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Mixer advice from my new solo & duo friends, please.


SusieP

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Hi!

Thanks.


I'm getting confused with all the reviews.

I'm looking at stuff about A&H - what's a word clock?

What's a 'solo in place' function and dedicated aux???


See, it's all going over my head.





EDIT - Its lookinglike maybe ZED 12fx??


any idea if there are any Allen & Heath stockists in the Midlands, Gary?

I'll google and see - but just wondered if you knew offhand.
:)

Is ZED 10 enough?

Or do I need ZED 16?

 

I would have had to have done a search, obviously Brum has plenty of choices but it's usually cheaper online, thomann is usually the first place I look, or GAK. Of course trying one locally is cool, but the guys on Live sound know their stuff. As a price guide, thomann zed12fx

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between your requested choices - quite frankly it's a horse a piece as we say here, meaning just pick whichever seems to make you happier. go to store and try em, see which one has the best interface for you and makes most sense with all things where you are most comfortable.

 

if your considering a&h - your a&h source should also have soundcraft products available -similar products (size, features, pricing). both brands would be a step up IMHO.

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Thanks - re the 'ears' - the ones we have on our old desk will fit onto the Mackie.

The Mackie will fit into our existing rack mount case.

Not sure if the Yamaha ears make it bigger? If so, we'd have to get a new rack mount case.


Decisions, decisions!!!

 

 

The good thing about "rack mount" gear is that it is made to fit an industry-standard size mounting. While the number of spaces used by a piece of equipment varies, and the depth varies, the width is the same. Rack ears are designed to make the item fit.

 

Mixer-only cases can be a bit more of a challenge. While the width of the mounting rails is the standard 19", the cable entry location can add the the number of "spaces" needed for the board. Some mixers also have a greater depth (thickness) to the that can be an issue for some cases. I'll throw my two pence in; as between a new Yamaha and a new Mackie, I would probably pick a Yamaha. (But I'm planning on getting an A-H this summer, FWIW.) Mark C.

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between your requested choices - quite frankly it's a horse a piece as we say here, meaning just pick whichever seems to make you happier. go to store and try em, see which one has the best interface for you and makes most sense with all things where you are most comfortable.


if your considering a&h - your a&h source should also have soundcraft products available -similar products (size, features, pricing). both brands would be a step up IMHO.

 

 

No one seems to have soundcraft in stock.

Our old desk is a soundcraft though, and we've used that for a few years. So one of theirs should be easy to work with if they haven't changed too much. And our local guy can order one in if we go with that.

But, maybe it's time for a change?

The store I found by Googling last night has the Allen & heath Zed 14 and a 10fxin stock but not the Zed12fx, but at least we can look at A&H and see what we think. I expect the only difference between the ZED14 and 12fx is one has effects on but the other doesn't.

I'm concerned it might be less user friendly for a non technical person like me. But if I see and have a play with it, I might change my mind.

The Mackie I saw yesterday, looked easy to work.

And most reviews say they are built like a tank.

The Yamaha - no one has one in stock for me to try at present.

So maybe I shouldn't make life too difficult by trying to chase down one of those.

 

I have enough choice between the Mackie, A&H and Soundcraft, I think.

 

And the price is similar on all.

So I guess it's down to - as glepko says, "which one has the best interface for you and makes most sense with all things where you are most comfortable."

 

Thanks for all your help everyone.

 

xxx

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Hi

I cant speak for any of the other brands but ive always used Yamaha mixers and i love em...

built like tanks. really nice pre-amps, fx,
the mg 166cx also has a compressor on each mic channel which i find when used sparingly can work nicely (but i dont think the compressor should be a deal winner)
simplicity of use, nice reverbs, fx and reliability - theyre the winners IMO...

cheers
d

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Again..I have to emphasise on the lame effects especially the reverbs on the MG mixers. You better check them out before you buy it and regret later. I have friends who said the same thing too. Other than the lame and horriblly weak reverbs, it is an 'ok' mixer. Nothing great though.

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Allen & Heath zed12fx is coming tomorrow.

The dealer is even taking a look at the faulty old desk for us.

 

Very pleased I asked for advice on here. I wasn't familiar with A&H, and if I hadn't spent time googling it, I wouldn't have found this dealer. Looks like he's a good contact to have made.

 

Thanks again everyone.

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Susie,

 

You will be pleased! Good choice you made and they are a British company so support should be very good! Great effects for vocals and very clean sound with a great build! You will love it!

Having said that, you could have gone to a new Soundcraft as well and be just as pleased, both great companies.

 

This forum is a godsend isn't it?

 

Rod

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Susie,


You will be pleased! Good choice you made and they are a British company so support should be very good! Great effects for vocals and very clean sound with a great build! You will love it!

Having said that, you could have gone to a new Soundcraft as well and be just as pleased, both great companies.


This forum is a godsend isn't it?


Rod

 

 

This forum is bloody marvellous.

 

I'm so glad I joined!

 

We did discuss Soundcraft with the store owner because he can get them as well.

But he [and a few others] say that the desk we have [spirit FX8] was a good old desk, but the new Soundcraft ones aren't quite as good as that any more.

 

We just rigged up the A&H, ran some of our backing tracks through it and I sang a bit to hear the Reverbs.

The guy did the mixing.

We were very pleased with what we saw.

 

 

Just have to get used to it now.

Well, when it arrives.

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Good choice. Hopefully the dealer can fix the old mixer, too. Always nice to have a spare just in case. I doubt if you will ever need it but an ounce of prevention is worth a pound of cure... or is it a milligram of prevention is worth a kilogram of cure...Good luck and let us know what you think of the 12FX.

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Susie, I will bet that your old unit has a bad solder joint or a loose/frayed wire on that output jack (you did say that tightening the nut on the outer face of the jack seemed to help temporarily...), and would have been fairly simple to inspect/repair for someone who is good at that stuff....sadly you are half a world away or I would have popped it open for you and had a look around ;)

That said, it sounds like you guys have a very neat setup and 8 channels is plenty...and as long as you already went with te A&H, you went the right way :thu:

....we use an older Yamaha with the band, but given the option to change, I would go to a Soundcraft or A&H before I went Mackie (or Yamaha again). The cost difference is a tad painful up front, but in the long run, it is well worth it.

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Having gone from a Zed 10fx to a Soundcraft Efx8 (Zed10 only has 4 balanced inputs, the Soundcraft has 8) I must say that as pleased as I am with the sound of the Soundcraft and the incredible value it is, the build quality of the AH is superior.

 

Rod

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Having gone from a Zed 10fx to a Soundcraft Efx8 (Zed10 only has 4 balanced inputs, the Soundcraft has 8) I must say that as pleased as I am with the sound of the Soundcraft and the incredible value it is, the build quality of the AH is superior.


Rod

 

 

those efx/epm mixers are an incredible value from my experience. they sound REALLY good for an economy entry board. the preamps are decent, same with the the channel strip eq's. aux sends are a little weak on the output is the only thing that irks me. i had one installed at a venue i work with regularly and mixed many bands/acoustic groups on it. the company i work with most just bought a handful of the epm's for small rental and install purposes, including a room i do a lot or lecture/ A/V events. hard to beat for the price. we often recommend the small epm's for bands/groups needing small format low input mixing consoles.

 

my experience with the ZED line from a&h is not less, but no reason to expect anything different from it, susie should be quite pleased.

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Yep!

 

The one thing that annoys me in the Soundcraft is the power cord and on/off buttons being in the bottom of the board and the rest of the cables being on top! can be a pain depending on where you set-up! Just a minor comaplaint that in no way affects the functionality of these great little boards!

 

Ro

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Yep!


The one thing that annoys me in the Soundcraft is the power cord and on/off buttons being in the bottom of the board and the rest of the cables being on top! can be a pain depending on where you set-up! Just a minor comaplaint that in no way affects the functionality of these great little boards!


Ro

 

 

Yes I agree about the power cable being in the bottom of the desk.

That connector which goes into the desk bottom is a bugger for easing its way out - I cut strips of gaffer tape and stuck them across it neatly to make it stay in.

I also hate that the power cable has one of those damn power packs and isn't a straight cable with plug on the end.

 

And because the desk is quite an old one, the power pack died on us and getting a replacement was a night mare, because yet again Soundcraft changed the power pack on newer desks and stopped making them for the old style ones.

I did get one in the end, but it wasn't easy to get hold of.

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Susie, I will bet that your old unit has a bad solder joint or a loose/frayed wire on that output jack (you did say that tightening the nut on the outer face of the jack seemed to help temporarily...), and would have been fairly simple to inspect/repair for someone who is good at that stuff....sadly you are half a world away or I would have popped it open for you and had a look around
;)
That said, it sounds like you guys have a very neat setup and 8 channels is plenty...and as long as you already went with te A&H, you went the right way
:thu:
....we use an older Yamaha with the band, but given the option to change, I would go to a Soundcraft or A&H before I went Mackie (or Yamaha again). The cost difference is a tad painful up front, but in the long run, it is well worth it.



The offer to repair if I was close by is SO kind!
As the fault was intermittent and began a while ago, I contacted Soundcraft to get a new output thingy. I got two.
But since I bought them, the fault didn't occur until last Saturday.
We tightened the nut and it seemed to stop it for the duration of the gig.

We took the desk and the new output Monday morning to the local repair guy.
He didn't seem to want the hassle of even taking a look.

So - the adventure to find a new desk began.

And the guys we have bought from have a repair guy too.
He asked us to leave our old desk with him.
He will take a look at the board and see if he can find anything obvious, and he will put in the new output for us. And he'll do that in time for us collecting the new mixer when it arrives.
But if it looks like a fault that will take up loads of time and be costly to fix he will let us know, tell us if its fixable and how much it will be.
But the new mixer isn't here yet.
And if it doesn't arrive until next week, we'll risk our Saturday gig with the old mixer.



But as with the store we usually go to, who has lost our business because he didn't have what we wanted and didn't get off his arse to try and get it for us even though we asked if he could get A&H -
the local repair store has also now lost our business because they didn't want to help.

The new guys are trying to.

So obviously in future we will go to the new guys for anything we need - buying new stuff, repairing, servicing etc etc



And with this zed 12fx we only need 4 mic channels for my vox, partner's b/vox & sax, bongos and keyboards.
So I can plug the minidisc cables into channels 5&6 and not touch the other part of the desk.
But if we need to use the other 2 mic channels in future, we can plug the minidisc cables in the other section.

So this desk is plenty.

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- now you know why I felt sick!!


So we have actually spent LESS money on the better desk!!!!

 

:)

 

and for what it's worth, the hidden IEC terminal is in a good place for rack mounted installs - IMHO

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