Members Ryan. Posted June 11, 2010 Members Share Posted June 11, 2010 So my monitors right now are Behr 215As or something? Basically their low end powered cab. I don't want to blow them out before I save up the funds to replace them one by one with k10s-12s. The only thing I need running through the monitors is vocals and smidge of guitar. Using my DBX231 EQs... what bands can I completely roll off to avoid any booms coming through? Everything below...? Link to comment Share on other sites More sharing options...
Members RoadRanger Posted June 11, 2010 Members Share Posted June 11, 2010 I pull all the sliders below 100hz down on the 231's and switch them to +-12db mode. I absolutely HATE that they don't have variable HPF's . I think the B215A's have EQ on them, I seem to remember turning down the low on them about half way when I used a pair for monitors once - seemed to work fine. Link to comment Share on other sites More sharing options...
Members imnotded Posted June 11, 2010 Members Share Posted June 11, 2010 I'd say cut everything below 100-120Hz. Link to comment Share on other sites More sharing options...
Members Ryan. Posted June 11, 2010 Author Members Share Posted June 11, 2010 I absolutely HATE that they don't have variable HPF's . Agreed. It would make things a lot easier. Link to comment Share on other sites More sharing options...
Members twostone Posted June 11, 2010 Members Share Posted June 11, 2010 That all depends on the room acoustics where to cut boom frequencies. Plus the 231 is your tool for ringing those Behr's out. I think the only boom you might have is proximity effect from a singer, but that's just matter of mic technique.Depending on the mic make, model, and brand and usually the cheaper the mic the more proximity effect and handling noise will occur. Link to comment Share on other sites More sharing options...
Members imnotded Posted June 11, 2010 Members Share Posted June 11, 2010 That all depends on the room acoustics where to cut boom frequencies. Plus the 231 is your tool for ringing those Behr's out. I think the only boom you might have is proximity effect from a singer, but that's just matter of mic technique.Depending on the mic make, model, and brand and usually the cheaper the mic the more proximity effect and handling noise will occur. With only running vocals and guitar into the monitors, there is no reason to even have under 100Hz anyway. Link to comment Share on other sites More sharing options...
Members agedhorse Posted June 11, 2010 Members Share Posted June 11, 2010 Depends entirely on the application. Sometimes I like to high pass at 60Hz, sometimes 125Hz but it's often varied. Link to comment Share on other sites More sharing options...
Members tlbonehead Posted June 11, 2010 Members Share Posted June 11, 2010 With only running vocals and guitar into the monitors, there is no reason to even have under 100Hz anyway.it also doesn't matter that much(except for maybe mic bleed) if you have the low cuts "on" for the channels going thru the monitors. Link to comment Share on other sites More sharing options...
Members Unalaska Posted June 12, 2010 Members Share Posted June 12, 2010 Do NOT cut all the sliders below 100, or 80 or 60 etc. Doing this does strange things to the phasing on the signal and a lot more technical stuff I can't remember right now. Use the low cut filter only and cut only, no boosting. Link to comment Share on other sites More sharing options...
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