If youâ€™re looking to clean up your signal and return those
sparkling highs, Steampunk makes for an excellent Buffer choice. Moreover, this pedal also is designed to
drive your pedals and amp harder with up to 20 dB of clean boost, as
demonstrated in the YouTube video below.
Thereâ€™s a little switch under Steampunkâ€™s chassis that allows
you to disengage the Buffer component of this Boost/Buffer pedal. I was curious to know how well it â€˜buffered,â€™
and so I did some comparisons with both clean and distorted signals in the
above video, and the result was surprising.
The signal sounded fine without the Buffer, but when engaged the tone
suddenly cleared up and became defined (particularly the high-ends), as though
an EQ was added in the mix. I had a
total of six pedals in the demo â€“ the four JET series pedals (including
Steampunk), the Le Lead Preamp and the Rock Bug amp/cab simulator. Not exactly a large signal chain, but apparently
enough to muddy the waters.
Significant, but not exaggerated, the Boost does a fine job
(some boost pedals are so extreme I canâ€™t imagine anyone using the full amount
as it would cause clipping). There is
some added noise when using the boost, but considering you would use such an
effect when pushing heavy rhythms or going into a lead solo, you would not hear
the noise (only if you stopped playing with complete silence). This is not an entirely clean boost, but itâ€™s
not too dirty either. I found it added
some â€˜oomphâ€™ to the original tone and in a good way, as though the crunch
became crunchier and the leads had some added sustain and body.
Steampunk Boost/Buffer is a hefty little guy with its all-steel chassis, while barely
taking up any pedal board space and measuring in at 1.75 x 3.5 inches (4.44 x
8.89 cm). Thereâ€™s only one knob/pot,
which feels very solid and smooth when turned.
Due to Steampunkâ€™s small size, a big foot may touch down on the plastic
knob occasionally, but the knob feels of heavy enough construction that there
shouldnâ€™t be an issue in cracking or breakage.
The Buffer aspect is turned on and off via an internal switch, which may
be an annoyance if youâ€™re constantly turning it on and off, but since the
Buffer makes such a significant different in sound quality I doubt you would
want it off. And if you do want it off,
then thereâ€™s no issue in wanting to turn it on.
The input/output for cables are located in the back, whereas the power
supply (standard 9v 2.1 mm) insert is on the side. Even with the power insert located on the
side, you still can fit pedals rather tightly around Steampunk, which helps to
keep the power input snug and in place (another pedal sets up against the power
input cable), and out of harmâ€™s way.
Developed by J. Rockett Pedals, the Steampunk
Boost/Buffer is one of a limited edition four pedals in the JET
collection. Also available is the
Squeegee Compressor, the Touch Overdrive and the Immortal Echo. Half the size of a regular pedal, Steampunk
comes in at only $99 USD (as do the others in the collection). The Buffer aspect works exceptionally well by
clearing up the tone by regaining any high-end loss that may occur with long
cables or a lot of pedals within the chain (and it can be used without engaging
the Boost). The Boost provides upward of
20 dB to push your solos or to add some drive to your amp for some noticeable
crunch-factor. It is a fairly clean
boost, but itâ€™s obvious that the tone takes on some added aggression when
already distorted or driven; as for clean signals, they become more pronounced
with some additional rowdy push (as opposed to any distortion). Overall, an extremely useful pedal as you get
two common features in one and the price is excellent. Itâ€™s available at: https://rockettpedals.com/product/steampunk-boostbuffer/
simple to use, the Buffer switches on and off via an internal switch, and so
you need to decide whether you need it or not (necessitating the removal of
four screws to gain access), whereas the Boost is controlled by a single
knob. Steampunkâ€™s Boost is marked by a
small line (about quarter way) to show parity, which does not boost the signal,
but does add some energy and sustain when turned on and kept low. Of course, thereâ€™s a lot more sustain and
grain to be added as you crank the Boost upward of 20 dB extra.
Johnston is a guitar gear enthusiast who likes to develop reviews and demo
videos on stuff he likes. His YouTube
channel is CoolGuitarGear.