Members trainbridge Posted November 14, 2009 Members Share Posted November 14, 2009 love me some cranked tweed bassman and super reverb with p90's of course. Link to comment Share on other sites More sharing options...
Members JRBain Posted November 14, 2009 Members Share Posted November 14, 2009 When I imagine my perfect lead tone in my head, I moreorless hear the best Twin I ever heard with a couple of really hot gain stages on. Like a Boogie Mark series but more Fendery. (I do love Boogie Marks too, incidentally). So definitely in. And that clip sounds excellent. Link to comment Share on other sites More sharing options...
Members SirJackdeFuzz Posted November 14, 2009 Members Share Posted November 14, 2009 A fully cranked Super Reverb sound Godly too Link to comment Share on other sites More sharing options...
Members SirJackdeFuzz Posted November 14, 2009 Members Share Posted November 14, 2009 Does this count? Wich Victoria do you have mate ? IF i had the funds, i would have gotten this one long ago : http://www.victoriaamp.com/amps.html?model=35210 Just listen to that "Les Paul - Dirty Rock Riff" WOW Link to comment Share on other sites More sharing options...
Members ben_allison Posted November 14, 2009 Members Share Posted November 14, 2009 A fully cranked Super Reverb sound Godly too http://www.youtube.com/watch?v=nBevPRWJGfg&feature=PlayList&p=EF204499888D50FA&playnext=1&playnext_from=PL&index=32No kidding. Derek Trucks = sick. Link to comment Share on other sites More sharing options...
Members echodeluxe Posted November 14, 2009 Members Share Posted November 14, 2009 my favorite overdrive tone is either this cranked 68 deluxe reverb my friend has, or a cranked super reverb. and bassman too, duh. Link to comment Share on other sites More sharing options...
Members The Lou-Dog Posted November 14, 2009 Members Share Posted November 14, 2009 Peter Green sounds so much like Bluesbreaker/Cream era Clapton. Just sayin. Link to comment Share on other sites More sharing options...
Members openE Posted November 14, 2009 Members Share Posted November 14, 2009 just got a '65 princeton...prev. owner put a 12 inch baffle with a vox blue...sounds soooo good...oh and the tube trem sounds really trippy... Link to comment Share on other sites More sharing options...
Members erksin Posted November 14, 2009 Members Share Posted November 14, 2009 Peter Green sounds so much like Bluesbreaker/Cream era Clapton.Just sayin. I think he sounds closer to Mike Bloomfield since they were playing basically the same rig (LP through a Twin Reverb). You know that Green replaced Clapton in the BBs, right? Link to comment Share on other sites More sharing options...
Members The Lou-Dog Posted November 14, 2009 Members Share Posted November 14, 2009 I think he sounds closer to Mike Bloomfield since they were playing basically the same rig (LP through a Twin Reverb).You know that Green replaced Clapton in the BBs, right? Yassir, i am a bit of a Clapton enthusiast to be fair, especially when i was starting out playing. Mike Bloomfield has got a little bit more bite and a little bit more flamboyance compared to Peter Green IMO. Link to comment Share on other sites More sharing options...
Members drasp Posted November 14, 2009 Members Share Posted November 14, 2009 OOooh - I'm in on this! Love the sound of my Vibroverb cranked. Link to comment Share on other sites More sharing options...
Members delayed delay Posted November 14, 2009 Members Share Posted November 14, 2009 crank'd '59 Bassman = :love::love:crank'd Deville = mehcrank'd Hot Rod Deluxe and many other similarly priced Fenders = Sorry.... I guess just count me in the minority in this thread that thinks the Hot Rod Deluxe sounds like poopoo. That amp is so freaking harsh it's impossible to get a consistently smooth crunch with it. It's just soooo freaking harsh. Link to comment Share on other sites More sharing options...
Members GuitarSlim101 Posted November 14, 2009 Members Share Posted November 14, 2009 My favorite amp is the Tweed Deluxe. I love the one I built and I'd love to find a real one some day (for vintage mojo and all that). And on the topic of guitar tones on Tom Waits albums, fantastic. Just about every track on Real Gone has really nice tones from Ribot. Link to comment Share on other sites More sharing options...
Members ben_allison Posted November 14, 2009 Members Share Posted November 14, 2009 Think of this yeah it's a rumor, but Eddie Krammer confirmed it in his semi-auto-bio of Jimi, the amp used for the recording of vodoo chile/ not slight return, either was a aa864 Bassman 1964... Nov/ mine Dec.., Wouldn't surprise me! Cranked Fenders ARE the sound of rock. The classic Marshall tone is basically a Tweed Bman into a closed-back 4x12 with Celestions. It's always been Fender. Link to comment Share on other sites More sharing options...
Members RamblinMan Posted November 14, 2009 Members Share Posted November 14, 2009 [YOUTUBE][/YOUTUBE] Link to comment Share on other sites More sharing options...
Members Fender&EHX4ever Posted November 14, 2009 Members Share Posted November 14, 2009 Wouldn't surprise me! Cranked Fenders ARE the sound of rock. The classic Marshall tone is basically a Tweed Bman into a closed-back 4x12 with Celestions. It's always been Fender. Those are fightin' words!!! But not for me. Link to comment Share on other sites More sharing options...
Members schenkadere Posted November 14, 2009 Members Share Posted November 14, 2009 it's that time again, for us to all agree that fenders aren't just "clean machines" for pedals only. They have a great crunch that is immediately recognizable on countless recordings...a dimed fender is a thing of rock and roll beauty Peter Green's Les Paul is now Gary Moore's. Link to comment Share on other sites More sharing options...
Members L_Z_nut Posted November 14, 2009 Members Share Posted November 14, 2009 Here's a great site for you Fender nuts out there!!! http://www.ampwares.com/ Link to comment Share on other sites More sharing options...
Members Kap'n Posted November 14, 2009 Members Share Posted November 14, 2009 Wich Victoria do you have mate ?IF i had the funds, i would have gotten this one long ago : http://www.victoriaamp.com/amps.html?model=35210Just listen to that "Les Paul - Dirty Rock Riff" WOW I'm guessing it's a 5F6-A head cab with 4x10 bottom. Leo did one as a one-off for somebody back in the day.A narrow-panel Super (your link) is pretty cool, and more practical for a lot of us. I've got one, one amp away from me now. Link to comment Share on other sites More sharing options...
Members ben_allison Posted November 14, 2009 Members Share Posted November 14, 2009 Victoria is the bomb. It doesn't get any better. Link to comment Share on other sites More sharing options...
Members SirJackdeFuzz Posted November 15, 2009 Members Share Posted November 15, 2009 Victoria is the bomb. It doesn't get any better. . . . nor does it get any more costly Victoria's 5E3 'clone' is a whopping $1990.00 before tax. Nick Greer's 5E3 'clone' is almost half of that, for the exact same quality product ! http://www.greeramps.com/amps.html - Underdog . . . and he has the Underdog Mod1, a Hot Rodded 5E3 if the regular 5E3 ciruit is too tame for you Mod-1 Information " A louder, higher gain version of the Underdog "True 59". It even has more cleans. The Underdog "Mod-1" is based on the same circuit as the Underdog "True 59" but with an evil twist hat will take the old 5E3 style circuit to the next level. This circuit provides the same tube warmth as the Underdog "True 59" but gives an extra kick, moving the UD15 "Mod-1" into more of a harder distortion area as well as giving the player higher, more giggable volume. The "Mod-1" 1-12" combo comes standard with a Celestion G12H30 speaker and a kick in the pants for a mixture of both American and British sounds. Players can easily go from 50's rock and blues sounds, to the sounds of the 60's and 70's Brit rock. This amp is a workhorse. " Link to comment Share on other sites More sharing options...
Members thirsty one Posted November 15, 2009 Members Share Posted November 15, 2009 Im starting to love the distorted Fender sound, too. I'm on the fence about ditching the AC30H2 for one. But are the Fenders minty fresh like that AC30H2 of yours? Link to comment Share on other sites More sharing options...
Members ben_allison Posted November 15, 2009 Members Share Posted November 15, 2009 I've heard running a Fender into a Blue gets WAY Voxy. Best of both worlds'd? Link to comment Share on other sites More sharing options...
Members SirJackdeFuzz Posted November 15, 2009 Members Share Posted November 15, 2009 = Sorry.... I guess just count me in the minority in this thread that thinks the Hot Rod Deluxe sounds like poopoo. That amp is so freaking harsh it's impossible to get a consistently smooth crunch with it. It's just soooo freaking harsh. Sounds pretty good to my ears What is wrong w this sound ? Link to comment Share on other sites More sharing options...
Members The Beatles27 Posted November 15, 2009 Members Share Posted November 15, 2009 it's that time again, for us to all agree that fenders aren't just "clean machines" for pedals only. They have a great crunch that is immediately recognizable on countless recordings...a dimed fender is a thing of rock and roll beauty I love me some Cranked fenders (DRRI here) and I really dig some Peter green Link to comment Share on other sites More sharing options...
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