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August 15, 2013, Meridian, MS -- Industry leading boutique amplifier manufacturer Budda® Amplification announces shipping availability of the Bully™ guitar amplifier head. Featuring Budda’s extensive array of features, the all-tube Bully head is a high-gain juggernaut that exceeds the demands of the world’s most serious players. “The Bully is the ultimate amplifier for the studio or touring musician,” said Fred Poole, Budda General Manager of Product Development. “You want every tone you can think of in one amp? This is it. Plus, the build quality represents a new level of reliability for boutique tube amplifiers.” The Budda Bully features 3 channels: clean, rhythm and lead, all with independent 3-band EQ, reverb control, effects loops with send and return levels, plus separate resonance and presence controls. With a 120-Watt power section driven by four EL-34 tubes, and a preamp consisting of seven dual triode 12AX7 tubes, the Bully also features dual 5U4 rectifier tubes and a solid-state rectifier. Budda's patent-pending PowerPan™ variable rectification control allows players to open uncharted tone territory by selecting tube rectification, diode rectification or anywhere between the two. The Budda Bully also features a ½ power switch for operating the amplifier in either ½ power or full power mode. Using the ½ power switch along with the PowerPan feature allows the output of the amp to vary between 25 and 120 Watts for amazing versatility. The Bully even contains a backup rectifier tube in case of tube failure. Each channel also features a footswitchable lead boost called OVER-BOOST™ that is 100\% tube driven. The back panel features an amplifier chain section with a power-amp in/preamp-out jack and a slave output, impedance selector and MIDI in/through for use in professional MIDI switching rigs. The rugged Bully can withstand years of hard touring with its high-quality and built-for-the-road construction. With high-level features and an almost endless array of tones, the Budda Bully can suit the needs of today’s most versatile players. Learn more about the Bully at your local Budda dealer or atwww.budda.com. Budda Bully Features: ● High quality audio grade resistors and poly caps throughout ● MIDI control over channel switching with MIDI IN/THROUGH jacks ● Slave output plus Power-amp input/Pre-amp output ● Separate spring reverb control on each channel ● Specially designed 10-button multi-function footcontroller (included) ● 3 channels, clean, rhythm and lead ● Separate 3 band passive EQ on each channel ● Silent LDR MIDI channel switching ● Separate resonance & presence controls on each channel ● 4xEL34 120w power section, 7x12AX7 preamp section and 2 5U4 rectifier tubes for rectifier tube failure back-up ● LED indication of correct output tube biasing ● Footswitchable Master Boost with user defined boost level ● Rectifier can use 5U4, 5A4 or GZ34 tubes ● 'Overboost' feature on each channel ● High and low level 1/4" inputs ● Power amp can use 6L6GC or EL34 tubes (plus KT66, KT88 5881 and 6CA7 with re-biasing) ● Separate effects loops on each channel with send and return level adjustments. Channel 2's loop can be used as global loop ● Patent pending PowerPan rectifier selector knob ● Ceramic tube sockets ● Rear panel impedance selector ● Massive custom designed output transformer ● Stores 9 custom presets, and provides extensive MIDI control for automation ● Weight Unpacked: 59.30 lb(26.9 kg) ● Weight Packed: 73.85 lb(33.5 kg) ● Width Packed: 18.25"(46.355 cm) ● Height Packed: 32"(81.28 cm) ● Depth Packed: 14.5"(36.83 cm) -
The VT Bass DI pedal has been configured to incorporate a Blend control to adjust the amount and balance of direct instrument signal with the SansAmp circuitry, and a Bite switch to add a treble boost and tighten up the bass sound. It also features three outputs --1/4-inch, XLR and Parallel-- for multiple stage and studio applications. All versions of the VT Bass --the new DI, the original VT Bass and the VT Bass Deluxe-- feature a unique Character control. By just turning a knob, you are transported through decades of legendary bass tones, from the early ‘60s to classic super valve to modern day mega crunch. The VT Bass Series features a 100\% analog signal path for warm, organic tones, and 3-band active EQ. Manufactured in the U.S.A. Contact Tech 21 USA, Inc., 790 Bloomfield Avenue, Clifton, NJ 07012. Tel: 973-777-6996. Fax: 973-777-9899. E-mail: info@tech21nyc.com. Website: www.tech21nyc.com. Direct link to the VT Bass DI: http://www.tech21nyc.com/products/sansamp/vtbassdi.html -
Berlin, August 13, 2013 – Native Instruments today released TRAKTOR DJ CABLE - the compact audio splitter designed to complement mobile DJ setups on iPhone, iPad or laptops. Following the global success of the iOS app TRAKTOR DJ, TRAKTOR DJ CABLE now offers new and seasoned DJs alike a simplified solution that splits audio from TRAKTOR's virtual decks into two outputs. When used with TRAKTOR DJ or TRAKTOR PRO 2, this allows headphone track cueing – essential for fluid mixing. Following over 5 million TRAKTOR DJ downloads in the short months since its release, TRAKTOR DJ CABLE adds to the growing list of products delivering quality, portability, and is perfect for DJing anytime, anywhere. Using TRAKTOR DJ CABLE is easy. By connecting the CABLE into the output of an iOS device, it is instantly recognized in TRAKTOR. Clearly marked headphone and amplifier outputs make it simple to know where to connect each cable. Built with a silver plated, oxygen-free copper cable and gold plated terminals, the TRAKTOR DJ CABLE is designed to the highest quality standards. TRAKTOR DJ CABLE also works with other iOS DJ software for the most compact, road-ready DJ setup. TRAKTOR DJ CABLE is now available at retailers worldwide and at the NI Online Shop for $19.99 / 19.99 € / ¥ 2100.
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Austin, TX (August 13, 2013) – BASSMAXX announces their new SSP215 Profundo Subwoofer , adual 15” loudspeaker powered by a 4000W amplifier with comprehensive onboard DSP. Thanks to its low height of only 17.5”, this extremely powerful sub can be placed under low stages and ceilings, and in tight corners where larger boxes won’t fit. Its largest dimension is 48” wide, which, when turned on end, makes the box an excellent stack platform for getting top boxes above the heads of the audience. The depth is a mere 22.5”, allowing it to be placed in front of stages with minimal loss of audience area and making the SSP215 a perfect truck-pack size for both 90” and 96” trucks. It’s also an outrageous drum monitor sub that minimizes space but maximizes impact. At about half the size of the average double 18” subwoofer, the SSP215 is ideal for the mobile professional who needs substantial bass output but has limited transport space. For installations in lounges or restaurants where sound quality is a priority and space is limited, the SSP215 will comfortably take the place of double 18” boxes without loss of output or diminished frequency range while taking significantly less floor space. The SSP215 easily competes with most double 18″ subwoofers on the market, providing equal or better output with significantly less size and weight. The SSP215 is tuned low, providing linear response down to 35Hz (±3 dB) for use as a real subwoofer, with long-excursion, low distortion 15” woofers, and, thanks to the lower mass of the 15” cones, it delivers a tight, punchy sound as well as the deep, rolling bass. The included amplifier provides 2400W to the on-board woofers. In addition, the amplifier can power a second matching cabinet, providing a total of 4000W. The SSP215 is a 4800W program rated double 15. The woofers have 4” voice coils and a power handling rating of 1200W rms and 2400W program each. The DSP features 96Khz, 24 bit processing, and provides high-pass and low-pass filtering, limiting and time alignment functions. Controls include an input attenuator and mute button. Touring options include a 4-wheel transport cart with locking casters and covers for one, two or three cabinets on a cart. Installation versions are available with 16 x 3/8” threaded flypoints, and the included amplification and processing package can be ordered in a 2-space rack chassis. All BASSMAXX products come with the BASSMAXX “Sound Defense” warranty that covers failed drivers, including burned voice coils, for two years. If a voice coil, or any other part, fails within the warranty period, replacement parts will be provided without charge. Highlights: Half the size of the SSP218 boxes High SPL output beats most double 18” subs Deep bass output comparable to double 18” subs Convenient shape for lifting and loading Truck pack dimensions for touring Very low profile for under stages or low ceilings Pricing & Availability The SSP215 Profundo Subwoofer is $5148.00 MSRP. -
Statesboro, GA – August 12th, 2013 – Boasting solid American construction for the solid musician, Devilcat® Amplifiers is pleased to unveil the “Jean” Series of amplifiers at Summer NAMM in Nashville, TN. Devilcat® Amplifiers has added 3 new tube amplifiers to their lineup - the “Mean Jean”, “Clean Jean” and “Lean Jean”, all made in their Statesboro, GA manufacturing facility. Like their flagship amplifier, “Jimmy”, the “Jean” series costs hundreds of dollars less than traditional American made amplifiers in the same class. With the working musician in mind, founder Chris Mitchell created the “Jean” series as an alternative to the “one trick pony” trimmed down boutique amplifiers currently on the market. The “Jean” series continues to follow the company’s philosophy of offering solutions for the guitarist trying to achieve a maximum style range for an amplifier. The Jean Series of amplifiers features include: Mean Jean (the star of the series) 15 Watts 6L6 CLASS A tube power and tube preamp “Dirt” channel that adds extra gain, boost, or both. “Boost” channel that allows you to boost either channel (dirt or clean) Speaker Attenuator allows you to drop the wattage of the amplifier to ¼ power Classic Class A Distortion when overdriven Accutronics® spring reverb tank Tube configuration: 2 x 6L6GC (power), 4x 12AX7 Galvanized Steel chassis and corrosion resistant hardware Jensen™ Falcon 12” speaker Foot switchable channel select allows the user to obtain all 4 channel options Self Biasing any 6L6, 6V6, or EL34 (for different response) Series Effects Loop Available in combo or head / cabinet configuration Hand wired and 100\% manufactured in our Statesboro, GA facility Clean Jean (the good girl next door) 40 Watts 6L6 CLASS AB clean amplifier “Boost” channel that has adjustable volume control “Tone Boost” channel that allows the user to switch to a brighter tone Accutronics® spring reverb tank Tube configuration: 2 x 6L6, 1 x 12AT7, 3 x 12AX7 Galvanized Steel chassis construction and corrosion resistant hardware Jensen™ Falcon 12” speaker Foot switchable channel select allows for all 4 tonal options Series Effects Loop Available in combo or head / cabinet configuration Hand wired and 100\% manufactured in our Statesboro, GA facility Lean Jean (Mean Jean’s Little Sister) 15 Watts 6L6 CLASS A tube power and tube preamp “Boost” channel that allows you to boost either channel (dirt or clean) “Tone” channel allows you to switch to a brighter tone Classic Class A Distortion when overdriven Speaker Attenuator allows you to drop the wattage of the amplifier to ¼ power Tube configuration: 2 x 6L6GC (power), 4x 12AX7 Galvanized Steel chassis and corrosion resistant hardware Jensen™ Falcon 12” speaker Foot switchable channel select allows the user to obtain all 4 channel options Self Biasing any 6L6, 6V6, or EL34 (for different response) Series Effects Loop Available in combo or head / cabinet configuration Hand wired and 100\% manufactured in our Statesboro, GA facility Manufactured in Statesboro, GA, the Jean series boasts great tones in any genre. Devilcat Amplifiers will make you understand that the blues isn’t the only thing that comes out of Statesboro! The Devilcat® “Mean Jean” combo and “Mean Jean” Head carry street prices of $1299.00 and $1249.00 respectively. The “Clean Jean” combo and “Clean Jean” head are $1199 and $1149 respectively. The “Lean Jean” combo is $999.00 (street), while the head is $949 (street). www.devilcatamps.com -
The Persuader Deluxe utilizes a Darlington preamp to push cascaded triode vacuum tubes into distortion. Four dual triode vacuum tubes are included with each kit (JJ 5751, 12AX7B China, JJ 12AU7 and NOS US-made 12AT7) which can be swapped to create a wide range of tones. The tones range from just a hint of break up with the JJ 5751 to over-the-top crunchy distortion with the NOS US-made 12AT7. You can easily switch out the different tubes, choosing your own tone. A boost switch provides an additional layer of flexibility with added gain and a little extra bottom end. An LED indicator lights up when the Persuader Deluxe is engaged and not in true bypass mode. MODTM Kits and Assemblies are designed to give novice and experienced musicians the opportunity to build or modify their own amps, effects pedals and guitars. All kits come with easy-to-follow instructions and use point-to-point wiring. All effect pedals and amplifiers come with a pre-drilled enclosure and all necessary parts are included. All you need to provide are hand tools, a soldering iron and solder. The effect pedal operates on a 9V battery; for a longer lasting option, a 9-volt adapter can be purchased separately. For a complete listing of kits available from MODTM Kits DIY visit www.modkitsdiy.com -
8/12/2013 Seattle — Sporting Cirrus Logic converters and MIDAS-designed mic preamps,BEHRINGER’s new FCA1616 is ideally suited for home and professional recording enthusiasts seeking hassle-free connection to the digital domain. Easy to operate and designed to support all standard audio formats, the 16-In/16-Out interface provides audiophile-grade sound quality, is fully compatible with BEHRINGER’s ADA8200 and occupies only a single rack-space. The versatile FCA1616 also accommodates outboard effects processing via 8 analog Inserts — a feature often missing from even high-end competing products. Free Tracktion 4Music Production Software makes the FCA1616 a complete and highly affordable studio interface solution. [attachment=145582:name] MUSIC Group’s Marketing SVP, Costa Lakoumentas remarked, “The FCA1616 is the ideal interface for a wide range of professional recording, broadcast and project studio applications. With its premium MIDAS mic preamps, Cirrus Logic digital converters and bonus Tracktion 4 DAW software, the FCA1616 stands in a class all its own. Every studio should consider upgrading to the FCA1616 — especially at this incredible price point.” The BEHRINGER FIREPOWER FCA1616 is available through authorized dealers and online resellers at a MAP of $249.99 USD ($499.99 MSRP), and is covered by MUSIC Group’s 3-Year Limited Warranty Program. For more information visit behringer.com -
SCOTTS VALLEY, CA • Aug 13, 2013 — For over 20 years, ENGL amplifiers have become synonymous with high-performance rock and metal guitar tones. UAD direct developer Brainworx has now put ENGL’s legendary clean tones and distortion textures at your fingertips with superbly crafted ENGL Amp Plug-Ins for the UAD Powered Plug-Ins platform and Apollo Audio Interface. Featuring the E765 RT and the E646 VS amplifiers as well as the Brainworx bx\_tuner, the ENGL Amps Bundle allows owners of UAD-2 DSP Accelerator hardware to re-amp their tracks with these industry-leading amp models, while Apollo Audio Interface users can re-amp as well as track in real time with near-zero latency. Both amp models contain an onboard FX Rack with a noise gate, EQ filter controls, and host-syncable lo-fi delay. Also included is a unique Recording Chains feature that allows the user to audition their tones through 64 different high-end mics, ENGL cabinets, and outboard gear, including hardware emulations from Millennia, SPL, and elysia. Available as UAD Software v7.2, the following plug-ins and bundles will be available for purchase via UA’s Online Store: ENGL E765 RT Plug-In — $149 Perfect emulation of a two-channel, EL34-powered, 100-watt tube amp for UAD-2 or Apollo Craft old school clean tones, gritty chunk textures, and aggressive distortions easily and intuitively with extensive EQ functionality — before or after mixdown Audition 64 different Recording Chains to match the perfect tone to the part Fine-tune your sounds with an onboard FX Rack that includes a noise gate, EQ filter controls, and host-syncable lo-fi delay ENGL E646 VS Plug-In — $149 Exacting emulation of a four-channel, 100-watt, 6L6-powered, high-gain tube amp Perfectly sculpt clean tones, muscular chunk, and high-gain textures with remarkable string-to-string definition Audition 64 different high-end Recording Chains for unmatched flexibility when tracking or mixing Fine-tune your sounds with an onboard FX Rack that includes a noise gate, EQ filter controls, and host-syncable lo-fi delay Brainworx bx\_tuner — $19 Tune guitar or bass easily and accurately inside your UAD-2 or Apollo-equipped workstation Customize the tuning LED’s tracking with the Ballistics feature Quickly tune with reduced volume using the unique Output Dim feature Instantiate on multiple inputs to avoid plugging and unplugging of instruments ENGL Amplifier Plug-Ins Bundle — $249 ENGL E765 RT Plug-In: Perfect emulation of a two-channel, EL34-powered, 100-watt tube amp ENGL E646 VS Plug-In: Exacting emulation of a four-channel, 100-watt, 6L6-powered, high-gain tube amp Brainworx bx\_tuner: Tune guitar or bass easily and accurately inside your UAD-2 or Apollo-equipped workstation. -
August 14, 2013 -- Los Angeles, California. Art Vista Productions today announced release of a new electric bass sample plug-in series, GrooveMaster, featuring Antonio “Tony” Newton, the legendary "Baby" Funk Brother whose career spanned from the early days of the electric bass - with John Lee Hooker and Little Walter, and as staff bass player at Motown alongside James Jamerson, through his later fusion work with Tony Williams Lifetime. The series includes three playable sampled bass instruments: Old School Bass, Double Neck Bass, and Bright Funky Bass. The instruments include intuitive “intelligent” playback features that are designed to automatically emulate the playback of a real bass player when played from a midi keyboard. These virtual bass instruments can be switched from fully automatic intelligent playback to complete, or, partial key-switch control. The instrument comes in Kontakt 5 Player format, which supports all major plug-in formats and also allows use as a stand-alone application. Each of GrooveMaster’s three sampled instruments, Old School Bass, Double Neck Bass, and Bright Funky Bass is available for download and has an MSRP of US$99.00. A bundle of GrooveMaster’s three sampled instruments is offered for $199.00. Art Vista Productions is known for the Art Vista Virtual Grand Piano 2, which emulates the sounds of famous piano recordings of all genres from the 1950’s up until today, Art Vista Back Beat Bass, a new virtual upright bass, and MalmsjöAcoustic Grand, heard on film scores throughout the world. Art Vista also produces Cool Vibes, the only sampled instrument to truthfully capture a vibraphone with the motor engaged.
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Begin your Ambient Metal journey anew with 'Ambient Metal Constructions Vol 4'. This newest instalment puts a new spin on the popular series, this time placing more emphasis on dense soundscapes and brooding atmospheres, all the while maintaining the gritty edge that gave volumes 1-3 their distinctive sound. Inside you'll find crushing rhythm guitars, ethereal lead guitars and a whole host of otherworldly synths perfectly suited to a variety of contemporary styles, as well as soundtracks, trailers and games. MIDI Files Included: Like so many other Producer Loops products, 'Ambient Metal Constructions Vol 4' includes MIDI files for the majority of musical phrases heard in each Kit, allowing you to seamlessly mix your favourite synths and samplers with the sounds contained in the pack. Advantages of MIDI: While the supplied ACID/Apple Loops/REX content is extremely flexible and powerful, MIDI has the added benefit of allowing you to go to extremes of pitch and tempo beyond which the loops were originally recorded, with no time stretching or pitch shifting artefacts. Furthermore, you can make tweaks to the riffs so they fit perfectly into your existing mixes. Dry/Wet Loops: For users looking to simply drag and drop, the 'wet' files contain all of the effects processing heard in the audio demos. But for producers looking to create their own effects mix, 'dry' loops are also included. Don't like the wet loops? No problem, add your own effects. Unlooped Riffs/Tails: This sample library also comes with unlooped/tail versions allowing you to end a phrase with the decay of the reverb/delay applied to the loop, another "Producer Loops" exclusive product feature. Used in conjunction with the seamlessly looping files you can start, loop and end any phrase in an entirely natural manner. Royalty-Free: All of the loops in this product are 100\% Royalty-Free (including the vocal loops), so once purchased, you can use these loops in your commercial releases without having to pay any hidden costs. Specifications: • 5 Construction Kits • ACIDized WAV Files • Apple Loops/AIFF Files • REX2 Loops • Reason ReFill • Loops sync to BPM • 44.1 kHz/24-Bit • PC/Mac Compatible • Royalty-Free (No Exceptions) Price and Availability: Ambient Metal Constructions Vol 4 is available for instant download exclusively at ProducerLoops.com for £39.95 / 46,69 EUR / $51.69 USD. More information is available at: http://www.producerloops.com -
Woodinville, WA, USA – August 9, 2013 – Ampeg today extends its industry-dominating Classic Series cabinet line with two new models – The SVT-112AV and SVT-212AV. Both feature custom 12-inch drivers from Eminence and represent the first time Ampeg has offered a bass cabinet with 12-inch drivers in nearly a decade. “There is something amazing about using 12-inch drivers on a bass cabinet,” remarks Ampeg Product Manager Zane Williams. “They are the perfect size to bridge the gap between the fast transient response players want and the rich low end they expect from an Ampeg SVT cab.” Both new cabinets are built using rugged 15mm poplar ply and deliver on the vintage Ampeg look, featuring AV Tolex and grille cloth. The classic black grille is available separately from Ampeg for those that want to pair the cab with an SVT-CL or other Ampeg head. With a choice of a single or dual 12’’ design, both with a 1” compression driver, the new SVT cabs provide even more possibilities when building an Ampeg bass rig. Rated at 300W RMS power handling at 8 ohms, the SVT-112AV is a great match with PF-350, Micro-VR or for integrating with other Ampeg cabinets into a single rig. The SVT-212AV is a 4 ohm cab rated for 600W RMS. This is perfect for the all-new V-4B along with other heads like the SVT-CL, SVT-VR or PF-500. “With these new more compact and lightweight cabinets in the Classic line, creating a modular Ampeg rig just got easier,” concluded Williams. The new Ampeg SVT-112AV and SVT-212AV join the other Ampeg Classic Series cabinets and will be available in September, 2013. The SVT-112AV will have a U.S. MSRP of $699.99. The SVT-212AV will have a U.S. MSRP of $979.99. For more information on Ampeg Classic Series cabinets visit www.ampeg.com/products/classic.
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Woodinville, WA, USA – August 9, 2013 – Ampeg today announces a truly remarkable reissue of the legendary V-4B 100W All-Tube Bass Head. The original earned a place in bass history, delivering pure all-tube tone and an unmistakable grind that is truly one-of-a-kind. The all-new V-4B head embodies this legendary tone in a stage-worthy package that is unquestionably V-4B. “From the vintage rocker switches to the unique integrated chassis suspension system...the attention to detail is all there,” remarks Ampeg Product Manager Zane Williams. “And, of course, the tone had to be perfect. It’s the classic all-tube Ampeg sound in a head that’s less than half the weight of a SVT. You’ve got to love that.” While the new V-4B is sure to appeal to fans of the classic original, it is also ideal for bassists who crave the tone of the Ampeg SVT head, but don’t need that level of power or who want a more portable option. The V-4B is the same width as the SVT-CL and SVT-VR head and fits securely onto any Classic Series Ampeg cabinet including the all-new SVT-112AV and SVT-212AV. “100 watts of all-tube power is really a sweet spot for professional bassists,” remarks Ampeg Product Manager Zane Williams. “With the new V-4B you not only get the sought-after tone of a fully-cranked Ampeg tube amp at volumes more suitable for modern venues and applications, you also benefit from a huge gain in portability.” The Ampeg V-4B design process involved sampling a wide range of vintage V-4B heads for reference with a goal of achieving preamp and power section circuits and overall tone that are undeniably V-4B. However, by using a modern-day analog approach, there is an increase in both reliability and serviceability. A focused addition of modern features includes an integrated DI with ground lift, a -15dB input for active basses and a range of speaker outputs at different impedances. Maintaining the tone and integrity of the classic V-4B was the primary design goal, but the addition of these features adds flexibility and functionality perfect for today’s players. The new Ampeg V-4B joins the other Ampeg Classic Series heads and will be available in September, 2013 with a U.S. MSRP of $1819.99. For more information on the V-4B and other Ampeg Classic Series gear visit .
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August 1, 2013 -- PlugInGuru.com, creator of world class patches for the most powerful virtual instrument plug-ins, is proud to release a new sample library for Native Instruments Kontakt 5: MegaMacho Drums. With 2,000 drum samples, MegaMacho drums contains some very unique and exciting features for creating totally original drum grooves. The sounds in MegaMacho Drums are created through complex sound manipulation and drum layering, resulting is some of the biggest drum sounds available for today’s music production styles. With 34 unique drums kits, each containing 61 samples across the keyboard including 7 kicks and 8 snares, MegaMacho Drums provides almost endless options for creative grooves. It also contains 100 Kit Instruments, many of these are manipulated versions of the 34 drum kits - created with the powerful effects and sound processing tools, which are built into the Kontakt 5 user interface. There are also 20 Multi's which combine multiple drum kits to make even larger drum sounds or are multiple kits on different MIDI channels for more advanced music productions. MegaMacho Drums also includes 100 MIDI-based Drum Groove files in music styles ranging from TRAP to DubStep, EDM, Pop and more. Of the 34 unique kits, 13 follow fairly strict map assignments for Kick, Snare, Side Stick, Claps, Toms, HiHats, Crash, Ride, Tambourine, Cowbell, Agogo, Shaker 1, Shaker 2, Clave, Triangles and Shaker 3 from the General MIDI note assignments. This allows users to switch between these 13 kits to get tons of sonic variety while playing just one of the included grooves. With updates scheduled for August 15th and October 15th, PlugInGuru.com plans for the number of MIDI-based grooves to grow to over 300 before the end of the year. These updates will be posted on PlugInGuru.com for free download. The MegaMacho Drums Interface contains a selectable High Pass/Low Pass filter, 9 effects (Distortion, LoFi, Glitch, Compressor, Transient Designer and 3-band EQ), Amp, Filter and Pitch EG's and more. These controls allow users to quickly customize the samples, even on a per-sample basis. Users can also load in samples from any other Kontakt library and manipulate them with the MegaMacho Drums interface. MegaMacho Drums is available for $149. MegaMacho Drums works with Kontakt 5.2 and the free Kontakt 5 player. Purchase includes a serial number for authorization.
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Omnia is the latest incarnation of Bitley's Fairlight-based sound banks, as developed from 2010 to present date. The first release in the Omnia series is Omnia Samples. This contains all of the wave files (samples), comprising 2,3 Gigabyte of data and nearly 6,000 individual samples. Omnia Samples is released in two versions: One raw wave version, which fits all samplers and sample players that can import AIFF and / or WAV files. This covers nearly all sampler instruments since many years back. The other version is made for Reason 7. Subsequent Omnia series releases for Reason will include things from Bitley's previous Fairlight II+, XXL and Platinum refills alongside with completely new patches as well as fixes and updates, new naming conventions and more focused categories. Fairlight Platinum will remain as the largest Bitley refill with its 3,600 instrument patches. There is also a Fairlight-based Kontakt library available which recently was updated (July 2013). Bitley is a swedish maker of sound banks, programming hardware synthesizers as well as making software releases. The company started out in 2010 by releasing the sound banks Orlando JX10 and Fairlight CMI Legacy. Bitley's usage of the Fairlight samples is an agreement with Fairlight and Peter Vogel in Australia. Newer refills include The Prophet, O8, Flux, Poly Ensemble and more. Bitley Omnia webpage: http://bitley.laconicsounds.net/omnia/ Fairlight audio/video demo: -
Woodinville, WA, USA – August 7, 2013 – Mackie today announces the all-new VLZ4 line of analog compact mixers, which now include Mackie’s acclaimed Onyx preamps and deliver the ultimate in high-headroom, low-noise analog mixer design. The eight new VLZ4 mixers directly replace the previous VLZ3 generation models. With 25 years of continuous improvement in its wake, the comprehensive VLZ4 line includes models ranging from the affordable desktop 402VLZ4 to a choice of 4-bus effects mixers perfect for touring live sound work. The inclusion of Mackie’s Onyx mic preamplifiers offers a notable performance improvement over previous generations. “Just check out the wealth of amazing reviews and customer testimonials. Our Onyx preamps have proven they can go toe-to-toe with any boutique preamp out there,” commented Matt Redmon, Mackie Product Manager. “By delivering this level of performance to the VLZ4 line, more users than ever will benefit from the sound of these amazing pres… it’s very exciting.” In addition to Onyx preamps, VLZ4 features other key technologies that emphasize the broadcast-quality performance of the mixers, including custom op-amps and class-leading negative summing bus architecture. For maximum signal integrity, from every input to every output, VLZ4 is designed for the highest headroom and lowest noise possible. Plus, features like a solid steel wraparound chassis and grime-resistant sealed rotary pots ensure that VLZ4 is “Built-Like-A-Tank” and more than ready for the road. “From beer spills to drops from moving vehicles…we’ve seen it all,” concluded Redmon. “We have literally run them over with a truck and they still passed signal. The rugged design of VLZ4 is unique in the industry and it always amazes us to hear user stories revealing what they are capable of handling.” The new VLZ4 mixers also deliver a new high-contrast, ergonomic work surface that’s great for low-light applications like clubs and studios. The bold new knobs and fader caps sit against a cockpit-inspired work surface with a black powder-coat finish providing the contrast needed for easy control identification. To get the details on all eight VLZ4 models visit .The new Mackie VLZ4 Series Compact Mixers will be available in August, 2013. The 402VLZ4 will have a U.S. MSRP of $129.99. The 802VLZ4 will have a U.S. MSRP of $259.99. The 1202VLZ4 will have a U.S. MSRP of $349.99. The 1402VLZ4 will have a U.S. MSRP of $519.99. The 1642VLZ4 will have a U.S. MSRP of $879.99. The 1604VLZ4 will have a U.S. MSRP of $1149.99. The 2404VLZ4 will have a U.S. MSRP of $1429.99. The 3204VLZ4 will have a U.S. MSRP of $1699.99.
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Woodinville, WA, USA – August 7, 2013 – Mackie today announces a complete redesign of its bestselling line of ultra-affordable powered studio monitors – the MRmk3 Powered Studio Monitors. A product of Mackie’s intensive music-centric voicing process, MRmk3 monitors are acoustically optimized at all stages to enhance the mixing, monitoring and multimedia experience in any home or project studio. The MRmk3 line not only fully replaces the previous generation of monitors with the MR5mk3 and MR8mk3, but expands the range with the 6.5” MR6mk3 full-range monitor and MR10Smk3 studio subwoofer. “Our design philosophy and process are centered on the idea that music is all that matters,” commented Matt Redmon, Mackie Product Manager. “To that end, MRmk3 studio monitors are designed to enhance your sonic experience at every level.” A newly-designed minimum-diffraction waveguide not only provides seamless transition from highs to lows, but also creates a wider sweet spot and an open feel that better connects the user to the music. The power amplifiers and transducers are also custom-matched for increased performance. All MRmk3 cabinets are rear ported, providing added punch and bass extension and packed with acoustic absorption material for the tight sound you expect from a professional studio monitor. A range of I/O options deliver the connection types needed for easy studio integration. There are even customizable acoustic controls to get the exact sound needed for the space. The low frequencies can be boosted by up to 4dB and the highs can be both cut and boosted depending on the user’s needs. “All studio spaces are different and having precision control over the sound is critical,” added Redmon. “With MRmk3, you get the control you need to dial in exactly the sound you want. The MRmk3 Series is perfect for anybody ready to take their mixes to the next level.” The MRmk3 Series also includes the powerful, MR10Smk3 Powered Subwoofer, providing the powerful, deep low end needed for genres like hip-hop and EDM. The low-profile enclosure is rear-ported to provide smooth, even bass and features vibration-absorbing rubber feet to minimize unwanted resonances. Optimizing features include an adjustable crossover to dial in the right amount of low end for the application plus a polarity switch to make sure the mix is always in phase. Adding an MR10Smk3 studio subwoofer to an MRmk3 system not only delivers the added bass modern music demands, it is perfectly matched to MRmk3 studio monitors to enrich a full range mix. To get the details on Mackie’s MRmk3 Series Powered Studio Monitors visit www.mackie.com/MRmk3. A video overview is available for viewing and sharing at http://youtu.be/0zG7iyRpE\_o.. The new Mackie MRmk3 Series Powered Studio Monitors will be available in August, 2013. The MR5mk3 will have a U.S. MSRP of $199.99. The MR6mk3 will have a U.S. MSRP of $259.99. The MR8mk3 will have a U.S. MSRP of $329.99. The MR10Smk3 will have a U.S. MSRP of $449.99. -
Woodinville, WA, USA – August 7, 2013 – Mackie today announces a huge extension to its popular SRM powered loudspeaker line, introducing three 1600W models featuring professional-grade all-wood designs and a host of powerful, but simple tools perfect for modern applications. There are two high-output full-range models – the 12″ SRM550 and 15″ SRM650 plus the hard-hitting SRM1850 18″ powered subwoofer. “You can’t throw a rock without hitting a Mackie SRM loudspeaker,” commented John Boudreau, Mackie SVP, speaking to the proven popularity of SRM. “With these new high-output, high-definition, all-wood designs we’ve truly upped the level of SRM ruggedness, output, clarity and simplicity.” Mackie SRM 1600W High-Definition Powered Loudspeakers are “Built-Like-A-Tank,” with huge system power that’s paired with custom transducers within professional-grade, internally-braced all-wood cabinets. SRM features Mackie High Definition Audio Processing™ including patented acoustic correction DSP for the ultimate in high-definition sound plus system optimization tools like application-specific speaker modes and an amazingly accurate feedback destroyer. Ready for anything, SRM’s integrated 2-channel mixer with Mackie Wide-Z™ inputs can handle any signal with ease. With two powerful full-range boxes and a chest-pounding subwoofer, SRM loudspeakers deliver the output, amazing sound and proven durability demanded of modern PA system. “We are excited to bring these high-powered, great-sounding SRMs to all the Mackie fans out there,” concluded Boudreau. “Perfect for applications that range from DJs to bands to installs, these new SRMs deliver the modern, high-definition sound you demand in a tough-as-nails package that’s built to last.” For more information on the full line of SRM powered loudspeakers visit www.mackie.com/SRM or check out the tech video available at . The new Mackie SRM Series 1600W High-Definition Powered Loudspeakers will be available alongside the popular SRM450v2, SRM350v2, SRM150 and SRM1801 in September, 2013. The SRM550 will have a U.S. MSRP of $749.99. The SRM650 will have a U.S. MSRP of $879.99. The SRM1850 will have a U.S. MSRP of $1149.99.
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HAMBURG, Germany — Steinberg Media Technologies GmbH today announced the latest release of their VST sampler and sound creation system, HALion 5, together with the premier VST workstation, HALion Sonic 2. Both new software iterations combine creative tools with ease of use and versatility that are novel to the trade. HALion is renowned for uniting outstanding sampling technology with the very latest in virtual synthesis. Its unprecedented functional depth and equally advanced user interface with access to all sound-shaping parameters turn HALion into an entire sound design package for discerning professionals. The advantages of HALion Sonic lie with its simplicity and pristine audio quality, making it a true alternative to heavyweight hardware workstations. Each of the 16 instrument slots loads with presets and is routed to one of the 16 stereo outputs. This again can be saved as multi-preset for instant recall. Together with easily created keyboard splits and its dedicated performer mode, HALion Sonic is the perfect tool for studio work and stage performances alike. “For more than a decade HALion has been considered a premium brand that transcends the typical possibilities of professional audio manipulation,” says Matthias Quellmann, product marketing manager at Steinberg. “The latest two releases keep with this tradition. HALion Sonic 2 provides a wealth of first-class sounds, while HALion 5 offers endless inspiration for creating own sounds.” HALion 5 and HALion Sonic 2 treat users to thousands of synthesized and acoustic sounds, dialed in through eight fantastically new instruments: the sleek virtual analog Trium synthesizer, Auron for granular oscillation, Voltage delivers extra punch, World Instruments and World Percussion, HALiotron, the Model C organ emulation and the B-Box step sequencer for beats and drum patterns. Both HALion and HALion Sonic now feature nine new effects including VST Amp for superb guitar and bass effect sounds and Auto Filter for seamless sound morphing. Based on Yamaha’s Motif technology, FlexPhraser offers complex arpeggios, now sporting the user phrase editor to create custom patterns and phrases. In addition, HALion 5 comes with two new sound sources, introducing the granular synthesis engine for creating beautiful sonic textures and the tone-wheel organ simulation with nine organ and percussion drawbars. Also new to HALion is the slicing mode that allows users to adjust audio material to fit any beat or track. Two new MIDI modules feature MIDI Player to load MIDI files that can be edited and triggered remotely. Drum Player is a step sequencer conceived and designed to play drum beats and rhythms. Availability and pricing The HALion 5 and HALion Sonic 2 full retail versions are available from resellers and through the Steinberg Online Shop as of today. The suggested retail price for HALion 5 is $349.99. The suggested retail price for HALion Sonic 2 is $249.99. Downloadable updates and upgrades are available through the Steinberg Online Shop. Customers who have activated HALion 4 and the first version of HALion Sonic or Absolute VST Instrument Collection since May 15, 2013, are eligible for a free, downloadable Grace Period update to HALion 5 and HALion Sonic 2, respectively. HALion 5 features at a glance State-of-the-art sampler and sound creation system tailored to the demands of professionals Up to 192 kHz, 32 stereo outputs and 6-channel surround support Powerful multi-timbral audio engine with disk-streaming sample playback, tone-wheel organ simulator and high-end virtual analog and granular synthesis Outstanding library including over 2,500 synthesized sounds and breathtakingly authentic acoustic instruments Flexible user interface with multi-monitor support allows you to customize and save your own windows and screen sets AudioWarp provides cutting-edge time-stretching and pitch-shifting functionality Full VST Expression 2 support for smart articulation editing in Cubase FlexPhraser module drives beats, arpeggios and complex tonal phrases MegaTrig for easy programming of playing styles and articulations Wide range of high-end audio effects, including REVerence convolution reverb, VST Amp simulation and many more Cross-platform compatibility: Windows (VST 3, VST 2.4) and OS X (VST 3, AU) plug-in support, including standalone Easy-to-use yet powerful premier music production workstation for synthesized sounds and breathtaking recreation of acoustic instruments Outstanding library including over 2,500 instrument sounds created by top sound experts at Steinberg and Yamaha Powerful multi-timbral audio engine with disk-streaming sample playback and high-end virtual analog and granular synthesis Unique morphing filters seamlessly blend between up to 4 of 24 filter types FlexPhraser for dynamically driving beats, arpeggios and complex tonal phrases Wide range of high-end audio effects, including REVerence convolution reverb, VST Amp simulation and many more MediaBay sound management system for immediate access to the libraries Stage optimized workflows with dedicated player view, rapid building of keyboard splits or layers, and switching of entire multi-setups with a single command Full VST Expression 2 support for smart articulation editing in Cubase Cross-platform compatibility: Windows (VST 3, VST 2.4) and OS X (VST 3, AU) plug-in support, including standalone HALion Sonic 2 features at a glance
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NILES, Ill., Aug. 8, 2013—Shure Incorporated announced that the VP83 and VP83F LensHopper™ Camera-Mount Condenser Microphones are now shipping. These ultra-compact condenser shotgun microphones are engineered to provide broadcast professionals, videographers, filmmakers, video journalists, field reporters and others with an all-in-one solution for capturing highly directional, premium audio with DSLR cameras and portable video/audio recorders. The VP83 and VP83F are ultra-lightweight yet durable, with all-metal construction designed to Shure’s legendary quality standards. Both provide superior RF immunity and feature highly directional supercardioid/ lobar polar patterns to reject unwanted off-axis audio. Both microphones also come with an integrated Lyre® shock mount developed exclusively with Rycote® for robust isolation. The VP83 features easily-accessible controls, including a three-position gain switch to compensate for different recording environments and a low-cut filter switch to eliminate distracting background noise. The VP83 also has an impressive 130 hours of battery life from one AA battery (included). The VP83F, with built in flash recording and playback functionality, enables WAV file capture at 24 bit/48kHz sampling rate for direct-to-device recording and added audio redundancy. With a dedicated headphone audio output, the VP83F simplifies real-time monitoring and also offers an intuitive menu and controls for fast and easy use in almost any environment. Additional VP83 Features Include: • Detailed high-definition audio with full low-end response Easily accessible controls at the back of the microphone, including: Three-position gain switch (-10 dB pad, 0, +20 dB boost), Low-cut filter switch • Integrated Rycote® Lyre® shock mounting system • 130 hours battery life from one AA alkaline battery (included) • Integrated audio output cable with gold-plated 3.5 mm connector • Standard size shoe mount with ¼” threaded base Additional VP83F Features Include: • Detailed high-definition audio with full low-end response • Integrated digital flash recording (MicroSDHC, up to 32 GB) • Fully adjustable user gain (up to 60 dB in 1 dB increments) • Intuitive menu and controls, including one-touch record button • Easy-to-read, back-lit LCD screen displays menu information and settings • Integrated Rycote® Lyre® shock mounting system • Ten hours of battery life (while in record mode) from two AA alkaline batteries (included) • Standard size shoe mount with ¼” threaded base A83-FUR Windjammer® and A83W Foam Windscreen accessories exclusively developed with Rycote for the VP83 and VP83F LensHopper models are also available. Shure VP83 has an MSRP of $286.00 and VP83F has an MSRP of $436.00. -
TEL AVIV, ISRAEL, August 8, 2013 — Waves Audio’s MultiRack software has grown into the industry’s leading live sound plugin host. Waves now kicks things up a notch with the introduction of MultiRack Version 9.5. MultiRack 9.5 includes a variety of new features to enhance the user experience and workflow – for instance, an improved, streamlined graphic interface; the capability to record to two computers simultaneously; 1000 snapshot support for DiGiCo consoles; and best of all, the ability to run Waves Signature Series plugins, from Chris Lord-Alge, Tony Maserati, Jack Joseph Puig, Eddie Kramer and Manny Marroquin, on any MultiRack Native or SoundGrid system.* MultiRack 9.5 Features: Improved, more responsive GUI Record to two computers simultaneously Load up to 1000 snapshots Run Waves Signature Series plugins Support for the upcoming DiGiGrid MGO & MGB MADI-to-SoundGrid interfaces Waves OneKnob Wetter and Q-Clone plugins now MultiRack compatible Chris Lord-Alge, Tony Maserati, Jack Joseph Puig and Eddie Kramer* Signature Series plugins added to SoundGrid Pro and SoundGrid Pro SD7 bundles
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BURBANK, CALIF - July 26th, 2013 - Spectrasonics today released an 'AAX Public Beta' version of the company's three popular virtual instruments Omnisphere, Trilian andStylus RMX for Avid's new Pro Tools 11. Registered users of the Spectrasonics instruments can log into their user accounts to download the Public Beta versions. The new versions are available at no charge to registered users to test with the new 64-bit version of Pro Tools. Omnisphere, Trilian and Stylus RMX are all native 64-bit software instruments designed to work with Pro Tools 11 on both OS X and Windows. "Pro Tools 11 is a major new version of the industry standard DAW - essentially a ground-up new 64-bit architecture application. Spectrasonics is fully committed to the Pro Tools platform and we want to support our cutting-edge users who have already begun upgrading to it," says Eric Persing, Founder and Creative Director of Spectrasonics. "This public beta of our 64-bit instruments offers AAX support to take advantage of all the new power in Pro Tools version 11. It's exciting for us to be at the forefront of the new 64-bit Pro Tools environment." The Award-winning Omnisphere Power Synth is Spectrasonics' flagship instrument featuring a hybrid architecture of high-resolution streaming samples as well as an extensive, fully programmable semi-modular synthesizer, which can be combined for thick, layered patches. Omnisphere ships with over 8,000 sounds. The Trilian Total Bass Module instrument is built on the same STEAM Engine technology as Omnisphere with immense flexibility in programming, while offering a vast selection of patches for Acoustic, Electric and Synth Basses. Stylus RMX, the Realtime Groove Module, is Spectrasonics loop-based plug-in for creating rhythm parts powered with the Spectrasonics Advanced Groove Engine (S.A.G.E.) and featuring REX file compatibility for importing loops for unlimited library expansion. For detailed product information and demonstration videos, visit: http://www.spectrasonics.net/products/ All three Spectrasonics instruments already work well in previous versions of Pro Tools as RTAS platform plug-ins. Registered users of Spectrasonics 64-bit Omnisphere, Trilianand Stylus RMX and Pro Tools version 11 can log into their user accounts to download the AAX Public Beta software in the Updates area. -
iZotope sets a new standard in audio repair and restoration with announcement of RX 3 Excellent, fascinating, incredible, superb – just some of the glowing adjectives offered by the press and end users alike for RX 2 when it was released back in 2010 and now iZotope has just announced it will be setting the audio repair and restoration bar even higher with the forthcoming release of RX 3 and RX 3 Advanced. RX is packed with numerous features to enable you to remove unwanted noise from your audio, restore clipped audio, resynthesize missing audio and much more. With the new RX 3 and RX 3 Advanced you can... Work up to six times faster thanks to under-the-hood processing enhancements and a redesigned user interface. Remove reverb and ambience from vocals, instruments and more using the revolutionary Dereverb module in RX 3 Advanced. Clean up dialogue on the fly with RX 3 Advanced’s all new Dialogue Denoiser – the new audio standard for realtime dialogue treatment. Never lose an edit again with the unlimited Undo history, saved automatically into the new RX document format. iZotope RX3 and RX3 Advanced are due to be released in September 2013 – more details coming soon. Get iZotope RX 3 for free! Anyone who purchases RX 2 between 1st July 2013 and 16th September 2013 will be entitled to upgrade to RX 3 for free! Plus, as part of Time+Space's August Extras promotion, buy RX 2 and they'll send you Groove 3's RX 2 Explained tutorial package for free. So, get stuck into RX 2 now and by September you'll be ready to dive right in to the brand new features of RX 3! -
Vancouver BC, Canada - Radial Engineering Ltd. is pleased to announce that it has updated the SW8 backing track switcher with several new features and functions. The SW8 is designed to switch 8 audio channels simultaneously. Backing tracks are recorded on two separate systems and each is sent to the SW8 where the user may manually select between the playback systems or have the SW8 automatically switch between them when a drop-out occurs via an internal gate. Inputs include a choice of 1/4" TRS or 25 pin D-subs. The outputs can be via a series of transformer isolated low-Z XLR outputs to run through a snake system or a D-Sub. According to Radial's President Peter Janis: "Over the past several years, the Radial SW8 has gained tremendous market penetration with major tours such as The Eagles, Rush, Rihanna, Maroon 5 and Cirque Du Soleil using it along with being employed in a wide variety of permanent installations to provide safety backup. During this time we have had many discussions with the technicians who use the SW8 on a daily basis. This input has driven us to develop a next-generation switcher that will elevate the performance in several key areas such as managing standby status more effectively, muting the main audio outputs to enable on-the-fly editing and providing remote controllability with LED status indicators." New features include: A 'standby' function that enables the technician to stop the show in between songs when the artist chooses to speak to the audience. A global mute turns off all outputs allowing the tech to monitor playback tracks and prepare playback cue points. Two signal status LEDs have been added for both A and B playback systems providing visual indicators to show signal present. External remote control options now include either a footswitch or desktop options with LED status indicators. To help eliminate switching noise with less than ideal sources, a series of filters have been added on all channels. Gate level controls have also been relocated to the front panel for easier manipulation. The updated SW8 is now shipping. -
Berlin, August 6, 2013 – Native Instruments today released the updated TRAKTOR KONTROL X1, a new version of its compact and highly popular decks and effects controller. With the same size and robust product design as the original controller, TRAKTOR KONTROL X1's new features include touch-sensitive Browse and Loop encoders, 7-segment displays and LEDs for visual feedback, and an innovative multi-purpose touch strip for added tactile control. When combined with TRAKTOR PRO, the X1 MK2 delivers plug-and-play physical control over 2 track decks and 2 freely assignable TRAKTOR FX units – with or without the use of turntables or CDJs. The TRAKTOR KONTROL X1 MK2 is now available in stores worldwide and at the NI Online Shop. TRAKTOR KONTROL X1 MK2 allows direct control over playback, browse, cue, sync and loop functionality, and now introduces a button for dedicated Flux mode access. 7-segment displays, LEDs, and quality RGB back-lit buttons that match color with cue point types provide precise visual feedback even in the darkest conditions. The most significant new addition is a multi-purpose touch strip that delivers physical command over track position, pitch bend, and effects. Actions such as nudging, needle dropping, track seeking or setting loop length are now possible through simple finger swiping for customizable tactile control over these parameters in TRAKTOR PRO 2. LED indicators help DJs keep track of the assigned parameter without having to look at the computer screen. Furthermore, the new TRAKTOR KONTROL X1 MK2 hardware now provides even more dedicated control over TRAKTOR PRO 2. Advanced Browse and Loop encoders respond to touch, providing direct access to different views and functions in TRAKTOR PRO 2. TRAKTOR KONTROL X1 MK2 is now available at retailers worldwide and at the NI Online Shop for $229 / 199 € / 20,800 ¥. All X1 customers receive a personal $50 / 50 € / ¥ 5000 e-voucher delivered by email upon registration of the X1 hardware. -
Montclair, NJ (August 6, 2013) – In The Language of Music , Tom Brooks demystifies and explains the basic building blocks of music in a simple, clear, straightforward way, presenting knowledge that is essential for the complete development of every worship musician. Brooks offers a practical, real-world approach to all the fundamental music concepts: music theory, harmony, chord construction, scales, key signatures, chord relationships, transposition, modulation, chart reading, and basic arranging, along with tips on how to practice more efficiently and rehearse more effectively, and much more. The focus is on contemporary praise and worship; music that is inspiring the church in the 21st century. The book contains the same information musicians would receive in a traditional college-level theory course, but expressed in today’s practical, relevant musical language. The included DVD-ROM features videos of the author guiding the reader step by step through each chapter of the book. “Wow! I am loving The Language of Music. It is the guide to music theory that every modern musician, singer, songwriter, and band director needs. Saddleback will incorporate this practical, relevant book into the heart of our ongoing training for every worshipping musician. I have been enjoying reading through it and gaining a fresh new outlook on everything I learned in college, “ praises Rick Muchow, Pastor of Worship, Saddleback Church. And Don Moen, Integrity Music producer/songwriter and worship leader, says: “Tom Brooks has delivered a masterpiece in The Language of Music. There is great information and insight for the beginning musician as well as the most advanced arranger/music director. Tom takes the mystery out of theory and harmony and brings these potentially complex concepts to a level that can be embraced by all. The Language of Music is a must-have for anyone who is serious about making great music!” About the author Tom Brooks is probably best known for his work as producer, arranger, engineer, and keyboardist on the award-winning Hosanna Music Praise & Worship series from Integrity Music. He has produced over 100 well-loved Christian albums - several receiving gold and platinum status as well as Grammy and Dove Awards - and has worked with many of the most popular artists in Christian music. Brooks, who holds a doctorate in sacred music and religious fine arts, teaches and trains musicians worldwide and tours extensively. he is the founder of Worship Alliance and creative director of New Earth Studios and serves on the worship team at Saddleback Church. He lives in Southern California with his wife, Cheri, and their five children.
