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Why Did John Lennon Have Such Lousy Guitar Amp Tones?

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  • Why Did John Lennon Have Such Lousy Guitar Amp Tones?

    It's almost as if John fell in love with the sound the very first budget amp he ever owned and continued to chase that tone for the rest of his life. Also, I'm guessing none of the engineers or experts around him were going to tell him that his tone was anything less than glorious.

    I'm not trying to put him down as an artist. I respect his talent. I've always considered him a great song writer including a lot of his solo work after the Beatles. I like his voice. Obviously, he can play the guitar. Yet, somehow, he's managed to get some of the worst sounds I've ever heard from a guitar amp.
    I don't give a d.a.m.n about hypes, fanclubs or tonal religions. All I care about is what works for me."...it's not religion that's the problem, but any system of thought that insists that one group of people are inviolably in the right, whereas the others are in the wrong and must somehow be punished." ~ Rod LiddleJROCKBRIDGE MUSIC

  • #2
    Guess you just dont like that cranked P90 tone.
    Cant be that lousey if he sold as many albums as he did.
    I'm not a huge fan of cranked P90's either but I do recognize its what made his sound and many love that tone.

    Comment


    • #3
      He used Vox? :P
      Destroy racism!
      Be like a panda!
      He's black...
      He's white...
      He's asian...








      Originally Posted by notjonahbutnoah


      A small pick up truck might say "Chevy S 10" on it, but that ****************er is a GMC Sonoma, no matter what they tell ya.

      Comment


      • #4
        Change is bad, ya hear? Obama.

        Originally Posted by csm


        You get a limited-edition self-relic'ing guitar at no extra cost and you're COMPLAINING?



        [Insert religious affiliation political party and or spiritual belief here]

        57 Gibson Cg-530, 66 Teisco Mosrite "clone", 78 Rickenbacker something or other, 80's St. Blues, Classic Vibe 60's strat, Fender Blacktop HH strat, Switch Sig Stein, Switch Tele style, Austin SG, Yamaha something, lol.
        Vox Ampeg Peavey Hartke Bogen and Bugera amps, every tube pedal i can find. Muff. Loopers.

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        • #5
          He's a very hard strummer and plays with a lot of force. It might have nothing to do with gear, you might just hate his style of playing.
          Electrics: Fender '73 Mustang RI, Epiphone Inspired by John Lennon Casino, Gibson 60s Tribute Les Paul Studio, Daisy Rock Retro-H Deluxe, Squier Hello Kitty Strat x2Acoustics: Taylor 316CE-LTD, Seagull Entourage Rustic CW QITBasses: Squier Badtz Maru Bronco Bass, Aria CSB-300, Fender Mustang Bass RIAmps: Vox TB18C1, Vox Pathfinder 210, Peavey Transtube Envoy, Ampeg Micro VR StackMy Band: http://mittensband.com

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          • #6

            Sounds ok to me.
            He liked to experiment.

            This one ?
            Fender-TeleSonic Tele Elite, ProJr, 75Amp, '67 Bassman w/212 cab
            Gretsch- 71 Nashville, 2003 New Nashville
            Gibson- 76 LP '55 model
            BC Rich- 1977 Koa Eagle deluxe
            Martin- 1972 D-35
            Mesa Boogie-Subway Blues w/12" EVM 12L-F cab.
            Assorted fun toys and boxes of joy.
            "Many are cold, few are frozen"

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            • #7
              He didn't really care all that much about guitar, he mostly learned it so he could back himself when he was singing. The tones he had worked well enough for what he did.

              Comment


              • #8
                Cant be that lousey if he sold as many albums as he did.
                If you dont like the tone, you can at least recognize its unique.
                I'm not a huge fan of the P90 tone cranked myself but allot of guitarists on this forum love it.


                I'm a P90 fan. Also, I like Vox amps.

                I realize that the whole topic of tone is a bit subjective. Obviously, his tones couldn't have been so terrible as to frighten off the public at large. But, these days, when I listen to his recordings, I can't help but wonder why he wasn't getting better sounds.

                Also, you do bring up a good point about it sounding unique. It doesn't really sound like anybody else.
                I don't give a d.a.m.n about hypes, fanclubs or tonal religions. All I care about is what works for me."...it's not religion that's the problem, but any system of thought that insists that one group of people are inviolably in the right, whereas the others are in the wrong and must somehow be punished." ~ Rod LiddleJROCKBRIDGE MUSIC

                Comment


                • #9
                  All these posts and no mention of Yoko's tones? I don't know if I'm proud or ashamed of you guys. Wait, I'll go with indifferent.
                  Hey, Cancer! **************** You!

                  Comment


                  • #10
                    All these posts and no mention of Yoko's tones? I don't know if I'm proud or ashamed of you guys. Wait, I'll go with indifferent.


                    Apathy helped bring down the Roman Empire.
                    I don't give a d.a.m.n about hypes, fanclubs or tonal religions. All I care about is what works for me."...it's not religion that's the problem, but any system of thought that insists that one group of people are inviolably in the right, whereas the others are in the wrong and must somehow be punished." ~ Rod LiddleJROCKBRIDGE MUSIC

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                    • #11
                      IMO, most guitars were too thin and treble-y for my taste back then. I think its just the way the gear was
                      rockin' for life







                      Originally Posted by GAS Man


                      Thrash the establishment, strip it down, and let it rip.









                      Originally Posted by Deadbeat Son


                      There's no "just a" allowed here. There's no reason to denigrate a great guitar that does the trick for you just because it's less expensive than someone else's.



                      Good Trades with: boonestunes, smithshred

                      Nox P

                      Comment


                      • #12
                        Lennon's sound did what it was supposed to do, fill the mids while Harrison got sparkly. He got some great tones, too. The jazz guitar solo in Honey Pie was him, and the last lick in The End is impossible to get right.
                        Originally Posted By Trace-P38
                        Flogger wins.








                        Originally Posted by Uma Floresta View Post
                        Because we floggers won the music war some time ago.








                        Originally Posted by Mike Riley View Post
                        Preaching to the choir Rush in on a whole different level to quote a movie You might listen to Rush but you cant here Rush



                        http://www.box.net/shared/x85lhnst14

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                        • #13
                          ...cause he sucked?
                          check out my stuff http://youtu.be/Buya2j06WwURead your Bible, son. Genesis 6:6, Isiah 55:8, John 14:6

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                          • #14




                            Apathy helped bring down the Roman Empire.





                            Like I care.
                            Hey, Cancer! **************** You!

                            Comment


                            • #15
                              Perhaps, this is a lesson....Song writing trumps tone.

                              Like I care.


                              Your continued indifference is duly noted.
                              I don't give a d.a.m.n about hypes, fanclubs or tonal religions. All I care about is what works for me."...it's not religion that's the problem, but any system of thought that insists that one group of people are inviolably in the right, whereas the others are in the wrong and must somehow be punished." ~ Rod LiddleJROCKBRIDGE MUSIC

                              Comment



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