Members The Real MC Posted August 29, 2008 Members Share Posted August 29, 2008 This is hilarious. I posted this as a joke, and yet y'all STILL can't help it. I am amused. Please continue. Dude, we are replying in jest none of us are taking this seriously Link to comment Share on other sites More sharing options...
Members whitepapagold Posted August 29, 2008 Members Share Posted August 29, 2008 Whats a VCO? Link to comment Share on other sites More sharing options...
Members Diametro Posted August 29, 2008 Members Share Posted August 29, 2008 Link to comment Share on other sites More sharing options...
Members whitepapagold Posted August 29, 2008 Members Share Posted August 29, 2008 Now I admit I get all greasy with my synths but I had no idea they came prepared... Im rubbing my mini as we speak... OH and playing my minimoog synth too! Link to comment Share on other sites More sharing options...
Members idiotboy Posted August 29, 2008 Members Share Posted August 29, 2008 Link to comment Share on other sites More sharing options...
Members idiotboy Posted August 29, 2008 Members Share Posted August 29, 2008 I've heard there's a few of 'em in here: Link to comment Share on other sites More sharing options...
Members Don Solaris Posted August 29, 2008 Members Share Posted August 29, 2008 "I'm the operator with my oscillator generator." Link to comment Share on other sites More sharing options...
Members xpander Posted August 29, 2008 Members Share Posted August 29, 2008 talent always trumps oscillators. Link to comment Share on other sites More sharing options...
Members Don Solaris Posted August 29, 2008 Members Share Posted August 29, 2008 An oscillator out of a 24 bit soundcard can have quantization noise below the noise floor. Prove! I wonder what Swardle thinks of all this? Link to comment Share on other sites More sharing options...
Members whitepapagold Posted August 29, 2008 Members Share Posted August 29, 2008 And in response to your VCO post... The divocitue of the capitulator is diversified by the addition of the amplitube of the oscilaters proportional verticulation. When this ampliocity reaches the null, it creates a wavilation in the oscilations perpituity which negates the voltages inspericliilitatedness. If you counter that with the fillitation of the waves harmonical distortitude, it results in complete oscilifilterwaveotlution. Then apply a scope with the eternalificationes set to x = 12 and y = 3b, it will fortiflitate and the values will vary with the advergence of the propitulatte (only in regards to the x axis of course.) Most people misapply the harmonical distortitude and the end result is distoriticle velocitish oscillationality- ie DVO and in essence the divictulosisity Amplitprotudinal conjecturissm- ie DAC. This is the ingherent flaw of the DCO which in theory is DVO/DAC=/> DCO-4. VCAs on the other hand don't act this way. A VCA actually acts as a wave AND a particle which will only react in reference to the perpetuity of the amplutubinal matrix. The VCA equatioicty is much more biggerified exponominally as in VCA squared + DVO/DAC = 7 to the 4.312 power - the VCA plus 5. Of course 5 is only revelantious to this equative pupropse. Right Don? Link to comment Share on other sites More sharing options...
Members Don Solaris Posted August 29, 2008 Members Share Posted August 29, 2008 And in response to your VCO post... The divocitue of the capitulator is diversified by the addition of the amplitube of the oscilaters proportional verticulation. When this ampliocity reaches the null, it creates a wavilation in the oscilations perpituity which negates the voltages inspericliilitatedness. If you counter that with the fillitation of the waves harmonical distortitude, it results in complete oscilifilterwaveotlution. Then apply a scope with the eternalificationes set to x = 12 and y = 3b, it will fortiflitate and the values will vary with the advergence of the propitulatte (only in regards to the x axis of course.)Most people misapply the harmonical distortitude and the end result is distoriticle velocitish oscillationality- ie DVO and in essence the divictulosisity Amplitprotudinal conjecturissm- ie DAC. This is the ingherent flaw of the DCO which in theory is DVO/DAC=/> DCO-4. VCAs on the other hand don't act this way.A VCA actually acts as a wave AND a particle which will only react in reference to the perpetuity of the amplutubinal matrix. The VCA equatioicty is much more biggerified exponominally as in VCA squared + DVO/DAC = 7 to the 4.312 power - the VCA plus 5. Of course 5 is only revelantious to this equative pupropse.Right Don?EXACTLY! Link to comment Share on other sites More sharing options...
Members whitepapagold Posted August 29, 2008 Members Share Posted August 29, 2008 I KNEW IT! I knew those internet college courses would pay off! You CAN go to college in your pajamas! Link to comment Share on other sites More sharing options...
Members flat earth Posted August 29, 2008 Members Share Posted August 29, 2008 VCOs have 'funkometric-parapolic-pozzithundercarpetistic-universal onion adventure' type charactoristics DCOs have the same, but less so. Link to comment Share on other sites More sharing options...
Members Yoozer Posted August 29, 2008 Members Share Posted August 29, 2008 Y'all talking about DCO and VCO and you're completely ignoring the sweet, sweet overdrive a good VCA can give you. Chumps. Don, what would you recommend for an oscilloscope if I want to go start building something like this? http://yusynth.net/Modular/index.html Until you've heard a VCO-based Macbeth M5 in full strut, you have not witnessed God. I see that and raise you a CS80 through an Eventide H3000. Link to comment Share on other sites More sharing options...
Members Carey M Posted August 29, 2008 Members Share Posted August 29, 2008 You can get a lot more poontang with VCOs - CM Link to comment Share on other sites More sharing options...
Members DocT Posted August 29, 2008 Members Share Posted August 29, 2008 Then apply a scope with the eternalificationes set to x = 12 and y = 3b, it will fortiflitate and the values will vary with the advergence of the propitulatte (only in regards to the x axis of course.) That's why a good VCO synth doesn't even need an audio out. Link to comment Share on other sites More sharing options...
Members Don Solaris Posted August 29, 2008 Members Share Posted August 29, 2008 Don, what would you recommend for an oscilloscope if I want to go start building something like this? Any 2 channel oscilloscope up to 30 MHz will do. You'll need X and Y channel for Lissajous curve. Apply sine wave from the pc on x and oscillator on y. You'll be able to tune it perfectly. I use analog Tektronix 2246 scope. Includes frequency counter, voltage meter (ie. peak to peak), measurement cursors, etc. for fast and precise synth calibration. Comes with vintage green display (that photo has wrong color balance). Link to comment Share on other sites More sharing options...
Members whitepapagold Posted August 29, 2008 Members Share Posted August 29, 2008 I use the bistro drive. Oh, and a towel. Link to comment Share on other sites More sharing options...
Members kpatz Posted August 29, 2008 Members Share Posted August 29, 2008 But does your VCO offer , abbreviated PWM? Link to comment Share on other sites More sharing options...
Members ChipCurtis Posted August 29, 2008 Members Share Posted August 29, 2008 The audio output of one VCO can modulate the pitch of the other VCO. However, there are different kinds of cross-modulations, like linear and non-linear, etc. The important part is that the pitch of DCOs cannot be directly modulated by any Voltage signal. Then how do DCO synths like the Roland JX series do oscillator cross-mod? Link to comment Share on other sites More sharing options...
Members soundwave106 Posted August 29, 2008 Members Share Posted August 29, 2008 I use the bistro drive. Oh, and a towel. This thread definitely needs less seriousness, and more Pan Galactic Gargle Blasters. Link to comment Share on other sites More sharing options...
Members ElectricPuppy Posted August 29, 2008 Author Members Share Posted August 29, 2008 That's why a good VCO synth doesn't even need an audio out. LOL worthy. Link to comment Share on other sites More sharing options...
Members angstwulf Posted August 29, 2008 Members Share Posted August 29, 2008 And in response to your VCO post... The divocitue of the capitulator is diversified by the addition of the amplitube of the oscilaters proportional verticulation. When this ampliocity reaches the null, it creates a wavilation in the oscilations perpituity which negates the voltages inspericliilitatedness. If you counter that with the fillitation of the waves harmonical distortitude, it results in complete oscilifilterwaveotlution. Then apply a scope with the eternalificationes set to x = 12 and y = 3b, it will fortiflitate and the values will vary with the advergence of the propitulatte (only in regards to the x axis of course.)Most people misapply the harmonical distortitude and the end result is distoriticle velocitish oscillationality- ie DVO and in essence the divictulosisity Amplitprotudinal conjecturissm- ie DAC. This is the ingherent flaw of the DCO which in theory is DVO/DAC=/> DCO-4. VCAs on the other hand don't act this way.A VCA actually acts as a wave AND a particle which will only react in reference to the perpetuity of the amplutubinal matrix. The VCA equatioicty is much more biggerified exponominally as in VCA squared + DVO/DAC = 7 to the 4.312 power - the VCA plus 5. Of course 5 is only revelantious to this equative pupropse.Right Don? I think you spelled divictulosisity wrong. Link to comment Share on other sites More sharing options...
Members urbanscallywag Posted August 29, 2008 Members Share Posted August 29, 2008 Prove! I will work on something for you today. Link to comment Share on other sites More sharing options...
Members pogo97 Posted August 29, 2008 Members Share Posted August 29, 2008 Since we're on the subject (sort of). I've got a zippering problem in Logic's ES2. I assume most MIDI input gets smoothed in some way because when you control a parameter from, say, a mod wheel, changes are creamy-smooth. But when I control with poly AT the changes are rough and clearly incremental. It's not that the MIDIBOARD is sending less than the full 0-127, I've monitored for that. I think it's that the Logic folk haven't implemented whatever smoothing algorithm they use on other inputs to poly AT. Does that make any sense at all? Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.