Members zinzin Posted March 20, 2006 Members Share Posted March 20, 2006 so what are your noise boxes, the ones you kick in when you need your chaotic, noisy bridge or outro? the ones you let say goodbye to your audience when you let the stage explode during your last song, your last note? come on: kick 'em in now! i'm loving those moments were random notes are beeing looped and waves of feedback circle around in and out in and out in ... Link to comment Share on other sites More sharing options...
Members desertlimosine Posted March 20, 2006 Members Share Posted March 20, 2006 i use the DL-4 for looping for intros, middle ambient sections, tying songs together.. and finally for the last epic, looping, feedback, tremolo, super-saturated explosion! Link to comment Share on other sites More sharing options...
Members murch33 Posted March 20, 2006 Members Share Posted March 20, 2006 Link to comment Share on other sites More sharing options...
Members amanonfire Posted March 20, 2006 Members Share Posted March 20, 2006 73 blue box ep150 analog delay modded tr-2 Link to comment Share on other sites More sharing options...
Members bieke Posted March 20, 2006 Members Share Posted March 20, 2006 ZVex Machine and Fuzz Probe Link to comment Share on other sites More sharing options...
Members itstartsstoppin Posted March 20, 2006 Members Share Posted March 20, 2006 if i had a fuzz factory i would definatly use it for chaos at the end of sets Link to comment Share on other sites More sharing options...
Members gambit Posted March 20, 2006 Members Share Posted March 20, 2006 with all distortion, fuzz, phaser etc cranked for noise i turn to my XP-100 whammy/wah. either doing whammying or wah - high frequency white noise makes people run a mile. my band mate has a particularly noisy sound from his Verbzilla (i think 'Cave' setting0 making a huge wal of reverb and having it before a massive distortion.... distorted reverb also hurts ears good. Link to comment Share on other sites More sharing options...
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