, while the built-in headphone jack allows for zero-latency direct monitoring. “In the last decade, podcasts have seen a huge surge in popularity, and our APS Podcasting Bundle provides the quality tools needed for those in this market,” says Trevor Fedele, sales director of MXL Microphones - MI|UC. “With the creation of the APS Podcasting Bundle, studio-quality broadcasting technology is now within the reach of every recording enthusiast.” For more information, visit http://www.mxlmics.com/microphones/podcasting/APS/. # # # About MXL: MXL is a leading manufacturer of consumer and professional audio products for the recording, broadcast, post, production, and live sound markets. MXL is a division of Marshall Electronics, headquartered in Torrance, CA. Additional information on all MXL microphones can be found at www.mxlmics.com or contact sales@mxlmics.com.

Santa Monica, Calif. (October 10, 2019) — The Recording Academy® Producers & Engineers Wing® will be focusing on issues associated with loudness in two informative expert panels at AES New York, taking place Oct. 16-19, 2019, at the Javits Center in New York City. On Wednesday, Oct. 16, from 2:45 to 4:15 p.m., the panel "The Loudness War Is Over (If You Want It)" will take place in the Special Events Room. GRAMMY®-winning engineer George Massenburg will serve as moderator, with panelists to include acclaimed engineers Serban Ghenea, Gimel "Guru" Keaton, Bob Ludwig, Thomas Lund and Ann Mincieli. Now that streaming dominates the music listening landscape, it’s time to revisit what loudness really is and how to manage it. Companies including Apple, YouTube and Spotify each have their own measurement standards and loudness targets, while today’s production paradigm often lacks a traditional infrastructure of project managers and gatekeepers with technical expertise. Artists and record companies—as they always have—want their songs to sound at least as loud as the ones playing before and after them. The stakes are high. So, what to do? The truth is, we, the creators, are responsible for understanding all of the issues in the loudness discussion. No one else is going to do it. Join us for this lively and informative conversation with some of the best minds in the business who will shed light on both the current unhappy state of loudness and what creators can do to make it better. The following day, Thursday, Oct. 17, from 4:00 to 5:00 p.m., the panel "When Loud is Not Loud: What You Need to Know About Loudness Measurement Today" will take place on the show floor at the Recording Expo Stage. Alex Kosiorek (manager of the award-winning production service Central Sound at Arizona PBS; Executive Producer of Classical Arizona PBS productions; and current AES Vice President – Western Region of USA/Canada) will serve as moderator, with panelists represented from Adobe, iZotope, Nugen and Waves. Whether it is music or spoken word (such as podcasts), care is needed to preserve the artistic intent of the content’s creators. It is critical that producers, recording, mixing and mastering engineers understand what truly is at stake, and how to read, measure and manage the loudness of audio files. Join representatives from four highly regarded audio tech companies who will inform and enlighten about the proper use of today’s loudness meters and measurement tools. ABOUT THE RECORDING ACADEMY The Recording Academy represents the voices of performers, songwriters, producers, engineers, and all music professionals. Dedicated to ensuring the recording arts remain a thriving part of our shared cultural heritage, the Academy honors music's history while investing in its future through the GRAMMY Museum®, advocates on behalf of music creators, supports music people in times of need through MusiCares®, and celebrates artistic excellence through the GRAMMY Awards—music's only peer-recognized accolade and highest achievement. As the world's leading society of music professionals, we work year-round to foster a more inspiring world for creators. For more information about the Academy and its Producers & Engineers Wing, please visit www.grammy.com. For breaking news and exclusive content, follow @RecordingAcad on Twitter, "like" Recording Academy on Facebook, and join the Recording Academy's social communities on Instagram, Tumblr, and YouTube.

ELECTRO-HARMONIX INTRODUCES THE S8 MULTI-OUTPUT UNIVERSAL, PEDAL POWER SUPPLY New York, NY, October 2, 2019: EHX has unveiled the S8 Multi-Output Power Supply which will power up to eight effects pedals and features outputs that are individually regulated as well as short-circuit protected. The S8 minimizes noise in a player’s signal chain and is a convenient solution to unwanted cable mess. It provides one 18V output with a maximum current of 150mA and seven 9V outputs with a maximum current of 250mA per output. The S8 power brick is pedalboard friendly and features compact dimensions: 3.7” x 1.7” x 1.4” (93.5mm x 42mm x 36mm) and a lightweight 4.9oz (140g), yet rugged metal chassis. The S8 includes eight power cables and a pedalboard mounting strip. Features: Provides one 18V and seven 9V outputs Each output is individually regulated for maximum performance Short circuit protection design for the individual outputs Pedalboard-friendly size, rugged metal chassis Includes eight power cables Specs: Power Supply: 12V DC power adapter 9V DC outputs maximum current of 250mA per output 18V DC output maximum current of 150 mA Not compatible with pedals that do not work in a daisy chain configuration Dimensions: 93.5mm x 42mm x 36mm (3.7" x 1.7" x 1.4") Weight: 140g (4.9oz) The EHX S8 Multi-Output Power Supply is available now and features a USA Street Price of $79.99. www.ehx.com

IK Multimedia announces three pro-quality, mobile-friendly iRig mics and iRig Stream stereo audio interface New pocket-sized mics and mobile streaming interface provide crystal clear audio for recording video, live-streaming and more October 10, 2019 - IK Multimedia announces iRig Mic Cast 2; iRig Mic Cast HD; iRig Mic Video and iRig Stream. These four mobile-friendly audio tools are part of IK's Creator Series for video content creators, YouTubers, live streamers, and other social media broadcasters looking to capture high quality audio directly using a mobile device. The iRig Mic Cast 2 and iRig Mic Cast HD microphones offer featherweight, pocket-sized portability and crystal clear voice recording using an iPad, iPhone or Android device. Both reject off-axis noise for quiet recording, and feature a unique magnetic mounting design for quick and easy on-the-go use. Selectable pickup patterns, headphone monitoring and an included windscreen for outdoor use make them ideal for interviews, live streams, creating YouTube videos and more - anytime, anywhere, and with no additional batteries needed. iRig Mic Video is a lightweight shotgun microphone offering professional features and multiple mounting options that make it compatible with the widest range of devices, including smartphones, tablets and DSLR cameras. It's also available as part of a mobile video creation kit with iKlip Grip Pro, for an all-in-one video capture solution. Ideal for content creators and musicians, iRig Stream is a mobile audio interface that mixes multiple audio sources down to one track for recording or streaming in mono or stereo with the user's mobile device and their favorite app. iRig Mic Cast 2 The ultra-compact, travel-friendly, iRig Mic Cast 2 offers an affordable solution for crisp, clear voice recording for YouTube videos, Instagram, live streams, or audio for Skype and FaceTime calls. This featherweight mic mounts securely onto an iPad or smartphone. Its innovative magnetic design lets users snap it into place on their device in seconds (even with a case). iRig Mic Cast 2 works in both portrait and landscape orientation on phones and tablets with the included breakout cable. A new dual mic capsule design lets users select a front or rear pickup pattern to reject off-axis noise whether recording oneself or someone else, or both at once for an omnidirectional pickup pattern. The built-in headphone out can be used to monitor the signal with compatible apps to ensure high quality audio capture. iRig Mic Cast 2 works with any app that records audio. For added convenience, it comes with iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video app that lets users record, trim, edit and share from their device. iRig Mic Cast HD iRig Mic Cast HD offers all the core features of iRig Mic Cast 2 along with enhancements for professional use. It adds gold-sputtered capsules for superior sound, a 40 Hz to 20 kHz frequency response, and 24-bit, 96 kHz converters for crystal clear audio via Lightning, Micro-USB and USB-C cables, all included. iRig Mic Cast HD also offers front and rear selectable recording plus a bi-directional, figure 8 pickup pattern that's ideal for conducting interviews while rejecting off-axis noise. To ensure the highest-quality recording in any situation, iRig Mic Cast HD offers adjustable sensitivity, making it even easier to use in a wide range of settings. For monitoring, iRig Mic Cast HD offers a headphone out with selectable direct or processed sound to ensure compatibility with the widest range of apps, as well as a multi-color LED for visual indication of the signal strength, eliminating worries about losing a take due to poor audio levels. To get started right out of the box, iRig Mic Cast HD includes Lightning, Micro-USB and USB-C cables. iRig Mic Video and iRig Mic Video Kit This shotgun-style mic offers professional-quality audio capture and production features that are suitable for a wide array of video shoots - from broadcasts to vlogs and even action shots. iRig Mic Video includes the same convenient magnetic mount as iRig Mic Cast HD, plus a hot shoe adapter for mounting to DSLRs. With the included Lightning, Micro-USB, USB-C and DSLR cables, users can switch between a serious studio setup and an ultra-mobile outdoor rig at a moment's notice. The gold-sputtered condenser capsule features a tight, directional pickup that focuses directly in front of the mic to reject distracting background noise, and 24-bit, 96 kHz converters ensure a quiet, clean signal. For use with DSLR cameras, iRig Mic Video also offers a 10db pre-amplifier that boosts the signal before it hits the camera to reduce any noise generated by the camera's built-in audio circuits. A multi-color LED lets users conveniently and discretely check signal level at a glance, and a headphone out offers direct real-time monitoring or listening back to processed audio, to fit any workflow. iRig Mic Video is also the only smartphone-compatible, shotgun-style mic to offer adjustable gain for use in any situation. iRig Mic Video works with any app that records audio, and comes with IK's iRig Recorder 3 LE. For a more secure grip and stable on-the-go shots, the iRig Mic Video Kit comes complete with the mic plus IK's iKlip Grip Pro multifunction stand that transforms from handgrip to monopod to tripod in seconds. A standard UNC ¼" thread lets users mount iRig Mic Video, lights or other accessories on top, and an adjustable clamp holds phones securely even with a case. It's everything needed for capturing pro-level video in any situation, in a lightweight and portable rig. iRig Stream iRig Stream is an innovative stereo audio interface designed for musicians, podcasters and other creators looking to record or stream high-quality audio with their mobile device. Two line-level RCAs offer quick connection to mixers, keyboards and outboard gear, and the included Lightning, USB-C and USB-A cables can connect to the latest smartphones, tablets and laptops. An innovative headphone/microphone jack offers both direct monitoring and an easy way to add a voice-over to a stream. Compatible with most earbud/mic combos as well as IK's analog iRig accessories, it offers a comprehensive solution in an ultra-compact unit. An intuitive set of gain indicators and gain control make it easy to set the appropriate level, and 24-bit, 48 kHz A/D converters ensure superior sound. A Stereo/Mono switch ensures compatibility with the widest range of apps, including mono-only apps like Instagram, and a loopback feature lets users playback music on their device at the same time they stream. * Requires use of Apple's Lightning to 3.5 mm Headphone Jack Adapter (TRRS). Pricing and availability All products are available for pre-order now from the IK Multimedia online store and from authorized IK dealers worldwide and will ship in early November. iRig Mic Cast 2 - $/€49.99**; iRig Mic Cast HD - $/€99.99; iRig Mic Video - $/€129.99; iRig Mic Video Kit - $/€169.99; iRig Stream - $/€99.99. ** All prices excluding taxes For more information, please visit: iRig Mic Cast 2 - www.ikmultimedia.com/irigmiccast2 iRig Mic Cast HD - www.ikmultimedia.com/irigmiccasthd iRig Mic Video - www.ikmultimedia.com/irigmicvideo iRig Stream - www.ikmultimedia.com/irigstream To see these new products in action, visit: iRig Mic Cast 2 - www.ikmultimedia.com/irigmiccast2/video iRig Mic Cast HD - www.ikmultimedia.com/irigmiccasthd/video iRig Mic Video - www.ikmultimedia.com/irigmicvideo/video iRig Stream - www.ikmultimedia.com/irigstream/video

ELECTRO-HARMONIX EXPANDS RANGE OF BLUETOOTH® EARBUDS AND HEADPHONES —EHX follows up the successful launch of their R&B BUDS Bluetooth® earbuds with two new offerings— New York City, NY, October 9, 2019: Electro-Harmonix is introducing EHX SPORT BUDS Bluetooth® earbuds that are ideal for an active lifestyle and EHX NYC CANS Bluetooth® headphones for those who prefer headphones. EHX SPORT BUDS feature a flexible ear-clip design so they are comfortable to wear, fit perfectly and remain stable on the wearer’s ears when he or she is jogging, hiking, biking, at the gym or simply on the go. SPORT BUDS provide an extended battery life, a sweat-proof design and come with three sizes of ear cushions to accommodate all users regardless of the shape and size of their ears. EHX NYC CANS are designed for those who prefer on-ear headphones. They are lightweight, collapsible and feature a Micro SD Card slot for playing MP3s. In addition, they will accept an optional cable with an 1/8" plug for wired use. R&B BUDS use no cables or wires and rely on the latest Bluetooth® V5.0 technology. They provide five hours of playtime. Plus there’s an additional 15 hours of stored power in their compact charging case. R&B BUDS come equipped with three different ear cushions. This results in a secure, comfortable fit and ensures the earbuds will not creep out of the wearer’s ears and fall out. EHX Founder, Mike Matthews, stated “Electro-Harmonix is synonymous with great sound and low prices and that’s what all of our Bluetooth® products deliver.” EHX NYC CANS, R&B BUDS and SPORT BUDS are available now feature a U.S. List Prices of $25.95, $69.95 and $35.95 respectively. www.ehx.com

Tracktion Education: Free Software Tools For Audio Learning SEATTLE, WA (October 9th, 2019) – Tracktion Corporation Education proudly offers all its software FREE to educational institutions and a 50% saving on the cost of any license to students. Plus, both teachers and students can benefit from access to the open source Tracktion Engine codebase, the perfect tool for an introduction to programming. Most teaching establishments and many students pay large sums for software licenses. Tracktion has committed to removing these barriers to learning by adopting a policy to provide educational institutions with FREE multi-seat licenses to all their software, supported by a student discount of 50% on any software license. Tracktion’s Waveform DAW is a creative, inspirational and affordable music production software. Its earlier incarnation T7, is available FREE to all. Both offer an intuitive, and professional feature set which allows users to compose, record, edit, mix and share their music with ease. The company offers a wide range of virtual instruments: Biotek provides users with unlimited opportunities to evolve their own sound with a range of natural and environmental samples. Retromod captures the soul of classic hardware synthesizers and adds a contemporary twist. Delta V Audio’s Spacecraft is an easy to play, powerful granular synth and Mok’s Waverazor is a futuristic synth that allows users to splice waveforms into new sounds. Socalabs 8-Bit Treats, a complimentary series of plugins that emulate classic game consoles, and Waverazor LE are available FREE. The DAW Essential Collection of effects is an inspiring, contemporary selection of sixteen FX plugins which are compatible with all major DAWs. Users looking for a professional stereo mastering plugin that offers multi band dynamic processing and equalization should take a look at Master Mix and those looking for the perfect drum sound need to consider Imagina Loops. Tracktion Engine, in JUCE module format, is quick and easy to setup and has been designed so users can focus on building audio apps with great features. It provides plenty of interest for teachers and students alike. To find out more about Tracktion Education and all the companies products please go to www.tracktion.com ### Waveform Screen Shot Waveform logo About Tracktion US based Tracktion is best known for its rapid evolving indie DAW ‘Waveform’, with an army of dedicated followers around the globe. Not afraid to be different, Tracktion has also carved out a reputation for innovative VI’s, such as Biotek, and FX development with heavy hitting users including Mark Mothersbaugh (Devo) and contributors such as Richard Devine. With a strong developer focus, the revolutionary open source ‘Tracktion DAW Engine’ is also empowering the future of complex audio app development.

Santa Monica, CA - October 8, 2019 - Apogee is introducing Clearmountain’s Domain, a multi-effects plugin that reproduces legendary mixer, Bob Clearmountain’s personalized FX signal chain. The plugin simplifies Clearmountain’s very sophisticated and creative hardware routing, making it easier to emulate the cohesive spaces, expansive dimensions, and rich atmospheres his most celebrated mixes are known for. Classic presets allow you to recreate the sonic environment of your favorite Clearmountain mixes. Advanced view tabs take you behind the scenes of Clearmountain’s technique to reveal decades of expertise and empower you to create your own musical mix domain. Custom impulse responses of Clearmountain’s favorite spaces give you access to the reverb Bob has used on countless hit records. And, the multi-color FX Visualizer lets you see the placement of all effects in real-time. Clearmountain’s Domain expands Apogee’s plugin offering which also includes the only Pultec EQ plugins to be officially endorsed by Pulse Techniques, makers of Pultec hardware. Bob Clearmountain Redefined the Role of the “Mixer” For decades, engineers, producers, and musicians have marveled at Bob Clearmountain’s mixes. Recordings by iconic artists like David Bowie, Chic, Roxy Music, The Rolling Stones, Bruce Springsteen, Bryan Adams, INXS, and so many more are prime examples of how Clearmountain’s work elevated the role of “the mixer” to that of an essential creative partner in the process of making records. Bob’s ability to build a soundscape and atmosphere, where voices and instruments effortlessly live in an intimate space but seamlessly blend together, set new standards for mixing. His passion to reveal the true character of the song, highlighting the emotion of the music, gets to the heart of what inspired the song to begin with. Clearmountain’s Hardware FX Workflows Made Accessible in your DAW Over decades of mixing hit songs, Clearmountain has developed a complex and personalized hardware FX signal chain for creating, in his words, “the space where the mix lives” - the imaginary soundscapes where musical elements each have their own space and dimension, but remain cohesive to the whole. This FX signal chain, developed over decades, involves an entire studio’s worth of hardware gear - live echo chambers, delays, harmonizers, de-essers, EQs and a large format analog mixing console. And lots of patch cords, many patch cords! Reproducing this complicated interconnection of hardware using individual plugins in a DAW proved to be almost impossible. With Clearmountain’s Domain, it’s refreshingly simple to achieve Clearmountain’s results with a mere click on a preset. Classic Presets make it easy to access iconic Clearmountain sounds and create your own Thanks to the Clearmountain Classic presets, you don’t need an Engineering degree to get started - instead, start with the awe-inspiring sounds you know and love from your favorite Clearmountain mix. Bob has carefully created each preset based on specific instruments and processing from his extensive catalog of timeless hit mixes. Looking to nail the the Bowie vocal FX from Let’s Dance - simply load the Let’s Vox preset! Custom Impulse Responses of Clearmountain’s Reverb Spaces Earlier in his career, Clearmountain leaned heavily on physical rooms and chambers for realistic and unique reverb - for example, the custom designed echo chambers at his MixThis studios in Los Angeles. Once convolution reverb technology allowed him to “capture” the characteristics of his favorite rooms as digital impulse response files, he was free to use all his favorite spaces no matter their location. With Clearmountain’s Domain, you now have access to these spaces, the very ones used on countless hit mixes. Highlights Clearmountain’s Personalized FX Signal Flow Pre Delay/Reverb De-esser Pre Delay/Reverb EQ Stereo Delay with Spin Time Compensation Delay Blur (Saturation) Stereo Unison to Octave Pitch-Shift Clearmountain Spaces Convolution Reverbs FX Mixer Clearmountain’s Classic Presets Clearmountain Spaces, Convolution Reverbs Real Time FX Visualizer Clearmountain’s Domain is available now on the Apogee web site for $349 Learn More

SoundSpice releases : Action City Electronica Fast cars, casinos, game shows & magicians, neon signs light the way and these loops provide the soundtrack. High energy for high stakes, the city grooves in mysterious ways. From the lobby to the penthouse, Action City brings excitement as well as tension. Add some of these loops to your next track or remix and hit the streets running. 400megs - 338 Loops mostly in the 120bpm-150bpm range 25% off now through Monday October 14th - No coupon code required - Just $14.96 (U.S.) https://sites.fastspring.com/soundspice/product/webshop

Waldorf Music announces availability of 128-voice, FPGA processing-powered Kyra VA Synthesizer sensation REMAGEN, GERMANY: having teased the musical masses last year, then turned heads and opened ears when unveiling a preproduction prototype at The 2019 NAMM Show in Anaheim, California earlier this year, with repeat showings Stateside (at Synthplex 2019 in Burbank, California) and closer to home (at SUPERBOOTH19 in Berlin), high-quality synthesizer developer Waldorf Music is proud to announce availability of Kyra — its eagerly-awaited 128-voice, FPGA (Field Programmable Gate Array) processing-powered VA (virtual analogue) synthesizer sensation — as of October 7… Accompanying documentation proudly proclaims that Kyra “...is one of the most powerful music synthesizers ever built.” But this is not hardware hyperbole on Waldorf Music’s part. Put it this way: with 32x oversampled hardware sound generation and 96kHz floating point sound processing providing guaranteed contention-free 128 voice channels, Kyra is guaranteed to make its musical mark as a sensational synthesizer that is as easy to use and easy on the eye as it is powerful and flexible. From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer — as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent ‘parts’ with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection — can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs — OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) — using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices. Versatility further abounds as each PART has a dedicated multi-effects unit comprising nine stereo effects modules — namely, three-band EQ, Formant filter, input Limiter, Distortion module, Delay module, six-state Phaser, Chorus flanger, Stereo reverb, and output Limiter — with dedicated audio stream via USB (Universal Serial Bus). Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks — A through to Z, each containing 128 patches. That’s a total of 3,328! The first seven banks are ‘user’ patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands. Whatever way anyone views it, Kyra far from short-changes from a live performance perspective or when working with it in a studio setup as an alternative. As a sensational synthesizer with a spectacular specification, Kyra doesn’t disappoint from the all-important sound standpoint, starting with two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) — with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) single-cycle 32x oversampled wavetables covering a huge range of synthetic and emulated sound sources with two wavetable sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator — SUB 1 and SUB 2 — with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups. Get this, though: switching from Wave mode — meaning Kyra adopts a virtual analogue synthesis model which has the advantage that it is easy to construct sounds using intuitive subtractive synthesis — to Hypersaw mode configures the voice to use a special algorithm comprising six real oscillators to quickly create lush-sounding soundscapes. Digging deeper, Hypersaw mode replaces Wave mode’s two oscillator groups with a single source whose tonal content is constructed with just two adjustable controls — Hypersaw Intensity and Hypersaw Spread (geometric detuning). Built entirely out of multiple, harmonically-rich sawtooth waves or ‘partials’ each adjusted to that special algorithm, the Hypersaw provides characteristic soundscapes ideal for a wide range of uses — from high-impact lead sounds through to lush, animated pads. Placed in Dual Mode, the Hypersaw has 12 real oscillator sources with an additional adjustable stereo spread. Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra’s FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation. Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) — with 128 wavetable shapes, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings — are also available in the MOD MATRIX and additionally as a MIDI clock sync source. Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra’s ARP is an integral part of a Patch, so settings are always stored. Far from forgetting its helpful high-resolution 256x64 pixel graphic OLED (Organic Light-Emitting Diode) display alongside the traditional array of MIDI In, Out, and Thru connections — complimenting USB 2.0 — on five-pin DIN, as well as full key microtuning capability with MIDI Tuning Standard (MTS support), it is fair to say that Kyra is, indeed, one of the most powerful music synthesizers ever built... a sensational synthesizer with a spectacular specification, set to take performances and compositions to higher states of musicality and sound design! The Kyra VA Synthesizer is available through Waldorf Music’s growing global network of distributors (https://www.waldorfmusic.com/en/international-distributors) at an SRP (Suggested Reseller Price) of €1,843.00 EUR (excluding tax). For more in-depth information, please visit the dedicated Kyra VA Synthesizer webpage here: https://www.waldorfmusic.com/en/kyra Watch Waldorf’s wonderment-causing Kyra VA Synthesizer promo video here: https://youtu.be/HafV6CGS43Y About Waldorf Music (www.waldorfmusic.com) The well-known Waldorf name has been synonymous with high-quality synthesizers for 30 years; indeed, its innovative position in the electronic musical instruments marketplace dates back to 1989 with the release of the wavetable synthesis-based Microwave.This extraordinary reincarnation of the legendary PPGWave series — arguably amongst the most coveted high-end synthesizers of the early Eighties — was instrumental in bringing the dominance of Japanese and American synthesizers to an end.Waldorf continued this unique technology tradition with successive synthesizer releases ranging from the mighty Wave — perhaps the most impressive, expressive, and user-friendly sound synthesis tool ever built — to raising the bar for VA (Virtual Analogue) synthesizers with the introduction of the popular Q series from 1999 onwards.The new millennium saw the trailblazing company making a timely move into the brave new world of music software with the release of its first VST Instrument, PPG Wave 2.V, a tradition it continues to this day with more recent software releases including its Nave advanced wavetable synthesizer. Subsequent successes in the high- quality hardware arena include the Blofeld synthesizer — forging sound and design into an unbeatable price/performance ratio in both desktop and keyboard versions — and Zarenbourg, a contemporary electric piano par excellence, as well as the cost-conscious Rocket (synthesizer), 2-Pole (analogue filter), and Streichfett (string synthesizer) desktop modules. Meanwhile, Waldorf broadened its appeal further still by introducing Nave to transform any iPad into an advanced wavetable synthesizer. 2019 (and beyond) sees a slew of new high-quality synthesizers set to take the Waldorf name to the hands-on musical masses, whether working with its recently-released Quantum high-class hybrid synthesizer keyboard flagship, FPGA processing-powered Kyra VA Synthesizer desktop or other hardware (including a welcomed move into the popular Eurorack modular synth system format) or software (including iOS). © 2019 Waldorf Music GmbH.

Avid S4 delivers industry-standard Pro Tools |S6 workflows in a more compact and affordable control surface for audio post and music mixing BURLINGTON, Mass., October 3, 2019 – Avid® (Nasdaq: AVID) today announced the general availability of the Avid S4, its latest audio control surface designed for independent music mixers and smaller audio post and music facilities. The semi-modular Avid S4 offers the power, DAW integration, and visual feedback of Avid’s industry-standard Avid S6 in a more streamlined and compact control surface. Avid S4 also enables budget-conscious media educators to give their students the chance to learn the music and audio post-production workflows they’ll need for a successful career in the media and entertainment industry. EUCON™, Avid’s high-speed Ethernet control protocol, enables Avid S4 to connect and communicate with Avid and third-party audio, video, and monitoring applications. S4 acts and feels like a physical extension of the software, providing an exceptionally integrated experience with any EUCON-enabled DAW, such as Pro Tools®, Nuendo, Pyramix, Logic Pro, Cubase, and other audio software. S4 also enables engineers to quickly assign and control talkback, listenback, and speaker sources and levels right from the surface to handle everything from simple cue mixes for music recording to monitoring immersive audio projects. Avid S4 provides extensive visual feedback, with the ability to display everything from channel meters, groups, EQ curves, and automation data, to scrolling high-res Pro Tools waveforms, which can be edited right from the surface. The easy-to-configure, semi-modular surface gives users the flexibility to build the ideal system for a specific workflow, from 8 to 24 faders, with the ability to add displays, joystick, post, and knob modules. When paired with Pro Tools | Ultimate, S4 brings the most efficient hands-on Dolby Atmos® mixing in the industry to any room. “The Avid S4 is what smaller studios have been waiting for,” said Joe Taupier, President of Westlake Pro. “Music mixers and small studios don’t have to compromise power and efficiency as they’re getting the same mixing power as the larger S6 control surface, but at a budget and size that meets their individual needs. The S4 provides the workflow versatility users need to take on any project – whether it be film, TV, OTT media, commercials or games – and the deep DAW and Dolby Atmos integration required to complete diverse projects on time and on budget.” The Avid S4 is now available. For more information and a list of authorized resellers, visit www.avid.com/S4. About Avid Avid delivers the most open and efficient media platform, connecting content creation with collaboration, asset protection, distribution, and consumption. Avid’s preeminent customer community uses Avid’s comprehensive tools and workflow solutions to create, distribute and monetize the most watched, loved and listened to media in the world—from prestigious and award-winning feature films to popular television shows, news programs and televised sporting events, and celebrated music recordings and live concerts. With the most flexible deployment and pricing options, Avid’s industry-leading solutions include Media Composer®, Pro Tools®, Avid NEXIS®, MediaCentral®, iNEWS®, AirSpeed®, Sibelius®, Avid VENUE™, FastServe®, and Maestro™. For more information about Avid solutions and services, visit www.avid.com, connect with Avid on Facebook, Instagram, Twitter, YouTube, LinkedIn, or subscribe to Avid Blogs. © 2019 Avid Technology, Inc. All rights reserved. Avid, the Avid logo, Avid NEXIS, Eucon, FastServe, AirSpeed, iNews, Maestro, MediaCentral, Media Composer, Pro Tools, Avid VENUE, and Sibelius are trademarks or registered trademarks of Avid Technology, Inc. or its subsidiaries in the United States and/or other countries. All other trademarks are the property of their respective owners. Product features, specifications, system requirements and availability are subject to change without notice.