Jump to content

Anyone know chord theory? I need help on my chorus.


rlm297

Recommended Posts

  • Members

I'm recording a song piecemeal (as I write it) and have a solid intro, verse, pre-chorus. The pre-chorus descends and ends into a strong C# powerchord hit, setting up the chorus.

Where do I go from here? I'm looking for a big hard rock memorable chorus, but powerchord progressions other than the average E, B, C#, B or C#, B and A.

For all intents and purposes, the song is in 4/4 and in the key of C#. Guitar driven. Has a 90's Aerosmith feel.

Any advice or examples of what's been done before, would be appreciated. Maybe I can mess with timing or phrasing or use a double tracked riff? Change up the beat? I don't know.

I have no idea about chord progression theory other than what sounds good to my ear. I can easily bang out a chorus using the above chord progressions, but I'm looking to take the higher road and do something outside my comfort zone.

Any tips?

Link to comment
Share on other sites

  • Members
Quote Originally Posted by Lee Knight View Post
|: B//// G#m// G#5// Bbm///C#/ | ////

B//// G#m// G#5// Bbm//// | //// :|

?
Quote Originally Posted by Oswlek View Post
Sorry, but this isn't nearly enough info to go on. Can you upload what you have in a demo?
Seriously. freak.gif What's with all those letters and symbols and markings? redface.gif
Link to comment
Share on other sites

  • Members

Chicken scratches.

biggrin.gif


I'm thinking that Lee would know just how to make his suggested progression come alive -- but when I played it a few different ways on guitar and then plugged it into a simple MIDI arrangement, while it flowed pretty well (no harmonic trainwreckin'), it didn't really feel all that compelling to me. I'm thinking it may be more a failing of my musical imagination... but...

Link to comment
Share on other sites

  • Members
Quote Originally Posted by blue2blue View Post
Chicken scratches.

biggrin.gif


I'm thinking that Lee would know just how to make his suggested progression come alive -- but when I played it a few different ways on guitar and then plugged it into a simple MIDI arrangement, while it flowed pretty well (no harmonic trainwreckin'), it didn't really feel all that compelling to me. I'm thinking it may be more a failing of my musical imagination... but...
I think I see what he's done. Can't wait to get home to try it out. I'll find a way to swing it. I appreciate the help!

A related question. What makes a "big chorus" a "big chorus"?
Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...