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Clist gold(?) 7 strings the wrong way


tedmich

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Quote Originally Posted by Gary Blanchard

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It seems obvious to me that that was retrofitted, and rather poorly, at that. I am most likely wrong, though.

 

Almost certainly, I would say. But that's how it usually comes out when you do it. I've seen it done using a banjo friction tuner - that can make it a tad tidier.
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Quote Originally Posted by Gary Blanchard

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It seems obvious to me that that was retrofitted, and rather poorly, at that. I am most likely wrong, though.

 

Agreed. Retrofitted I'm sure, but I think the "poor look" of the job has more to do with the location of the "Samick" logo than the actual tuner location. Probably not a great example of how a seventh string retrofit should be.


If I tried it on one of mine, I'd end up still having a six-string guitar most of the time. That G-octave string is the one I was always breaking anyway.

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Quote Originally Posted by garthman

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It looks about right to me for a "McGuinn" type 7 string.

 

As much as I admire Roger McGuinn's playing, I have never figured out the appeal of the 7 string (or for that matter, the 8 string Taylor). What I love about a 12 string is the octaves on the low strings - the 7 string just adds jingle jangle to the high G. It is interesting that a few 12 string players actually put unison strings on the third course (rather than an octave).


I guess my feeling is that I would have a hard time justifying an expensive 7 string just for the few songs that it might be useful for. Does anyone here own or play one?

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Quote Originally Posted by Freeman Keller

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As much as I admire Roger McGuinn's playing, I have never figured out the appeal of the 7 string (or for that matter, the 8 string Taylor). What I love about a 12 string is the octaves on the low strings - the 7 string just adds jingle jangle to the high G.

 

I highly agree. Having only the one string with the octave seems to defeat the beauty of the 12-string sound.
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Quote Originally Posted by Freeman Keller

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It is interesting that a few 12 string players actually put unison strings on the third course (rather than an octave).

 

So do I. Well, most of the time as the G-octave regularily snaps early enough. The diference between regular and octave G is almost impossible to hear in a noisy pub session.
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Quote Originally Posted by Freeman Keller

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. . . . I guess my feeling is that I would have a hard time justifying an expensive 7 string just for the few songs that it might be useful for. Does anyone here own or play one?

 

I agree - I don't really see the point. Why not get a 12 string?
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