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Pest Fever Blues


Poor Yorick

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Listening + Praises/Concerns are quite appreciated.

 

http://www.thirteenbirds.com/mp3/pestfeverblues.mp3

 

The Sexton and the Abbot

On the blackbird side of town

Wasting their dirty lives

Collecting pennies for the crown

Both drunk on apple brandy

Both tired of bleachboned toil

 

The whole town's caught the pest

Skin turned dexedrine green

Paint crosses on the front doors

Sick smiles like plaster queens

All stacked outside the horseyard

All remanded to the court

 

A pox on the storefronts

A pox on the paper men

We'll see what yer all made of

When we carve you up, my friends

 

The grey ressurection man

With his leather and his crepe

Is tallying his ledger

He's sharpening his jape

Today just second rate fresh

Today just second rate fresh

 

A pox on the storefronts

A pox on the paper men

We'll see what yer all made of

When we carve you up, my friends

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Very clever lyrics but I think you need to put more thought into your melody and make sure some of the words, though well put together, don't force you into an awkward rhythm for the line.

 

The Sexton and the Abbot

On the blackbird side of town

Wasting their dirty lives "Dirty" puts stress on the weak vowel

Collecting pennies for the crown "Collecting" rhythm is awkward. Shorter word?Or just drop the word?

Both drunk on apple brandy

Both tired of bleachboned toil Don't let the melody just follow the chords here, move in a different direction or pattern melodically.

 

The whole town's caught the pest

Skin turned dexedrine green Dexedrine's a great word but the rhythm's clunky. Actually the lines great but don't let it force a weak rhythm.

Paint crosses on the front doors

Sick smiles like plaster queens

All stacked outside the horseyard

All remanded to the court

 

A pox on the storefronts

A pox on the paper men

We'll see what yer all made of

When we carve you up, my friends Following the chords for melody again. You need a proper melody here I think. This section is great lyrically and deserves a solid and inventive melody as well.

 

Great stuff. But delivery always takes precedence over lyric finesse. Put some work into making the melody line snap a bit and have melodic interest and you've really got something.

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If you dig Cobain, then start there. He was a great melody writer. Take note of how his melodies never just follow the movement of his chord pattern. Don't let the fact that you have chords under your melody confuse you into to thinking you can't improve it. Focus just on the melody for a while. It's a separate component.

 

Cobain was a master of this. Just think of the melody of one of his songs. Nothing else, not the riff, not the delivery or the lyrics...

 

Picture that melody played single note on the piano. Not bad. Go there...

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