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Defiine "jangle" for me


slodge

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Early Byrds

Tom Petty


Think D chord with an added g note created by pressing down your little finger, back and forth, back and forth. That should give you some shimmering highs. That's jangle.

 

 

Coincidentally, those were the first two that popped into my mind too.

 

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Buddy's rendition is just so dang clear - lovely jangle

 

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Tom

 

Add some early George Harrison

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But beyond trebly, it also has to have a lot of vibe to the tone to meet my def of "jangle"

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I would say toaster pickups, and maple bodies, short scale, Vox or Fender amps.

 

Play with bridge and neck pickups together with a clean compressed tone. You can get close with many guitars. Rickenbackers work best but some Fenders and Gibsons with minis can get it too.

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Lots of treble from both the guitar and amp but still with a hint of bass. Maybe it's not bass. But the low string still has to have a good rounded out twang.

 

This might actually come more from something like a Casino or ES 330 into a trebley amp like a Fender or Vox tube amp.

 

To me "jangle" is from a Ric 12 string but from a 6 string, it's early Beatles which, seems like more "twang" than jangle.

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The compression is absolutely key. Otherwise, your high strings will be shrill instead of sparkling.

 

FWIW, you can get great jangle out of a Telecaster, using either both pickups or the bridge pickup alone, with the tone control rolled down to the 4-7 range (depending on pot value and taper). My Squier Pro Tone Thinline with GFS Lil' Punchers is an absolute jangle machine.

 

My other jangler is a Yamaha Pacifica 303-12 II with GFS pickups (6k Lil' Killers in the neck and middle, Vintage Split in the bridge) and special switching that allows me to get the neck+bridge position. In that position, it's pretty delicious.

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For me, it was quite clear.

 

Rickenbacker + Janglebox + Vox.

 

Now, I'm using a Vox AD30VT.. On the AC30 treble booster setting.

 

It's all the jangle you will ever need.

 

Even though I'm using high gain pups, I can pretty much match the tone on the likes of "If I Needed Someone" type tunes.

 

The Janglebox is pretty expensive. But I knew I would want one even if I got something else in it's place. So I bit the bullet, bought the Janglebox. Haven't looked back.

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For me, it was quite clear.


Rickenbacker + Janglebox + Vox.


Now, I'm using a Vox AD30VT.. On the AC30 treble booster setting.


It's all the jangle you will ever need.


Even though I'm using high gain pups, I can pretty much match the tone on the likes of "If I Needed Someone" type tunes.


The Janglebox is pretty expensive. But I knew I would want one even if I got something else in it's place. So I bit the bullet, bought the Janglebox. Haven't looked back.

 

 

Yeah, I've checked out the Janglebox. But doesn't playing a Rick through a Vox make it redundant? I kinda thought the Janglebox looked to emulate that tone.

 

 

Byrds, Petty and Harrison are the first ones that come to mind, but I've also heard 80's bands like The Smiths referred to as Jangle.

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I can fake a good jangle with my strat. I put a bridge-on switch in to get a neck/bridge position. If I use that position and pick just a little further back toward the bridge than usual my chords come out pretty jangly. It's not the perfect solution, but it works, and if you know what you're doing the only cost involved is a $3 toggle from Radio Shack.

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Yeah, I've checked out the Janglebox. But doesn't playing a Rick through a Vox make it redundant? I kinda thought the Janglebox looked to emulate that tone.



Byrds, Petty and Harrison are the first ones that come to mind, but I've also heard 80's bands like The Smiths referred to as Jangle.

 

 

Well, you need the compression to get that Byrds/Beatles jangle, anyways.

 

I've not really tried any other amps with the Ric.. So I can't say. But the Vox does a great job on top of the JangleBox.

 

Though not as jangly, Pete Townshend also uses the Ric 12 on early Who stuff. Think "I Can't Explain", "The Kids Are Alright".

 

Maybe I'm subconciously trying to justify the purchase, but after I got the JangleBox, I couldn't go back to playing those jingle-jangly songs without the JangleBox on.

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All the REM-era stuff coming out of the south had a nice jangle tone (the dBs, Let's Active, etc.), but so did bands like The Three O' clock, Tommy Keene, the Tourists, etc. Between them, I'm not sure there's a common thread of equipment used. Teles, some semi-hollows, Casinos, Gretschs, and Rics, through Fender Twins and Pro Reverbs, Vox, etc. Matthew Sweet is a big Casino guy and he jangles with the best of them; I think he used Orange amps for awhile. Lots of acoustics in the mix as well.

 

Seems to me it's as much about playing style and production value as it is gear and effects. A little delay, a clean amp, a bright pickup, and some sus4 arpeggios on top of strumming, and you're there.

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