HC News

Stow, OH, February 4, 2020 — Audio-Technica announces the expansion of its acclaimed 3000 Series Frequency-agile True Diversity UHF Wireless Systems with the addition of a network port, which now allows network control and monitoring along with the same easy setup, versatile operation and rock-solid, richly detailed high-fidelity sound as standard 3000 Series components. Expanding on the functionality of the standard 3000 Series Wireless System, the new network control and monitoring option is unique for a wireless system in this price category, as it allows the 3000 Series to be compatible with A-T’s proprietary Wireless Manager software, a Mac OS/Windows application for remote configuration, control, monitoring, spectrum management and frequency coordination of compatible Audio-Technica devices in sound reinforcement or installed sound applications. The software package offers a broad range of control and management functions of networked receivers, grouped into three tabs: Device List, which auto-discovers connected compatible A-T hardware and allows users to populate a device list of Audio-Technica and other manufacturer’s wireless systems; Frequency Coordination, which allows real time spectrum scanning via the 3000 Series Wireless with Network option or other A-T connected network enabled receivers, or the option of using the pre-loaded television channel database for off-site planning; and Monitor, which allows live monitoring of connected systems with the option of filtering the displayed devices by assigned tag groups. Parameters monitored include AF, RF, battery, transmit power and more. Audio-Technica’s 3000 Series wireless systems give users the power and flexibility to operate within the congested UHF spectrum. With a class-leading 60 MHz tuning range, which is more than twice that offered by the previous versions, 3000 Series systems are available in two frequency bands – DE2 (470–530 MHz) and EE1 (530–590 MHz). Frequencies can be easily scanned and selected on the receiver and then synced with the transmitter via IR sync functionality. The 3000 Series even lets users set a backup frequency that can be quickly swapped by pressing the transmitter’s multifunction button in the event of unexpected interference. The Audio-Technica 3000 Series with optional network control and monitoring (indicated by an “N” in the model number) will be available February 2020 in a wide range of preconfigured systems starting at $729.00. For more information, please visit www.audio-technica.com. Audio-Technica 3000 Series components with network control and monitoring option See more here: Audio-Technica Promotional Video: “Circle of Music” Audio for Video Techniques Videos Recording Techniques Videos Additional News Releases Celebrating over 50 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and turntables for the audio industry. Web: www.audio-technica.com

Knoxville, TN, February 3, 2020 — Waves Audio, the world’s leading developer of professional audio signal processing technologies and leading maker of audio plugins for mixing, music production, mastering, sound design, broadcast, post-production and live sound, announces X9 versions with more processing power for three SoundGrid® DSP Servers. With X9, users now get more processing power for the same price; these three units have been updated with 9th-generation Intel® Core™ CPU, for processing audio through hundreds of plugins at ultra-low latency – with more real-time processing power than ever before. Waves immediately starts shipping Intel 9th-generation processors with the SoundGrid Extreme Server-C Server, a compact and powerful, light and robust DSP unit that effortlessly processes hundreds of SoundGrid-compatible plugins in real time, live or in the studio – taking only half the width of a standard rack. It features eight Core Intel Coffee Lake i7-9700 CPU and 8GB RAM. Shortly after, Waves will start shipping two more server models with the new 9th-generation processors: the full-rack SoundGrid Extreme Server (which offers the same specs as the half-rack SoundGrid Extreme Server-C in a full-rack profile); and the SoundGrid Server One-C (a compact, lightweight and tough DSP unit that relieves your computer from plugin processing), which features four Core Intel® Coffee lake i3-9100 CPU and 8GB RAM. Used in pro studios and tours, SoundGrid DSP servers enable you to run Waves and other SoundGrid-compatible plugins in real time, on as many channels as you have. Waves’ Gen-9 SoundGrid servers are a massive upgrade to any studio or live mixing system, allowing audio engineers to unleash their creative mixing powers without limits. To learn more, visit: https://www.waves.com/hardware/soundgrid-extreme-server-c https://www.waves.com/hardware/soundgrid-extreme-server https://www.waves.com/hardware/soundgrid-server-one-c Waves Audio X9 SoundGrid® DSP Servers About Waves Audio Ltd.: Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves.

Indianapolis, IN, February 3, 2020 – Auralex® Acoustics, Inc., the world’s leading brand of acoustical treatments, offers its Roominator™ Starter Kit, which offers users a starting point to reduce unwanted slap and flutter echo in their room. Perfect for small home studios, audio and video editing suites, podcasting spaces, vocal booths and home listening environments, the Roominator Starter Kit is designed to immediately improve the acoustics of any small- to medium- sized room. Positioning the included LENRD® Bass Traps (Low End Noise Reduction Device) in the corners of the room will control low-frequency room nodes – a very important thing to do in small rooms! As users’ needs change, it is easy to add additional Studiofoam® acoustical treatment to further improve the acoustics of your space. To complement the kit, Auralex offers a comprehensive yet user-friendly set of placement suggestions to optimize the performance of the setup: Studiofoam Wedges panels reduce mid-high frequency reflections, flutter echo, room ring and excessive reverberation. To maximize performance in a project studio or control room, consider placing the panels at the first reflection points located to the sides, front, rear and ceiling above your listening position. To maximize performance in a live room, consider spacing the panels evenly throughout the room and staggering treatment across parallel surfaces. LENRD Bass Traps are designed for the 90-degree corners of a room. To increase performance, place them vertically between adjacent walls and horizontally between a wall and the ceiling. Studiofoam Wedges and LENRD Bass Traps can be mounted to standard drywall with the included EZ-Stick Pro™ Tabs. For specific placement suggestions, users can submit a free Personalized Room Analysis form online at www.Auralex.com/praf/. Auralex will diagram the room, including all surfaces with product placement indicated. For an even more in-depth analysis of the room, Auralex offers the Room Analysis Plus service. Auralex supplies the frequency sweeps, the user sends recordings of the room, and Auralex will deliver more detailed suggestions based on the findings. Additionally, users can employ the RLX™ Room Layout Express App for suggestions about additional Auralex products to improve the sound of their room. The RLX App is available on the Apple App Store and Google Play. For more information, please visit www.auralex.com/. The Roominator™ Starter Kit from Auralex® Acoustics About Auralex® Acoustics, Inc. Located in Indianapolis, Auralex® Acoustics was founded in 1977 with a mission to provide top-performing acoustical treatment products at the best possible value. Since then, thousands of satisfied Auralex customers have experienced improved acoustics, expert advice and exceptional customer service. Auralex products enjoy widespread use among prominent artists, producers, engineers, corporations, celebrities and government agencies worldwide. Auralex Acoustics has become the industry leader in innovative sound control solutions and continues to enjoy rapid growth through an international network of authorized dealers. Visit the Auralex Web site at www.auralex.com. Auralex can be reached via email at auralexinfo@auralex.com or by calling 1-800-959-3343.

LOS ANGELES, Calif. Jan 31, 2020—For guitarists everywhere, audio leader VocoPro unveiled its new Play, Hear & Record combo system. VocoPro’s Play, Hear & Record is an innovative way for guitarists to play, monitor and record or stream their music from guitar to computer via USB receiver with a built-in audio interface while listening via the in-ear monitor—and sending the signal to the guitar amplifier wirelessly. Features: Tap-and-Sync allows users to change and sync frequency to ALL receivers within a 200 ft. range Built-in rechargeable battery with 6 hours of run time on each charge. (3.7v Li-on 650 MAh) Operates in super-low latency 900 Mhz away from TV, radio and Wi-Fi interference Pricing for VocoPro Play, Hear & Record System MAP: $199.00 USD About VocoPro VocoPro is a California-based professional audio company that was founded in 1991. For more than two decades, the VocoPro name has been synonymous with professional karaoke systems, and still holds the number one spot for high-end professional karaoke products. Providing the highest level of customer service in the industry, VocoPro understands that it takes more than a great product to keep a customer happy. A few of their many "world's first" designs include an all-in-one entertainment P.A. system, and a dual tray multi-format hard drive player. In addition to their many innovations, VocoPro's multi-channel wireless microphones systems reign as the top-sellers for most major music retailers. For more information about VocoPro, please visit www.vocopro.com.

Death By Audio Effects Pedals ROOMS Stereo Reverberator Pre-Orders to Begin January 30, 2020 Following a strong debut at the 2020 NAMM Show in Anaheim, New York-based effects pedal manufacturer Death By Audio will begin taking pre-orders for the new ROOMS Stereo Reverberator on January 30, 2020. QUEENS, NY –– Death By Audio Effects Pedals announced Thursday January 30 that pre-orders for the new ROOMS Stereo Reverberator are open to the public. ROOMS is a stereo, multi-function digital reverb capable of searing volume, gated walls of sound, and long, trailing reverberant ambiances with an intuitive array of controls designed with real-time mood-bending in mind. It’s the finely tuned and infinitely tweakable result of Death By Audio founder Oliver Ackermann’s lifelong obsession with reverb effects units. ROOMS’ six reverb algorithms – ROOM, DIGIT, PEAK, WAVE, GATE, and GONG – have been meticulously programmed in-house to deliver an endless universe of sounds, and to aid in their exploration, the pedal features an ALT footswitch. This switch engages a secondary set of controls that allows the user to seamlessly shift between settings and also activates the expression pedal (optional) for hands-free space-and-time travel of a cosmic auditory nature. An output mixer designed in collaboration with Electronic Audio Experiments provides pristine, studio-quality control of the wet and dry signals from -inf to 20x gain, making ROOMS sound right at home on pedalboards, at front-of-house, and in the recording studio, and with gain to spare. Rooms' creative I/O switching and dual mono dry signal lines allows for a wealth of possible mono and stereo configurations, making it easy to route signals for parallel processing or stereo amplifier setups. Pre-orders for the Death By Audio ROOMS Stereo Reverberator begin January 30, 2020, and will ship Spring 2020. First come, first served. ROOMS is also available at Death By Audio dealers. PRE-ORDER ROOMS STEREO REVERBERATOR FIND A STORE Death By Audio ROOMS Stereo Reverberator Six unique, meticulously programmed stereo reverb algorithms ROOM – A classic reverb that simulates many different rooms DIGIT – A filter matrix verb capable of creating otherworldly resonances and fractured repeats. PEAK – A super intense bandpass filter combined with an ambient reverb. WAVE – A gated reverb. Short reverb times create a classic gate effect, long reverb times create a controllable freeze effect. GATE – Creates a pitch vibrato effect. Lowering TIME will blend out the reverb signal, allowing sweeps from chorus/vibrato to long modulated reverbs. GONG – Ethereal, crushed reverb sounds guaranteed to make you a star in the upcoming remake of DUNE and live out your sci-fi fantasies of space travel and galactic domination. Control the spice, control the universe. ALT footswitch switches between two sets of controls and engages expression pedal (optional) Clever I/O switching also allows for a variety of routing possibilities for parallel processing and stereo amplifier setups Hi-fidelity output mixer designed in collaboration with Electronic Audio Experiments MAP: $395 USD Dimensions: 5.95" x 3.86" x 2.96" (including hardware) Weight: 18oz. Power: 80 mA, 9V (runs on a standard 2.1 mm negative center 9V adapter) Expression Pedal: Almost any expression pedal will work with ROOMS. When not plugged in, the controls work as normal. NOTE: Expression control ONLY controls the F or T knobs when ALT mode is engaged and when an expression pedal is plugged in. PRE-ORDER ROOMS STEREO REVERBERATOR

The Runway Audio TRS Junction Box: the cleanest, coolest and best junction box. Ever. Nashville, TN (January 29, 2020): Runway Audio, a boutique manufacturer of high-quality instrument cables based in Nashville, is launching a new, clean piece of gear every guitar player should have in their kit: The Runway Audio TRS Junction Box. No tricks here. What you see is what you get. The Runway Audio TRS Junction Box has 3 fully isolated TRS pass-throughs in a rugged tour-grade, powder-coated enclosure. They're not reinventing the wheel here, but while most junction boxes have jacks on opposite sides, they have put them on the top and one side to fit snugly on your pedalboard and help clean things up while maximizing space. This attention to detail is mirrored by hand-soldered quality for unrivaled reliability, night in and night out and session after session. Dimensions: 4.4" x 2.4" x 1.2"  Price & Availability: Purchase at RunwayAudio.com for $49.99 Runway Audio is known for their high-quality instrument cables. From custom electric and acoustic guitar cables to patch cables, Runway products are perfect for players who want the best sound from their cables, from hobbyists to professional recording and touring musicians. Their high-quality instrument cables are hand-soldered in Nashville and shipped directly to you. The cables come in various lengths and colors. In addition to the instrument leads and custom electric guitar cables, the Runway Audio team also offers pedalboard setups and pedalboard power supplies. If you’re looking for experienced professionals to help you get your pedalboard just right, they’ll work with you directly to improve the layout efficiency and sound quality of your setup. More information at https://runwayaudio.com/

— Growing loudspeaker range gives “Power to the speaker. Power to the installer.” — NATICK, MA, January 30, 2020 — Genelec, the global leader in professional audio monitoring, is proud to be showcasing two Smart IP loudspeaker models at the forthcoming ISE show in Amsterdam. The 4420 and 4430 loudspeakers combine both exceptional sound quality with single cable convenience, and their onboard Smart IP technology provides scalable power, audio and loudspeaker configuration, supervision and calibration features via a standard CAT cable. Smart IP therefore offers system designers, integrators and installers an easy, powerful and cost-effective solution for guaranteeing enjoyable, high-quality audio across entire installations. Having been unveiled before a select audience of specially invited Nordic integrators in Helsinki in December, the 4430 will be making its ISE debut alongside its new and even more compact 4420 sibling – with yet more Smart IP models expected to be added to the family in the future. Producing the clarity and intelligibility for which Genelec has become a benchmark, the 4420 and 4430 are compatible with both Dante™ and open IP standards including AES67 and ST2110-30, and derive power via PoE and PoE+ Power-over-Ethernet formats. Both models feature a single rear panel CAT connector which also allows access to Genelec’s Smart IP Manager – a sophisticated software tool that allows installers to configure an almost unlimited number of rooms, zones, loudspeakers and audio channels, and includes device discovery, a versatile room equalization tool set, system organization and status monitoring. This enables installers to deploy Smart IP loudspeakers even on highly complex, acoustically challenging projects. While Smart IP Manager is designed specifically for installers to use during setup and configuration, the 4420 and 4430 can be integrated easily into house automation systems using a public API command set – allowing the end user instant access to volume, power on/off, loudspeaker activity and a selection of pre-programmed audio settings. Smart IP supports uncompressed low-latency audio streaming directly into each loudspeaker, with loudspeaker synchronization to sub-microsecond level for solid acoustic imaging. Streams can be managed by both Dante Controller and Dante Domain Manager software, as well as legacy balanced line analogue audio. This flexible connectivity allows both IP control of an analogue source, or use of analogue audio as a failsafe backup. In terms of technical specification, the 4420 stands just 226 mm tall yet offers a frequency response of 55 Hz – 39 kHz (-6 dB) via a 4 inch woofer and 3/4-inch metal dome tweeter, producing a max SPL of 100 dB via onboard 50 W Class D amplifiers for each driver. In comparison, the 4430 measures 285 mm in height, delivers 45 Hz to 39 kHz (-6 dB) via a 5-inch woofer and 3/4-inch tweeter, and produces a max SPL of 104 dB via its onboard 50 W Class D stages. Manufactured sustainably to offer low power consumption, total reliability and long life, the 4420 and 4430 enclosures are produced from recycled aluminum, are available in black, white or 120 custom RAL colors, and are compatible with Genelec’s extensive range of mounting accessories to allow both models to be floor, ceiling, wall or truss mounted. Looking ahead to the forthcoming ISE show, Genelec Managing Director Siamak Naghian commented, “With the 4430 already being utilized on prestigious Nordic installations - including Helsinki’s Finnish Music Hall of Fame, Moesgaard Museum in Aarhus and the new G Livelab music venue in Tampere, we’re confident that the new 4420 will also be embraced by installers looking for an even more compact Smart IP loudspeaker solution. The overwhelmingly positive feedback that we’ve received from the early adopters of Smart IP makes us extremely excited about ISE – and the potential of our AV Installation business in the future.” Genelec will be showcasing the 4420 and 4430 on Stand 3-B115 of the ISE Show, which takes place in Amsterdam between 11th and 14th February. For more information, please visit www.genelecusa.com. . Genelec 4420 and 4430 Smart IP loudspeakers Genelec, the pioneer in Active Monitoring technology, is celebrating over 40 years of designing and manufacturing active loudspeakers for true and accurate sound reproduction. Genelec is credited with promoting the concept of active transducer technology. Since its inception in 1978, Genelec has concentrated its efforts and resources into creating active monitors with unparalleled sonic integrity. The result is an active speaker system that has earned global acclaim for its accurate imaging, extremely high acoustic output from small enclosures, true high-fidelity with low distortion, and deep, rich bass. Genelec is also celebrating over 10 years of its Smart Active Monitoring™ technology, which allows studio monitors to be networked, configured and calibrated for the user’s specific acoustic environment. Each Smart Active Monitor or subwoofer is equipped with advanced internal DSP circuitry, which tightly integrates with the GLM (Genelec Loudspeaker Manager) software application, running on Mac or PC. GLM’s reference microphone kit allows the user’s acoustic environment to be analyzed, after which GLM’s AutoCal feature optimizes each Smart Active Monitor for level, distance delay, subwoofer crossover phase and room response equalization, with the option of further fine tuning by the user. By minimizing the room’s influence on the sound, Smart Active Monitors deliver an unrivalled reference, with excellent translation between rooms. Other brand and product names may be trademarks of the respective companies with which they are associated. —For more information on the complete range of Genelec Active Monitoring Systems, contact: Genelec Inc., 7 Tech Circle, Natick, MA 01760. Tel: (508) 652-0900; Fax: (508) 652-0909; Web: http://www.genelecusa.com/.

SonoTone Introduces Fusion Series Premium Electric Guitar & Bass Strings Launched at The 2020 NAMM Show, SonoTone Fusion series premium guitar and bass strings feature a custom alloy to produce brilliant, balanced tone and enhanced tactile feel Anaheim, California, January 18, 2020 — SonoTone, the Massachusetts-based manufacturer of boutique, premium guitar strings, has debuted its Fusion series of electric guitar and bass strings, offering serious musicians, hobbyist players and vintage guitar collectors the opportunity to outfit their new, used or vintage instruments with strings formulated to stretch the tonal potential of any guitar. Now the string of choice for professional guitar players like Camilo Velandia, in addition to a growing legion of professional and amateur musicians, vintage instrument collectors and tone aficionados, SonoTone Fusion series strings will project a sound that is more flexible and harmonically vibrant — with a punchy, responsive attack to give players enhanced expressiveness and articulation. In addition to improving a guitar's overall sound, players will feel the difference as soon as SonoTone Fusion series strings have settled in to the guitar. Made with the highest-quality materials available, SonoTone premium strings combine a higher percentage of iron and nickel, as well as a custom wrap, strengthening the strings’ magnetic properties while providing plenty of warmth. Whether players use SonoTone Fusion series strings for country, rock, jazz, blues, fusion or all of the above, SonoTone strings remain pliable and vibrant for the entire duration each string-set's lifespan. Now available directly from www.sono-tone.com in the U.S. and in select European countries through Fulfillment by Amazon, as well as in Japan through the manufacturer's distribution partner, SonoTone Fusion series electric guitar and bass strings are available in four gauge sets (9-42, 10-46, 10-52, 11-48) for $18.99 each; Fusion series standard 4-string bass guitar strings (45-105) are available for $69.99 each. Fusion series offers enhanced comfort and playability The SonoTone Fusion series represents the culmination of over three years of experimentation with various materials and manufacturing techniques by SonoTone founder P.K. Pandey. Having spent more than 25 years on a quest for impeccable tone, both as a studio recording engineer and A/V systems design/build engineer, Pandey's journey eventually led him to reconsider the fundamental medium and point-of-contact between the player and the guitar, the material source of the instrument's "voice" — the taut, vibrating metal wires fastened to the bridge on one end and to the headstock on the other — i.e., the guitar strings. Starting from this fundamental level, Pandey tested different metals, amalgams, and manufacturing processes until he eventually found the hard-won formula, known only to him, which at last recreated the vintage tone and feel of the guitars he remembered playing as a kid. Unlike many contemporary, machine-made strings produced in bulk quantities outside the U.S. at mass-market, commodity prices, SonoTone Fusion strings use only the highest-quality materials available, with additional measures taken throughout the manufacturing process to optimize string behavior, playability, tuning stability and longevity — without using any coatings, so that only the pure elements that make up the string-wire ring out, unencumbered, through the entire body of the guitar. To find out how SonoTone Fusion series strings will enhance the sound of your own new, used or vintage instrument, please visit www.sono-tone.com for more information.

EastWest Releases Hollywood Backup Singers Powerful vocals by Durga McBroom, Lorelei McBroom and C.C. White; Wordbuilder Technology included Hollywood, CA - EASTWEST has just released HOLLYWOOD BACKUP SINGERS, a game changing new vocal product that will let you type in any word and have it sung by the industry's top backup singers. Produced by Doug Rogers and Nick Phoenix, the most awarded producers in the sounds industry, HOLLYWOOD BACKUP SINGERS features powerful vocals from legendary singers Durga McBroom, Lorelei McBroom, and C.C. White. Hundreds of WordBuilder 'editable' phrases and words are included with a quickly accessible drop-down menu from genres such as Pop, Soul, and Gospel. If you don’t find the exact one you’re looking for, you can easily type it into WordBuilder manually, in any language! You’ll never have to search for the right voice talent or book time in a state-of-the-art studio. When you need the perfect vocal harmonies, your HOLLYWOOD BACKUP SINGERS will be ready for the job. And your listeners will have a hard time believing they weren’t tracked live. HOLLYWOOD BACKUP SINGERS was recorded with a collection of vintage tube microphones in world famous EastWest Studio 3, home to some of the most iconic hits from the 1960s till the present day, including the Beach Boys masterpiece Pet Sounds, Mamas and Papas, Blondie, through to modern day productions from Ariana Grande, Frank Ocean, and Lady Gaga and Bradley Cooper's Grammy and Academy Award-winning "A Star Is Born" soundtrack. Legendary Backup Singers Each of the amazingly talented singers recorded for HOLLYWOOD BACKUP SINGERS come from a rich musical background, having performed with the biggest names in the industry. Durga McBroom and Lorelei McBroom toured with Pink Floyd as backup singers for many years. C.C. White has worked with many iconic artists. She is also the star vocalist of EastWest's blockbuster product Voices of Soul, one of the top selling vocal products ever produced. Features Vowels includes regular and expressive vowel instruments, and sustain expressive vowel instruments (which is a combination of the two vowel types). The expressive vowels also have 'LES' versions, which contain additional samples of the vocals recorded through a Leslie speaker cabinet, something Pink Floyd did on many backing vocal tracks. Each instrument is programmed to cross-fade between multiple dynamic layers using the Mod Wheel (CC1). Consonants includes b, d, g, j, l, m, n, r, th, v, w, y, and z consonant instruments, as well as an unpitched consonants instrument. Each are programmed to cross-fade between multiple dynamic layers using the Mod Wheel (CC1). Combo MOD includes a variety of instruments that use the Mod Wheel (CC1) to switch between multiple layers of regular and expressive vowel types, or in the case of the 'Xfde' sub-folder, use the Mod Wheel (CC1) to cross-fade between these layers. The expressive vowels also have 'LES' versions, which contain additional samples of the vocals recorded through a Leslie speaker cabinet. Solo Phrases includes instruments that feature solo phrases and sub-phrases that were recorded over a drone in multiple root note positions for use in a variety of keys and modes. There are 'LES' versions available, which contain additional samples of the vocals recorded through a Leslie speaker cabinet. Each vocalist was recorded as a soloist, whereas the rest of the collection features the 3 vocalists recorded together. Keyswitch includes instruments that combine multiple articulations into a single instrument that uses blue-colored keyswitches to activate a given articulation. There are keyswitch instruments available for vowels, consonants, and solo phrases, including 'LES' versions where available. WB Multi contains a specially designed multi-instrument that is pre-configured for use with WordBuilder. Simply load the WB Multi containing all the necessary phonetic sounds required to build words, type a phrase in the Text Editor (or choose from hundreds of phrase and word presets) and the backup singers will sing the words. Availability & Price: HOLLYWOOD BACKUP SINGERS is available for sale at a special introductory price of $199 until Februray 10, 2020 (regular price is $299). It is also available as a free addition for all subscribers of ComposerCloud. About EASTWEST EastWest Sounds has been dedicated to perpetual innovation and uncompromising quality of Virtual Instruments for more than 30 years, setting the industry standard as the most critically acclaimed sound developer. Find more about EastWest Sounds at soundsonline.com.

It’s new release day and this week we’ve got Future Drum & Bass, 2.3GB of razor sharp forward thinking Drum & Bass samples + midi. Zenhiser Pack: Future Drum & Bass Price: $60.00 AUD Product: http://www.zenhiser.com/future-drum-n-bass-sample-pack.html Video: https://www.youtube.com/watch?v=WxoNswiUB1U www.zenhiser.com --------------------------

We have updated OB-Xd 1.5 for macOS. What's new Code signed AU, VST and VST3 plug-ins. Notarized PKG installer ready for macOS Catalina. Added AudioUnits presets collection. Download is available at OB-Xd page.

Following the launch of the Juno earlier this month, Harmony (www.harmony.co) today revealed their next addition to their Standard Series: the Harmony Comet. Proudly made in the USA, the all-new Harmony Comet is a modern take on the iconic 1960’s Harmony H-72 and marks the brand’s first semi-hollow body guitar since its return in 2017.The Comet’s familiar double-cutaway semi-hollow design boasts many of the Standard Series’ key features like Harmony’s proprietary gold foil pickups, hardware and premium woods, but also introduces new developments that are unique to the model. The Comet is Harmony’s first set-neck design in the series, and also sports an immaculate carved back and top for the first time. The smaller, contoured body along with the C shape neck profile, 25” scale length, and 12-inch radius ebony fretboard, gives the Comet wider player-friendly appeal than many semi-hollow guitars in the market. The headstock’s 6-in-line tuner design is also a nod towards the original H-72’s unusual, but iconic look.Edwin Wilson, Head of Guitar Research & Development shares, “We’ve taken the same philosophy in designing our Standard Series models and applied it to the beloved H-72 and we’re very happy with the way the Comet has come to life. The mahogany semi-hollow construction, combined with the Comet’s set neck and our gold foil pickups, imparts a warmer and fuller tone that does not compromise on dynamics or clarity. This truly sets it apart from our solid body, bolt-on models.“Harmony fans have been eagerly waiting for a semi-hollow to join the ranks and the Comet brings this classic design to the next level. Harmony fans will also appreciate the headstock’s 6-in-line tuner design — a nod towards the original H-72’s unusual, but iconic look. We can’t wait to put this modern-day workhorse into the hands of professionals and semi-hollow enthusiasts looking to expand their tonal palette,” says Wilson.The Comet is available in Spring 2020 via select dealers. Visit www.harmony.co.About Harmony: The Harmony Company was founded by Wilhelm Schultz in 1892. Building on a cherished catalogue of instruments from electric and acoustic guitars to violins, Harmony established itself as one of the most successful American musical instrument companies in history. Reintroduced to the market in 2018 by BandLab Technologies, Harmony returns with a range of guitars, amps and accessories. Visit https://www.harmony.co/ for more information.

Stow, OH, January 28, 2020 — Audio-Technica announces the release of its Wireless Manager software, a Mac OS/Windows application for remote configuration, control, monitoring, spectrum management, and frequency coordination of compatible Audio-Technica devices in sound reinforcement or installed sound applications. With connectivity for A-T 5000 Series wireless microphone system and the new 3000 Series featuring network control and monitoring , the software package offers a broad range of control and management functions of networked devices, grouped into three tabs: Device List, Frequency Coordination and Monitor. Wireless Manager’s Device List auto-discovers connected compatible A-T hardware and allows users to populate a device list of Audio-Technica and other manufacturers’ wireless systems.. From the Device List tab, users can edit/modify transmitter and receiver parameters of network enabled Audio-Technica devices, including upload of setups created offline. Devices can be assigned tags for easy system grouping for frequency coordination and monitoring purposes. The Frequency Coordination function delivers A-T wireless system users powerful spectrum management tools, allowing real time spectrum scanning via connected network enabled receivers, or the option of using the pre-loaded television channel database for off-site planning. Based on spectrum availability, Wireless Manager quickly provides an estimate of available channels and uses a proprietary algorithm to automatically create an efficient, interference-free channel plan and then pushes that plan to all connected network A-T devices. Users have the option of setting manual frequency exclusions to avoid prohibited frequency bands and other wireless systems in operation at a given location. On A-T network wireless systems enabled for Wireless Manager, the Monitor tab allows live monitoring of connected systems with the option of filtering the displayed devices by assigned tag groups. Parameters monitored include AF, RF, battery, transmit power and more. Wireless Manager allows users to assign alerts for performance values of parameters such as signal strength and battery level, and offers event logging. Wireless Manager also includes a Tool Box function offering walk test, , user access control and cable loss calculation functionality. A-T’s Wireless Manager software is available for download from Audio-Technica’s website. For more information, please visit www.audio-technica.com. …ends 337 words Interface for Audio-Technica’s Wireless Manager Software for network wireless systems See more here: Audio-Technica Promotional Video: “Circle of Music” Audio for Video Techniques Videos Recording Techniques Videos Additional News Releases Celebrating over 50 years of audio excellence worldwide, Audio-Technica is a leading innovator in transducer technology, renowned for the design and manufacture of microphones, wireless microphones, headphones, mixers, and turntables for the audio industry. Web: www.audio-technica.com

FULTON, MD -- Impact Soundworks released today CINEMA SOUND FOLEY LIBRARY, a new tool for sound designers, foley artists, editors, DIY directors, and other post-production professionals. This massive collection of foley sounds can be performed via MIDI - saving users precious time and money when matching audio to picture. The result is Hollywood-level sound design accessible for all, in a KONTAKT-powered engine compatible in any DAW. Cinema Sound Foley Library (CSFL) was created in collaboration with Cinema Sound, the industry experts in audio-for-video education. Cinema Sound not only brought their expertise to recording the entire collection, but has also produced a wide variety of tutorial videos on using CSFL. This high-quality free education is available directly on the product page. Users can bring on-screen action to life with an enormous library of content spanning over 54,000 samples, with a particular focus on footsteps & clothes that have extensive material, surface, and dynamic options. Sounds are selected from a categorized browser, and can be layered and mixed all within a bespoke UI that also includes editing tools. To simplify and streamline the mixing process, CSFL also includes a full FX rack with 30 modules including analog-modeled EQ, convolution reverb, compression, distortion, and much more. No external plugins are necessary. See a video showreel for Cinema Sound Foley Library on YouTube: https://www.youtube.com/watch?&v=OBkQDRjK16E Cinema Sound Foley Library is now available for the intro price of $179 (MSRP $199) through Feb 10, 2020 - even at list price, an unbeatable bargain given the staggering amount of content included. Further audio and video demos, specifications, and more product information is available at the Impact Soundworks website: https://impactsoundworks.com/product/cinemasound-foley-library/

In 2017, after a long search for the perfect guitar, Brad Paisley acquired an original 1968 Telecaster. The guitar played beautifully but had, unfortunately, been refinished in a black acrylic paint. So, Brad brought the guitar to veteran luthier and paisley paper expert, Bill Crook, to have the black paint stripped away and a classic ’68 paisley pattern applied instead. After removing some of the thick black paint, Bill stumbled on a surprise that would shock them both–Fender’s original pink paisley finish from 1968! Brad dubbed the guitar 'La Brea', because the black paint hiding the perfectly intact, all-original pink paisley paper reminded him of the tar pits in Southern California. At this point, Brad loved almost everything about La Brea, but there was still something that wasn’t quite right – the pickups. Naturally, Brad called his buddy Seymour W. Duncan, and together they created the perfect, vintage accurate matched pickups – the Brad Paisley Signature La Brea Telecaster Set. The Brad Paisley Signature La Brea Telecaster Set, is hand built in Santa Barbara, CA. Learn More! During the spring of 2019, Brad Paisley traveled to a remote beach located just north of Santa Barbara, CA to meet up with Seymour W. Duncan at the Seymour Duncan Tiny House to talk about his beloved 1968 pink paisley-paper "La Brea" Telecaster and the making of his brand new Signature La Brea Telecaster pickup set. Watch Now!

Bluezone releases 'Interception - Radio Transmission Sound Effects' https://www.bluezone-corporation.com/samples/interception-radio-transmission-sound-effects-download

FENDER® MUSICAL INSTRUMENTS CORPORATION ANNOUNCES CHANGE IN OWNERSHIP, SERVCO PACIFIC INC. TO SECURE MAJORITY STAKE Longtime Investor in Fender Acquires Major Ownership After 34 Year Partnership HOLLYWOOD, CALIF. (JANUARY 27, 2020)—Fender Musical Instruments Corporation (FMIC) today announced Servco Pacific Inc. (Servco) and TPG Growth have entered into a sale and purchase agreement in which Servco will acquire TPG’s shares in the company. The acquisition is targeted to close in February 2020, subject to certain closing conditions. “Fender has enjoyed nearly a decade of sustained growth under the joint ownership of Servco and TPG Growth. We thank TPG Growth for their contribution on multiple levels, both strategic and tactical, and for their support to expand into digital products and services,” said Andy Mooney, Chief Executive Officer of Fender Musical Instruments Corp. “On an operational level, all will remain the same; Fender will continue with the same exceptional management team who all have been instrumental in our recent growth. We look forward to extending FMIC’s long term relationship with Servco who share our core mission to support artists and players at every stage in their musical journey.” “We are extremely proud of the work we’ve done with Fender’s management team to strengthen and solidify Fender’s status as a leader and innovator in the world of music,” said Scott Gilbertson, Partner at TPG Growth. “Since 2012 we’ve deployed significant resources to reinvigorate this iconic lifestyle brand. In 2015 we supported Fender’s transformation with the addition of Andy Mooney as CEO to reinforce the ongoing improvement of Fender’s business, from reenergizing channel relationships and deepening Fender’s commitment to product quality and innovation, to engaging directly with consumers, launching market-leading digital learning resources, and reaffirming Fender’s unwavering dedication to the artist community. We are grateful for Servco’s commitment to Fender and wish them continued success." “Servco is proud of what Fender has accomplished,” added Mark Fukunaga, Chairman and CEO of Servco. Servco has been involved in the musical instruments industry since 1937, and its relationship with Fender began as a dealer of its products in the 1950’s. In 1985, Servco was part of the small investor group that backed industry icon, Bill Schultz, in the buyout of Fender from CBS. Over 25 years later, Servco increased its ownership with the purchase of Weston Presidio’s stake in Fender. Through this acquisition, Servco sought to optimize the potential of this iconic music brand and selected TPG Growth as an equal partner in this journey. Fukunaga added "Servco has a 100-year track record that includes stewarding iconic brands through committed, long-term partnerships that span multiple generations. We look forward to deepening our relationship with Andy and the Fender team that will prove beneficial to our community of artists around the world.” Over the last years, Fender has achieved several brand milestones including direct to consumer e-commerce, channeled product innovation (showcased in the most recent launches of the American Acoustasonic and American Ultra series), streamlining manufacturing capabilities, digital innovation with the creation of a newly branched arm and digital products including its hero app, Fender Play. In addition, research and deeper analysis brought data to the brand, enhancing Fender’s offerings and improving the service it provides to customers. For the last 73 years, Fender has revolutionized music and culture as one of the world’s leading musical instrument manufacturers, marketers and distributors. The legacy brand is dedicated to supporting artists, from beginners to history-making legends, on every step of their musical journey, taking a player-centric approach to crafting the highest-quality instruments and digital experiences across genres. In 2015, Fender introduced its digital arm with Fender Play and most recently launched Fender Songs to continue to unlock the power of musical expression for all players. For additional information please visit www.fender.com. Join the conversation on social media by following @Fender. # # # ABOUT FENDER MUSICAL INSTRUMENTS CORPORATION: Since 1946, Fender has revolutionized music and culture as one of the world’s leading musical instrument manufacturers, marketers and distributors. Fender Musical Instruments Corporation (FMIC)–whose portfolio of brands includes Fender®, Squier®, Gretsch® guitars, Jackson®, EVH® and Charvel®–follows a player-centric approach to crafting the highest-quality instruments and digital experiences across genres. Since 2015, Fender’s digital arm has introduced a new ecosystem of products and interactive experiences to accompany players at every stage of their musical journey. This includes innovative apps and learning platforms designed to complement Fender guitars, amplifiers, effects pedals, accessories and pro-audio gear, and inspire players through an immersive musical experience. FMIC is dedicated to unlocking the power of musical expression for all players, from beginners to history-making legends. ABOUT SERVCO PACIFIC INC.: Celebrating its 100-year anniversary in 2019, Servco Pacific Inc. is Hawaii’s largest privately held company with over $1.8 billion in annual revenues and 2,000 team members spanning Australia, Hawaii, and California. Founded in 1919 (as a two-car repair garage), Servco is now a diversified business with operations in automotive distribution and retail, car sharing, appliance distribution and retail, and venture and growth capital. Through our businesses, we help steward world-class brands including Toyota, Lexus, Subaru, Fender, Harley-Davidson, Hui and General Electric. Servco is one of the Top 20 largest automotive dealer groups based in the U.S. and has been recognized as one of the “Best Places to Work in Hawaii” for 15 consecutive years. For additional information, visit www.servco.com. ABOUT TPG GROWTH: TPG Growth is the middle market and growth equity investment platform of TPG, the global alternative asset firm. With approximately $14.5 billion of assets under management, TPG Growth targets investments in a broad range of industries and geographies. TPG Growth has the deep sector knowledge, operational resources, and global experience to drive value creation, and help companies reach their full potential. The firm is backed by the resources of TPG, which has more than $119 billion of assets under management. For more information, please visit www.tpg.com.

MIDI 2.0 Adopted at Winter NAMM 2020! At the Annual Meeting of the MIDI Manufacturers Association during Winter NAMM 2020, MMA members in attendance unanimously completed the adoption of the core MIDI 2.0 specifications including five core documents. MIDI Capability Inquiry (Update) Specification for Universal MIDI Packet (UMP) Format and MIDI 2.0 Protocol Common Rules for MIDI CI Profiles Common Rules for MIDI-CI Property Exchange Property Exchange Foundational Resources and Basic Resources At the annual meeting afternoon session, there were demonstrations by Korg, Roland and Yamaha of prototype MIDI 2.0 devices sending and receiving MIDI 2.0 protocol messages. There were standing room only crowds at the MIDI 2.0 A3E presentations. There were even several MIDI 2.0 ready devices on the NAMM show floor including the BomeBox and Roland A88 MKII (pictured below). Introduction to MIDI 2.0™ Back in 1983, musical instrument companies that competed fiercely against one another nonetheless banded together to create a visionary specification—MIDI 1.0, the first universal Musical Instrument Digital Interface. Nearly four decades on, it's clear that MIDI was crafted so well that it has remained viable and relevant. Its ability to join computers, music, and the arts has become an essential part of live performance, recording, smartphones, and even stage lighting. Now, MIDI 2.0 takes the specification even further, while retaining backward compatibility with the MIDI 1.0 gear and software already in use. Here's why MIDI 2.0 is the biggest advance in music technology in decades. MIDI 2.0 Means Two-way MIDI Conversations MIDI 1.0 messages went in one direction: from a transmitter to a receiver. MIDI 2.0 is bi-directional and changes MIDI from a monologue to a dialog. For example, with the new MIDI-CI (Capability Inquiry) messages, MIDI 2.0 devices can talk to each other, and auto-configure themselves to work together. They can also exchange information on functionality, which is key to backward compatibility—MIDI 2.0 gear can find out if a device doesn't support MIDI 2.0, and then simply communicate using MIDI 1.0. Higher Resolution, More Controllers and Better Timing To deliver an unprecedented level of nuanced musical and artistic expressiveness, MIDI 2.0 re-imagines the role of performance controllers, the aspect of MIDI that translates human performance gestures to data computers can understand. Controllers are now easier to use, and there are more of them: over 32,000 controllers, including controls for individual notes. Enhanced, 32-bit resolution gives controls a smooth, continuous, "analog" feel. New Note-On options were added for articulation control and precise note pitch. In addition, dynamic response (velocity) has been upgraded. What's more, major timing improvements in MIDI 2.0 can apply to MIDI 1.0 devices—in fact, some MIDI 1.0 gear can even "retrofit" certain MIDI 2.0 features. Profile Configuration MIDI gear can now have Profiles that can dynamically configure a device for a particular use case. If a control surface queries a device with a "mixer" Profile, then the controls will map to faders, panpots, and other mixer parameters. But with a "drawbar organ" Profile, that same control surface can map its controls automatically to virtual drawbars and other keyboard parameters—or map to dimmers if the profile is a lighting controller. This saves setup time, improves workflow, and eliminates tedious manual programming. Property Exchange While Profiles set up an entire device, Property Exchange messages provide specific, detailed information sharing. These messages can discover, retrieve, and set many properties like preset names, individual parameter settings, and unique functionalities—basically, everything a MIDI 2.0 device needs to know about another MIDI 2.0 device. For example, your recording software could display everything you need to know about a synthesizer onscreen, effectively bringing hardware synths up to the same level of recallability as their software counterparts. Built for the Future. MIDI 2.0 is the result of a global, decade-long development effort. Unlike MIDI 1.0, which was initially tied to a specific hardware implementation, a new Universal MIDI Packet format makes it easy to implement MIDI 2.0 on any digital transport (like USB or Ethernet). To enable future applications that we can't envision today, there's ample space reserved for brand-new MIDI messages. Further development of the MIDI specification, as well as safeguards to ensure future compatibility and growth, will continue to be managed by the MIDI Manufacturers Association working in close cooperation with the Association of Musical Electronics Industry (AMEI), the Japanese trade association that oversees the MIDI specification in Japan. MIDI will continue to serve musicians, DJs, producers, educators, artists, and hobbyists—anyone who creates, performs, learns, and shares music and artistic works—in the decades to come. WHAT THE INDUSTRY IS SAYING LINKS TO MIDI 2.0 ARTICLES What is MIDI 2.0, and what does it mean for musicians and producers? By James Russell (Future Music) What will MIDI 2.0 mean for you? By Will Betts (www.musictech.net) What Will MIDI 2.0 Mean for Musicians? By Joel Handley (Reverb.com) Sonic State Interview with Florian Bomers of the MMA TSB Read About MIDI 2.0

MAGNETIC EFFECTS INTRODUCE THE DUAL DRIVE EFFECTS PEDAL FOR GUITAR. London, England - 27 January 2019 - Magnetic Effects are pleased to release the LIMITED EDITION Dual Drive. The Dual Drive combines a Tubescreamer style overdrive and a Rat pedal into one enclosure. Each effect can be used independently or both can be used at the same time. The TS style drive has been modded for asymmetrical clipping for more even order harmonics and a touch less compression. Along with a simplified signal path for a touch more clarity. The Rat side is a straight up Rat with a couple of mods. Clipping has been changed to asymmetrical clipping for more even order harmonics and a touch less compression. The Tone control works in the conventional direction. (Not backwards like on an original Rat.) 9-18V operation is possible. 18V gives more headroom to the sound and a slightly punchier feel to the tone. Great tone and features make the Dual Drive a worthwhile addition to any pedalboard. FEATURES: - Two drives - Volume, Tone and Gain controls for both drives - Top mounted Jacks and DC socket - 9-18V DC operation via adapter - True Bypass - High input impedance and low output impedance RETAIL PRICE: £135 plus shipping. ABOUT: Magnetic Effects is a company based in London, England specialising in handmade guitar pedals with practical features for guitarists. www.magneticeffects.net

Knoxville, TN, January 16, 2020 — Waves Audio, the world’s leading developer of professional audio signal processing technologies and leading maker of audio plugins for mixing, music production, mastering, sound design, broadcast, post-production and live sound, announces the Waves FIT Controller for the eMotion LV1 Live Mixer. FIT is an intuitive control surface that delivers quick and efficient operation of the eMotion LV1 mixer to live sound engineers who prefer tactile response of faders, knobs and buttons for console operations. Carefully engineered by Waves and expert MIDI controller manufacturers MIDIPLUS, FIT is the ultimate hands-on control unit for the eMotion LV1 Live Mixer. Waves FIT is designed to function as a fully-integrated 16-fader bank with the LV1 mixer. This is made possible with 16 + 1 motorized 100mm faders, each featuring Mute, Solo, and Select buttons, a multi-function rotary control and a bright display for each channel. Fader banks are controlled using eight dedicated layer switches for toggling between the eight factory or custom layers in the Waves eMotion LV1 Live Mixer. The channel rotary controls can be set to adjust preamp gain or pan per channel with the corresponding function label shown in the display. In addition, the 16 Select channel toggles can be set to “USER” mode to provide easy access to Mute Groups and user-assignable keys. The FIT controller also provides audio engineers with a Tap Tempo pad and a “Touch & Turn” knob for controlling any parameter selected on the eMotion LV1 screen. Additionally, common LV1 functions and modes can be controlled from the UTILITY section – Rotary mode selector, Save Session, Load Next Scene, Load Previous Scene, Store Scene, ALT/CTRL, and custom toggle. This compact controller weighs only 4.5lb and can be fitted with rack ears to mount into a 19-inch 7U rack space. Rear panel connections include a USB Type B port for computer connection, 12V 2A DC power input, and two 5v 0.5A USB outlets for external LED lighting. With Waves FIT, users enjoy the integration of the world’s best digital live sound mixer with a compact, intuitive control surface, for an unprecedented tactile hands-on experience that goes with you, wherever you need it. To learn more, visit https://www.waves.com/hardware/midiplus-fit-controller-for-emotion-lv1. Waves FIT Controller for the eMotion LV1 Live Mixer About Waves Audio Ltd.: Waves is the world’s leading developer of audio DSP solutions for the professional, broadcast, and consumer electronics audio markets. Since its start in the early '90s with the introduction of the Q10 equalizer plugin, Waves has gone on to develop a comprehensive line of over 150 audio plugins, including industry standards like the L1 and L2 Ultramaximizers, popular vintage console models, and innovative mixing tools like Vocal Rider and the Artist Signature Series. For its accomplishments, Waves received a Technical GRAMMY® Award in 2011, and the Q10 was selected as an inductee into the TECnology Hall of Fame. In 2016, Waves released the eMotion LV1 mixer, a revolutionary live digital mixing console that provides real-time audio mixing for front-of-house, monitor, studio and broadcast engineers. Waves technologies are now used to improve sound quality in virtually every sector of the audio market, from recording, mixing, mastering and post-production to broadcast, live sound, and consumer electronics. Waves has over 25 years of expertise in the development of psychoacoustic signal processing algorithms that leverage knowledge of human auditory perception to radically improve perceived sound quality. Waves’ award-winning processors are utilized to improve sound quality in the creation of hit records, major motion pictures, and top-selling video games worldwide. Waves offers computer software and hardware-plus-software solutions for the professional and broadcast markets. The company’s WavesLive division is a market leader in all live sound sectors, spearheading the development of solutions for all live platforms. Under its Maxx brand, Waves offers semiconductor and licensable algorithms for consumer electronics applications. Waves technologies dramatically enhance audio performance and are used by industry leaders such as Dell, Google, Fitbit, Acer, Asus, Hisense and more. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with Waves.

Featuring analog and digital connectivity with an XLR output and USB-C connection with 24-bit/96kHz hi-definition audio resolution, the Q9U is an effective solution for achieving professional studio-quality audio for broadcasting, podcasting and streaming. The Q9U features a humbucking neodymium capsule that offers enough output to seamlessly integrate into your current setup without the need for any external gain devices. The analog XLR output allows the microphone to connect to any standard preamp, mixer or audio interface. An internal air-pneumatic shock mount isolates the capsule from mechanical noise and a cardioid pickup pattern with excellent off-axis rejection, isolating the sound source in front of the mic and minimizing ambient noise. Pricing: $199.99 Availability: Q2 2020 http://www.samsontech.com/

DRAWMER INTRODUCES THE 1970 DUAL FET COMPRESSOR AND PRE-AMP AT NAMM LAS VEGAS, NEVADA – JANUARY 2020: Drawmer has expanded the breadth and depth of its compression offerings with the new Drawmer 1970 Dual FET Compressor and Pre-Amp. Engineers will notice the similarity of the 1970’s layout to the company’s flagship 1960 Mic Pre & Vacuum Tube Compressor, and it is destined to fit a similar role in applications where transparent preamps and punchy FET compression fit the bill. Ivor Drawmer and his team of engineers combined the best of old and new analog technologies via lessons learned across decades of innovation to make the 1970 tremendously flexible and unfailingly musical in a modern digital workflow. Like its siblings, the Drawmer 1970 is designed and handmade by Drawmer in the UK using a rugged steel chassis and an aluminum front panel. John Lamb, Drawmer’s commercial manager is at Winter NAMM 2020 along with Drawmer’s U.S. Distributor, TransAudio Group, to introduce the 1970. Like the 1960, the Drawmer 1970 Dual FET Compressor and Pre-Amp features two channels of preamplification and compression that can operate independently or in true stereo-link mode. The 66dB pre-amps are built around the latest THAT Corporation technology and are incredibly clean and transparent. In addition to phantom power, the preamps offer matched impedance for unpowered microphones at 200, 600, and 2400 ohms. Like the 1960, the 1970 offers an instrument-level direct input with gain, boost, and newly-engineered bass and treble adjustments. Users select from among the mic preamps, line-level inputs, and instrument-level input as the sources for the compressors, with phase-reverse and a high-pass filter for even greater flexibility. The compressor section includes fine control over threshold, ratio, attack, and release, and the 1970 incorporates “BIG” and “AIR” processing to enhance deep lows and sparkling highs, respectively. The output section includes wet/dry mix, make-up gain, bypass, and a pair of analog VU meters. “The Drawmer 1970 Dual FET Compressor and Pre-Amp is designed and built to be a reliable workhorse that imprints its analog magic on any signal,” said Brad Lunde, president of TransAudio Group. “Whereas the 1960 has a ‘tube’ sound on both the preamps and the compressors, the 1970 has transparent preamps and a punchy ‘FET’ sound on the compressors. Users will find a huge range of applications for the 1970, including bass and other DI instruments, preamplification and compression of vocals and other instruments, and line-level compression for individual channels during mixdown or, with the stereo link on, stereo compression of the master bus or stems.” The Drawmer 1970 is now available in USA at a MAP price of $1,497 ABOUT TRANSAUDIO GROUP TransAudio Group, founded by industry veteran Brad Lunde, has quickly become the premier U.S. importer/distributor and/or U.S. sales and marketing representative for high-end audio. Success hinges on TransAudio providing dealers and end users with a higher standard of product expertise and support far beyond the norm. www.transaudiogroup.com BE SURE TO STOP AND SEE US AT NAMM 2020 BOOTH NUMBER #14914

Shadow Hills Mastering Compressor Class A The Pinnacle Of The Shadow Hills Sound “I love my customized Shadow Hills Mastering Compressor; not only did Brainworx match it, but, I have to admit, I wish it had all those extra cool features like the mono-maker, stereo width and the parallel mix to name a few.” - Michael Brauer — Multiple Grammy awarded Mix Engineer (Coldplay, John Mayer) Los Angeles, CA, January 14th 2020 – Plugin Alliance is proud to announce the availability of the new Shadow Hills Mastering Compressor Class A. Available exclusively via Plugin Alliance, and enhanced by Brainworx with patent-pending TMT and more, we are happy to add this plugin to the growing line of Shadow Hills plugins. The Shadow Hills Mastering Compressor Class A Limited Edition is one of the most exclusive and powerful compressors ever built. Vintage King released the Class A in 2012, limiting production to only 50 units! The VCA section is much punchier on this version. Brainworx added even more features to the emulation of the already modded hardware version. The RED version is punchier, faster, and more versatile than the GREEN. With the limited edition, Shadow Hills Industries included an updated Class A discrete compressor section utilizing Lundahl input transformers as well as hand wiring each compressor with Mogami Cable, an important factor when Brainworx Audio modeled one of these limited units as it gave the limited edition version a different character to the original. During rigorous shoot-out tests against the Shadow Hills Industries Mastering Compressor, our pro audio engineers observed time and time again that the Class A features a smoother compression sound, punchier VCA, a more pronounced sonic dimension, and overall larger size and perceived depth. Another interesting difference between the Shadow Hills Industries Mastering Compressor and the Class A version is that with the gain set to identical values on both units the Class A version clocks in roughly 1 to 3 dBs higher, matching the emulated hardware, and, as a result, delivers a thicker and richer tone to whatever is running through it. For this limited edition, Brainworx included its well-known retractable Extra Unit. The BX Extra Unit provides the following features: Brainworx’s TMT (patent-pending Tolerance Modeling Technology), M/S processing, Mono-Maker, Stereo Width, Parallel Mix, Sidechain Filter, continuously variable 12 dB per octave high pass filter, and a Headroom parameter. Visually, this version can also be distinguished by red LEDs on the front panel versus the green ones found on the Shadow Hills Mastering Compressor — GREEN for the Drum Buss, RED for the Master! Added to the MEGA Bundle at no extra cost. Shadow Hills Mastering Compressor Class A is available for purchase (as an AAX AudioSuite-, AAX DSP-, AAX Native-, AU-, VST2-, and VST3-supporting plugin for MacOS 10.9 through 10.14 and Windows 7 through 10) at an attractive introductory price of $199.99 USD — rising thereafter to an MSRP of $329.00 USD — from here: https://www.plugin-alliance.com/en/products/shadow_hills_class_a_mastering_comp.html (Upgrade for GREEN version owners: If you already own the green Shadow Hills Mastering Compressor, you’ll get the new RED edition for $99.99 USD.) A fully-functional, 14-day trial of Shadow Hills Mastering Compressor Class A is available to anyone registering for a free Plugin Alliance account here: http://www.plugin-alliance.com/en/registration.html Shadow Hills Mastering Compressor Class A is included in Plugin Alliance’s monthly MEGA Bundle subscription (https://www.plugin-alliance.com/en/products/pa-mega-bundle-monthly.html) and annual MEGA Bundle subscription (https://www.plugin-alliance.com/en/products/pa-mega-bundle.html) at no extra cost! Note that the proprietary Plugin Alliance Installation Manager means users can select, download, and install only the products and formats needed for their system. For more in-depth information, including several superb-sounding audio demos, please visit Plugin Alliance’s dedicated Shadow Hills Mastering Compressor Class A webpage here: https://www.plugin-alliance.com/en/products/shadow_hills_class_a_mastering_comp.html Watch Plugin Alliance’s Overview and Demo video for Shadow Hills Mastering Compressor Class A here: https://youtu.be/JTXpwq2Cq6s Watch Plugin Alliance’s Trailer video for Shadow Hills Mastering Compressor Class A here: https://youtu.be/BBf10TeCa9g About Plugin Alliance (www.plugin-alliance.com) World-class plugins. Dongle-free. Plugin Alliance is supporting all major plugin formats and uniting some of the best-known international audio companies under one virtual roof. The Santa Cruz, California-based company empowers world-renowned analog hardware companies with a digital strategy and provides software developers with services that allow them to develop products with increasing quality and quantity. It does this by providing professional marketing and distribution as well as platform features like a state-of-the-art authorization system. An open invitation is eternally extended to all developers, engineers, and artists to join its fast-growing community. About Shadow Hills Industries (www.shadowhillsindustries.com) Shadow Hills Industries, an Industrial Military Contractor, has recently switched to developing fine recording equipment, utilizing proprietary Operative Technologies. Some of the non-classified technologies developed by Shadow Hills Industries are The Shadow Hills Mastering Compressor, The Quad Golden Age Microphone Amp, The Equinox, The Mono Gama, The Mono Optograph,The Dual Vandergraph,The Long Range Ionospheric Heater, and The Over the Horizon Mind-Control laser. © 2020 Plugin Alliance LLC

Antelope Audio meditates on pushing portable audio interface innovation with welcomed Zen Tour Synergy Core introduction SANTA MONICA, CA, USA: trailblazing pro audio manufacturer Antelope Audio is proud to introduce Zen Tour Synergy Core — readily representing its innovative take on pushing portable audio interface design further forward as a cross- platform (TB3/USB2 for Mac/Win) 18x24 offering that can process up to 256 effects over 32 channels with ultra-low latency and zero CPU drain (thanks to the four ARM-based DSP processors, to which it owes its extended family name, working with the doubled custom-designed FPGA chip architecture of its popular predecessor) for artefact-free recording and mixing with confidence (courtesy of Antelope Audio’s always-competitive specs, including 130dB DA conversion on its monitor outs for an unrivalled critical listening experience) — at The 2020 NAMM Show, January 16-19, Anaheim, CA, USA… Owners of Zen Tour Synergy Core can choose from a wider variety of DSP-based effects that are available exclusively from Antelope Audio, such as a custom- designed plug-in that leverages the next-generation hardware acceleration of the Synergy Core platform to deliver the legendary Auto-Tune® pitch correction and vocal effects with ultra-low latency (Auto-Tune Synergy); a fresh and versatile take on vintage tremolos (Vari-Speed Tremolo); phases, sweeps, and swooshes that sound truly out of this world (Space Flanger); and much more besides. Better still, users can creatively process up to 32 mono DAW channels via Zen Tour Synergy Core as hardware inserts or place 32 Synergy Core-powered effects racks as plug-ins via Antelope Audio’s AFX2DAW bridge, bringing DSP- and FPGA-based effects modelling to any DAW! Duly shipping with a free starter pack of 36 emulations of classic studio gear and creative effects (worth $2,120.00 USD if bought individually), Zen Tour Synergy Core comes complete with two mic preamps (Gyraf Gyratec IX); four EQs (VEQ-1, VMEQ-5, VEQ-HLF, and Clear Q); five compressors and limiters (FET-A76, Stay- Levin, VCA160, X903, and PowerFFC); 11 tube guitar amps (Plexi 59 (UK), Bass SuperTube VR, Darkface 65 (US), Top30 (UK) Bright, Tweed Deluxe (US), Overange 120 (UK), BurnSphere (DE) Lead, Marcus II (US) Lead, Modern (US) CH3, Rock 75 (UK), and Rock 22.10 (UK)); 11 guitar cabinets (Darkface 65 2x12, Top30 2x12, Modern 4x12, Green 2x12, Vintage 4x12, Green 4x12, Caliper 50 1x10, Bluelux 1x12, Clst 1x12, England 4x12, and Bass Tube 1x15); two special processing effects (PowerEX and PowerGate); and one reverb (Auraverb). Additional expansions from Antelope Audio’s ever-expanding library of DSP/FPGA effects of course can be bought by Zen Tour Synergy Core owners at any time to further future-proof their studio workflow with the greatest of ease. As a portable desktop device that can comfortably fit into a backpack, Zen Tour Synergy Core’s comprehensive I/O is impressive. In terms of its 8x14 analog I/O implementation, it can record four acoustic sources using microphones (via four mic/line inputs on TRS/XLR Combo jacks) and four electric guitars or eight mono/ four stereo synthesizers simultaneously (by also utilising four instrument/line inputs on TRS). Ultimately, users can process up to eight mono channels through outboard gear (via a standard 25-pin D-SUB connector) and record them back into DAW projects. Connectivity continues with two monitor outs on TRS, two headphone outs on TRS, and two re-amp outs on TRS. The 10x10 implementation of digital I/O via ADAT and SPDIF allows for extending that already-impressive analogue I/O implementation with external line/mic convertors for plugging into external digital processing units without AD/DA conversion. Correspondingly, ADAT (SMUX) supported channel count varies — between eight inputs and outputs at 44.1/48 kHz, four inputs and outputs at 88.2/96 kHz, and two inputs and outputs at 176.4/192 kHz — while the SPDIF-supported channel count totals two inputs and two outputs at 44.1-192 kHz. Antelope Audio’s signature selection and implementation of ADC/DAC components provides for transparent, artefact-free audio capture when recording and detailed playback with wide soundstage and low noise for critical listening when mixing while operating at 24dBu reference levels using Zen Tour Synergy Core. Competitive specs speak volumes with those line inputs achieving 124dB (-110THD+N) AD, line outputs achieving 127dB (-107THD+N) DA, and monitor outs achieving 130dB (-115THD+N) DA. Zen Tour Synergy Core adopts the latest generation of Antelope Audio’s acclaimed 4th Gen 64-bit Acoustically Focused Clocking technology to eliminate jitter and provide artefact-free AD/DA, and it can clock external devices connected via ADAT or SPDIF. As a Thunderbolt 3- and USB 2-equipped cross-platform audio interface that is compatible with both macOS — Catalina included — and Windows, Zen Tour Synergy Core really represents a sound investment for any audio engineer, even if subsequently choosing to change their computer system. Since it utilises high-performance, custom-built drivers, Zen Tour Synergy Core can achieve ultra-low round trip latency for direct monitoring with effects. So, simply speaking, Zen Tour Synergy Core comes up trumps when it comes to duly delivering enhanced effects processing capabilities and improved AD/DA as a perfect portable fit for project studio owners as well as on-the-move producers and audio engineers who use audio effects to process recording and mixing sessions while seeking extensive analogue connectivity in a compact form factor. For those seeking to musically meditate on pushing portable audio interface innovation, why not experience all that Zen Tour Synergy Core has to offer when it is introduced by Antelope Audio on Booth 15912 at The 2020 NAMM Show, January 16-19, Anaheim, CA, USA? Ultimately, visitors welcomed will surely be impressed with what they see and hear there! Zen Tour Synergy Core will be shipping in Q1 2020 — at a projected price of $1995.00 USD/€1995.00 EUR — and available through Antelope Audio’s growing global network of authorised dealers (https://en.antelopeaudio.com/dealers/). Or order online directly from Antelope Audio via the dedicated Zen Tour Synergy Core webpage (https://en.antelopeaudio.com/products/zen-tour-synergy-core/), which also includes more in-depth information. Explore Zen Tour Synergy Core’s included real-time effects here: https://en.antelopeaudio.com/products/zen-tour-synergy-core-real-time-fx/ About Antelope Audio (www.antelopeaudio.com) Antelope Audio is a leading manufacturer of high-end professional audio equipment. Founded in 2004 and reinventing the industry with its flawless master clock technologies and versatile multi-channel interface solutions, the company has been steadily expanding its portfolio over the years under the guidance of visionary engineer and CEO Igor Levin. Antelope Audio’s products offer the best of both analogue and digital technologies. Among its most recent innovations are compact interfaces with discrete mic preamps, hardware-based effects modelled to the component level running on a Synergy Core of DSP and FPGA processing, and next-generation modelling microphones.These are distributed through Antelope Audio offices in Europe, the Americas, and Asia, and highly acclaimed by users all over the world. The company’s customers include GRAMMY® award-winning sound engineers, top-tier producers, world-class artists, and some of the most renowned, recording, mastering, and post-production facilities around the globe. © 2020 Antelope Audio

Driver Delivers Intuitive, Customizable Control Over Multiroom Audio Solution Via RTI's Line of Remotes, Touchpanels, and the RTiPanel App SHAKOPEE, Minn. — Jan. 23, 2020 — RTI, a global leader in control and automation, today announced the availability of a new two-way driver for the Revox Multiuser System. With the driver, dealers are now able to meet the demand for intuitive operation of the high-end multiroom audio solution via RTI's lineup of sleek handheld remotes, advanced touchpanel controllers, and the RTiPanel app for mobile devices. The Revox Multiuser System provides users with access to innumerable internet radio and streaming services, and allows them to incorporate music servers, CD players, and even televisions as sources. Unlike conventional multiroom audio solutions, the system is built on a user-centric operating concept. Users simply select themselves by name and the system — already knowing their favorites — starts to immediately play their music at a defined volume level. The experience continues throughout the home — fully synchronized and in true studio sound quality — as they confirm their name from room to room. The Revox Multiuser System is frequently being used in private homes as well as in hotels worldwide. "Many Revox dealers and their customers have been requesting a sleek, modern remote for control over our Multiuser System," said Jürgen Imandt, Marketing Manager of the Revox Group. "RTI offers the perfect solution. Its remote controls offer the eye-catching design users crave, and the tight integration with the Multiuser System allows any change in the system to be automatically applied to the other RTI controllers in the home. The result is a simply amazing control experience." By incorporating RTI handheld remotes into the Multiuser System, users can browse their favorites and adjust the audio source on a completely customizable touchscreen, while enjoying the convenience of soft-touch buttons for access to commonly used functions, such as volume control. The controllers' integrated grip sensors keep the devices awake during use, while an accelerometer provides instant-on activation. "Revox's solutions are known for their excellent sound quality and timeless designs," said Paul Key, Director of Integration, RTI. "We are proud to offer an intuitive control experience for this innovative approach to multiroom audio." More information about RTI is available at www.rticorp.com. About RTI RTI delivers the connected world to users' fingertips via advanced control and automation systems for smart homes and businesses. Guided by a passion for delivering the ultimate user experience, the company's award-winning solutions bring entertainment, environment, and security into harmony with a powerful ecosystem that is easy enough for anyone to use. The RTI portfolio offers beautifully designed remote controls, touchpanels, apps, processors and A/V distribution, all backed by the company's renowned Integration Designer® programming software, enabling integrators to deliver complete custom control for their clients. The RTI family of innovative control solutions includes Pro Control. Affordable and easy to program, this line of remote controls, processors, and ProPanel® app are engineered with RTI's advanced capabilities and bring unprecedented value to professionally installed electronic systems. Together, RTI and Pro Control are setting the standard for fully customizable control and automation solutions for every application. More information is available at www.rticorp.com and www.procontrol.com. All trademarks and registered trademarks mentioned herein are the property of their respective owners.