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Create with moody, colorful wind recordings from legendary sound artists. We’re proud to present Cinematic Winds: Volume 2 – the exclusive followup to our most popular specialty library ever. Capture the emotive power of wind to induce subconscious emotion, impose a powerful presence, and create surreal soundscapes. Like Volume 1, much of this library is curated from legendary film sound designers Ann Kroeber and Alan Splet – both well known for their work with David Lynch and more. Volume 2 delivers even more expressive gusts, swells and breezes from Academy Award®-winner Richard King (Dunkirk, Inception). INTRO SALE: Pick up Cinematic Winds: Volume 2 now for just $79 (reg. $119). Offer ends Thursday, January 30th. LEARN MORE SPECIAL BUNDLE OFFER: Add both Cinematic Winds Volumes 1 & 2 to your cart via the button below and get this limited-time bundle for just $199 ($318 value). Offer ends Thursday, January 30th. BUNDLE AND SAVE

Spitfire Audio addresses cultural shift in orchestral music and film scoring with new decade-dawning ALBION NEO next-chapter LONDON, UK: Spitfire Audio is proud to announce ALBION NEO — neatly turning the proverbial page to open a new decade- dawning next chapter in its bestselling ALBION... series sample libraries and virtual instruments as a modern cinematic collection centred around a chamber-sized orchestra with a super-intimate string section split by divisi across all articulations to offer anyone access to the incredible definition and expression of classic and progressive techniques creatively captured in the beautiful resonance of the hallowed (Lyndhurst) Hall at London’s legendary AIR Studios, successfully accompanied by an encyclopaedic range of progressive synths, loops, and textures totalling over 300 carefully curated presets to address an exciting cultural shift in orchestral music and film scoring spurred by a demand for a closer, more emotive, hybrid sound suited to TV, films, and beyond — on preorder as of the first day of The 2020 NAMM Show, January 16-19, Anaheim, CA, USA, where the sound-specialising British music technology company is exhibiting, and available from January 23… Like life itself, the film scoring landscape is constantly evolving. With the rise of streaming platforms, TV shows and independent films are just as big as blockbusters, and directors are now looking for closer, more emotive, sophisticated soundscapes. Artists and composers are producing more progressive, daring, and emotive works within the film world and beyond as a result. Reality bites, but Spitfire Audio has been part of this new wave with its consistent creation of original tools that push the boundaries of orchestral music. Indeed, its groundbreaking EVO... and SWARM... series and always-creative collaborations with pioneering composers and visionaries — from BAFTA (British Academy of Film and Television Arts) Award-winning Icelandic composer, multi-instrumentalist, and producer par excellence Ólafur Arnalds (famed for his original score to top-rating television series Broadchurch as well as several standout studio albums) to The London Contemporary Orchestra (one of the UK’s most innovative and respected ensembles, promoting the best new music and cross-arts collaborations to an ever-widening audience) — allow anyone to surf the musical wave with the likes of Ólafur Arnalds... or even become the next ‘new waver’! With ALBION NEO, Spitfire Audio has exquisitely encapsulated this new and alluring revolution, taking everything the sound-specialising British music technology company collectively learned during its decade-long sampling journey and applying it to its super-successful ALBION blueprint as a new decade-dawning next chapter. Central to ALBION NEO is its inbuilt NEO Orchestra. As is the case with all of Spitfire Audio’s ALBION... series sample libraries and virtual instruments, it is designed to be both instantly playable and easy to use, with all instruments in each section spread across the keyboard. Creatively capturing phenomenal performances from a group of 36 world-class first-call session musicians playing 54 classic and unconventional articulations, it has been carefully crafted by Paris- and London-based British award-winning composer and orchestrator Ben Foskett working with Spitfire Audio Production Manager Harry Wilson, and recorded digitally at 96 kHz via a two-inch Studer tape machine using priceless valve and ribbon mics routed through Neve ‘AIR Montserrat’ remote mic preamps into a 96-channel Neve 88R large-format mixing console by renowned recording and mix engineer Jake Jackson in the hallowed (Lyndhurst) Hall at London’s legendary AIR Studios. Technically, the NEO Orchestra itself is made up of a super-intimate chamber-sized orchestra, recorded as two divisi string sections — Band A - 12 (3, 2, 2, 3, 2) and Band B - 11 (3, 2, 2, 3, 1) — duly designed to complement each other and create interesting combinations when played together, with a specially orchestrated chorus of seven Brass — including 2 Horns, 2 Flugelhorns, 2 Euphoniums, and 1 Bass Trombone (with Detuned, Pulses, and Reblows articulations) and six Woodwinds — featuring Flute 1 - dbl Alto, Flute 2 - dbl Bass, Clarinet in Bb - dbl Bass, Bass Clarinet, Sax 1 - Alto dbl Baritone, and Sax 2 - Tenor dbl Bass (with Long Octaves, Long Swells, and Short Marcatos articulations) — that are played so soft that they sound like a breathy harmonium. Having said that, the emotion of each performance has been captured in intense detail, with Close, Close Ribbon, Tree, Ambient, and Outrigger multi-mic control and two specially curated mixes to choose from.. Furthermore, ALBION NEO has helpfully been taken to new dimensions by Spitfire Audio’s award-winning engineers enhancing those organic NEO Orchestra recordings to create Segla Textures — 85 organic and electronic curated presets (housed in Spitfire Audio’s totally tweakable and dynamic eDNA engine to allow almost endless creative possibilities as the go-to tool for creating pads and effects that perfectly bridge the electronic and orchestral, now including a new built-in arpeggiator and classic Spitfire Audio techniques such as Super Sul Tasto, Tremolo Harmonics, and Col Legno, as well as more progressive techniques such as Seagulls, Pulses, and Slow Detunes, all available for customisation); Stephenson’s Steam Band — a collection of modern, cinematic, hybrid synth pads, and textures (also housed in the eDNA engine as 108 uniquely curated presets presented as a vast ‘steam synthesiser’ made from those organic NEO Orchestra recordings and a selection of Spitfire Audio co-founder and composer Christian Henson’s rare vintage synths, fed through his modular rig and an admirable array of pedals and vintage tape machines by Christian Henson and Harry Wilson); plus Brunel Loops — an extraordinary collection of 116 subtly evolving, hypnotic, and rhythmic loops, taking inspiration from the likes of American singer, songwriter, multi-instrumentalist, record producer, and film score composer Jon Brion as well as the work of Australian singer, songwriter, and composer Nick Cave and associated Australian-French musician and composer Warren Ellis (effectively performed and developed by Spitfire Audio’s amazing musicians and engineers using experimental combinations of amplified stringed instruments, guitars and pedals, synths, saxophone, tuned and untuned drums and percussion, effects, and field recordings to generate ‘get of out jail’ sounds as an array of instantly gratifying gems from the heart of London). As an orchestral library fit for a new decade, ALBION NEO naturally celebrates the work of composers from Oslo and Reykjavik with whom Spitfire Audio has creatively collaborated and supported, so surely it would be remiss of the company to have completed its icy-northern-inspired music-making masterpiece without first featuring a harmonium — hence opting to also record a pristine example in the cinematic splendour of AIR Studio’s Lyndhurst Hall... both clean and warped, of course! Creating intimate textural beds and drones with the resulting Harmonium’s warm, breathy tones comes naturally to ALBION NEO, as does adding effects using its warped content folder. Fortunately, Spitfire Audio’s Mercury Synth engine easily allows anyone to shape their own unique pads and take the iconic instrument in question to new dimensions. Effectively echoing the subtle, nuanced sound of ALBION V TUNDRA that captured a characteristically Scandinavian sound (sampling a 100-piece orchestra playing never-before-sampled techniques at the very edge of silence), ALBION NEO duly delivers the definition and emotive detail of a smaller orchestral ensemble — endless inspiration for writing intimate sections, scoring independent films that need more focus and precision, or adding achingly beautiful, expressive sounds and textures to intensely personal productions... and all out of the box! Better said — by Christian Henson himself, no less: “With ALBION NEO we go back to the very heart of Spitfire, and that is: small is more powerful... packs a greater emotional punch — especially if you put small in a great big hall like AIR Studios.” Spitfire Audio is currently taking preorders for ALBION NEO, which will be available as of January 23 at an attractively-discounted promo price of £299.00 GBP (inc. VAT)/$349.00 USD/€349.00 EUR (inc. VAT) until February 6 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of £399.00 GBP (inc. VAT)/$449.00 USD/€449.00 EUR (inc. VAT) — from here: https://www.spitfireaudio.com/shop/a-z/albion-neo/ (Exclusive savings are additionally available to owners of other ALBION... series sample libraries and virtual instruments.) ALBION NEO needs Native Instruments’ KONTAKT PLAYER (5.6.8 or higher) — a free version of the KONTAKT sample playback engine (included in its purchase) — to respectively run as a fully NKS (NATIVE KONTROL STANDARD®) supporting plug-in instrument for Mac (OS X 10.10 or later) or Windows (7, 8, or 10 — latest Service Pack, 32/64-bit), while Spitfire Audio’s free Download Manager application allows anyone to buy now and download anytime. For more in-depth information, including some superb-sounding audio demos, please visit the dedicated ALBION NEO webpage here: https://www.spitfireaudio.com/shop/a-z/albion-neo/ Watch Spitfire Audio co-founder and composer Christian Henson’s overview of ALBION NEO here: https://youtu.be/5umc7AbkV-g Watch Spitfire Audio co-founder and Paul Thomson’s ‘traditional’ walkthrough of the NEO Orchestra at the heart of ALBION NEO here: https://youtu.be/Z6VQ7vF60W0 Watch Spitfire Audio co-founder and composer Christian Henson’s walkthrough of ALBION NEO’s Segla Textures here: https://youtu.be/MTow_EFK9WI Watch Spitfire Audio co-founder and composer Christian Henson’s walkthrough of ALBION NEO’s Stephenson’s Steam Band here: https://youtu.be/0lq6VMCsOBM Watch Spitfire Audio ‘composer-in-residence’ Homay Schmitz’s walkthrough of ALBION NEO’s Brunel Loops here: https://youtu.be/ZzZ8I-6LzzI Watch Spitfire Audio’s suitably cinematic and awe-inspiring trailer video for ALBION NEO featuring co-founder and composer Christian Henson’s in-the-field introduction to the icy-northern-inspired music-making masterpiece here: https://youtu.be/gXMoo_IBxng About Spitfire Audio (www.spitfireaudio.com) Spitfire Audio is a British music technology company that specialises in sounds — sample libraries, virtual instruments, and other useful software devices. It collaborates with the best composers, artists, and engineers in the world to build musical tools that sound great and are exciting to use. © 2020 Spitfire Audio Holdings Limited

New plugin available exclusively free for Clarett, Red, RedNet and ISA customers Los Angeles, CA, January 23, 2020 – Two of the most revered pieces of recording gear in the history of music production, the Focusrite ISA 110 Equaliser and ISA 130 Dynamics Modules, helped to shape the sonic landscape of the 1980s and 90s. They were key components in the original Focusrite Studio Console, with their unique specification, exceptional build quality and impressive versatility delivering a beautifully open sound that found favor among audio engineers the world over. With fewer than ten Studio Consoles still in existence and the ISA Modules commanding sky-high prices on the second-hand market, their very special brand of audio magic has been utterly inaccessible to all but the most privileged of producers… until now! Designed and coded by the DSP geniuses at acclaimed software house Brainworx, the new bx_console Focusrite SC VST/AU/AAX plug-in for Mac and PC faithfully captures the sound, feel and styling of Focusrite’s original iconic hardware – and now Clarett and Red audio interface customers, along with ISA and RedNet customers, get the plug-in, simply by registering their equipment online. Accurately modeling the full signal paths of the ISA 110 and ISA 130, bx_console Focusrite SC brings all the analogue character and coloration of the Focusrite Studio Console to your DAW-based productions. Offering four bands of parametric and shelving EQ, high- and low-pass filters, compression/limiting, gating/expansion and de-essing, it's as powerful a sound-shaping tool today as it ever was – indeed, it improves on the capabilities of the original with modifications including continuously variable THD and Gain controls. And with Brainworx's Tolerance Modelling Technology providing 72 selectable modeled circuits, you can even recreate the subtle timbral variations between channels that you'd get with the real console. With bx_console Focusrite SC retailing separately for $349, its inclusion for free with this multitude of Focusrite products is a huge deal, and Focusrite is deeply honored to see and hear these two historic modules so brilliantly emulated in software. To download the plug-in, simply register your Clarett, Red, RedNet or ISA unit online, log into your Customer Portal page, where you'll see bx_console Focusrite SC listed in the ‘My Software’ page among your registered products. Click here to watch the Story of the Focusrite Studio Console. Brainworx bx_console Focusrite SC VST/AU/AAX plug-in for Mac and PC For further information, head to www.focusrite.com About Focusrite Focusrite Audio Engineering has pioneered professional audio recording technology spanning four decades. Starting from the delivery of 12 sonically unrivalled music-recording consoles, Focusrite has gone on to become the leading name in music recording products. The Focusrite brand offers audio interfaces and other solutions for recording musicians, music producers and audio professionals alike. Today the company is famous for offering unprecedented sonic performance at every price point, notably the ubiquitous Scarlett range of USB interfaces. Focusrite relentlessly pursues opportunities to inspire creativity through technology, constantly seeking new ways to eliminate technological barriers, without compromising on sound quality.

Dirac Introduces Dirac Live for Studio at NAMM 2020 UPPSALA, Sweden, January 16, 2020 — Swedish audio pioneer Dirac today announced the introduction of its acclaimed Dirac Live room correction solution for the pro audio market at NAMM 2020. For nearly a decade, Dirac Live has been the HiFi & home theater market’s reference room correction solution, used by the industry’s most premium brands such as Arcam, Datasat, JBL Synthesis, NAD and StormAudio, among others. With the introduction of Dirac Live for Studio, the company is expanding the application of its room correction solution to include studio environments that, according to Dirac Director of Product Management Jakob Ågren, have long been plagued by the acoustical challenges Dirac Live corrects. “Since 2010, Dirac Live has enabled the world’s finest HiFi and home theater systems to achieve their full potential,” stated Ågren. “However, as Dirac Live increased in popularity and critical-acclaim, we repeatedly heard from the pro audio community that such a solution was needed in the studio. At NAMM 2020, we are delivering a room correction solution that will impact the pro audio industry in the same way it has impacted HiFi and home theater.” Whether a home theater or a mixing studio, the physical space in which speakers are placed interferes with sound; the walls, ceiling, furniture and more interact with sound waves causing various acoustic issues – regardless of the equipment that’s used. As a result, for instance, certain frequencies can be amplified while others are weakened (frequency domain issues), and sound stage can deteriorate (time domain issues). Traditionally, acoustic room treatments have been used to address these issues; however, this method takes substantial resources and time, and still fails to resolve some of the key acoustical challenges. Featuring patented impulse response and frequency response correction, Dirac Live tackles both the frequency and time domain problems to significantly reduce the room’s impact on studio sound – thereby improving the accuracy of sound reproduction in studio environments. This is particularly important during the editing process, as it ensures that producers are faithfully experiencing the complete recording – unaffected by the room itself – so they can most effectively mix and master it. Furthermore, the solution is time and cost efficient; producers do not have to invest substantial time or break the bank to improve their studios’ acoustics. For the last few years, the company has piloted Dirac Live with some of Sweden’s most influential DJs and music producers, all of whom rave about the impact it has had on their recordings. “When producers hear the difference that Dirac Live makes, they’ll no doubt be blown away,” stated Rami Yacoub, acclaimed music producer for artists such as Ariana Grande, Demi Lovato, Avicii and more. “Recordings can be experienced in their purest, more accurate and complete form, without the introduction of distortions produced by the studio itself. Dirac Live is a game changer for our industry, and will soon become the go-to room correction solution for producers of all professional levels.” Dirac Live for Studio (Windows and macOS) is immediately available for the pro audio market as a computer software. Different from Dirac Live for home audio, Dirac Live for Studio features an audio plugin that can be installed in some of the most popular digital audio workstations. Dirac Live measures and corrects the studio’s acoustics, while its audio plugin then stores the correction filters. The audio plugin can be installed in most host applications that support VST, VST3, AAX and AU formats, such as digital audio workstations and certain media players. Dirac Live for Studio is currently compatible with the following host units: Logic Pro X, Cubase 10, Studio One 4, Reaper, JRiver Media Center 25, Ableton Live 10, and Pro Tools. More will be added in the weeks and months to come. For more information on the Dirac Live For Studio, visit live.dirac.com/pro-audio. About Dirac: Dirac was founded on the belief that everyone has the right to better sound. Based in Sweden, Dirac optimizes digital audio, perfecting sound for better listening in any environment. The patented sound solution technology spans across mobile, gaming, VR/AR, headphones, automotive, residential and commercial AV, boosting whatever sound you’re listening to, wherever you’re listening. For professionals, Dirac produces the industry’s most powerful suite of audio tools for signal processing. Some of the world’s most respected brands bring the Dirac sound experience to their customers, including BMW, Datasat, Harman, NAD, OnePlus, OPPO, Rolls Royce, Volvo and Xiaomi. As well as headquarters in Uppsala, Sweden, Dirac has offices in Shenzhen, Beijing and Shanghai, China; a Research & Development facility in Copenhagen, Denmark; and representation in Germany, Japan, Korea, and USA. www.dirac.com

Flock Audio propagates PATCH digitally-controlled, 100%-analog patch bay routing system selection with LT and XT hardware KELOWNA, BC, CANADA: having revolutionized recording studio setups worldwide with its innovative PATCH system’s killer combination of (PATCH APP) software and 64-point connection-providing (PATCH) hardware working together in perfect harmony as the world’s most advanced digitally-controlled, 100%-analog patch bay routing system allowing anyone to easily control analog audio routings without having to resort to the use of manual patch cables, pro audio manufacturer Flock Audio is proud to introduce its (impending) PATCH LT and PATCH XT hardware releases — respectively representing ‘light’ (condensed) and ‘extra’ (expanded) selections anchored around the same award- winning architecture as the original, offering reduced and increased I/O count — at The 2020 NAMM Show, January 16-19, Anaheim, CA, USA... Revolutionary as it incontrovertibly was when turning heads and opening musical minds with a show-stopping showcase at The 2019 NAMM Show, subsequently being adopted by hundreds of audio engineers worldwide with workflows benefitting from a design that just makes sense, today the original PATCH hardware remains revolutionary, beautifully built but simple and sleek in operation. On the face of it, becoming the hub of any studio setup is at its creative core, thanks to 64-point (32-input/32-output) connections via eight standard 25-pin D-SUB connectors allowing analog routing control courtesy of the accompanying MacOS- and Windows-compatible PATCH APP routing software, so users can create, store, and recall complex routings in seconds as well as create complex multing combinations with no impedance issues and no AD/DA conversion with a 100%-analog signal path using Flock Audio’s patented Matrix Technology. Simply speaking, the USB 2.0-equipped hardware works with the software in perfect harmony. Furthermore, Flock Audio sensibly saw fit to also include 32 independent channels of 48V phantom power — and allows or denies the ability to enable 48V on any input connected to the PATCH system, so accidental damage to any costly microphone investment is thankfully avoidable. Additionally, two front panel-positioned TRS/XLR Combo inputs and two XLR outputs for quick hardware, microphone, or instrument integration into the routing system are always available — and all without having to unplug anything already connected to the rear of the rack-mounted unit itself. Moreover, multiple PATCH expansion is perfectly possible for those needing more connections. Conversely, perhaps, PATCH’s 64-point connection capability could conceivably be deemed overpriced overkill for those whose studio setups are a little lighter on the analog audio hardware front. Fortunately, Flock Audio always aims to accommodate, as evidenced by the timely introduction of its (impending) PATCH LT hardware at The 2020 NAMM Show. Small but mighty sums up PATCH’s perfectly-formed simple, sleek, and spectacular sibling, with just enough I/O to create a musical masterpiece. This time, however, Flock Audio allows access to the analog routing matrix of anyone’s dreams as a 32- point (16-input/16-output) connections-adorned affair featuring four standard 25-pin D-SUB connectors, 16 independent channels of 48V phantom power, and one front panel-positioned TRS/XLR Combo input and one XLR output. Out of sight, out of mind, the same reliable connections that seriously cemented PATCH’s recording reputation so speedily are also built into PATCH LT. Indeed, it includes the same external five-pin 24V DC power supply with IEC cable and 10-foot USB 2.0 (USB-A to USB-B) cable. Conveniently, it also works with the same PATCH APP routing software — relatively recently upgraded to instantly identify the connected PATCH hardware model, meaning quick creation, storage, and recall of complex routings as well as creating complex multing combinations with no impedance issues and no AD/DA conversion with a 100%-analog signal path using Flock Audio’s patented Matrix Technology remains the same. Should that smaller studio setup grow, then multiple unit expansion with any PATCH model is perfectly possible, so no need (necessarily) to trade up! Ultimately, of course, more serious studio setups more often than not have more serious patch bay routing requirements. Really representing everything that is great about PATCH... expanded, PATCH XT packs 192-point (96-input/96-output) connections via 24 standard 25-pin D-SUB connectors into a 3U eye-catching casing that means business but also acts as a reminder that analog routing need not be be the ugly part of audio production! Put it this way: with 96 independent channels of 48V phantom power, lockable USB 2.0 connector with included 10-foot USB 2.0 (USB-A to USB-B) cable, more room to house an internal power supply with included IEC cable, cooling-without-compromise redesigned airflow, and (optional) CAT5 Ethernet host control for bridging longer distances between the hardware unit itself and the PATCH APP routing software host, PATCH XT is extra extraordinary! And as if this is not enough to keep the most serious studio owner seriously satisfied with Flock Audio’s ultimate development of the world’s most advanced digitally- controlled, 100%-analog patch bay routing system allowing anyone to easily control analog audio routings without having to resort to the use of manual patch cables, multiple unit expansion with any PATCH model is also available. As company founder and Flock Audio CEO Darren Nakonechny notes: “We believe every audio engineer, whether developing their craft in the basement or award-winning professional studio, deserves superior recording tools.” Thanks to the timely introduction of PATCH LT and PATCH XT at The 2020 NAMM Show — uniting over 115,000 registrants from 130 countries and regions at the global crossroads of music, sound, and entertainment technology, the trailblazing Canadian pro audio manufacturer has taken two selective steps towards making that happen for even more audio engineers worldwide with workflows benefitting from ‘light’ (condensed) and ‘extra’ (expanded) designs that make more sense than ever! PATCH LT is scheduled to ship in Summer 2020 with an MSRP (Manufacturer’s Suggested Retail Price) of $1,499.00 USD — pricing subject to change without notice — through Flock Audio’s growing global network of authorized dealers (https://www.flockaudio.com/dealers) or online directly from Flock Audio itself (https://www.flockaudio.com/buynow). For more in-depth information, please visit the dedicated PATCH LT webpage here: https://www.flockaudio.com/patchlt PATCH XT is scheduled to ship in Winter 2020 with an MSRP of $9,999.00 USD — pricing subject to change without notice — through Flock Audio’s growing global network of authorized dealers (https://www.flockaudio.com/dealers) or online directly from Flock Audio itself (https://www.flockaudio.com/buynow). For more in-depth information, please visit the dedicated PATCH XT webpage here: https://www.flockaudio.com/patchxt About Flock Audio (www.flockaudio.com) Founded by CEO/Director Darren Nakonechny, Flock Audio Inc. is a Canadian pro audio manufacturer renowned for PATCH, its digitally-controlled, 100%- analog patch bay routing system. © 2020 Flock Audio Inc.

XILS-lab pushes paraphonic string machine’s sought-after Seventies-vintage sound into inspired ‘numeric namesake’ virtual instrument GRENOBLE, FRANCE: audio software company XILS-lab is proud to announce availability of XILS 505 — a ‘numeric namesake’ virtual instrument inspired by the (analogue) architecture of one of the finest paraphonic string machines of its (Seventies-vintage) era, emerging from an acclaimed Japanese electronic musical instrument manufacturing company’s confident claim of “...a new synthesizer sound with chords, based on the strings sound with the aid of synthesizer technology...” at the time, and now radically reimagined above and beyond the still-sought-after sounds of the original’s so-called ‘Analog Orchestra’ of STRINGS, SYNTHESIZER, and BASS sections to include an added HUMAN VOICES section (as an alternative oscillator source for its authentic-sounding SYNTHESIZER section) and much more besides by the French company’s creative CEO as a multi-format AAX, AU, and VST (Mac OS X 10.8 and later) and AAX and VST (Windows 7, 9, and 10) plug-in par excellence — as of January 22... Absolutely appreciating the still-sought-after sound of one of the finest paraphonic string machines of its era — emulated so beautifully by XILS 505, XILS-labs’ latest virtual instrument — involves stepping back, briefly, in time... to the late-Seventies, when most major synthesizer manufacturers moved into producing polyphonic instruments, incorporating divide-down technology used to already achieve that improvement in electronic organs of the time. Typically, a high- frequency clock drives a TOG (Top Octave Generator) oscillator chip — commonly known as a TOD (Top Octave Divider) — creating all the note frequencies for the top octave as basic square waves, which can then be fed to flip-flop dividers to produce an octave lower note. Needless to say, the output of that flip- flop can then be fed to another to get an octave below that, and so on. On the face of it, this basically brought about an electronic instrument sub-genre: string machine — musically appropriate, somewhat, since it characterised the stylised synth sound that they tellingly make! Many of these instruments — including Moog’s megabucks-priced pioneering Polymoog keyboard (manufactured with widely criticised complexity and resultant reliability issues in the United States between 1978 and 1980) — are fully polyphonic... pressing down all keys results in all notes being heard. However, some — such as the aforesaid ‘numeric namesake’ virtual instrument’s Seventies-vintage string machine inspiration, itself considered to be one of the Japanese manufacturer involved’s finest electronic musical instruments of its era — are paraphonic. Put it this way: XILS 505 politely pays hommage to its inspirational paraphonic precursor in many more ways than sound alone, authentic-sounding as it irrefutably is. It prominently positions Paraphonic (wording) across its realistically-rendered GUI (Graphical User Interface) in the same way as the original hardware has that same word boldly blazoned across its front panel; it is, after all, a paraphonic instrument in that it can play multiple pitches at once using all of its 49-key, four-octave (split) keyboard, albeit with a single shared VCF (Voltage Controlled Filter) and volume ENVELOPE so collective chords swell and diminish as a single cohesive whole. With welcomed authenticity in mind, XILS 505 provides up to 49 voices of polyphony from an aliasing-free exact emulation of one TOD oscillator, offering all the layering, source mixing, and sound sculpting possibilities of its analogue ancestor. As such, it includes all parameters present in the original hardware’s so-called ‘Analog Orchestra’ of STRINGS, SYNTHESIZER, and BASS sections, such as the pivotal balance between the STRINGS section’s 4’ and 8’ registers, readily making it one of the most versatile and powerful string machines manufactured to date. Duly reaching above and beyond the inspirational (analogue) architecture of one of the finest paraphonic string machines of its (Seventies-vintage) era effectively informs XILS-lab’s latest virtual instrument. Indeed, company CEO Xavier Oudin offers the following insight into its creation when writing the following, excerpted from the XILS 505 user manual: “We at XILS-lab do our best to create authentic recreations of the great synthesizers we emulate and then take it even further. What can be done with today’s computers allows us to take these emulations beyond what was feasible when these products were first created. Our goal is to be true to the original in sound and modulation routings and then add features that were just not possible before.” Thanks, then, to today’s computer-driven world of software innovation, XILS 505’s following fanciful features are truly a state-of-the-art sonic experience in their own right while remaining true to its inspirational paraphonic precursor: aliasing-free exact emulation of one TOD oscillator providing up to 49 voices of polyphony; STRINGS section with its own FILTER, WAVE FRM (waveform modulating) and ATTACK and RELEASE settings; SYNTHESIZER section with dedicated ADSR ENVELOPE settings, 24dB analogue VCF emulation with ENV (envelope) and LFO (Low Frequency Oscillator) MOD (modulation), various ‘Rocker-switched’ sound sources, and special SECOND TOUCH re-trigger feature; HUMAN VOICES section with custom FRMT (formant) and balance settings; BASS section with three cumulative waveforms which can all be filtered; one main LFO to control the VIB (vibrato) and another — freely assignable — in the advanced modulation panel (accessed by pressing the orange MOD. ‘rocker switch’ in the SETTINGS section); several envelope parameters for each section, including a global ADSR for the SYNTHESIZER section and another — freely assignable — (DADSR envelope) in the advanced modulation panel; a thick-sounding quadruple BBD (Bucket Brigade Delay) chorus/ENS. (ensemble), each section having its own send level; finely-tuned PHASER emulation, natural-sounding vintage REVERB, and true STEREO SPACE effects (accessed by pressing the orange FX ‘rocker switch’ in the SETTINGS section); advanced modulation matrix with six nodes addressing 14 sources and 24 destinations to provide access to numerous ‘secret hardware’ parameters; special GLIDE function; and an advanced polyphonic ARPEGGIATOR. As such, a lot of those parameters were not accessible in XILS 505’s analogue ancestor. And last but by no means least, all XILS 505 parameters of course can be controlled via MIDI (Musical Instrument Digital Interface) CC (Control Change) messages in a host DAW (Digital Audio Workstation). With all that in mind, musically-speaking, XILS 505 can creatively combine its fanciful features to result in a much larger sound palette than that which was already available to owners of its inspirational (and increasingly rare) paraphonic precursor, allowing anyone to play parts that cannot be reliably replicated with any other synthesizers — Seventies-vintage in origin or otherwise! XILS 505 is available to purchase as a USB eLicenser or iLok (1 and 2 dongle hardware or software) protected plug-in at an introductory promo price of €89.00 EUR until February 29, 2020 — rising thereafter to an MSRP (Manufacturer’s Suggested Retail Price) of €149.00 EUR — from XILS-lab here: https://www.xils-lab.com/products/xils-505-p-162.html XILS 505 is also available as part of the Analog String Machines bundle together with XILS V+ (offering VOCODER, HUMAN VOICES, and STRINGS sections) at an introductory promo price of €119.00 EUR until February 29, 2020 — rising thereafter to an MSRP of €199.00 EUR — from XILS-lab here: https://www.xils-lab.com/products/analog-string-machines-p-163.html Note that owners of XILS V+ can upgrade to the Analog String Machines bundle at an introductory promo price of €39.00 EUR until February 29, 2020 — rising thereafter to an MSRP of €59.00 EUR — from XILS-lab here: https://www.xils-lab.com/products/analog-string-machines-upgrade-p-164.html XILS 505 can be directly downloaded as a multi-format AAX, AU, and VST (Mac OS X 10.8 and later) and AAX and VST (Windows 7, 9, and 10) plug-in from here: https://www.xils-lab.com/products/xils-505-p-162/download.html About XILS-lab (www.xils-lab.com) Based in Grenoble, France, XILS-lab is an audio software company, created, and managed by Xavier Oudin. Having created some of the best known virtual instruments and effects plug-ins on the market for various companies over the last 20 years, today he focuses on bringing his passion for audio, instruments, and music to bear on his own company.Working with highly-skilled professional musicians and sound designers, the company collectively believes that a virtual instrument or effect is not simply a series of mind-boggling mathematical algorithms designed and scrutinised over by bookish PhD engineers but rather a useful and useable musical tool made for musicians. Moreover, XILS-lab loves to create virtual instruments and effects that inspire its users to create more imaginative music than they ever dreamed possible! © 2020 XILS Audio sarl

New Loops releases Pluck Bass in Kontakt, Reason, and WAV formats New Loops has released Pluck Bass - an indispensable collection of 105 pluck basses suitable for any genre of electronic music, packed full of thick analogue plucks, wide wavetable plucks, classic dance basses, and plenty of new and unique bass sounds. New Loops say "We’ve recorded the best sounds from many of our preset packs to create this collection of bass instruments. These pluck basses will be useful for many genres of electronic music including Urban, Pop, Hip Hop, House, Techno, Trance, soundtrack, game and film scores, and any other music where thick and punchy bass sounds are a required". Intro Price: £12.99 until end of February (Reg. £19.99). A free demo pack is available from https://newloops.com/products/pluck-bass Audio demos:

NOW AVAILABLE Multi Effect Acoustic Guitar Pre-Amp With the Carl Martin Quattro being so popular throughout the years, Carl thought to himself, “I could really use that same sort of high quality, straight forward, simple to use package for my acoustics as well”. Now Shipping. Pete Thorn runs you though the new release from Carl, the Acoustic GiG a handy Multi Effect Acoustic Pre-Amp. https://carlmartin.com/

IK Multimedia announces Z-TONE® Buffer Boost and Z-TONE DI professional guitar accessories with advanced tone-shaping New recording and performance solutions feature onboard tone-shaping options The NAMM Show, January 16, 2020 - IK Multimedia brings its award-winning Z-TONE® advanced tone-shaping, derived from IK's AXE I/O® hi-end guitar interface, to two new products: Z-TONE Buffer Boost pedal and Z-TONE DI active direct box. Both offer a unique active/passive pickup selector switch to ensure the ideal gain staging for any instrument; switchable PURE and JFET input circuits to adjust from pristine, transparent sound to added warmth and harmonics; and IK's patented Z-TONE variable impedance control for powerful new ways to shape an instrument's sound & feel. Z-TONE Buffer Boost This guitar/bass preamp/DI pedal adds Z-TONE tone shaping to any player's pedalboard or stage rig. Now users can adjust the feel and tone of their instrument directly by adjusting the input impedance of their preamp pedal before hitting the rest of their pedalboard. Z-TONE Buffer Boost also offers premium sound, with a best-in-class dynamic range and extended frequency response, delivering superior performance as an instrument preamp. A buffered signal preserves instruments' tone when using pedalboards or long cable runs, and a boost control provides added volume and drive when needed. Both the Z-TONE circuit and Boost circuit can be independently bypassed for more flexible control. Z-TONE Buffer Boost offers true bypass on the pedal & amp output, while both balanced & unbalanced outputs let bass or acoustic players connect directly to mixers and PAs for a wider range of tonal or routing options. A ground lift switch is also included to eliminate buzz and hum. Z-TONE Buffer Boost runs off either a 9V battery or standard 9V pedal power supply to make it easy for users to add to their existing rig. Z-TONE DI This studio-quality active DI box lets users add Z-TONE tone shaping to line-level sources like mixers and interfaces, making it ideal for use both in the studio and on stage. Like Z-TONE Buffer Boost, Z-TONE DI offers a best-in-class dynamic range for ultra-quiet operation, and a wide, extended frequency response that won't cut off an instrument's natural range. It features adjustable input and output gain, a balanced Main output with ground lift to eliminate buzz or hum, plus an unbalanced out for flexibility and a -20dB pad for an extended operating range. A convenient "Link out" also mirrors the input signal directly, making it easy to capture a DI signal while still feeding an amplifier or pedalboard. Now users can record or mix both clean and amplified signals without the need for additional splitters or gear. For added convenience, Z-TONE DI can be powered by either a 9V battery or +48V phantom power. Made in ltaly Z-TONE Buffer Boost and Z-TONE DI are both housed in sturdy metal chassis for extreme reliability and durability, and are designed and manufactured in Modena, Italy in IK Multimedia's own state-of-the-art facilities. Pricing and availability Z-TONE Buffer Boost and Z-TONE DI will be available in March 2020, and are available for pre-order now from the IK Multimedia online store and from IK authorized dealers worldwide. Z-TONE Buffer Boost: $/€169.99* Z-TONE DI: $/€149.99* *Prices excluding taxes For more information about Z-TONE Buffer Boost: www.ikmultimedia.com/ztonebufferboost To see Z-TONE Buffer Boost in action: www.ikmultimedia.com/ztonebufferboost/video For more information about Z-TONE DI: www.ikmultimedia.com/ztonedi To see Z-TONE DI in action: www.ikmultimedia.com/ztonedi/video See us at the NAMM Show: ACC North Hall, Level 2, Room# 17202

(STEVENSVILLE, MD) January 16, 2020 – Today, on the first day of the 2020 Winter NAMM Show, PRS Guitars is pleased to announce two new updates to the John Mayer Silver Sky model, including a long-awaited maple fretboard option, two new colors, and a limited run with a flip-flop premium finish. Maple Fretboard Option & New Colors Ever since Mayer was seen playing his signature Silver Sky with a maple fretboard this past summer, there has been much conjecture as to whether this would become a catalog model for PRS or not. And after much anticipation, PRS is pleased to confirm that the Silver Sky will now be offered with the option of a maple fretboard. The maple fretboard Silver Sky will maintain the original 635JM neck shape and 7.25” fretboard radius, and is now offered in eight finish options, including the original Frost and Tungsten as well as the more recently added Dodgem Blue, Golden Mesa, Moc Sand, Orion Green. For 2020, Silver Sky models will also be offered in brand-new Midnight Rose and Polar Blue colors. Limited Edition “Nebula” Finish Limited to only 500 pieces worldwide, the Silver Sky Limited Edition in “Nebula” finish is another exciting offering from PRS Guitars in 2020. This premium limited-edition is outfitted with a unique “flip-flop” finish that reflects hue and light differently at different angles. The polychromatic finish accentuates the lines of the Silver Sky’s body and gives the guitar a dynamic look that is both delicate and powerful. Perfectly timed with the start of a new decade, this finish also reflects the Silver Sky’s goal to redefine what a vintage-inspired guitar can be and shift the focus to the future. “I’m so excited for this next step in the evolution of the Silver Sky. With new body colors, a maple neck variant, and a special limited-edition colorway, the spirit of this guitar feels stronger than ever,” said John Mayer. For more on the PRS Silver Sky, visit www.prsguitars.com. About PRS Guitars: Paul Reed Smith Guitars is a leading manufacturer of high-quality instruments in Stevensville, Maryland and has provided some of the world’s most renowned musicians with instruments since 1985. The PRS team of highly skilled craftspeople design and build a wide variety of musical instruments and gear for worldwide distribution, including electric, acoustic, and bass guitars as well as boutique-style guitar amplifiers. The PRS SE line of products complements the Maryland-made PRS line by offering highly approachable and more affordable electric, acoustic, and bass guitars. Carlos Santana, Neal Schon, John McLaughlin, John Mayer, Jimmy Herring, Tim Pierce, Orianthi, Mark Tremonti, Zach Myers of Shinedown, Brian Kelley of Florida Georgia Line, David Grissom, Martin Simpson, and Tony McManus are among the artists currently playing PRS instruments and/or amplifiers. PRS Guitars Info: www.prsguitars.com

LA-RAK II AVB carries AVB signal from console to processor to amplified controller ANAHEIM, California – January 16, 2020 – NAMM meeting room 17209 / demo room 203A – Renowned in the live sound industry for developing market-leading audio solutions that outperform in quality, as well as in practicality, L-Acoustics is deployed on 10 of the world’s top 20 festivals. In a constant search to make its products easier to use, faster to rig and more economical to transport, L-Acoustics today announces the new LA-RAK II AVB flyable touring rack, offering 12 channels of amplification in a 9U frame. Contained within are three Milan-certified LA12X amplified controllers, two LS10 AVB switches and power and signal distribution panels that are internally prewired to offer plug-and-play, reliable and redundant networked audio. “Our goal at L-Acoustics is to consistently evolve our technology to optimize system design, deployment and control so that sound engineers can focus on creating extraordinary experiences for their artists and audiences,” explains L-Acoustics Director of Electronics Development Genio Kronauer, who is also an Avnu board member. “Launching a dedicated AVB rack is our way of making tours and mobile installations as fast and simple as possible for sound professionals while further improving audio quality.” The presence of two LS10 AVB switches in a 1U space within the rack allow for seamless dual network redundancy and a full AVB ecosystem from the P1 processor at FOH all the way down to the Milan-certified amplified controllers. If any failure occurs on the primary audio network, the redundant AVB network is standing by to automatically switch over and continue the show with zero audio loss. The console-to-amplifier AVB signal guarantees better sound quality. Up to eight channels in one AVB stream can be passed over a single cable, saving labor and cable costs. As with its predecessors, LA-RAK II AVB is rugged, featuring a shock-absorbing inner frame, protective and handling elements to facilitate transport. Compatible with any voltage standard, LA-RAK II AVB functions worldwide and facilitates tour logistics and cross-rental between L-Acoustics rental partners. LA-RAK II AVB is also mechanically and electronically compatible with the legacy LA-RAK II and LA-RAK standards, and an LA-RAK II AVB upgrade kit will be available for existing LA-RAK II owners wishing to upgrade to AVB. “As the list of AVB and Milan protocol adopters grows, more industry professionals recognize that there is no other networking technology that fulfills the requirement for robust loudspeaker systems,” concludes Kronauer. “The simple fact that Milan is the only deterministic network for professional audio guarantees precise and stable audio transport, which means better quality. The LA-RAK II AVB will let sound professionals forget about network setup and concentrate instead on what they do best—creating amazing performances.” LA-RAK II AVB ships in March 2020, and can be seen at NAMM in L-Acoustics meeting room 17209. About L-Acoustics Founded in 1984 near Paris, France, L-Acoustics is the market leader in professional sound reinforcement technologies. With over 400 team members worldwide and offices in Paris, London, Los Angeles, and New York, L-Acoustics is present in over 80 countries via our network of Certified Providers. Focused on solutions that elevate the audience experience, more than 20% of L-Acoustics’ talent is devoted to R&D in the areas of acoustics, applications, mechanics, electronics, signal processing, and software development. Recognized for pioneering the line source array, L-Acoustics continues to shape the future of the professional audio industry with L-ISA Immersive Hyperreal Sound technology, a multidimensional, object-based approach to designing, mixing, and processing sound that results in extremely natural and intelligible audio and a more vibrant, and authentic connection between artists and their fans. L-Acoustics technologies can be heard in places like the Hollywood Bowl, the NFL Cardinals State Farm Stadium or the Philharmonie de Paris, as well as the world’s top-grossing festivals, and on tour with world-class artists such as Adele, Pearl Jam, Lorde, and Depeche Mode. Web: www.l-acoustics.com

Knoxville, TN, January 16, 2020 — Waves Audio, the world’s leading developer of professional audio signal processing technologies and leading maker of audio plugins for mixing, music production, mastering, sound design, broadcast, post-production and live sound, is now shipping the OVox Vocal ReSynthesis. Transform your vocals with Waves OVox, the next-generation voice-controlled synthesizer and vocal effects processor. You can use OVox as a plugin or standalone app (with or without a DAW) to create rich vocoder, talkbox, harmonizer, pitch/tune, vocal arpeggiation effects and beyond, with superior sound quality and instant results. Whether you’re a producer, musician or engineer, the Waves OVox Vocal ReSynthesis places an unprecedented menu of vocal synthesis and vocal morphing options in your hands—from classic Daft Punk-style vocoding to futuristic vocal effects that defy category. OVox delivers its ultra-high-resolution sound quality thanks to Waves’ Organic ReSynthesis® (ORS) technology, which takes your vocal signal and breaks it down to its core “DNA” elements—amplitude, pitch, and formant. It then re-synthesizes these elements to create a new pristine processed signal, without any of the artifacts that sometimes plague vocal synth-type instruments. OVox’s workflow is instant, with none of the difficult routing, typical of other vocoders and vocal synthesizers. Just insert OVox as a plugin, or fire it up as a standalone app – sing, hum, speak or beatbox into it, and hear the magic happen. Furthermore, MIDI control is optional, meaning that you can use OVox without a keyboard or controller: simply use your voice (or a recorded vocal) to trigger automatic chords, harmonies or scales, using OVox’s automatic Note Mapper. You can choose from hundreds of OVox presets. Tweak them using the basic controls in OVox’s Main View, including Tune, Formant, and macro effect and modulation blending options. And for those who wish to delve deeper: open up OVox’s Expanded View, which unlocks a world of vocal-morphing possibilities: The Expanded View offers detailed control of OVox’s key component, the Formant Filter, which enables the OVox synth to mimic the human voice so accurately, by imitating the effect of different sizes of vocal folds. For extra morphing power, you get nine independent drag-and-drop modulators that can modulate any control within the plugin. These include four LFO/Sequencer modulators with your choice between 40 LFO shapes (plus the ability to draw your own custom shapes) and 16-step sequencer patterns; two traditional ADSR modulators; and three unique Organic ReSynthesis modulators that use the amplitude, pitch, and formant characteristics of your vocal to modulate other controls in the plugin. For extra depth and richness, OVox boasts two vocal synthesis engines, OVox 1 and OVox 2, which you can control separately, based on a built-in eight-voice polyphonic synthesizer. OVox is amazing on vocals and incredible on anything else. You can experiment and discover unique results with OVox on drums, bass and other instruments. It’s also an amazing sounding synth in its own right, even when not triggered by vocals or other external sounds. OVox features: Voice-controlled synth and vocal processor for endless vocal manipulation Powered by Waves Organic ReSynthesis® technology Create classic vocoder and talkbox effects to futuristic vocal morphing Plugin or standalone app Easy to use, no routing necessary Pitch/tune, harmonizer, vocal arpeggiation, more Packed with hundreds of presets Automatic Note Mapper to trigger chords, harmonies or scales from your vocal Sing straight into OVox — or use a MIDI keyboard, guitar, or any instrument as a carrier Built-in 8-voice synthesizer with dual high-resolution synth engines Nine customizable LFOs/Sequencer, ADSR and ORS modulators Six modulatable FX: AutoPan, Chorus, Compressor, Delay, Distortion, Reverb Fully modulatable four-band EQ Coming soon: SoundGrid-compatibility for real-time low-latency live use and NKS-ready for Native Instruments Maschine and Komplete Kontrol Waves OVox Vocal ReSynthesis is the next-generation voice-controlled synthesizer and vocal effects processor. The human voice is a unique and original instrument — the richest in expression and the fullest in color. Create rich vocoder, talkbox, harmonizer, pitch/tune, vocal arpeggiation effects and beyond, with superior sound quality and instant results. OVox turns your vocal — any vocal — into an even more limitless musical palette. With OVox, the ultimate instrument is you. Video: “How do YOU sound with Waves OVox?”: https://youtu.be/vFwsJYKQmTA Waves OVox Vocal ReSynthesis interface About Waves Audio Ltd.: Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves. Web: http://www.waves.com

Latch Lake Music Introduces the New Smaller micKing® 550 mini First in the Line of Fixed-Tripod 550 Series EAGAN, MINNESOTA – JANUARY 2020: In a world filled with microphone stands that regularly slip and frequently fail, Latch Lake Music is famous for building truly pro-grade mic stands that are easy to manipulate, rock-solid, and eminently trustworthy. At Winter NAMM, Latch Lake Music is introducing the micKing®550, the first model in the all-new micKing Series. The micKing 550 and is perfectly suited for guitar cabs and other close-mic’ing. True to its heritage, the micKing 550 mini is super reliable, and thanks to the new fixed-tripod base, is easy to set up and adjust. Over the coming months, Latch Lake Music will introduce a number of stands in the micKing 550 Series. With interchangeable leg lengths to suit a whole range of applications, this series will be an immediate hit with commercial and home studios alike. Adding on to the flexibility of this series, Latch Lake will create boom versions as well as straight masts. This will truly be the most reliable and flexible series of mic stands on the market. As you’d expect from Latch Lake Music, the micKing 550 Series will be built entirely in-house at Latch Lake Music’s Minnesota production facility. “What we wanted to do was bring an affordable, general purpose stand to the Latch Lake Music range, but built to the high standard our customers are used to,” explained Dave Roberts, Latch Lake COO. “Our groundbreaking fixed-tripod base makes the new series ridiculously simple to set up. The new mini is fast, rock-solid reliable, and perfectly sized for close-mic’ing. As with all our products, the micKing 550 Series are covered by Latch Lake Music’s lifetime warranty.” ABOUT LATCH LAKE MUSIC All Latch Lake products are made in-house in their Minnesota factory that also specializes in metal fabrication. With over sixty years of design and manufacturing experience in the industrial safety marketplace, Latch Lake stands are built to be “FOREVER STANDS”. Latch Lake Music is sold in the U.S. by TransAudio Group, home to the very best equipment in high-end audio recording. To review the entire Latch Lake Music product line, visit their website. www.latchlakemusic.com or call: (651) 688-2540 to ask about custom projects. BE SURE TO STOP BY AND SEE US AT NAMM 2020 BOOTH #15521

DiGiCo Reveals Quantum338 at NAMM 2020 ANAHEIM, California – January 16, 2020 – NAMM stand 17901 – NAMM 2020 sees DiGiCo reveal the latest in its new generation of Quantum consoles, the all-new Quantum338. Like Quantum 7 and Quantum 5, Quantum338 represents a dramatic leap forward in power and connectivity. It includes impressive new design features and enhancements that offer ultimate flexibility, all with the same speed of operation that Quantum users have come to rely on, in a smaller format console. “With Quantum338, we have ensured that we are providing a next generation console that works in synergy with our Quantum Engine,” says DiGiCo Senior Electronics Engineer Michael Aitchison. “We focused our R&D team on user experience, learning from the last 20 years, with our continuing main objective of merging new with familiar.” Quantum338 is based on seventh-generation FPGAs and includes 128 input channels with 64 busses and a 24 x 24 matrix, all with full channel processing. There is a new look and feel dark mode application and three 17-inch, 1000-nit high-brightness multi-touch screens, allowing both the meter bridge and soft quick select buttons to be displayed on each screen. There are also 70 individual TFT channel displays, and the floating Quantum chassis features 38 x 100mm touch-sensitive faders laid out in three blocks of 12 fader banks, plus two dedicated user-assignable faders, each complete with high resolution metering. A new level of local audio connectivity and performance comes via the “Ultimate Stadius” 32-bit ADC and DAC conversion, which are built into Quantum338 as standard, alongside six single or three redundant MADI connections, dual DMI slots and a built-in UB MADI USB recording interface. Mustard Processing, Spice Rack, Nodal Processing and True Solo, all launched last year for the Quantum 7, are also standard on the Quantum338. Mustard Processing is a set of channel processing strips that work alongside standard Quantum channel processing. Each Mustard processing strip provides a choice of two pre-amp modelers, a four-band EQ (including all-pass filters), four different boutique style compressor models and a gate/ducker. Quantum338 is equipped with 36 mono Mustard processing strips, which can be used on any channel type. The Spice Rack, meanwhile, supports plugin-style native FPGA processing options, allowing users to build a rack of up to eight insertable processors. The first of these is the Chilli 6—a six-band multi-band compressor that allows full control of all parameters, including DiGiCo’s unique, patented release shape control, which means Chilli 6 is perfect for shaping vocals and instruments as well as focusing on problem frequencies. “The entire system architecture is new and exciting,” concludes DiGiCo General Manager Austin Freshwater, “but just to recap on a few cool highlights, we have improved transparency of audio, provided more audio toys, bigger, brighter multi-touch PCAP screens, increased visual feedback and an all-new worksurface architecture!” About DiGiCo DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and ground-breaking digital mixing consoles for the live, theatre, broadcast and post production industries and is exclusively distributed in the US by Group One Ltd. of Farmingdale, New York. For more information, go to: www.DiGiCo.biz

It’s new release day and this week we’ve got Fragments, a world where Deep House, Progressive House & Techno combine to make a world of sonic possibilities.-----------------Zenhiser Pack: FragmentsPrice: $60.00 AUDDirect Link: http://www.zenhiser.com/fragments-deep-progressive-samples.html www.zenhiser.com Zenhiser | Samples, Sounds, Loops & Midi Download Packs. 100% Royalty Free | Zenhiser Zenhiser | 100% Royalty Free Wav Sounds, Samples, Loops, Stems & Midi. Bespoke Sample Packs & Sound Libraries Designed Exclusively For Music Producers, Remixers & DJ's. Download New Sounds Now! www.zenhiser.com ---------

Little Ferry, NJ, January 21, 2020 – Eventide Audio has unveiled the highly anticipated Pro Tools|HD Expansion Card for its flagship H9000 multi-effects processor platform. With full integration, Pro Tools production benefits from unprecedented processing and effects flexibility through the power of 1600+ Eventide algorithms and the H9000’s expansive ARM-based DSP, implemented with elegant operational simplicity within the familiar Pro Tools I/O and plug-in user interfaces. The H9000 Pro Tools|HD Expansion Card has two H9000 setup menu selectable modes of operation – 32-channels In/Out (primary port only) or 16-channels (primary port) + 16-channels pass-thru to secondary port (for connecting other HD devices). Within Pro Tools, the H9000 appears as an HD I/O device (16 or 32 channels, depending on the selected mode). Digital sync selection options are Internal (Loop Sync Master), Word-clock, Loop Sync, AES, SPDIF, and OPTICAL. As with other HD devices interfaced to Pro Tools, H9000 sample rate is controlled by Pro Tools. 16 x 16 analog I/O can be enabled with Pro Tools display monitoring of analog gain control levels. Pro Tools automatic latency compensation for signals processed in the H9000 is based on Avid HD I/O specs. For more information, visit www.eventideaudio.com. With the new Eventide H9000 Pro Tools|HD Expansion Card, Pro Tools users have direct access to H9000 I/O with clocking option control and automatic latency compensation compatibility. About Eventide: Since 1971, Eventide has remained at the forefront of recording technology. In 1975 it revolutionized the audio industry by creating the world’s first commercially available digital audio effects unit, the H910 Harmonizer®. Since then, its legendary studio processors, stompboxes and plug-ins have been heard on countless hit records. Eventide® and Harmonizer® are registered trademarks of Eventide Inc. www.eventideaudio.com

ANAHEIM, California – January 16, 2020 – NAMM stand 17901 – DiGiCo is delighted to announce the new DMI-KLANG at NAMM 2020, an immersive in-ear mixing expansion that can be mounted directly into DiGiCo consoles equipped with DMI slots. KLANG’s acclaimed immersive in-ear mixing systems make spatial and transparent in-ear monitoring possible. With lower listening levels—up to 6dB less, on average—it eliminates the feeling of isolation associated with a normal in-ear stereo mix and offers less fatigue. Its applications range from personal mixing for touring monitor engineers to spatial mixing for recording studio sessions. The DMI-KLANG follows in the footsteps of the KLANG:fabrik. “This is the first hardware product since KLANG and DiGiCo joined forces,” says DiGiCo General Manager Austin Freshwater. “We took KLANG:fabrik’s immersive in-ear mixing core and rebuilt it with today’s latest FPGA technology. With one device, we can now deliver immersive mixes of 64 inputs for 16 musicians. This is the highest input count of any KLANG product to date. And the best thing is, we were able to bring the processing latency down to a quarter of a millisecond.” The DMI-KLANG connects directly to DiGiCo consoles’ internal audio stream without any additional hardware I/O or overhead. This makes it possible to route any audio channel from the console to the DMI-KLANG and return the immersive mix to the Aux merge input. Via the DiGiCo KLANG console link, monitor engineers can stay in their usual mixing workflow, use snapshots, faders and knobs, but with all the benefits of immersive in-ear mixing. This makes it the perfect companion for any monitor engineer who needs to deliver the ultimate 3D mix for their artist. “The DMI-KLANG is just the beginning of a new line of products," says KLANG Co-founder Pascal Dietrich. "Together with the DiGiCo OrangeBox and the many I/O expansion cards available today, we can now interface with almost any professional digital mixing console.” Available DMI cards offer MADI (TP, BNC), Optocore, Dante and many other digital formats. Additionally, by utilizing the KLANG:app, personal mixing can be done on any tablet, smartphone or PC/Mac. See the DMI-KLANG on DiGiCo’s NAMM stand, 17901, from January 16-19, 2020. About DiGiCo DiGiCo is a UK-based manufacturer of some of the world’s most popular, successful and ground-breaking digital mixing consoles for the live, theatre, broadcast and post production industries and is exclusively distributed in the US by Group One Ltd. of Farmingdale, New York. For more information, go to: www.DiGiCo.biz

Gibson: “Tony Iommi ‘Monkey’ 1964 SG Special Replica” Limited-Edition 1964 SG Special From Black Sabbath Legend Available Worldwide Above: Tony Iommi with his SG Monkey. Tony Iommi NASHVILLE, TN (January 16, 2020) By leveraging its iconic past and leaning into an innovative future, Gibson has set the stage for the next era of shaping sound for present and future generations. The new Gibson celebrates the iconic models of Gibson’s Golden Era while leaning into the future with instruments that nurture new players across generations, genders and genres of music. Gibson is proud to partner with the legendary guitarist of Black Sabbath, Tony Iommi to create the Tony Iommi ‘Monkey’ 1964 SG Special Replica, a limited edition of his beloved 1964 Special SG. The Tony Iommi Monkey SG, is available worldwide and on display at the Gibson experience space (3rd Floor, Ballroom A) during Winter NAMM 2020 in Anaheim, CA. Tony Iommi’s career, like the man himself, is universally loved and revered. And while his innovative tuning and playing styles were a major part of his monstrous tones, a Gibson SG named "Monkey" was at the center of it all. The Tony Iommi ‘Monkey’ 1964 SG Special Replica is a heavily-modified 1964 SG Special that was used extensively with the original lineup of Black Sabbath and heard on every album and tour of the 1970s. Thanks to the meticulous reverse-engineering and painstaking attention to detail employed by Gibson Custom Shop, 50 exact replicas have been created, 25 right-handed and 25 left-handed like the original, each guitar is signed and numbered by Tony Iommi himself. No detail was overlooked in the construction and aging, telling the complete story of the “Monkey” from the zero fret to the stop tailpiece bushings to the legendary pickups, which were hand-made in the U.K. by the apprentice of the late John Birch. “Recently I was invited to Nashville by Cesar and JC who I must tell you are so enthusiastic and passionate,” explains Tony Iommi. “I had the opportunity to go to the factories, meet the people that work there, and I saw how dedicated they all are. Gibson guitars have lifted a million times, and with the new team being totally involved, that’s what’s been missing in Gibson for a long time now. There’s no stopping them, which is great for all of us guitar players,” adds Iommi. “Tony Iommi's iconic riffs, heavy tones and massively-influential albums created the blueprint for Heavy Metal and many other genres to follow,” explains Cesar Gueikian, Chief Merchant Officer of Gibson. “Having the opportunity to work with Tony to recreate his original 1964 SG is the ultimate honor for all of us at Gibson.” Each Tony Iommi ‘Monkey’ 1964 SG Special Replica will include an exclusive replica of Tony's silver cross necklace with a coffin case, a replica of Tony's leather touring guitar strap and a 1960s replica case. Tony Iommi ‘Monkey’ 1964 SG Special Replica. For more information on Tony Iommi, visit: IOMMI.COM | FACEBOOK | TWITTER | INSTAGRAM For all things Gibson, visit: GIBSON.COM | TWITTER | INSTAGRAM | FACEBOOK | GIBSON TV About Gibson: Gibson Brands, the world’s most iconic guitar brand, has shaped the sounds of generations of musicians and music lovers across genres for more than 100 years. Founded in 1894 and headquartered in Nashville, TN, Gibson Brands has a legacy of world-class craftsmanship, legendary music partnerships and progressive product evolution that is unrivaled among musical instrument companies. The Gibson Brands portfolio includes Gibson, the number one guitar brand, as well as many of the most beloved and recognizable music brands, including Epiphone, Kramer, Steinberger and the Gibson Pro Audio division KRK Systems. Gibson is dedicated to quality, innovation and sound excellence so that music lovers for generations to come will continue to experience music shaped by Gibson Brands. Learn more at http://www.gibson.com and follow us on Twitter, Facebook, and Instagram.

Bothell, WA—January 2020… Mackie has expanded its popular MC Series headphone line with the new MC-350 and MC-450 professional headphones. Both models offer full range 20 Hz to 20 kHz frequency response, boast Mackie’s classic rugged design, and feature premium, real leather adjustable headbands and conforming ear pads to provide an ergonomic fit for hours of comfort. Like Mackie’s established MC-150 and MC-250, the new MC-350 headphones feature a closed-back design for superior sound isolation, making them a great choice for mixing, studio recording, focused critical listening, and personal listening when you want to avoid background noise and leakage. The MC-350’s precision-tuned enclosure delivers accurate bass, enhanced high frequency detail, and a wide soundstage. Their 50 mm transducers provide plenty of low end. Impedance is rated at 32 ohms and sensitivity at 97 dB. MC-450 headphones employ an open-back design for an even wider, deeper soundstage; reduced ear fatigue; high headroom; smooth midrange; and exceptional detail and clarity. They’re a superior choice for audiophiles who want the most natural, accurate sound and for mixing in a quiet environment. The MC-450 features 42 mm transducers, and its impedance is rated at 54 ohms and sensitivity at 101 dB. Both new MC Series models come with premium cables with locking bayonet connectors, including a 9.8-foot fabric-jacketed straight cable, a 4-foot straight cable, and a 4-foot straight cable with phone control and microphone. Each has a 1/8-inch connector and comes with a gold-plated ¼-inch adapter and a premium protective case. The MC-350 carries a US MAP of $199.99, and the MC-450 carries a MAP of $299.99. Both will be available in January 2020. For more information visit www.mackie.com/mc-series. About Mackie Mackie, a LOUD Audio LLC brand, is known worldwide as a leading developer and marketer of high-quality, affordable professional audio systems. Mackie products can be found in professional and project recording studios, video and broadcast suites, post production facilities, sound reinforcement applications including churches and nightclubs, retail locations and on major musical tours. For more information visit: www.mackie.com. Mackie is a registered trademark of LOUD Audio LLC in the United States, European Union and other countries. All other trademarks are the property of their respective owners. About LOUD Audio, LLC As the corporate parent for world-recognized brands Blackheart®, Crate®, Mackie®, and Tapco®, LOUD engineers, markets and distributes a wide range of professional audio and musical instrument products worldwide. Our product lines include sound reinforcement systems, analog and digital mixers, guitar and bass amplifiers, and acoustic and electric guitars. These products can be found in professional and project recording studios, video and broadcast suites, post-production facilities, sound reinforcement applications including houses of worship, stadiums, nightclubs, retail locations, and on major musical concert tours. The Company distributes its products primarily through retail dealers, mail order outlets and installed sound contractors. The Company has its primary operations in the United States with operations in the United Kingdom, Canada and China. For more information, please see our website: www.loudaudio.com. ‌ ‌ ‌ ‌

Los Angeles, CA, January 17, 2020 – Focusrite is excited to announce an extension to the standard limited warranty, which comes with all new products from the Focusrite, Focusrite Pro and Novation divisions. Previously, customers enjoyed a two-year warranty. Now — effective on purchases from January 1, 2018, onwards — the warranty period is 36 months from the date of the original purchase. (The warranty period for product purchased on or prior to the December 31, 2017, remains at 24 months from the date of the original purchase.) Wherever you happen to be in the world, Focusrite customers are covered by their warranty. In the event of a manufacturing defect becoming evident during the warranty period, Focusrite or the local Focusrite distributor will ensure that the product is repaired or replaced free of charge. All Focusrite products are built to the highest standards and are designed to provide many years of reliable performance. The Focusrite Warranty provides peace of mind and a professional service to minimize downtime in the event of a manufacturing defect. For full details about the Focusrite Warranty, visit www.focusrite.com/warranty. Focusrite introduces three-year warranty on all products For further information, head to www.focusrite.com About Focusrite Focusrite Audio Engineering has pioneered professional audio recording technology spanning four decades. Starting from the delivery of 12 sonically unrivalled music-recording consoles, Focusrite has gone on to become the leading name in music recording products. The Focusrite brand offers audio interfaces and other solutions for recording musicians, music producers and audio professionals alike. Today the company is famous for offering unprecedented sonic performance at every price point, notably the ubiquitous Scarlett range of USB interfaces. Focusrite relentlessly pursues opportunities to inspire creativity through technology, constantly seeking new ways to eliminate technological barriers, without compromising on sound quality.

IK Multimedia offers iLoud® MTM reference monitor in white Compact monitor offers high-end design and features for project and home studios The NAMM Show, January 17, 2020 - IK Multimedia has added a white color option for its iLoud® MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price. iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm," balanced and defined low end, to surpass the sound of speakers twice its size. IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise. The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring. iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC™ System, with an included reference microphone to easily adjust to any room's acoustics. Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time. iLoud MTM also comes with a tilting isolation mount that adjusts from 0° to 20° for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting. Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio. Price and availability iLoud MTM is available from the IK Multimedia online store and from IK authorized dealers worldwide at a MSRP of $/€349.99* each or $/€699.99 per pair. *All prices excluding taxes For more information, please visit: www.ikmultimedia.com/iloudmtm Visit here to see how top engineers are using iLoud MTM in their studios. See us at the NAMM Show: ACC North Hall, Level 2, Room# 17202 IK Multimedia. Musicians First. www.ikmultimedia.com About IK Multimedia: IK Multimedia is a leading music technology company that harnesses advanced software and hardware design to make professional quality tools accessible to everyone - from its ground-breaking AmpliTube, T-RackS and SampleTank software, to its acclaimed iRig series of music creation tools for iPhone, iPad, Android and Mac/PC; from the award-winning iLoud reference monitors, to its first analog hardware synth UNO Synth. With millions of installations and registered users worldwide, IK leads the way for musicians in the studio, on the go or on the stage. iLoud and ARC™ System are trademarks or registered trademarks of IK Multimedia. All other trademarks are property of their respective owners.

IK Multimedia T-RackS® Sunset Sound Studio Reverb recreates iconic studio's spaces Reverb processor module offers the authentic sounds and characteristics of the legendary Sunset Sound recording facility The NAMM Show, January 17, 2020 - IK Multimedia presents Sunset Sound Studio Reverb, a new T-RackS® module processor that brings the reverbs and sounds of the studios in the iconic Sunset Sound recording facility in Los Angeles to musicians everywhere. Sunset Sound Studio Reverb is the first convolution reverb for IK's industry-standard T-RackS 5 mixing and mastering software workstation. IK worked in collaboration with studio owner Paul Camarata to give recording engineers "all access" to the sound and vibe of the studios in this landmark facility, where a who's who of music has recorded for 60 years, including the Doors, the Rolling Stones, Janis Joplin, Joe Cocker, Led Zeppelin, Van Halen, Prince, Aretha Franklin, Rage Against The Machine, Audioslave, the Red Hot Chili Peppers and countless others. Studio owner Paul Camarata notes, "For 60 years, the sound of our studios has been heard on hit records around the world. Now, we're proud to be working with IK Multimedia to bring our famed sound to everyone's recordings. Sunset Sound Studio Reverb really nails the essence of our distinct character." Each room of Sunset Sound's three studios was recorded using its custom console and Sunset's mic collection, to capture not just the acoustics but also the unique vibe of the space. IK recreated them using a powerful new dynamic convolution engine, and the result is a faithful studio quality reverb that offers the same iconic sound as countless hit records, complemented by an array of flexible control options for further tone shaping. Abundant reverb Users can select from among the various reverbs taken from the live echo chambers and each of the three studios found in the facility. The choices are: Live room: Studio 1, Studio 2 or Studio 3 Iso Booth: Studio 1, Studio 2 or Studio 3 3 Live echo chambers 2 plate reverbs and 1 spring reverb Control it all An intuitive GUI provides a realistic experience, offering information and insights about each particular room, as well as additional controls to help users shape the sound to suit their tastes. Additional controls include: Adjustable decay time and pre-delay High-pass and low-pass filters Low and high shelving EQs Stereo image width Wet/dry mix and more. Flexible use Like all T-RackS modules, Sunset Sound Studio Reverb can be used as an individual plug-in within any recording software, or inside the T-RackS 5 shell for even faster workflow both as plug-in or stand-alone mastering software. About T-RackS T-RackS 5 is the latest version of IK's industry standard mixing and mastering software workstation that has been used on countless albums by top engineers for more than 20 years. This powerful modular system offers maximum versatility via 43 high-quality processors (EQs, limiters, compressors, etc) that can be used in parallel or series, in a variety of working environments. In total, T-RackS 5 offers everything needed to professionally treat and finalize audio from raw mixes to a perfect finished product. For even more professional results, each version of T-RackS 5 also offers free downloadable signature presets from some of the industry's top engineers. About Sunset Sound Recorders Sunset Sound was opened in 1958 by Tutti Camarata, then director of recording for Disney Studios, and initially handled in-house work for Disney, recording movies like "Mary Poppins" and "101 Dalmatians." In 1962, Sunset Sound opened to external clients, and soon expanded to a 3-studio complex, welcoming artists like The Doors, Joe Cocker, the Rolling Stones, Led Zeppelin, Van Halen, Prince and countless more. Now owned and operated by Paul Camarata, Tutti's son, Sunset Sound continues to welcome world-class artists to its iconic rooms. All three original rooms remain in operation, and with their custom acoustics and consoles, fully equipped echo chambers and comprehensive mic lockers, Sunset Sound remains a dream destination for musicians. Pricing and availability Sunset Sound Studio Reverb for T-RackS 5 will be available in January 2020 from the IK Custom Shop, the IK Multimedia online store and from IK authorized dealers worldwide for a special introductory price of €/$149.99* until March 31, 2020 (regular pricing will be €/$249.99). * All prices excluding taxes For more information about Sunset Sound Studio Reverb, please visit: www.t-racks.com/sunsetstudio To see Sunset Sound Studio Reverb in action, visit: www.t-racks.com/sunsetstudio/video To hear audio samples, visit: www.t-racks.com/sunsetstudio/audio See us at the NAMM Show: ACC North Hall, Level 2, Room# 17202 IK Multimedia. Musicians First. www.ikmultimedia.com About IK Multimedia: IK Multimedia is a leading music technology company that harnesses advanced software and hardware design to make professional quality tools accessible to everyone - from its ground-breaking AmpliTube, T-RackS and SampleTank software, to its acclaimed iRig series of music creation tools for iPhone, iPad, Android and Mac/PC; from the award-winning iLoud reference monitors, to its first analog hardware synth UNO Synth. With millions of installations and registered users worldwide, IK leads the way for musicians in the studio, on the go or on the stage. T-RackS is a registered trademark of IK Multimedia. Sunset Sound is a trademark of Sunset Sound recording facility in Los Angeles, CA. All other trademarks are property of their respective owners. No endorsement or partnership with any musical personalities is implied.

IK Multimedia announces iRig® Pro Duo I/O mobile 2-channel audio/MIDI interface for iPhone, iPad, Android and Mac/PC Newest member of IK's iRig family of mobile interfaces enables high quality, dual-channel recording and monitoring on the go The NAMM Show, January 17, 2020 - IK Multimedia introduces the iRig® Pro Duo I/O, an enhanced, ultra-compact 2-channel audio/MIDI interface that enables high-quality recording on the go with iPhone, iPad, Android devices and Mac/PC. Designed for musicians, podcasters and other content creators, it can accommodate a variety of input sources including microphones, MIDI controllers, line-level and high-impedance instruments such as guitars, basses and keyboards, and more. It can also be used as a MIDI interface. A sequel to IK's acclaimed iRig Pro Duo, the new iRig Pro Duo I/O features updated mic preamps with increased gain, as well as the addition of a USB-C cable to work with all of today's latest devices and new, dedicated PC drivers to ensure optimal performance on laptops and Surface tablets. In addition, refined volume controls with level indicators for more convenient workflow and a new rubberized finish to better stand up to the road, offer the same standard of quality customers have enjoyed from IK's award-winning iRig Pro I/O single-channel interface. Recording capabilities Two analog combo inputs (1/4” / XLR) are provided for connecting and simultaneously recording any combination of dynamic and condenser microphones and instruments (line level or Hi-Z). They are complemented by Class-A preamps, adjustable gain and 48V phantom power. Each channel has its own input gain control for dialing in the perfect amount of input signal for a particular recording. iRig Pro Duo I/O can also be used as a MIDI interface via MIDI input and output connectors and included breakout cables. Additional connections include two balanced ¼” outputs and headphone output. A direct monitor switch provides latency-free monitoring of direct incoming signal for use with video or streaming apps, or lets users monitor the processed signal returning from their device when recording music or using audio processing apps. Out-of-the-box performance iRig Pro Duo I/O runs on USB bus power or 2 AA batteries (or an optional PSU), and includes Lightning, USB-A and USB-C cables to work with any device right out of the box. Although compatible with any app designed for high-quality digital audio input for recording or creation, iRig Pro Duo I/O comes with free access to over $/€500 of IK software, apps, and in-app material, making it an all-in-one package with everything needed to record, edit, and share great music, podcasts, interviews and more. About the iRig series Celebrating its 10th anniversary in 2020, IK's iRig series of interfaces helped define the mobile music-making category. With products designed for guitarists, vocalists, broadcasters and social media journalists, the series makes high quality audio recording accessible to everyone at an affordable price. Pricing and availability The iRig Pro Duo I/O is available in late January 2020 for $/€199.99* from the IK Multimedia online store and from IK authorized dealers worldwide. * Price excluding taxes For more information, please visit www.ikmultimedia.com/irigproduoio To see iRig Pro Duo I/O in action, visit: www.ikmultimedia.com/irigproduoio/video See us at the NAMM Show: ACC North Hall, Level 2, Room# 17202 About IK Multimedia: About IK Multimedia: IK Multimedia is a leading music technology company that harnesses advanced software and hardware design to make professional quality tools accessible to everyone - from its ground-breaking AmpliTube, T-RackS and SampleTank software, to its acclaimed iRig series of music creation tools for iPhone, iPad, Android and Mac/PC; from the award-winning iLoud reference monitors, to its first analog hardware synth UNO Synth. With millions of installations and registered users worldwide, IK leads the way for musicians in the studio, on the go or on the stage. iRig Pro Duo I/O, iRig Pro I/O and iRig are trademarks or registered trademarks of IK Multimedia. Mac, iPhone and iPad are trademarks of Apple, Inc., registered in the U.S. and other countries. Surface tablet is a trademark of Microsoft Corporation. All other trademarks are property of their respective owners.

Waves Audio Announces Native Processing Support for SuperRack, the Next Generation of Plugin Processing Software for Live Sound and Broadcast Knoxville, TN, January 17, 2020 — Waves Audio, the world’s leading developer of professional audio signal processing technologies and leading maker of audio plugins for mixing, music production, mastering, sound design, broadcast, post-production and live sound, announces Native processing support for Waves SuperRack, the next generation of plugin processing software for live sound and broadcast engineers. The Waves SuperRack live plugin rack now supports Native processing. Native mode lets you run Waves plugins on the CPU power of your Windows/Mac computer, using any ASIO/Core Audio interface, without a SoundGrid server connected. SuperRack Native & Dugan Automixer for Flawless Corporate AV Installations: Use SuperRack Native and Waves Dugan Automixer, to optimize mixing of multiple mics in live speaking and corporate forum installations. The Dugan Automixer plugin, automatically controls the gains of multiple mics in real time to maintain a consistent output level across all mic channels and reduce feedback, noise, and comb filtering effects from adjacent microphones. This enables perfectly matched crossfades between each speaker, without signal compression or unwanted sonic artifacts caused by noise gates. This setup is ideal for a wide range of AV installations, including conference rooms, corporate presentation theaters, live news panels, talk shows, and any scenario involving scripted or non-scripted dialog between multiple speakers. Waves SuperRack is a cutting-edge plugin rack which runs both Native and SoundGrid processing, lets users run up to 128 audio channels through multiple instances of Waves plugins with near-zero latency and offers endless customization options that make it easy for you to tailor the application to your very own mixing workflow. SuperRack is a natural extension of your mixing console, designed from the ground up for quick setup time, flexible touch-friendly workspace and unlimited workflow customization. FOH, monitor, broadcast, and AV engineers can now run plugins in real time, customize their workspace with floating windows, set extended-scope snapshots, and run any live show with more speed and confidence than ever before. SuperRack Native features: View and control multiple plugin instances simultaneously Multitouch-friendly graphic interface Expand your workspace to up to four monitors Easily tweak small plugin parameters with a “Touch & Slide” fader Quickly access up to 12 plugins per snapshot via the Hot Plugins panel Map application and plugin controls to MIDI & computer keyboard for quick hands-on access Adjust multiple racks simultaneously with the “Linking” function Selectively recall snapshots via extended scope filter Compatible with any ASIO/Core Audio Interface Does not require a SoundGrid DSP Server or I/O Includes a deep integration with Dugan Automixer for AV installations Import MultiRack sessions into SuperRack with ease If you already own SuperRack, you can update your software to the latest version to get this new feature for free by updating via Waves Central. Videos: Introducing Waves SuperRack: https://youtu.be/I0Od0h69XIM Waves SuperRack Overview – Advanced Plugin Rack Tailored to Your Workflow: https://youtu.be/tzY3apqm2bQ To learn more, visit www.waves.com/SuperRack. Interface for Waves SuperRack Native About Waves Audio Ltd.: Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves. www.waves.com

Nektar introduces Impact GXP88 performance keyboard controller (Nektar Technology, Inc., California, January 18, 2020) The new Impact GXP88 USB MIDI controller keyboard focusses on players and performers, featuring 88 semi-weighted keys, instant access to performance controls including a real-time repeat engine, powerful Nektarine plugin patch management and Nektar DAW Integration. At the core of GXP88 is a newly designed and carefully balanced keyboard action. Its 88 semi- weighted full-size keys with velocity and aftertouch deliver a nice, firm touch and great playability. The GXP88 gives keyboard players all the right expression options needed for live and studio work, featuring pitch bend & modulation wheels, an expression pedal socket and a 1⁄4” TRS jack for connection of 2 footswitch pedals. The rear panel also includes a 5-pin MIDI out jack and an external power supply socket for powering the unit when not connected via USB. The streamlined no-fuss control panel is based on the successful Nektar Impact GX-series, enabling advanced DAW integration with extended transport control, track selection and volume control as well as options to open/close DAW windows and navigate songs. In addition, GXP88’s user interface also has 14 assignable illuminated RGB buttons for direct MIDI program- and bank-selection. The new Key Repeat engine adds an intuitive real-time tool for creating inspiring rhythmic elements. Repeat is directly controllable from GXP’s illuminated RGB buttons: Once the Repeat mode is engaged, the buttons allow for direct selection of Repeat Rates, Accent, Interval, Swing and routing aftertouch or modulation to velocity. When Repeat is active, the second encoder turns into a dedicated tempo control, unless synchronization is set to external MIDI clock. In combination with Nektarine, Impact GXP88 gets powerful master keyboard functionality: Up to 16 VST or AU instrument-plugins can be loaded into Nektarine’s 16 slots for simultaneous use. GXP88 brings instant patch recall to hybrid or software-based keyboard setups with direct patch control from GXP88’s RBG patch buttons and the ability to define keyboard zones, layers and splits for all hosted plugins. All plugin settings and combinations can be saved in a single Multi- patch for recall at the touch of a button. Nektarine can run as VST, AU or AAX plugin in any compatible DAW or be used as stand-alone application. GXP88 works with any MIDI software on OSX, Windows and iOS and can also be used as a standard MIDI controller for external MIDI gear right out of the box. Pricing and availability (MAP / MSRP): Shipping in March 2020, price: 299.99 US / 254.99 GBP/ 299.99 EUR Press Release For immediate release FEATURES AND SPECIFICATIONS • 88-note full-sized keybed with velocity and aftertouch • 14 RGB LED buttons for MIDI, note repeat and Nektarine features • Pitch Bend and Modulation Wheels • 1 push encoder for note repeat tempo control and Nektarine features • Octave up/down buttons with LED indicators • Transpose up/down buttons with LED indicators. Assignable to other functions • Power on/off switch • 9v DC power supply socket (optional) • USB port and USB bus powered • 7 transport buttons for DAW integration or MIDI assignable • Shift button activate transport buttons secondary level for a total of 14 accessible buttons • MIDI Output jack • 1/4” TRS jack Foot Switch socket for connection of 2 foot switches • 1 MIDI assignable potentiometer • 1/4“ TRS jack expression pedal socket • Note Repeat button with LED tempo indicator • Nektar DAW support integration • Note Repeat Function button • Nektarine plugin control software included (Download) • Bitwig 8-Track DAW license included (Download) Nektar DAW Integration for Impact GXP88 currently supports: Bitwig, Cubase, Digital Performer, Garageband, Logic, Nuendo, Reaper, Reason, Sonar, Studio One Weight & Dimensions 134,5 cm (L) x 23 cm (D) x 8 cm(H), 8,2 kg For further Information about Nektar Technology,Inc please visit: https://nektartech.com/