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Short Acoustic Demo - Untitled


fightffyrdmns

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I don't have a title for this yet, but I wanted other people's thoughts/suggestions! Thanks a lot.

 

http://soundcloud.com/fightffyrdmns/untitled

 

Lyrics

 

How can I say you mean something to me

If we've only spoken in passing

You shouldn't be anyone to me

Just some faceless body

 

But maybe if I just sleep it off

Things will be fine in the morning

I probably won't forget you

But I won't blame you if you do

 

How many times can you apologize

Before it becomes meaningless?

I think I've already crossed that line

Though I have meant it every time

 

But maybe if I just sleep it off

I will be fine in the morning

I know that I won't forget you

But I won't blame you if you do

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You have a very nice singing voice, and it's good to hear the words clearly articulated.

The harmonised guitar picking supports the vocal melody well.

 

I won't comment on the content because it's a young woman's song and I'm an old bloke who doesn't know much about some things.

 

The only suggestions I have is with regard to how you sing a couple of words :

 

I would have preferred 'if yoo-hoohoo do' was shortened to simply a long 'you'.

Similarly with 'pa-ha-ha-ssing' and 'bo-ho-ho-dy' - you already successfully sing 'morning' with stretched out 2 syllables - maybe try the same with 'passing' and 'body'.

 

Maybe the 'yoo-hoo-hoo do' could remain in the chorus if you make the adjustment just to the words in the verses.

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I don't have a title for this yet, but I wanted other people's thoughts/suggestions!

 

 

Very nice voice, nice simple tune, but very listenable.

 

I don't have the same issues with how you stretched out some of the words that OGP had. To me those vocal riffs could just be there because this is an early version of the lyric, or it could be a stylistic choice. Either way, it doesn't really bother me too much.

 

I was bothered by one thing though -- a little --, and that was the line: "just some faceless body."

 

For some reason that doesn't ring true. Was the song based on a real person, a real event? Because it seems to me that it's more likely that a guy would obsess over a girl's body and not pay that much attention to her face. If I a guy were singing this song, that line would be okay (though it would make him a bit of a dick). But I think women tend to focus more on a guy's face than his body, unless she's appraising his wardrobe. Plus if she's spoken to him, just in passing, and she can't stop thinking about him, he probably wouldn't be a faceless body to her.

 

Now I could be wrong. It could be that the girl in the song was, at some point, very aware of what this guy looked like, but later on she couldn't picture his face in her mind. If that's the case, it would be a good title: "I Can't See Your Face in My Mind" (though it might've been used before).

 

Maybe that's just my own view on these things, but that line stuck out for me.

 

As for titles, you've got plenty of others to choose from. I like:

 

"Meaningless Tune" or

 

"Things Will Be Fine in the Morning."

 

LCK

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PS: I listened to your other original on SoundCloud. It's very nice. I could see it being used in a movie or TV show, which is a big compliment. I think a lot of independent artists are getting their start that way.

 

LCK

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I'm loving it. Voice sounds really sweet. The lyrics are nice. For the most part, I'd keep everything as it is. Though that faceless body melody sounds somewhat forced in its delivery. I would adjust either the melody of that word or the lyric of the line. My suggestion, the song needs to be called "I won't blame you", it sounds like the title line and can easily sum up the meaning on the song. You could make it even more memorable by repeating the line "But I won't blame you if you do" on the 2nd and/or last chorus.

 

Keep up the good work! :)

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I love this idea for a song. You really nailed that emotion. The sadness of falling for a casual encounter... thinking there might be something more but seeing more than than likely it won't happen. The selfless forgiveness. Just great. I'm moved. I love the melody buried in the back. What is that? Piano? It's cool. Like muted wind chimes.

 

The only thing that confuses me, and it's not necessarily a bad thing to be a little confused, is the nature of the encounter. You've mentioned "body", "sleep it off", "in the morning"... which leads me to believe you slept together. But the phrase "we've only spoken in passing" implies this is more of an acquaintance in passing. The idea of a one night stand is a poignant one. If she really has feeling for him, but those feeling aren't returned, the forgiveness of that sexual encounter is all the more heartbreaking.

 

Anyway, either way you slice it, it is a touching song. Very well done, and yes, your voice is gorgeous.

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Lee Knight, mentioned a one night stand. I didn't get that. I was thinking the person was sleepless because they have a crush on someone who doesn't know they exist.

 

After the first two stanzas, I was thinking this was one of those nights where you agonize and think should I say something? what should I say? what would happen if I did?

 

Then there is a disconnect with the third. Why are we apologizing to a stranger?

 

The third stanza might be my favorite of the piece, but I don't think it fits with the first. I think you need a new verse that explains why the apology to a stranger is necessary.

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You have a very nice singing voice, and it's good to hear the words clearly articulated.

The harmonised guitar picking supports the vocal melody well.


I won't comment on the content because it's a young woman's song and I'm an old bloke who doesn't know much about some things.


The only suggestions I have is with regard to how you sing a couple of words :


I would have preferred
'if yoo-hoohoo do'
was shortened to simply a long
'you'.

Similarly with
'pa-ha-ha-ssing'
and
'bo-ho-ho-dy'
- you already successfully sing 'morning' with stretched out 2 syllables - maybe try the same with
'passing'
and
'body'.


Maybe the
'yoo-hoo-hoo do'
could remain in the chorus if you make the adjustment just to the words in the verses.

 

 

I agree that some of the phrasing with the added syllables rings a little funny at times. Otherwise I loved it. Great harmonies and I love that second guitar.

 

 

I was bothered by one thing though -- a little --, and that was the line: "just some faceless body."

 

 

I got the sense that she was saying he should only be a faceless body, not that he was.

 

 

Lee Knight, mentioned a one night stand. I didn't get that. I was thinking the person was sleepless because they have a crush on someone who doesn't know they exist.


After the first two stanzas, I was thinking this was one of those nights where you agonize and think should I say something? what should I say? what would happen if I did?


Then there is a disconnect with the third. Why are we apologizing to a stranger

 

 

Agreed, though it only bothered me after looking deeper, not while listening.

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A very pretty start for a song, in voice and accompaniment.

 

I think the song needs a bit of variety somewhere, to break up the regular verses and chorus. It could be a mid song guitar stretch, or most anything else, or some kind of a vocal bridge.

 

But that aside, the song as presented is quite lovely.

 

Your voice reminds me of Steve Nicks.

 

Rick

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A very pretty start for a song, in voice and accompaniment.


I think the song needs a bit of variety somewhere, to break up the regular verses and chorus. It could be a mid song guitar stretch, or most anything else, or some kind of a vocal bridge.


But that aside, the song as presented is quite lovely.


Your voice reminds me of Steve Nicks.


Rick

 

I actually like the straightforward simplicity. :idk:

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Beautiful. Really nice. This is really good music. You don't have to change a thing - I don't see how you could improve on the sound and simplicity in the demo.

 

I'll give you one hard unvarnished critique: Dig deeper on the words. This is good but could be great if you have better lyrics. They sound good seemless with the music but they meander a bit and didn't leave much of an impression - my sense is the singer is talking about something deeply personal but they're being overvague for some reason. If that is the goal - leave it be. But if you want to connect with the listener think about throwing us a bone with at least one direct & striking sentiment.

 

 

How can I say you mean something to me

If we've only spoken in passing

You shouldn't be anyone to me

Just some faceless body

 

But maybe if I just sleep it off

Things will be fine in the morning

I probably won't forget you

But I won't blame you if you do

 

How many times can you apologize

Before it becomes meaningless?

I think I've already crossed that line

Though I have meant it every time

 

But maybe if I just sleep it off

I will be fine in the morning

I know that I won't forget you

But I won't blame you if you do

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