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Everything posted by Idunno

  1. On a more positive note, looks like you're gaining some momentum and experience as a builder. My mother-in-law, residing with us now going on 4 years, is pushing me to get into building. We chit-chat about various topics and she seems keen on setting me up with all the tools, materials and spirit for building but she doesn't quite understand the nature of it. You have to be genuinely engaged at that level. Pretending to be able to play one is kind of a fool's game but that shoe fits. Pretending to be able to build one? My feet aren't that big.
  2. Pretty much my experience with a particular moderator. As is his M.O., he got all threatening and full of himself with me over his own twisting of my post so I told him to perma-ban me because I was tired of suffering him and all the nancies over there.
  3. Idunno


    Interesting guitar, Howard. Novel bridge tie-off method (2 holes per string). I see the break angle on the high E is fairly shallow. I had that on the Yamaha I bashed so I filled the existing hole with a round toothpick and drilled a new one just below it. A little wood stain and you'd never know it was modified. The head stock veneer extending under the fingerboard is also new to me. I've heard of LAG but haven't seen one here. Nice grab. I'd like to hear it.
  4. The non-ferrous metal used in the wound strings will not be sensed by the magnetic flux field of a typical pick-up. But, all wound strings use a steel core and the p'up will definitely sense that part of the string and put it in the signal chain. The question to ask is if the steel cores are of such a gauge (mass) to be sensed in a balanced fashion with the other strings. If not, some EQ'ing will be needed. But, all wound strings can be manipulated through the chain to bring a pleasing sound. It's only when silk and steel is encountered that the bass strings are un-sensed.
  5. Complying with cat's directive - https://app.box.com/s/3huesrbkv4w24k52g7zo480qerqrpkug
  6. Idunno

    AMP W/O A FUSE,,,,

    Looks to be 50 watts beneath the line chord plug under the transformer, making the running current just under 1/2 amp. Upping that 1-1/2 times puts inrush current at 0.750 amps. Sol-Blo fuses degrade. I prefer fast acting. Can experiment with lower rated fuses (0.50 amp, 250 Volt and lower) to see what the performance is but out of the gate I'd take an amp reading with a decent meter that stores peak inrush current as SOP and equip the unit accordingly with properly rated protection. If you're going first cabin there are re-settable fast-acting panel-mount push-button breakers available in that range going pretty cheap.
  7. Hodaka 125 Wombat, and Yamaha OM size guitar.
  8. I bought an ukulele some years back for my son. I took it off the wall, put it in it's gig bag and gave it to him when I got home. It was a present to take to the Beach (Florida) and play. My fingers will not comply with the board width. Nor will they fit on a mandolin. My index fingertip covers 4 strings on a mandolin and there's no way to body-english them to work. Neal Paisley plays the ukulele well and I thought I'd be able to catch up. But, no, man's got to know his limitations.
  9. I wanted to like the guitar, bought one, tried real hard to bond with it, sold it, forgot about it.
  10. Man, that's some hot stuff. I don't do spicy at all. Has to be pretty close to bland. I think it's a condition I have that food is always bordering on the edge of gross to me. I have to be real hungry these days to push me to eat. Didn't use to be that way.
  11. Misha, let's back up a bit and talk about your stolen truss rod. I mean, I know truss rod theft is a popular thing these days and those bandits are pretty good at swiping them the second you look away. That's why I keep a padlock on my truss rod when I venture out with the guitar. You'll just have to be more careful! Seriously, though - truss rod stolen? That your way of saying it won't change your neck relief? Like has been suggested, shimming the saddle works. The way I do it is by laying on a bead of (medium cure) superglue along the bottom of the saddle and then holding it firmly onto a piece of copier paper. It cures pretty much instantly. I make sure the copier paper is on top of a piece of wax paper. Then I trim the edges off with a single edge razor blade evenly with the sides/ends of the saddle. I repeat the process as many times as needed to get the height I need. Then, when it's right I drag the bottom edge flatly over a piece of very fine sandpaper (1000 grit) that's lying on a flat surface (table or countertop) just to knock off any slight imperfections. Just a couple times over the sandpaper is all that's needed. Been doing that for years. Copier paper is typically around 2.5 mils thick (0.0025")
  12. Late to the party. This is a short ditty played on a Yamaha classical guitar that was modified to accept 0.010 gauge set steel strings. Howard (garthman) suggested I experiment with the concept to shortcut what might be a long search for a 12 fret guitar that meets my preferences. So, without much hesitation, I proceeded to sharpen the tools and effect what is now a very decent 12-fret guitar. Thanks again for the push, Howard. I'm late this VOM1T because I had to heal the tip of my left index finger after a bout with a sharp wood chisel, which also abbreviated the playing of this piece. Thanks. Edit: The ringtone you hear in the beginning is an incoming text on my new cell phone. I'm on the grid! https://app.box.com/s/u88is3yxitsyhmquixebp4dnp992qh3f
  13. I'd probably focus on the equipment and obtain/fabricate it to my satisfaction, meaning it will do what it was designed/intended to do within an acceptable degree or error, before going into the construction of the guitar. But, that's me. I can fly but prefer to tinker with the mechanics of flying, meaning I'm much more interested in the mechanisms of flight than I am in the dynamics of it. This necessarily involves tools, fixtures, jigs and other equipment related to the scope of building and maintenance. I design and build stuff to that end and it's so much more interesting and rewarding than maintaining a compass heading at Angels 5.
  14. Breathing guitar music I hear is good medicine. Take shelter from the exposure, play a lot and stay upbeat.
  15. Schallers. I hear they also enhance sustain due to their extra 0.0000001 ounce weight increase (each!) over other makes. That's what I heard so... I have Gotoh 510 minis. Couldn't tell you the ratio (18s or 15s), chrome with black buttons. Came stock on the guitar. https://www.g-gotoh.com/dl/files/Catalog-2018-En.pdf
  16. 1-11/16" is narrow but as a cross-over it should get some attention from people looking to expand into nylon without having to re-vamp muscle memory. Or, as mentioned, as an easier first step into playing guitar. I gave a Yamaha cross-over to one of my sons, that is similar to the Fender in neck geometry and dimensions, and it gave him the entry level ease he needed. And it certainly looks the part (uncharacteristic of Fender). I'm kind of surprised Fender would bow to a more traditional representation.
  17. I've never played either but they've been brought up for discussion here many times, as all other makes/models have over the years. So, you play instrumentals. Maybe that's what clicks in my memory about you. That's pretty much all I do, and all I would do if not for the audience's preference for songs. But, we can duck for cover here away from those audiences and get away with our druthers.
  18. BB, I remember the name but vaguely so you'll have to sharpen my memory. Were you ever into building guitars? I seem to remember there was some connection with the technical aspects of the acoustic guitar and you. Or, maybe it was technically related to playing. Anyway, here we are - partying on.
  19. I've played them alongside other similarly priced brands. Nothing to write home about, nothing to slight them for, if I needed a new classical I'd revisit them.
  20. Been singing a very long time. Reached a pinnacle and stayed there, no better, no worse, just there. The song did tax me. Ran out of wind. Lot's of chest and diaphragm work. I forget the actual recording specifics but there is chorus. Thanks for any critique. https://app.box.com/s/ipso5ggw04hjof3fym2ajkiv1efuj9vu
  21. Reading music is certainly a musician's duty to learn. Both of my sons sight read (piano, guitar and violin) and my youngest has perfect pitch. I've yet to fail him tuning his guitar by ear alone. He tunes it, I check it with a tuner, and it's spot on. We keep the house musical. My own sight reading isn't too shabby but after >>>>>>>>> years with a guitar in my hands I don't need to read a melody to know how to play it. But, I'm on the back slide of my musical journey and you're beginning so get with the pros and let them accelerate your skills. You'll only be better for it. And, thanks for the compliment on my pipes.
  22. Good source. Thanks. Didn't see mine in there but MN will flesh out their data in due time.
  23. Everything will go under lockdown until the hysteria has passed. Don't worry about it. You, being asthmatic, need to heed the warnings so don't get impatient. The so-called "belting out" simply means letting go of your inhibitions (fears) and learning where your limitations are. If you don't find them then you can't develop past them. If your asthma is a factor then you will need to work within its bounds, and testing beyond them. You have a nice voice so sing.
  24. Not bad at all, Misha. I think I hear all the right pitches where they need to be and the inflections are very listenable. I do hear some holding back. Don't do that. Get it out of your diaphragm. That's why we sing. We release what's down there needing to come out. Holding back is usually because we fear losing control if we just belt it out. I'm not speaking about volume. I speaking about power over the notes and for that to become second nature you have to stop constricting your capacity for vocalizing. Nice job and keep singing.
  25. The list is decidedly off-kilter to my eye and experience. Suggesting a Seagull S6 is a good beginner guitar tells me the rater is not a player with the experience necessary to take into account the physics of the guitar itself in the context of a new player, such as neck heft, and the S6 neck is rather hefty for a beginner. The numerical rating scores are, therefore, simple optics for simple minds but otherwise useless. A standard rule of thumb for suggesting a guitar to an entry-level person is to get out to the stores and get personal with them. Your hand has to place that F chord, not mine. You have to quickly and fluidly shift from a D-maj to a Bm to an A-maj in three strums (one per chord) and the guitar that best suits that is the one you need to consider buying. Sound is secondary to the mechanics of developing skills and the best guitar for developing skills is the one you need to buy.
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