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The other guitarist wants to quit!


New Trail

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We're a five piece classic rock band with, let's just say, some issues. First off the bass player, drummer and keyboard player will not play the standard bar dance songs so our song list consists of good, if slightly lesser known, less danceable songs from the classic rock genre. No Mustang Sally or Free Bird for us! Also, the other guitar player (let's call him Rico) and I own the PA and the lights and transport and set them up, as well as our own gear. The others, for the most part, move and set up just their personal equipment. They DO sometimes help load after the gig. Rico and I also take care of all of the booking (so far), organizing rehearsals, and getting most of the material together. Now, all of this wouldn't be so bad but the other three members are the complainers in the band as well, about the material, or if a gig doesn't go well, or if we're playing an outside gig and there's a chance of rain, or if we gig too little, or if we gig too much, you get the picture. Anyway, we're at a standstill right now. We've picked a list of songs to learn but Rico has basically stopped sending emails to get things going, so nothing is happening. I think he wants to see what will happen if he doesn't take it upon himself to get things done. The other guys would, it seems, just let things collapse. I have sent a couple of emails to try to get something going and a rehearsal organized, but so far with limited response. I knew something was up, and last nite Rico told me he had set down severals times to email us that he was quitting the band, but changed his mind at the last minute. He's still trying to decide what he wants to do. I let him know that I don't want the band to be over and I don't want him to quit. We are basically a democratic band and we don't really have a leader, but all bands have to have someone to push things along, and in this band it's Rico, whether he wants it to be or not. Now, I really want this band to continue playing together and my question is: What can I do, or SHOULD I do, if anything, to convince or help Rico get his interest back and start doing what he needs to do to keep the band going? Thanks!

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I am kind of taking control of a band for the first time in many years (it is SO much easier being a sideman) so I'm experimenting with financial solutions to this kind of problem -- hoping that this will keep things on a strictly business level and we can avoid anyone getting fed up to the point your guitar player (understandably) is.

 

1) whoever books the gig gets 10% off the top -- cheap for an agent's fee

 

2) roadie fee for setup of common equipment (in our case, PA only) is split by the roadies (the band members who do the work)

 

The rest of the money is split evenly.

 

If anyone else has any ideas, PLEASE add to this list -- espeicially if you are past the experimental phase and have found things that work.

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doesn't sound like rico is the problem, he's just tired of dealing with the problems caused by the other members.

 

You and him are the ones carrying the load - in more ways than one. You need to let him know you're on his side and take control of the band, even if that means shutting down the band while you find new members.

 

I'd rather keep one person that does the work and has a good attitude than 3 people who add nothing but problems and complaints.

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Originally posted by Crackpot

I am kind of taking control of a band for the first time in many years (it is SO much easier being a sideman) so I'm experimenting with financial solutions to this kind of problem -- hoping that this will keep things on a strictly business level and we can avoid anyone getting fed up to the point your guitar player (understandably) is.


1) whoever books the gig gets 10% off the top -- cheap for an agent's fee


2) roadie fee for setup of common equipment (in our case, PA only) is split by the roadies (the band members who do the work)


The rest of the money is split evenly.


If anyone else has any ideas, PLEASE add to this list -- espeicially if you are past the experimental phase and have found things that work.

 

 

That's actually a sweet idea.

 

Getting everyone to agree to it will be the hard part.

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Originally posted by ihateyouguys

doesn't sound like rico is the problem, he's just tired of dealing with the problems caused by the other members.


You and him are the ones carrying the load - in more ways than one. You need to let him know you're on his side and take control of the band, even if that means shutting down the band while you find new members.


I'd rather keep one person that does the work and has a good attitude than 3 people who add nothing but problems and complaints.

 

 

Very wise advice.

 

You'll be able to replace the complainers, but it will be hard to find another guy like "Rico"

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Originally posted by LochNessMonster

If you're gonna do all the typical snooze classic rock and roll crap do it real well so you can get paid a lot of money to help stave off the boredom of having to play it. Keep Riko and dump the others and start all over again.

Advertise and the promise of a good paying steady gig will bring all the mercenaries out of the closet. Use them.

You can't expect to have people want to be in a band for the love of it if you're looking to be a top 40 cover band.

The thought of having to possibly play the usual drunk bar patron set of music is probably torture to your uncooperative bandmates and they're 'acting out'.

 

Ummm...could you possibly be any more arrogant and condescending? :rolleyes:

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Originally posted by New Trail

What can I do, or SHOULD I do, if anything, to convince or help Rico get his interest back and start doing what he needs to do to keep the band going? Thanks!

 

 

You should take on some of his responsibilities so he doesn't have to push so hard.

 

It's time to realize the band isn't as democratic as you'd like to think it is.

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It's over, it just hasn't happened yet. Cut the 3 complainers and start looking for some new members who will contribute vs distract the energy of the collective band. The time YOU personally are spending worrying about it could be spent advertising and auditioning. Making such a move will also send the message to Rico that you feel his pain. It will solidify your musical alliance with him. He'll know that you value his past efforts and, he'll know you want to keep going if at all possible with him in the band. If you wait til it blows up it'll be a whole new bunch of issues that will consume your time and make the pill even more bitter for Rico regarding the current band situation. Take charge and make the call. Who knows, maybe after getting the word the other 3 members will straighen up. But don't wait too long. Most likely Rico is already looking.

 

Good luck

 

:cool:

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Originally posted by ihateyouguys

doesn't sound like rico is the problem, he's just tired of dealing with the problems caused by the other members.


You and him are the ones carrying the load - in more ways than one. You need to let him know you're on his side and take control of the band, even if that means shutting down the band while you find new members.


I'd rather keep one person that does the work and has a good attitude than 3 people who add nothing but problems and complaints.

 

 

+1000

 

Seems like the OP and Rico should do lunch, and have a chat. If you do most the work, own most the gear that makes the band viable, you should run the band. Shut down operations, Rico and OP form a new band, and HIRE sidemen to do the rest.

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1 - Tell Rico you're on his side.

 

2 - Propose to Rico a few changes... that the set list will change, and the band payout will include the booking fee and the set-up surcharge (those are great ideas). If the drummer/bass player/keyboard player want to stay, that's fine. If they don't, that's better.

 

3 - Put together a network, or a notebook of on-call players so that when one of your bandmates tries to sabatoge things by cancelling at 'the last minute', you'll have a backup ready to go.

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I know I shouldn't feed the immature little trolls but here goes.

 

I play in both cover and original bands. If you haven't done both you comments are worthless uninformed crap.

 

Playing standard covers for a large crowd that is really having a good time is just as much fun as playing originals to a room full of jaded musicians and getting little to no pay.

 

I play for way better crowds for way better pay in the cover band. The only reason I do the original band is because I like writing and recording music.

 

Max

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Originally posted by newmaxnew

I know I shouldn't feed the immature little trolls but here goes.


I play in both cover and original bands. If you haven't done both you comments are worthless uninformed crap.


Playing standard covers for a large crowd that is really having a good time is just as much fun as playing originals to a room full of jaded musicians and getting little to no pay.


I play for way better crowds for way better pay in the cover band. The only reason I do the original band is because I like writing and recording music.


Max

 

?? :confused:

 

Did you post to the right thread?

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I am pretty much in the same situation except that I am Rico and we're an all original band :)

 

Well, we had a meeting, got the issues out there and now we have other band members contribute w/ booking as well. We still have a vocalist that hasn't brought in a single cent of equipment to the band and is using our PA and mics and now she wants to quit.

 

My suggestion is to have a meeting and divide the duties between all of you. In that case if Rico would do the booking, you do the promotion and you have the freeloaders carry the band PA and lights to the shows or vice versa. If they are unwilling to do it then consider replacing them and not Rico, if he still has the desire to play.

 

Having to do all the work in a band will get old fast, especially true if it is a cover band. At least in my case the band is a vehicle for my songwriting so more or less when things get ugly I at least see it as either I put up and do it or I program my drum machine and stay in my home studio and get no exposure at all.

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Originally posted by newmaxnew

I know I shouldn't feed the immature little trolls but here goes.


I play in both cover and original bands. If you haven't done both you comments are worthless uninformed crap.


Playing standard covers for a large crowd that is really having a good time is just as much fun as playing originals to a room full of jaded musicians and getting little to no pay.


I play for way better crowds for way better pay in the cover band. The only reason I do the original band is because I like writing and recording music.


Max

 

 

I agree! And furthermore, I have no interest in playing all originals in a bar situation where people are there to dance and party. I like success. There's nothing wrong with original music, and writing and performing your own original songs is extremely fulfilling, but only when the audience is into it. It's frustrating to put yourself as a band in a situation where you have to try to educate people about what is or is not "good" music (according to you), especially when they don't want to be "educated" in the first place. Similiarly, it's even more frustrating when you are trying to keep a band going when the members are split on a direction i.e. "originals vs. covers", "cool covers vs. non-cool covers", "dance songs vs. songs we like", "what the crowd wants hear vs. what we want to play"!

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Originally posted by Micky Z

I thought we were in this business to sell alcohol?
;)
And that originals are "good" to the extent that they promote business (i.e., selling alcohol). Or am I naive?
:D

 

Are you gigging regularly and doing good business playing originals? If so, then you are not naive, but your situation would be the exception to most that I have experienced, and you should consider yourself lucky. Around here, people still pretty much want to dance to the same old songs that they have been for years. And yes, in most cases we're there to sell drinks (maybe food, too).

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