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Loving You So Wrong


Ernest Buckley

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Alright chaps, this is a first for me. I usually don`t publish anything until its done but here we go! I sort of have a bridge section that I put in italics but I`m not sure if I`m being redundant so let me know....

 

Loving You So Wrong

Words and Music by Ernest Buckley

Copyright 2009

 

It may have been the stars

And how they aligned in the sky

Yeah it may have been the stars

And how they shined in your eyes

Or it could have been your man

And how he held your hand

Or maybe it`s just something

That we can never understand

 

Cause you got me believing

Believing in this feeling

Feeling so illogical; feeling undeniable

Cause I knew it at first sight

And I never thought I could be so blind

But I never felt this way before

So could you tell me, why is loving you so wrong

 

Yeah I know that you got

Your house, your car, your kids

Yeah I know that you got

Your man, his diamond rings

And I know that you got

Quote, unquote security

But I know that its me

Who you dream of when you sleep

 

Cause you got me believing

Believing in this feeling

Feeling so illogical; feeling undeniable

Cause I knew it at first sight

And I never thought I could be so blind

But I never felt this way before

So could you tell me, why is loving you so wrong

 

Queens got her castle

Queens got her King

Queens got everything she wants

But she don`t got what she needs

 

Cause you got me believing

Believing in this feeling

Feeling so illogical; feeling undeniable

Cause I knew it at first sight

And I never thought I could be so blind

But I never felt this way before

So could you tell me, why is loving you so wrong

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I like it.

 

There is a timeless story line and some good cadence to the verses. I'm kind of curious as to how the 'illogical/undeniable' line will play......it stuck out at first but upon subsequent readings I find myself attracted to that line.

 

And.....I'll bet that the bridge part will play well. I like its economy of phrase. Not sure I would call it redundant. It really boils down the song's message quite well.

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Well, I like the set up... a good cheating -- or want-to-cheat -- story is often a fertile field to work... but this is really just a snapshot of that feeling, that urge. And that's OK, obviously, a lot of fine songs take that narrow focus. You know, that's what a lot of love songs are, a paean to that feeling you get at the moment of falling. Still, I feel like I get some tantalizing set-up (the family details) but then it doesn't go anywhere. (Like plot elements in a mystery that don't fit in, later, if feels a little like you've been cheated.)

 

 

Now, we all know that songs that can work great with music and singing don't always look right on the page, so take this with a grain of salt: But, when I look at a song like this, disembodied from the music, one of the first things I look for is the implied rhythm -- and the rhyme scheme.

 

Of course, there are no hard fast rules about rhyme schemes. There's no rule that says you can't go from ABAB in one section of a verse to CCDC in the next... with some internal rhyme, to boot (aligned/shined)... but when you then move to a chorus that appears to have no rhyme at all -- followed up by more verses that not only don't have any rhyme (except repeated line-end words) and that also seem to have an entirely different rhythmic structure, it does give me pause, wondering about what musical magic might be able to tie these seemingly disparate lyrical sections together...

 

:)

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This might turn out to be a good example of a rhyme scheme that is not textbook and work out fine...there are songs and artist that can do it with a great melody...someone here made a real good point...experiment with non traditional schemes , just don't let it sound like an experiment.

 

All and all this was/is well done with a story and a unrequited love thing going on...I have a feeling your music will support it well.

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I like the bridge a lot.

 

It has a nice contrast to the verse/chorus feel. Its redundant use of "queen's got". And what I really like about it, whether intended or not, is the slightly chiding quality. Calling her queen. Almost a taunt. Just daring her to bail and come get some EB. Like she know she should.

 

I like it.

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James21v- Welcome to HC. Thanks for the kind words.

 

Song Update Anyone know how to export PhotoBooth vids? I recorded a short 3 min vid of me singing and playing the song for your critique but I cannot export it. Frustrating... Even though I went to the file menu and selected "export" to desktop, the vid never showed up. What gives??

 

Also, I`m thinking of throwing a curve into the second chorus by changing the lyrics to...

 

Cause I got you believing

Believing in this feeling

Feeling so illogical; feeling undeniable

Cause you knew it at first sight

And you never thought you could be so blind

But you never felt this way before

So could you tell me, why is loving you/me? so wrong

 

Too confusing or does it add another element to the song?

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Listened yesterday morning. My first thought was that with such a profusion of lyrics the song made for a challenging delivery.

 

The tune stuck with me during the day and I meant to listen again last night but got caught up in the studio.

 

So......this listen really drove the tune home for me. This song is all about delivery. There are many places where you really nail it by accentuating certain phrases......'I know that you got', for instance.

 

I still like the bridge, but the transition into it is tricky.

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After hearing it, here's my take...

 

The bridge rocks. It has to have that thing that happens when words just want to be sung. Where they roll off your tongue without issue. The verses and choruses, while sounding great, do have an issue I think you should address.

 

Too... many... words.

 

Go through and strip every word that doesn't have to be there. Find out a way to get your words to suggest a more punched up rhythmic quality. When you've got that in your lyric phrasing, somehow the rest just falls into place.

 

So in my opinion, every time you feel yourself slightly tripping over a word or phrase, get mean and cut it lean. This song is begging for directness. Succinctness. You need holes to suggest a lyric phrase with more rhythmic interest. You should be speaking from the gut but the wordiness suggests you're not so sure yourself. You're not lighting her on fire.

 

WAR... huh... what is it good for!

 

"feeling so illogical"

 

You need more of the former gut stuff.

 

Illogical isn't the word you're looking for. I don't think. It's hard to sing and I really don't think that's what you're trying to say. So your...

 

Cause I got you believing

Believing in this feeling

Feeling so illogical; feeling undeniable

Cause you knew it at first sight

And you never thought you could be so blind

But you never felt this way before

So could you tell me, why is loving you/me? so wrong

 

...it might take to paring down a bit. I'm not paying any attention to your cadence at this point and only making a point about succinctness here:

 

Got you believing

Believing in this feeling

You know it's wrong, you know it's right

 

You've never been this blind

Never lost your sight

Sometimes love don't come without a fight

 

And maybe... you've known it all along

So tell me... why is loving me so wrong

 

Pare it down. Go for her gut by using yours.

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I love the story through the verses. I love the title/concept. A couple suggestions--

 

-Fewer words is always the right advice. The 50 cent words in the chorus sound neat the first time, then get clunkier and clunkier with each time through. My general rule when I'm writing is wordy verses, simple choruses. I can't imagine anyone being able to sing along with your chorus by the last time through.

 

-want vs. need is a pretty tired lyrical concept, and you're not adding any vim here. I'd redo the second half of the bridge.

 

-Chordally, there seems to be a lot of similarities between all three sections. This sounds like a full-band song to me, so you could distinguish the various sections through other means, but as a single-guitar arrangement, it all sounded samey.

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Thanks Lee and Monkey!

 

I appreciate the feedback. Its still a work in progress and the first time I ever published something for the world to hear before I was entirely satisfied with.

 

I will continue to work on the lyrics and the melody is being tweaked as we speak. I also agree about this being a band song. This is the first time I wrote a song using the same chord progression in the verse and chorus. It worked when I was grooving to it so I just went with it.

 

I`ll keep you updated as things progress.

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If lovin you is wrong, I don't wanna be right...

 

You said that already.:facepalm:

 

 

Hey Guys,

 

Thanks for all the feedback, I really appreciate you taking the time.

 

Just to answer a few questions...

 

Production

I decided to use this song for my next CD which is going to be produced for a whole band in mind and it`ll sort of have a Nickeback feel to it so... say what you want about the band and their music, but I would love to be able to have a tenth of their success.

 

Lyrics

Also, I decided the lyrics will stay the way they originally flowed when I wrote them. Rhythmically, my delivery was a little rough on the video demo but the words do fit. Just a matter of practice.

 

Transition Into Bridge

The transition into the bridge was bothering me as it was several of you. I have fixed this and will post another demo sometime this week when I have some time. I think that demo will settle concerns.

 

Peace,

EB

 

PS- Check out Robbies song "I Tried"... a beautiful tribute to Miss April.

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