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new song feedback: Handcuffs and Chains


Eclepto Funk

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a while back i put up the lyrics for feedback (
)


here's the song demo for any and all feedback, which is much appreciated




thank you in advance

 

 

I like MUCH about it. The rhythmic tapping seems outta synch. It's distracting. It's a nice idea, for sure. But it needs to be EQ'd or something. Either harsher (slap-like) or deeper or something. Try some reverb on it.

 

Vocally I want more emotion. This is powerful stuff. "Read my skin, and busted my bones," has got to have more disgust and pain in it. (Either that, or it has to be delivered with complacent contempt). That's the line that grabs (or loses) the listener. It sets the stage.

 

The bridge/chorus needs to change vocal register. It needs to go higher. It's a different element in the song, but you're delivering it in the same narrow melodic range as the verses.

 

This is very good, you know. I like drama songs.

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thanks for the comments ... hmmm .... of everything you said, the only thing i can't do a thing about (but would if i could) is my voice


i cain't sing it any higher, man, i got no delirium crystals

 

 

I agree with Marshal that the vocals are sung too bland compared to the imagery in the lyrics. I don't think you need to sing it higher, just more angrily, or disheartened.

 

When you first sang "hand..CUFFS and chains" the phrasing bugged me. But it grew on me as the song went on.

 

I like the use of harmony and the percussion tocking away. This definitely has potential. I think maybe tossing some guitar differentiation in now and again might be useful. I'm not talking about anything big, just a muted part here and a quick little lick there (not with a 2nd guitar, on the main track) would strengthen listener interest.

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Oswlek: thank you. I was wondering about the main guitar. I think I do need to redo it to to make it less monotonous. my idea with the vocals is resignation/defeat/acceptance. this guy's way past anger. I'll try to put some edge on the vocals though.

 

chicken: there is a corny rhythm to the fast lines (cracked a nightstick on my brain/gave me nothing for the pain/all I got for myself was them) that bugs me. I wanna see if I can work the phrasing a little less choppy in those parts

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rain pours, life's the same, no change, boredom, sameness

 

I was gonna go with one chord but I'm nowhere near that good

 

[edit] speaking of which, the song may be too long for just two chords ... i'm going to get rid of the last repeat of the chorus, and tighten up the spaces between the chorus/solo/chorus/solo pattern in the middle

 

good points all

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I actually think that the monotonous vocal is right for the tune. I know what you mean about having a voice that is what it is, but you need to fashion the best product you can with the tools that you have and you've done just that with this one.

 

Regarding the chord structure......I'm down with that also. You may still want to rethink the length and maybe put some pauses in the break it up a little.

 

Shatner? Man, CM.....that borders on abusive.;):wave:

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I think the lyrics are good. I like the guitar playing a lot.

 

Two observations on the lyrics. I don't think 'white judge' rings true.

Gringo judge? Anglo judge? Or just judge.

 

You've made your point with the protagonist's name.

 

You've expressed the inhuman logic of the law.

 

Rephrasing it,

 

Truth doesn't matter, a crime is a crime.

 

That's a very great line by-the-way.

 

It goes w/o saying the judge knows Carlos is different.

I'm not sure why you have to take the extra step of pointing

out his skin color. But if it's necessary, why not "Gringo" or "Anglo".

'White' is too easy. It sounds lazy.

 

That leads me to the name. "Bien" is a more common French name.

I don't think I've met any Mexicans with the surname Bien. I've met

French who have that surname.

 

I think it's very well-done though.

Not much I'd change.

 

********************

 

when the man comes you're on your own

he can read your skin

and he can count your bones

break a nightstick on your brain

the nurse treats you for the pain

you don't hear a whisper, just them

handcuffs and chains

 

saw my PD twice, said i'd be doing time

doesn't matter what the truth is

a crime is a crime

no i did not kill John Crane

but my name is Carlos Bien

white judge made sure i'd be wearing them

handcuffs and chains

 

when it thunders the bars rattle like a train

you can count all your days in the pouring rain

pouring rain, pouring rain

handcuffs and chains

handcuffs and chains

 

i do have a secret ain't never been told

killed a man in cold blood

when i was nineteen years old

deal went bad out in the plain

didn't even give him a chance to explain

think of him every time i hear them

handcuffs and chains

 

when it thunders the bars rattle like a train

you can count all your days in the pouring rain

pouring rain, pouring rain

handcuffs and chains

handcuffs and chains

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thanks guys

 

etienne, the new lyrics are posted right below the song; i did change quite a lot:

 

 

when the cops came i was on my own

they read my skin and busted my bones

cracked a nightstick on my brain

gave me nothing for the pain

all i got for myself was them

handcuffs and chains

 

saw my PD twice said i'd be doing time

the truth is the truth, but a crime is a crime

no i did not shoot that man

but i have a Spanish name

judge knew i already was wearing them

handcuffs and chains

 

when it thunders the bars rattle like a train

i can count my days in the pouring rain

handcuffs and chains

 

i do have a story ain't never been told

shot a man in cold blood i was nineteen years old

took him back behind a train

didn't give him a chance to explain

think of him each time i hear them

handcuffs and chains

 

oh btw, the last verse sounds horrible ... i am going to have to redo it. somehow it takes me for ever to hear how bad something is (a few times a few hours apart)

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ok, just uploaded the last and hopefully final version of the song. I think it needs length to work to the denouement

 

frustrating it takes so long to get something halfway decent, and it's still rough. anyway, I gotta work on living w/ the end result and concentrate on getting better

 

thank you all for taking the time to help

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a while back i put up the lyrics for feedback (
http://acapella.harmony-central.com/showthread.php?t=2626418
)


here's the song demo for any and all feedback, which is much appreciated


http://soundcloud.com/eclepto-funk-americana/handcuffs-and-chains


thank you in advance

Some of the rhymes seem a little convenient, and so risk cheeziness, seems to me. The brain/pain rhyme in the first verse seemed especially like the nurse was just there to rhyme. And since it doesn't feed into the mood or feel (actually fights it, contradicting the notion that the protagonist is up against it in a totally hostile environment), it seems unproductive.

 

I like the bars rattling like a train (despite the temptation to suspect this was another convenient rhyme ;) ) but I kind of wonder if that might not be an element you might want to explore... he's stuck here, the bars are loose, the sound reminds him of a train (and so freedom, boxcar travel, etc)... and the bars are loose... begging thoughts of breakout. You could explore that angle. Even if breakout isn't 'practical' it could be a good fulcrum to explore more of his feelings about being not free.

 

But the real core of the song, I think, is the revelation -- seemingly neglected toward the end of the song -- that even though he's not guilty of the crime for which he was incarcerated, he did kill someone (presumably) long ago in a 'deal' that went bad. (We can only presume a drug deal, further eroding conventional sympathy.)

 

And I think the fact that he's secretly guilty of the same crime against someone else is really an interesting thing, the idea-hook that could be the center of the song...

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that is the center of the song, but it's revealed late in the narrative

 

when he first hears the bars rattle like a train, we don't yet know he killed a man behind a train. later, the image should aging a new significance after the revelation

 

btw there's no nurse in the final version

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well bravo, then. i was actually thinking it sounded vaguely brazilian (or possibly a mexican folk song, due to the lyrics and bridge).

 

 

I was going for Cuban (I am Cuban), and used the 1 2 3 - 1 2 signature Cuban percussion pattern

 

but no, as far as I am aware, it's my melody

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that is the center of the song, but it's revealed late in the narrative


when he first hears the bars rattle like a train, we don't yet know he killed a man behind a train. later, the image should aging a new significance after the revelation


btw there's no nurse in the final version

Ah... I missed the train link up in the actual murder. I'll have to go back and check that out.

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