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Hotplates...Do they really sound good?


Kyle DiSanto

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compress the tone and maybe thin out the high end a little....

 

if set for 4 or 8dB they do a respectable job of quietening down the amp without too much squashing.

 

Some amps better than others...no ENGL I've owned (SE, BM or Powerball) really needed or liked it.

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I picked one up for my Mark III, and it has been a godsend when used correctly, if you plan on cranking the living hell out of an amp and plan on using the Hotplate to get bedroom levels, you will be very dissapointed, but if you just need to get the volume down a touch it is great, basically if you need to go lower than -8db, it won't work as well as you would like.

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They seem to work differently with each amp.

 

I own a Hotplate and have used it with a Mesa 2- channel DR, Splawn QR and Mesa 3-channel DR.

 

It really helps the Mesa 3-Channel DR as it give you a chance to really crank it up and get those power tubes glowing!

 

Neither the Splawn or the 2-Channel needed it...or, it took too much of the amps tonal characteristics away for it to be used.

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I've used a hotplate with my Marshall JCM Dual superlead. It works fairly well without obliterating the tone--however, it does kill some of the low end, I felt.

 

Now, I have recently switched and used it in a slave amp setup. With it set to "load" it seems that it bypasses all the tone controls on the box--and with a good power amp to plug into, the tone is rather amazing. For whatever reason, using it to attenuate the volume flattens the tone out--but when bypassing that setup and just using it as a dummy load...it works great.

 

Jonathan

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Best settings with the hotplate are -4dB (without treble and bass corrections engaged) and -12dB (WITH T&B corrections engaged). Someone had analysed the audio signal and noticed this last setting was the closest to the original signal - but of course, the speaker moves a lot less, so you still loose some dynamics.

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Hmm... interesting. Somebody should come up with an attenuator and low-wattage power amp combined. Dummy load for the head's power amp and input from the amp in slave mode. You could just use that very low wattage power amp instead of the one in your amp.

 

Ofcourse, tone won't be exactly the same, but it might sound better than heavy attenuation as the dynamics are preserved.

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Hmm... interesting. Somebody should come up with an attenuator and low-wattage power amp combined. Dummy load for the head's power amp and input from the amp in slave mode. You could just use that very low wattage power amp instead of the one in your amp.


Ofcourse, tone won't be exactly the same, but it might sound better than heavy attenuation as the dynamics are preserved.

 

I believe the 'Ultimate Attenuator' is just that, an attenuator and a power amp in the same box

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