Members theFoot Posted October 26, 2006 Members Share Posted October 26, 2006 Oh Oh Oh Willy Willy! I got another reason!cross sticking! I've been doing alot of cross sticking stuff, like triplets and paradiddles with the accents on the Floor-Tom. This seems to lend itself to have the trad grip rather than matched. (at least on my kit) Link to comment Share on other sites More sharing options...
Members theFoot Posted October 26, 2006 Members Share Posted October 26, 2006 "Traditional existed before the corps! So you can give your heart to Gene Krupa. BUT YOUR ASS BELONGS TO THE CORPS!" that's from Full Metal Snareshell , isn't it? Link to comment Share on other sites More sharing options...
Members Majoria Posted October 26, 2006 Members Share Posted October 26, 2006 I play matched grip on all songs live except for one, a jazz/swing style. When I practice it's about a 35/65 split in favor of matched grip. While I doubt I'll ever be fluent in traditional grip, I just recently fell in love with it and really enjoy playing it whenever possible. No real reason to use it, I just like to use it. +1 on the floor tom accents with traditional, I've done some such patterns and find it easier than matched grip. Hence some extra floor tom hits during that one song where I use traiditional grip in concert. The reason I use it on that song started as I just wanted to best have the full look of the style, now I really like the grip. My matched grip is more Greman grip to somewhat American. Link to comment Share on other sites More sharing options...
Members WillyRay Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by theFoot cross sticking! [...] This seems to lend itself to have the trad grip rather than matched. Why, 'cause you just have to turn your leftie over? I can see that. Not sure I'd give that a whole place on my list, though. It's about a quarter or a third of a reason. /w Link to comment Share on other sites More sharing options...
Members the DW Posted October 26, 2006 Members Share Posted October 26, 2006 Call me lazy, but when playing matched grip, I don't turn the stick around to do cross stick. I just let the tip hang over the rim instead of the butt end. Works just fine. the Lazy DW Link to comment Share on other sites More sharing options...
Members armitage787 Posted October 26, 2006 Members Share Posted October 26, 2006 i was told a while back that if you hold that one stick traditional it only takes like 7 mucles to move as comparted to the 30-something when you play matched, but i dont really know Link to comment Share on other sites More sharing options...
Members cheeseadiddle Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by the DW Call me lazy, but when playing matched grip, I don't turn the stick around to do cross stick. I just let the tip hang over the rim instead of the butt end. Works just fine.the Lazy DW Me too. Link to comment Share on other sites More sharing options...
Moderators BATCAT Posted October 26, 2006 Moderators Share Posted October 26, 2006 I suck horribly at traditional grip, but... I desperately wish I could play with it, because it looks so cool... Link to comment Share on other sites More sharing options...
Members theFoot Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by Actionsquid I suck horribly at traditional grip, but... I desperately wish I could play with it, because it looks so cool... Hey, Willy, here's another vote for "It Looks Cool". Can that go on your list? Link to comment Share on other sites More sharing options...
Members theFoot Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by armitage787 i was told a while back that if you hold that one stick traditional it only takes like 7 mucles to move as comparted to the 30-something when you play matched, but i dont really know I heard Dom Famularo in a video mention something like that, but it was reversed. He was saying the trad grip uses more muscles than matched, therefore matched is more efficient. I find it of little concern, since they are small muscles. Link to comment Share on other sites More sharing options...
Members 1001gear Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by armitage787 i was told a while back that if you hold that one stick traditional it only takes like 7 mucles to move as comparted to the 30-something when you play matched, but i dont really know Many proponents of traditional drumming seem to feel the less effort expended the better. Modern drummer/percussionists are proving that the more concerted effort you can apply, the more stick control, the better you play. Link to comment Share on other sites More sharing options...
Members WillyRay Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by theFoot Hey, Willy, here's another vote for "It Looks Cool". Can that go on your list? It looks cool is already on my list. Say what you will... it's important sometimes. /w Link to comment Share on other sites More sharing options...
Members TimeKeeper310 Posted October 26, 2006 Members Share Posted October 26, 2006 As sumone else stated, I was 'forced' to use the trad. method in school....then, after many years away from the drums, my return to the drums, was behind a kit...now i only play matched grip...i can play some mean snare rolls, with traditional, but was never as smooth, rolling across the toms for fills....it's matched for me Link to comment Share on other sites More sharing options...
Members boffer Posted October 26, 2006 Members Share Posted October 26, 2006 Yeah, I was about to say, traditional style drummers seem to be able to make the stick "come up" better on drum rolls. If they are good at it, it sounds smoother (less paradiddly) than matched grip players. Link to comment Share on other sites More sharing options...
Members cheeseadiddle Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by theFoot I heard Dom Famularo in a video mention something like that, but it was reversed. He was saying the trad grip uses more muscles than matched, therefore matched is more efficient. I find it of little concern, since they are small muscles. Dom is the man. I've chatted with a guy that studied under him. He had nothing but good to say about him. Link to comment Share on other sites More sharing options...
Members backtodrum Posted October 26, 2006 Members Share Posted October 26, 2006 I play matched grip exclusively except for brush work. I have to play them occasionally. For brushes it seem more comfortable to play traditional grip for some reason. Link to comment Share on other sites More sharing options...
Members RockBass Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by WillyRay What's the value you see in it, Rock?/w I think theFoot hit the nail on the head when he mentioned the history of the grip. When I pursue a new thing (drums or whatever) I like to immerse myself in it as much as possible (hence my constant posting in this forum despite my avatar name). The traditional grip just has that special something to it that looks and feels different. Plus, I'm a showman when I perform, so if I'm playing a jazz song or hopelessly flailing away at a Buddy Rich beat attempt, I like to be as authentic to the song as possible. theFoot: I prefer the pinkie surprise or bowling ball to the cameltoe grip. Link to comment Share on other sites More sharing options...
Members WillyRay Posted October 26, 2006 Members Share Posted October 26, 2006 Originally posted by backtodrum I play matched grip exclusively except for brush work. I have to play them occasionally. For brushes it seem more comfortable to play traditional grip for some reason. Actually, with brushes, generally the reason that they're played traditional is because the lower angle of the left hand makes it easier to get more of the brush onto the surface of the head. /w Link to comment Share on other sites More sharing options...
Members salislore Posted October 26, 2006 Members Share Posted October 26, 2006 I can play either way, but I play matched. I find it much easier to play fills matched. Link to comment Share on other sites More sharing options...
Members vinniewannabe Posted October 27, 2006 Members Share Posted October 27, 2006 The truth is, tradition grip takes more time to develop It takes time to learn how to generate power, how to move your fingers and wrists, so is not to hurt yourself. I think a lot of younger players get discouraged with learning how to play traditional grip. It's uncomfortable in the beginning and it's hard as hell to get the stick to do what you want it to do. It's more natural to hold the sticks matched. I mean, if you hand a 4 year old a pair of drumsticks, they are not just going to hold them in a traditional grip manner. They will hold them the same way in both hands. Traditional grip is awkward when starting off learning it. Ah, but it's worth it!! With all that said, I play traditional 95% of the time. I think "Double stroke -oriented" players like traditional grip. It's a lot easier doing a double stroke roll using trad IMO. Same with breaking up doubles all over the kit. Jazz, swing and shuffle beats/fills are easier to get a light touch w/ghost notes using trad IMO. Why? I don't know. I think Steve Smith said something about with match grip, the hand and arm are on top of the stick, with gravity weighing down on top of the stick giving it a "heavier" feel. Trad the hand is underneath, easier to execute a lighter touch. For power, it's a snap of the wrist. For that Stewart Copeland MEGO-POWER, lift up your arm a little more than normal, and use a whipping motion, like shaking off bearing grease off your hand. Personally, I can get plenty of power with trad grip. My guitar play says my snare hits sound like a frappin' shotgun going off....Pissing off guitar player = it's working!! Like a lot of you said already, listen to any recording, you can't tell want grip a drummer is using. What you sound like and the music you are making is most important HANDS DOWN. It doesnt matter what grip you play at all. One is not better than the other. To answer the initial question, when learning how to play drums in the beginning, learn match grip. As time goes on and you want to get deeper into the instrument and you start experimenting to get into you own thing, then explore traditional grip. See what works for you. Sorry for the long winded response...if you are still reading......good luck!! Link to comment Share on other sites More sharing options...
Members mparsons Posted October 27, 2006 Members Share Posted October 27, 2006 I find that traditional lets me get better single stroke rolls as I can bounce off my middle finger a bit easier and I don't have to worry about tensing my finger up every once in a while to provide that spring Link to comment Share on other sites More sharing options...
Members theFoot Posted October 27, 2006 Members Share Posted October 27, 2006 Originally posted by vinniewannabe ...with match grip, the hand and arm are on top of the stick, with gravity weighing down on top of the stick giving it a "heavier" feel... Remember, French grip takes the hand and arm off of the top of the stick, thus it's the "light-touch" matched grip. I'd say when my hand is on the ride I'm using Frech grip 80% of the time. You may be too, check it out. Funny, I can't recall the last time I used the pinkie-suprise. Link to comment Share on other sites More sharing options...
Members FitchFY Posted October 27, 2006 Members Share Posted October 27, 2006 Originally posted by WillyRay Actually, with brushes, generally the reason that they're played traditional is because the lower angle of the left hand makes it easier to get more of the brush onto the surface of the head. /w I VASTLY prefer matched grip. For brush work, though, I'm right there with traditional for the exact reason Willy Ray stated - more of the brush on the head, and it kinda keeps your hand out of the way. Sometimes you want that muted snare slap, and I do that by striking the right brush on top of the left one.Visually, gotta agree with everyone - traditional just looks cooler. When it comes to power, though... and I'll get flack, but I'll maintain that you'll get more power out of matched than traditional. Not too many metal guys playing traditional! Interesting note: Neil Peart switched to traditional grip for "Test for Echo" after studying with Freddie Gruber... and eventually switched back to matched. Link to comment Share on other sites More sharing options...
Members manoeuver Posted October 27, 2006 Members Share Posted October 27, 2006 I'm left handed. I play left-hand lead most of the time. When I was in school, studying the percussions, the legit snare drum literature often had stick markings underneath. Right hand lead. ugh. I trained my mind to think 'right hand lead' when I used traditional grip. eventually it worked like a charm. still does when I want to play my (lefty) kit open handed. I discourage my students from using traditional grip. Link to comment Share on other sites More sharing options...
Members vinniewannabe Posted October 27, 2006 Members Share Posted October 27, 2006 Originally posted by theFoot Remember, French grip takes the hand and arm off of the top of the stick, thus it's the "light-touch" matched grip. I'd say when my hand is on the ride I'm using Frech grip 80% of the time. You may be too, check it out. Funny, I can't recall the last time I used the pinkie-suprise. Right, there are different ways to grip with match....French, German etc. I didnt specify which of those grips had the "heavier" feel..but yeah, you are right, the french grip would have a lighter feel. I would use the french grip method with the right hand if I were playing something swingy and fast, maybe even a fast 8th note pattern. Otherwise, I play with my hand on top for bell stuff and everything else. Hihat stuff I don't use french grip. Remember, how I play is good for me, everybody plays different. I don't believe that there is one "right" way to play or hold the sticks. Everybody's physical body is different. With that said, I believe there ways to play more effectivley and efficiently, that help you play more smoothly with less effort. These are the things we have to explore and research....it's something I try to do. I don't want to always think about and concentrate on my poor technique when trying to execute something in my head...I just want to DO it....the goal is the music or expression and not having technique limitations to stop you from doing it. I got a long way to go.....but anyways..... Link to comment Share on other sites More sharing options...
Recommended Posts
Archived
This topic is now archived and is closed to further replies.