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Love Songs are not always academic


ido1957

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Agree with Stack about the engaging pop rock feel. Mostly, it feels very well crafted, musically and lyrically... except I have a problem with this stanza:

 

Am I in your dreams

Do you yearn for me

Am I a long forgotten love

Or just a faded memory

Of someone you've been dreaming of

... and, really, my only problem is that or -- the way I read it, a long forgotten love is a faded memory.

 

Otherwise, I think it's solidly what it set out to be. :thu:

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Agree with Stack about the engaging pop rock feel. Mostly, it feels very well crafted, musically and lyrically... except I have a problem with this stanza:


... and, really, my only problem is that
or
-- the way I read it, a
long forgotten love
is
a
faded memory.


Otherwise, I think it's solidly what it set out to be.
:thu:

 

Thanks B2B - here's my interpretation

 

Am I in your dreams, Do you yearn for me (really misses me all the time)

Am I a long forgotten love (no memory of me whatsoever )

Or just a faded memory (foggy, can't quite remember me/face/what I was like - fading but not yet gone)

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Thanks B2B - here's my interpretation


Am I in your dreams, Do you yearn for me (really misses me all the time)

Am I a long forgotten love (no memory of me whatsoever )

Or just a faded memory (foggy, can't quite remember me/face/what I was like - fading but not yet gone)

Ah... the phantom comma. (I seldom use conventional punctuation in my lyrics, either.) Yeah, that makes semantic and grammatical sense, then, as a series of three mutually exclusive possibilities. Still, the relative semantic proximity of the latter two in apposition to the more distant first possibility does nag my ear, just a little. But, in the big picture, a small nag.*

 

Good work!

 

 

 

Someone was going to do it, so I thought I'd just cut to the chase...

 

tiny_horse.jpg

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I say...to heck with

 

....semantic and grammatical sense

 

This is just a great rock song!!

 

After the first 'since you been gone' (love the way you deliver that phrase, btw) I was pleading for a guitar break, which you sharply delivered next time around. You made me wait.......it felt even better.:cool:

 

Excellent tune!

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I think it's a great tune. The only suggestion I could make that hasn't been said already is a small arrangement thing. I think the chorus would really stand out more and be taken to that next level with some backing vocals of some type. Either a harmony line or even some sustained notes behind the vocal (think You Really Got Me by the Kinks and the like...)

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Like it a lot. The chorus seems inconsistent to me. The tenses seem to flip flop back and forth. I'd think it could be clearer; something like:

 

Am I in your dreams

Do you yearn for me

Am I a not-forgotten love

Or just a faded memory

No longer that you're dreaming of

 

(I know that's a little awkward. But it's your song. You work it out ;) )

 

I suppose I'd like some clue as to why he did the stupid thing he did to let her go. Either that or show some remorse. But it's fine for a pop tune. A pop tune is all about the groove. And it's got a great groove. Great vocal. I think you could use Grace to sign harmony.

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Oh what? Me? I just realised I haven't listened to this yet. lol. I'll do backups if ya like, man. Love to! (when I can sing again *rolling eyes*)

 

I love this song actually. I can also hear The Cars...and something else, but what I don't know...

 

My vocals, if I do 'em, would be different from Summer Love. These ones I'd feel would be more Linda Ronstadt or Alanna Miles than Stevie Nicks / gentle Eagles style.

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