Members Bassius Posted November 21, 2007 Members Share Posted November 21, 2007 I've got a question for you....on a 13 chord, often times the 5th and 9th are omitted....should I be looking at the 5th and 9th in my analysis or not..? in a dom 13 chord the 5th and 9th are not ommited...the 11th is however... no hints yet...keep going Link to comment Share on other sites More sharing options...
Members ryanizzle Posted November 21, 2007 Members Share Posted November 21, 2007 top for truth Link to comment Share on other sites More sharing options...
Members chris-dax Posted November 23, 2007 Author Members Share Posted November 23, 2007 in a dom 13 chord the 5th and 9th are not ommited...the 11th is however... no hints yet...keep going I'm working on it.... Link to comment Share on other sites More sharing options...
Members Hunter6 Posted November 23, 2007 Members Share Posted November 23, 2007 Dude. Thanks for finally explaining this in a way I can grasp. I've read so many ridiculous explanations of tritone substitution that I couldn't even BEGIN to understand. But now I get it!Thanks a crapton, man! Link to comment Share on other sites More sharing options...
Members Derek5272 Posted November 23, 2007 Members Share Posted November 23, 2007 Thanks a crapton, man! Link to comment Share on other sites More sharing options...
Members DevilRaysFan Posted November 23, 2007 Members Share Posted November 23, 2007 Can you explain how the following chord progressions can be substitutes for each other? 1st....Eb7#9, Ab7(#11), Eb7#9, Bb7#9, Eb7#9 and the substitute chords....Cmin, Fmin, Cmin, Gmin, Cmin Well, they are relative majors and minors, but the original I and V chords themselves are funny because the #9 in the b7#9 chords gives them a minor personality, and they translate into different fifth degree variants in a relative minor substitution --- Still, my relative minor substitutions for these chords would be: Eb7#9 = Cmb9 (although this could be a dim chord as well, because there is a Gb as the #9 in the original relative major chord - this can be used as the b5 in a dim substitution variant of the relative minor) Ab7#11 = Fm6 Bb7#9 = Gmb9 (same as the other chord in which I think a dim variant can be subbed as well) Even If Im wrong, I still wouldve got paid Link to comment Share on other sites More sharing options...
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