GREAT MELODY, GREAT LYRIC, GREAT RENDITION

[Mark Blackburn]

Kirk Sand “passed away last Sunday, a week ago today,” said Doyle Dykes, moments after playing his friend's 'Kirk Sand' nylon-string acoustic-electric, identical to his own.

“It's amazing – even without a sound hole and, given how thin it is” said Doyle, yet the masterfully 'chambered' body projects a balanced range of tone -- as Mr. Sand intended. Just as an aside, every single finger-style virtuoso – from Chet Atkins and Lenny Breau, to Doyle Dykes and Tommy Emmanuel -- has owned a Kirk Sand, crafted just for them. Enough said.

Doyle is in Nebraska and his “good friend Neal” owns a copy of every Doyle Dykes signature instrument. “Guitar rich – or guitar poor!" says Doyle.

Pick it up at the 3:33 mark.

 

 

What does that guitar -- that same 'Kirk Sand' instrument -- sound like when plugged in and played 'live' in a studio in Nashville? It never sounded finer than this, you may agree!

 

 

Edited April 1 by Mark Blackburn

[Mark Blackburn]

And the award for "Most Soulful Instrumental Duet" goes to Tommy and Pat for AMAZING GRACE. Someone said (below)  "Best harmonica I've ever heard." [Compelled to add:] Toots Thielemans and Stevie Wonder -- a tie for first place as greatest ever to pick up a harmonica; according to all the other great ones, including Pat Bergeson. And like Mr. Thielemans, Pat Bergeson is also a superb guitarist. But you knew that.

 

 

[Mark Blackburn]

Who but Bette Midler would think to perform, on Johnny Carson's second-to-last “Tonight Show” (1992) an  obscure Cole Porter song -- MISS OTIS REGRETS (She's Unable to Lunch Today) -- and do it, like  no one else before or since at a fast jazz band tempo?  Rhetorical question. 

 

In her studio recording, Bette sang the three-part harmony herself, and specified she wanted a clarinet solo on the musical bridge. It just sounds funnier!

 

For the Tonight Show, she performed with two back up singers, choreographing everything herself; at one point dancing over to the band stand for Doc Severinsen's tasty trumpet solo. The tight jazz band arrangement was the same, but the pace slightly slower. So the dance steps aren't too exhausting!

 

The song was conceived as a tongue-in-cheek parody of a country and western (she done me wrong) lament – performed rubato, out-of-tempo, and with slightly out-of-kilter lyrics. (Wiki note below).

 

Johnny Carson adored Bette Midler -- as an actress as well as singer. He wanted her on his final show to perform his favorite ballad (mine too) “Here's That Rainy Day.”

 

https://www.youtube.com/watch?v=yrkzH9fO-5k

 

"Miss Otis Regrets" is a song about the lynching of a society woman after she murders her unfaithful lover.[1] It was composed by Cole Porter in 1934, and first performed by Douglas Byng in Hi Diddle Diddle,[2] a revue that opened on October 3, 1934, at London's Savoy Theatre.

 

The song began during a party at the New York apartment of Porter's classmate from Yale, Leonard Hanna. Hearing a cowboy's lament on the radio, Porter sat down at the piano and improvised a parody of the song. He retained the referential song’s minor-keyed blues melody and added his wry take on lyrical subject matter common in country music: the regret of abandonment after being deceitfully coerced into sexual submission.[3] Instead of a country girl, however, Miss Otis is a polite society lady.

Friend and Yale classmate Monty Woolley jumped in to help Porter "sell it", pretending to be a butler who explains why Madam can't keep a lunch appointment. In the previous 24 hours, Miss Otis was jilted and abandoned, located and killed her seducer, was arrested, jailed, and, about to be hanged by a mob, made a final, polite apology for being unable to keep her lunch appointment. This performance was so well received that the song evolved, "workshopped" with each subsequent cocktail party, many of which were at the Waldorf-Astoria suite of Elsa Maxwell, to whom Porter dedicated the song.

 

 

Edited March 25 by Mark Blackburn

[Mark Blackburn]

I've got the flu. I'm in need of something to cheer me up.  Right this minute Siriusly Sinatra, as if to say “This should help!” is playing my "other favorite" singer – the title track from her Nelson Riddle arranged album with “orchestra conducted by Frank Sinatra.”  Remind me please to enumerate the reasons why Peggy is my favorite singer/songwriter. She didn't compose this one, of course. My favorite Ira Gershwin lyric. 

 

https://www.facebook.com/mark.blackburn.3910/

 

 

 

Edited March 25 by Mark Blackburn

[Mark Blackburn]

Once a year, just for me, Siriusly Sinatra satellite radio plays a 'live' concert performance of I GET ALONG WITHOUT YOU VERY WELL the most poignant ballad written words & tune by Hoagy Carmichael. I see my namesake has reviewed this one at YouTube. 

This is the best concert rendition. Listen to the breath control, beginning around the 1:30 mark. Unless you are a singer – any kind of singer – you may not appreciate those 13-and-one-half seconds of phrasing – the sort that all the other singers say Frank did best.

Wikipedia:

"I Get Along Without You Very Well" is a popular song composed by Hoagy Carmichael in 1939, with lyrics based on a poem written by Jane Brown Thompson, and the main melodic theme on the Fantaisie-Impromptu in C sharp minor, Op 66, by Frédéric Chopin.[1] Thompson's identity as the author of the poem was for many years unknown; she died the night before the song was introduced on radio by Dick Powell.[1] The biggest-selling version was a 1939 recording by Red Norvo and his orchestra (vocal by Terry Allen). Carmichael and Jane Russell performed the song in the 1952 film noir The Las Vegas Story.[1]

 

 

[Mark Blackburn]

Carly Simon introduced my generation to that song. Until her album TORCH was released in the summer of '81, no popular singer of Carly's musical stature was having anything to do with the 'Great American Songbook.'

 

As if to say, “You haven't forgotten Carly's version, have you?” the intuitive genius of YouTube sent this my way, reminding me that it is, after all, a 'girl song' – composed by a woman who'd lost her husband; on the basis of her poem Hoagy Carmichael wrote the poignant lyric. Her name was on the original sheet music.

----

I see my namesake reviewed this one “3 years ago” and included a personal anecdote from 40 years ago:

 

I remember playing Carly's version for my musical father on the cassette player in my car, circa 1984. He wasn't fond of the arrangement – with the same monotonous 'pedal point' note played on piano throughout, from beginning to end. He was a traditionalist and I see his point. Still, for sentimental reasons, Carly's rendition remains my “other favorite.” Yours too?

 

Wikipedia note:

Torch is the 10th studio album by American singer-songwriter Carly Simon, released by Warner Bros. Records, in August 1981.

It was Simon's first album devoted to standards, namely torch songs, relating unrequited love or rejection. The album also features one Simon original, "From the Heart".[1] The album was recorded during her marriage breakup to James Taylor, which was announced shortly after the release of the album.

 

https://www.youtube.com/watch?v=K0_8wrSJWxM

 

 

Edited March 26 by Mark Blackburn

[Mark Blackburn]

 

"You can't submit empty content" . . . Okay this was once a duplicate of the Carly Simon posting. Old and stupid, I am.

 

Edited March 26 by Mark Blackburn

[Mark Blackburn]

It's a quarter to two, and there's no one in the place except me and you … and just for us Siriusly Sinatra is playing a Nat King Cole recording of MISS OTIS REGRETS. I never heard it before right this minute! Dare I say it? My “new favorite” version. An ingenious arrangement with a small sized orchestra and the great jazz pianist accompanying himself from beginning to end. Applause! It's a live performance! So, an outstanding 'remote' recording by … wonder who the engineer was? Is it at YouTube? But of course. “Live at the Sands” 1960.

 

https://www.youtube.com/watch?v=iMSAzRvLdDE

 

 

Edited March 26 by Mark Blackburn

[Mark Blackburn]

REMEMBER - Harry Nilsson

Was poised to type "Wasn't this just the best song he ever composed?" But I see my namesake did that already, "4 years ago." [Since then it's turned 1M views.]

As if to say, “Wasn't this the best song he ever wrote?” the shuffle play miracle that is YouTube 2020 just sent this my way -- my all-time favorite song composed, words & music, by Harry Nilsson. Tears of joy. Set to this evocative slide show of memories common to the Human Race. Check these thoughts from kindred spirits in the “comments” below the video:

Naptown Tex 3 years ago
i have spent the last 12 hours falling in love with harry nilsson's music and voice. i had never heard him, only of him. what an amazing gift this man had. truly one of the greats.

Madbillysuggs 2 years ago
Always told my friends I couldn't understand people crying over a song..... then I heard this and guess what.

RocketKirchner 1 year ago
this could very well be one of the greatest songs ever written in any genre.

Thanks for sharing, TheWinningStar.

 

 

Edited March 26 by Mark Blackburn

[Mark Blackburn]

Shared at BERMUDA DAYDREAMIN' this day (3/26/2024) I remember like it was yesterday! An April morning in 1975, I awoke to our 'morning man' at ZBM radio David Lopes playing a favorite jazz tune, MISTY – but countrified, with a single fiddler scrubbing away at those words “a thousand violins.” I was crazy about the Ray Stevens rendition. And I could tell you were too. You played it every day! Remember? I imagine you playing it for the cows at 3 a.m. when you milked them 'before work' at ZBM. Call me crazy but this still gives me goosebumps. It's just the memory, right? Till the cows come home!

 

 

[Mark Blackburn]

HARRY NILSSON – This Is All I Ask

Gordon Jenkins – one of Sinatra's top arrangers (Nat Cole's too) wrote some of his best late-in-life arrangements for Harry Nilsson. There's a bit of video I'd love you to see, around the 27:20 mark of their recording session with London Symphony musicians. Some playful give-and-take, between master and student. Just before launching the best version of the most beloved song Gordon Jenkins ever wrote: THIS IS ALL I ASK.

“Beautiful girls, walk a little slower when you walk by me . . . “

 

https://www.youtube.com/watch?v=4H2922CVjV8

 

Edited March 26 by Mark Blackburn

[Mark Blackburn]

DON McLEAN -- The Mountains of Mourne

When I was little, my musical Mom would sing me to sleep with lullabies. At least half a dozen of them, including a request from me that she “sing the one about the mountains.” She knew only the first stanza. So that's the only one I can recite, to this day, hearing her lovely voice in my mind's ear, even now, 20 years after her passing, singing these words.

 

Oh Mary, this London's a wonderful sight!

With the people all workin' by day and by night

They don't plant potatoes, nor barley, nor wheat

But there's gangs of them 'diggin' for gold' in the street

At least, when I asked them, that's what I was told

So I took a hand in this digging for gold

But for all that I found there, I might as well be

Where the Mountains of Mourne roll down to the sea.

----

Don McLean, of 'American Pie' fame, may have had a musical Mom like mine, who sang him to sleep with this same song. To this day he's the only singer with a No. 1 hit to his credit, who ever recorded “Mountains of Mourne” -- so I could get to hear the extra stanzas my father always said "included one about “a policeman on London's Strand who held up the traffic with a wave of his hand.”

Sure enough. The concluding stanza. I type fast so let me share it:

 

You remember young Denny McLaren, of course?

Well, he's over here now, with the rest of the force

I saw him one day, as he stood on The Strand

He stopped all the traffic, with a wave of his hand.

And as we were talking of days that are gone

The whole town of London stood there, to look on

But for all his great powers, he's wishful like me

to be back where the dark Mourne sweeps down to the sea

----

Google to be reminded that “the Mourne is a small mountain range in Northern Ireland.”

Thank you, Don McLean! And thank you LeCommedieDelArte for sharing. A comment below the video attributes the song to one “Percy French, who wrote many memorable tunes.”

 

 

Edited March 27 by Mark Blackburn

[Mark Blackburn]

 

BETTE MIDLER - Tenderly

A propos nothing but "my all-time favorite version of TENDERLY" by a singer; George Benson retired the trophy with his guitar rendition. The intuitive genius that is YouTube 2024 just sent this my way, as if to say, Remember? 

Siriusly Sinatra satellite radio just played Bette Midler's (2002) take on TENDERLY. Not for the first time I'm thinking, 'That's my all-time favorite vocal version! In part because of the gorgeous arrangement; but mainly due to Bette's open skies breath-of-fresh-air delivery. Her voice and those strings are so lovely and artless, you can concentrate on the words -- the meaning of the song.

[Playing along on my 'Gibson Girl' before the song ended, I realized Bette and Barry Manilow decided to perform the song in its original key – E-Flat. The briefest (two-sentence) Wiki entry states:]

"Tenderly" is a popular song published in 1946 with music by Walter Gross and lyrics by Jack Lawrence. Written in the key of Eb as a waltz in 3/4 time, it has since been performed in 4/4 and has become a popular jazz standard. Sarah Vaughan recorded the song in 1946 and had a US pop hit with it in 1947 . . . 

----

“Other Versions” listed include Rosemary Clooney's 1951 recording – but not Bette Midler's 2003 version: From Bette's “Sings the Songs of Rosemary Clooney” album -- that eventually sold more than a million copies world-wide (721,000 in the U.S in the first two years).

The album was literally a “dream come true” for Bette's one-time musical director Barry Manilow who produced the album. Wiki now includes that anecdote I so love!

After the death of singer Rosemary Clooney in the summer of 2002, Manilow claims to have had a dream that he would produce a tribute album and Midler would be the singer on the album. In the liner notes, Midler writes, "When Barry approached me ("I had this dream!") about recording an album of Rosemary's standards, I was excited, but apprehensive. I wanted to be respectful, but I felt we had to find something new to say as well, and in these (mostly) new arrangements...I believe we have."

https://www.youtube.com/watch?v=3BJNv2jdH6s

 

Edited March 27 by Mark Blackburn

[Mark Blackburn]

Shared with friends a moment before coming here, along with a perfect 'Evening in Rome' photo, the famous bridge over the Tiber River and in the distance St. Peter's dome glinting gold in the setting sun. [I'd include the graphic here but they just won't 'take.']

"If you get to only one great city in Europe -- no, in all the world," I tell friends, "make it Rome." Least among its virtues, I tell them, "Every single meal, no matter how casual, you will say WOW!" That was our experience (celebrating our 40th wedding anniversary). Irene and I agree that it was, apart from our children and grandchildren, "the greatest experience of our lives." Thanks for sharing this graphic, Robin R. That's an actual photo of "an evening in Roma," as Dean Martin said in song."

Thanks for sharing Dean Martin.

 

 

https://www.facebook.com/mark.blackburn.3910/

 

Edited March 28 by Mark Blackburn

[Mark Blackburn]

GEORGE BENSON & JOE SAMPLE – Since I Fell For You

 

Imagined conversation (my reverie) between the “Guitar Man” and the “Piano Man” . . . 

 

JOE: Remember who introduced this?

GEORGE: Lenny Welch. 1963.

JOE: Lenny had the million-seller. Who wrote it, who sang it first?

GEORGE: Buddy Johnson "and his Blues Band" – 1947.

JOE: So how you want to do this, George?

GEORGE: Just you Joe.  One take.

JOE:  No guitar?

GEORGE:  A little something at the end. Make you smile.

 

 

Edited March 31 by Mark Blackburn

[Mark Blackburn]

My mentally handicapped best friend Michael O'Connor gases up my car. He does such a good job, and keeps the receipts neatly in his desk at home. That's a “L'Arche” home (one of several in Winnipeg). I figure Michael must have 10 thousand dollars in receipts, including the latest from an Easter Sunday fill-up.

 

On the way there and back, we listen to a CD of 'Asleep at the Wheel' with Big Ray Benson -- the best country swing band ever, performing songs like Glen Miller's Chatanooga Choo Choo. “Who's that, the guest singer?” I ask Michael each time. He responds, “Willie Nelson.” And each time Michael asks, “Is he dead?” And I say, “No, but he's 90 and still goin' strong!”

 

I refrain from telling Michael “That tune was written by Harry (Salvatore Guaragna) Warren who had 21 No. 1 hits" by almost as many artists. Including Glen Miller's version of this one.

 

https://www.youtube.com/watch?v=MUKHd2OlFVI

 

 

 

 

'Asleep at the Wheel' adhered closely to the original Glen Miller arrangement. Wish Ray Benson & Co could hear Michael and me harmonizing so nicely on favorite lines like these:

 

There's gonna be, a certain party at the station

Satin and Lace, I used to call Funny Face

She's gonna cry, when I tell her that I'll never roam

Oh, Chatanooga Choo Choo, won't you

choo choo me home.

Hey! That's the album cover. I show it to Michael and say, “Guess which one is Big Ray Benson?”

 

https://www.youtube.com/watch?v=mcXCxP4MdEI

 

 

 

 

Edited April 1 by Mark Blackburn

[Mark Blackburn]

JOHNNY MATHIS -- Love Look Away

Up early, to check and see what I'm missing on “Siriusly Sinatra.” At this moment,  something I never heard before: The voice of a very young (1961) Johnny Mathis on full operatic display. I'd forgotten, if I ever knew, the power – beautifully harnessed tenor power – he could summon for a live performance. Where it counts, right? Remember, Mr. Mathis is still astonishing audiences today. My friend Calabria Foti has played 'first violin' with accompanying orchestras and just 'loves him to bits.'

 

The song is from Rodgers & Hammerstein's FLOWER DRUM SONG, the same year Johnny Mathis introduced it to the world at large, on 'The Ed Sullivan Show.' You need to understand that, in those days, everyone and his brother did a “really big shew” impersonation of Ed Sullivan. No one better than family friend Rich Little, then a budding impressionist at a high school in Ottawa Canada.  Rich wasn't the first, with the 'really big shew' merely the best (then and now).  

Now then, "Johnny Mathis and Love Look Away."

 

https://www.youtube.com/watch?v=-3yeFyexMHk

 

Edited April 1 by Mark Blackburn

[Mark Blackburn]

SETH MACFARLANE – I Loved You Once in Silence

 

Alan Jay Lerner & 'Fritz' Loewe's first great musical BRIGADOON opened March 13, 1947. I know 'cause that's the "night of the day that I was born." The two songwriting giants waited another nine years, to produce their masterwork MY FAIR LADY (1956) then another decade to introduce their last great Broadway show, CAMELOT, which musical Canadians 'of an age' recall, premiered briefly in Toronto, before opening in New York.

 

I'm listening right now for the first time since then, to an almost forgotten song from CAMELOT – a bittersweet ballad of the kind that only Seth MacFarlane is rescuing  from oblivion these days: I LOVED YOU ONCE IN SILENCE, performed in the show by Canada's gifted tenor, Robert Goulet. Funny thing, I just remembered the first time my Irene heard Mr. MacFarlane's singing voice and called out, from the next room, “Is that Bob Goulet?”

 

I could speak to the brilliance of a refreshingly new orchestration, involving upwards of 50 musicians -- “orchestra arranged and conducted, by Bruce Broughton” – according to the album cover: “SETH MACFARLANE - GREAT SONGS OF STAGE AND SCREEN.” See if this does something for you.

 

https://www.youtube.com/watch?v=duV74n-4TV0

 

Edited April 2 by Mark Blackburn

[Mark Blackburn]

A day after celebrating George Benson's latter day 'best ever' version of this Lenny Welch million-seller from 1963, the programmer at Siriusly Sinatra, Jersey Lou Simon sent this my way, as if to say, You aren't forgetting this, your "other favorite" version? Deepest thanks for the reminder!

 

https://www.facebook.com/mark.blackburn.3910/

 

Wikipedia: "American Classic is the 57th studio album by Willie Nelson, released on August 25, 2009. It focuses on the American popular songbook and standard jazz classics, and includes guest appearances by Norah Jones and Diana Krall."

 

 

Edited April 2 by Mark Blackburn

[Mark Blackburn]

SETH MACFARLANE – Two for the Road

 

Henry Mancini's musical daughter Monica said recently (at a 100^th anniversary celebration of her father's life) that this song TWO FOR THE ROAD was her parents' favorite – “their song,” as she says.

 

It's another shouldn't-be-forgotten gem that Seth MacFarlane rescues from obscurity; with the help of a simple, fresh, open-air string orchestration from one of today's greatest arrangers, Bruce Broughton. (Remember the name).

 

Below the video, comments from kindred spirits, like these:

 

RandallSundeen3383 (2 months ago)

The music of Henry Mancini got me through boarding school! I went to school in Behlehem CT, not far from where Seth grew up! My wildest dream was to sing songs like this; needless to say, I got teased about it, even from teachers! Artists like Seth, Harry Connick Jr., and Diana Krall vidicated my love for this Iconic American Music!!!

 

LibertyLindaWatts (3 years ago)

It's so refreshing to hear real music and an incredible voice at a time when 3 note wonders call a beat, music … Thank-you from the bottom of my heart.

 

TiffanyClark6621 (3 years ago)

100% agree!! Most of these 'singers' today are a joke!! There are a few that are talented that I like, but it's rare. I'm a huge Michael Buble fan. And I LOVE an orchestra!

 

https://www.youtube.com/watch?v=9I0rxP_hLzk

 

Edited April 3 by Mark Blackburn

[Mark Blackburn]

ANNE MURRAY – As Time Goes By

 

Siriusly Sinatra is playing (right this minute) a country song – or rather a countrified arrangement of Anne Murray's take on AS TIME GOES BY.

 

“Is that perhaps the best love song of them all?” I asked my musical father, who responded: “No. But it's maybe the best song ever written ABOUT love.”

 

I know the arranger, from admiring the work of Bob Mann, my all-time favorite guitarist/studio sessions musician who has appeared on stage with . . . most every important artist, including James Taylor.

 

Remind me to share Bob Mann's solo on the musical bridge of Linda Ronstadt's YOU GO TO MY HEAD. Still my favorite jazz solo, for its content as well as the tone: a flat pick, on flatwound strings, on Wes Montgomery's weapon of choice, a Gibson L-5. Oh let me find it, now, before I forget. But first, this pretty tune by Anne Murray.

 

 

Opening notes, Bob Mann alone together with Linda Ronstadt and the Nelson Riddle Orchestra, 40 years ago.  Still the No. 1 jazz guitar solo I have ever heard!

 

 

Edited April 3 by Mark Blackburn

[Mark Blackburn]

 

If you were to have asked Ray Charles about his signature song GEORGIA ON MY MIND and whether he had a favorite version by someone else, I'm pretty certain he would have said this recording by his then- young friend Steve Tyrell. Somewhere there's a photo of the two of them, sharing laughter and joy on some musical occasion.

Don't you love the opening piano allusion to WE SHALL OVERCOME (One day). The arrangement is by Steve's good friend Bob Mann, who has worked with most every important artist including James Taylor. For 40 years Bob's been my all time favorite "sessions musician" playing Wes Montgomery's weapon-of-choice, a Gibson L-5.

 

 

 

Edited April 16 by Mark Blackburn

[Mark Blackburn]

I turn on Siriusly Sinatra a moment ago and they're playing my "other favorite" latter day version of MY BLUE HEAVEN. James Taylor won a Grammy three years ago for his rendition which included the song's delightful opening verse that I'd never heard before. Harry Connick Jr skips the verse, but he wrote the catchy arrangement you only need to hear once (only on Sirius radio) and hear the opening bars, to know what's coming. Who would have thought to open with bongo drums? Only You, Mr. Connick.

 

 

 

[Mark Blackburn]

TONY BENNETT – Forget The Woman
 

"She'll never love you, try to forget her, try to find someone new. Forget the woman. She has forgotten you."

A Tony Bennett song I'd almost forgotten! -- playing right this minute 3:33 in the morning on Siriusly Sinatra satellite radio. Google to be reminded of the Who, the Where, and the When for this recording.

No one recorded more songs than Tony Bennett. So it is entirely fitting that his, is the largest online 'discography' – thanks to “The Interactive Tony Bennett.”

Which instantly answered all my questions about FORGET THE WOMAN: What's it from? “The Art of Excellence” (1986) Who arranged it? “Jorge Calandrelli.” Who wrote it? “Composer Ettore Stratta, lyricist Ronnie Whyte.

Mr. Stratta “co-produced The Art of Excellence with Danny Bennett.”

The lyrics are simple, and amount to a 'tell me' not a 'show me' message. But set to a gorgeous tune, they 'work' – as Tony would have realized at first glance.

No artist rescued more destined-for-oblivion songs than Tony Bennett. And none of his great arrangers had more Grammy nominations than Jorge Calandrelli – more than a dozen albums with Tony, including the 'multi-platinum' selling DUETS. 

 

 

 

[Mark Blackburn]

The beach behind her stretches for two miles and has welcomed a million people – for a Rolling Stones concert (3.2 million for a Catholic 'World Youth Day') – but which many of us have never seen at night, ordinary souls on its colorful sidewalks. In Rio, even sidewalks are beautiful!

Just had to say deepest thanks for sharing this. In my reverie I'd often imagined sitting around with Diana Krall on just such a casual occasion. A memory to be treasured a lifetime!

That's her gifted guitarist Anthony Wilson, and beside him Diana's producer, the late Tommy Lipuma. Playing 'brushes' so essential to Bossa Nova, her favorite drummer (and mine) Jeff Hamilton. (Included for a second there, the late Al Schmitt, greatest ever recording engineer;  20 Grammys says so!)

An informed note below the video reminds us that the lucky fellow sitting beside Diana and invited to join in song, is “Carlos Lyra, Brazilian singer, composer and guitarist.”

A medley of gems: A.C. Jobim's BOY FROM IPANEMA, Johnny Mercer's TOO MARVELOUS FOR WORDS and Irving Berlin's Cheek to Cheek; concluding with one of five Jobim songs for which my compatriot Gene Lees wrote the English lyric – Quiet Nights of Quiet Stars.

 

 

 

Edited April 6 by Mark Blackburn