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gonna build myself an archtop


meandi

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Quote Originally Posted by Blue Water

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Awesome work, I can't wait to see how it turns out

 

 

Quote Originally Posted by Galabar

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Wow, that is starting to look pretty nice! smile.gif

 

thanks for the compliments...every time i finish another part of it i grow more & more excited to actually hear what kind of sound will come out of it.
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drilled pilot holes for the tuners.

clamped a couple of pieces of pine on either side of the neck to hold it in a level position for drilling process.

at92.jpg


clamping the veneer on back of headstock.

had to use multiple clamping cauls to accomodate the curvature in the transition area between the neck & headstock.

i was not sure i could bend the ebony (1/16") dry without breaking it, so i clamped it up dry first & was ready to back off if i heard any sound of breakage.

i was quite surprised that it bent, as hard as it is, but it did...really figured i was going to have to wet it & steam it to get it to work.

at93.jpg


lookin good to me.

at94.jpg


tomorrow i'll thin the top side veneer & get it on the spindle sander for final shaping aroung the edges.

then back on the fret slots.

at95.jpg

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the fret slots are on the back burner...my son has a table saw at his place so i am going to buy stew macs table saw fret slot blade, build a jig for the notched slotting template & do in a few minutes what literally takes hours when doing it by hand.

to open up the truss rod access i laid the truss rod cover template in place for reference & took a hand drill & punched a series of holes through the veneer.

at99.jpg


used chisels & file to dress the edges.

truss rod loads from the front & is a snug fit.

the nut that takes the hex wrench for adjustment lays solid along the bottom of the channel & there-by extends the truss rods influence out into the headstock along with the extended carbon fiber rods.

at100.jpg

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the neck is ready for a fingerboard & i'm waiting for a table saw blade for the fret slots.

the spruce wedges have been in the shop a little over a week & although they were picked from a dry room for shipment, i want to give them at least a month to acclimate to my environment before working them.

so i am going to bend my side wood & get it in the mold to dry while things continue to come together on this project.

used the hand held orbital sander with some 80 grit to remove the marks left by the safety planer & thin the side wood to final dimension.

this is my first experience at bending sides...so needless to say i'm anticipating learning the "feel" of how it works.

at101.jpg

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I love archtops in general and wish I had anywhere near the skill (and the nerve) to attempt what you are doing.


This archtop, and the purpleheart/maple neck on one of your other threads are absolutely stunning.


I have always believed that 'if it looks right, it probably is right'.


We are the ones who are honoured by your skills and dedication in letting us share in this creation.


Thank you.

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Quote Originally Posted by Catmeister

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I love archtops in general and wish I had anywhere near the skill (and the nerve) to attempt what you are doing.


This archtop, and the purpleheart/maple neck on one of your other threads are absolutely stunning.


I have always believed that 'if it looks right, it probably is right'.


We are the ones who are honoured by your skills and dedication in letting us share in this creation.


Thank you.

 

thank you so much for the generous compliments.

i too think the archtop is a wonderful instrument...easily my favorite of all the guitars!

i love what i'm doing & i have a passion to create that i cannot ignore.

i've got the equipment...so i guess the only way for me to find out if i actually have the skills to build a valad (the final proof is in how it plays/sounds) archtop is to try.

as far as the nerve...all i've got to lose is a few dollars worth of wood & some time.

if this first one doesn't pass muster...well, i've got the materials in shop for the next one...

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this is the saw that i got from my son.

nice compact benchtop model...if it were a floor model i don't know where i'd put it.

it's got a 15 amp motor...no powerhouse but plenty adequate for my uses in this shop.

was a little crusty with some paint spilled on the platform, so i polished the tops of the ribs with the palm sander.

it's a flat platform as verified with a good straight edge.

the begining of the fret sloting fixture is these two pieces of walnut that have been sized to fit snugly in the guide channels on either side of the blade.

the heart of the fixture is the notched fret spacing template that i had in the small hand saw miter box in an earlier post.

sure am glad i got this...it's going to save me a bunch of time.

at102.jpg

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walnut runners were shaved down to just slightly above the surface of the platform.

walnut board was carefully straightened along the leading edge as this is the surface that will push the fingerboard across the saw blade... then glued to the tops of the runners, making sure that everything is precisely squared.

at103.jpg

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Quote Originally Posted by reachjkh

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Wow, I'm so glad that I didn't throw that saw outsmile.gif


How is that walnut going to ride smoothly in the guides? Oil? Wax? Other?

 

yea, me too...one mans trash, another mans treasure.


i fitted them pretty snug...but the guides being harder than the runners will seat them in.

i ran the fixture back & forth several times yesterday & like the fit at this time...no hanging up, but snug enough there is no latteral motion, thus keeping everything square.


this is one of the coolest things about benedetto in my mind...in spite of his success, other than a few basic wood shop tools (beltsander, bandsaw etc.) all of his jigs & fixtures (dovetail, slotting etc.) are self made.

it's encouraging for a guy like me to see him doing his work without a million dollars of hi-tec shop equipment.

makes me feel...if he can do it, i can do it!

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i drilled through the top plate & the runners & pinned them with 1/4" hardwood dowels to further strengthen the assembly.

at104.jpg


glued this strip to act as a stop to keep the spacing template flush & square with the front edge of the main plate of the jig.

at105.jpg


had to hold off on the side bending...i had neglected to coat the body mold with marine varnish to protect the wood from the moisture in the wet sides.

the varnish requires extended dry time between coats & i want to get at least 4 coats applied, per the directions on the can.

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Meandi:

archtop players...thinking ahead to a pickup for this guitar.

what are you using on your guitars?

 

No contest for the money. Kent Armstrong at Stew-Mac.com.

 

It's what I use on mine.

 

full_view.JPG

 

Di Benedetto's start at double the price, if you want to spend more.

 

archtop-guild2.JPG

 

 

I seem to remember there was a black one available.

But I don't see it on site. For the money, it's a monster!

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Quote Originally Posted by marcellis

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Meandi:


No contest for the money. Kent Armstrong at Stew-Mac.com.


It's what I use on mine.


full_view.JPG


Di Benedetto's start at double the price, if you want to spend more.


archtop-guild2.JPG



I seem to remember there was a black one available.

But I don't see it on site. For the money, it's a monster!

 

thanks for the info.

what amp/speaker combination are you playing through?

great looking guits. b.t.w.

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added a .0595" pin which is the solid upper part of a #53 drill bit as the locater for the spacing template...i tapped it through till i had the solid upper shaft in position & broke the excess off on the other side.

locked it in place with a couple of drops of ultra thin super glue.

fit is good enough that when the spacing template is pressed on to it, it snaps into place snugly.

at106.jpg


at107.jpg

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Quote Originally Posted by meandi

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archtop players...thinking ahead to a pickup for this guitar.

what are you using on your guitars?

benedettos, or something else?

also what amps/speakers are you playing through?

thanks

 

lots of great choices in floating pickups out there. my favorite 6-string floaters are the Bartolini 5J and the Kent Armstrong(Vermont-made) PAF with 12 adjustable poles. Presently, all of my 7-strings have the Kent 14-pole PAF installed.
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for jazz amps, i have 2 rigs which i like over everything else i've tried:


Henriksen JazzAmp has the warm mellow sound of the great classic tube amps but is super lightweight. has an optional tweeter accessory if you want the high freqs to come out.


Acoustic Image Clarus head through a Redstone Audio cab with tweeter - this is crisp and super clean for the pure acoustic sounds of a carved spruce top guitar.


both are great. i am no longer a fan of Polytone, Jazzkat, Evans, etc, with these 2 rigs on board. I do still like the clean sound of the 90lb Fender Twineek.gif, but i would never haul that thing around to a gig when there are perfectly good 25lb jazz amps out there.

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Quote Originally Posted by mikeSF

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lots of great choices in floating pickups out there. my favorite 6-string floaters are the Bartolini 5J and the Kent Armstrong(Vermont-made) PAF with 12 adjustable poles. Presently, all of my 7-strings have the Kent 14-pole PAF installed.

 

 

Quote Originally Posted by mikeSF

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for jazz amps, i have 2 rigs which i like over everything else i've tried:


Henriksen JazzAmp has the warm mellow sound of the great classic tube amps but is super lightweight. has an optional tweeter accessory if you want the high freqs to come out.


Acoustic Image Clarus head through a Redstone Audio cab with tweeter - this is crisp and super clean for the pure acoustic sounds of a carved spruce top guitar.


both are great. i am no longer a fan of Polytone, Jazzkat, Evans, etc, with these 2 rigs on board. I do still like the clean sound of the 90lb Fender Twineek.gif, but i would never haul that thing around to a gig when there are perfectly good 25lb jazz amps out there.

 

thanks for the input mike.
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