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How do you get controlled feedback???


daysofspeed

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I went to watch a local band a couple of nights ago and the lead guitarist seemed to be able to get feedback on demand, but only for a couple of songs.

 

He wasn't stood very close to his amp and didn't turn his guitar towards it to achieve the feedback, he also wasnt using tonnes of gain.

 

I had a quick look at his board and the only pedal i thought may have been used to get the feedback was a boss EQ with all the sliders pushed up.

 

So basically i want to use feedback as an effect. Does anyone have any tips?

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I run my amp just on the edge of break-up, its very loud so turning up isn't an option. I need to acquire an EQ and give it a go.


I just sold my Dano Fish and Chips the other week too
:facepalm:



Yeah, that's the one I have. I have never cranked it like that, but even when I just have a few of the sliders maxed, I remember getting some semi-controllabe feedback.

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I crank the upper mids, and to an extent the highs. I usually only have my gain around 3, but I keep the master at 8 and use an OD pedal with very little drive. I also only stand about 6 feet away from the amp most of the time (little stages) but I generally have no problem inducing feedback whenever I want to, facing the amp or no.

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i was just saying what they did. if that doesn't work for you, getting the guitar closer to the amp or adding anything that will give you sustain (like dirt or a compressor) will help you get feedback



All suggestions are welcome mate :thu: Im just searching for a few ideas to try out.

My amp unfortunately doesn't get run with enough gain to feedback naturally.

I used to do it by turning on my rat and muff and sitting my guitar up in front of my amp at the end of our set, but im kind of looking for a solution where i can just stand on a switch to turn it on and off.

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I crank the upper mids, and to an extent the highs. I usually only have my gain around 3, but I keep the master at 8 and use an OD pedal with very little drive. I also only stand about 6 feet away from the amp most of the time (little stages) but I generally have no problem inducing feedback whenever I want to, facing the amp or no.

 

 

My amps a non-master volume so effectively the master is cranked, but my pups are fairly low output so im not pushing the input too hard.

 

Do you mean the EQ on your amp or an EQ pedal?

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My amps a non-master volume so effectively the master is cranked, but my pups are fairly low output so im not pushing the input too hard.


Do you mean the EQ on your amp or an EQ pedal?

 

 

My amp has an active 5 band graphic EQ on top of the passive knobs. I guess thats cheating... and I've also got a Duncan Invader, which has an output of something like 16k.

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  • 2 weeks later...

I'm surprised no one mentioned a hollowbody or semi-hollow yet.

 

When I want feedback, I grab my Casino. Then it's just a matter of enough volume / gain, my positioning relative to the amp, and how I play it - muting becoming fairly important to controlling it, as is finger vibrato. It's very controllable unless you're playing ear-shatteringly loud, or have way too much dirt applied. Boosted mids can help to keep the feedback in the musically useful frequencies - too much high frequency EQ can lead to shrill and uncontrolled squealing. Potting your pickups can sometimes also help with that, although I haven't felt the need to give my P90's a dip in some melted Mr Zog's.

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Volume and/or gain. Simple really. If you can't add more volume then you need to add gain, in the form of a compressor, OD, booster, EQ (boosts certain frequencies) or wah.

I've heard that some artists (Vai or Santana, I can't remember who) wander round the stage during soundcheck picking the spots where the guitar feeds back at them and marking them for later.
Guys I think of who use feedback are Brian May (cranked AC30's, boosters and a resonant guitar), Santana (lots of gain and loud amps), Vai (lots of gain and volume) and Satriani (lots of gain and volume).

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