Jump to content

Relative keys?


Recommended Posts

  • Members

I'm basically a newbie to theory, but everytime I learn something new theory wise I immediately apply it to my playing. I am obtuse, it takes a whap on the head and an explanation that one would use to inform a 6 year old to get to me.

 

Last night my band was "creating" and we were playing a riff based song using A major scale. My pianist told me to play F# pentatonic minor over it and it would sound good due to relative keys. I see that many of the notes of box 2 of F# minor pent. fall over box 1 of A major, obviously that is why it sounds good.

 

So am I understand that I can play a minor pentatonic, and then play the major scale with a root 4 frets down? Please correct me if I am wrong, and in any case shoot me some links that explain this business or just explain it to me. Thanks!

Link to comment
Share on other sites

  • Members

Man, sounds like you got it. I'm new to theory myself but basically thats an easy way to start soloing and a lot of songs are based on that shape of the pentatonic scale played in the very way you are describing.

I think most people around here recommend Mike Dogde's site for theory and after working there myself I have to agree it is fantastic, thorough and pretty easy to understand.

http://lessons.mikedodge.com

check it out

Link to comment
Share on other sites

  • Members
I'm basically a newbie to theory, but everytime I learn something new theory wise I immediately apply it to my playing. I am obtuse, it takes a whap on the head and an explanation that one would use to inform a 6 year old to get to me.


Last night my band was "creating" and we were playing a riff based song using A major scale. My pianist told me to play F# pentatonic minor over it and it would sound good due to relative keys. I see that many of the notes of box 2 of F# minor pent. fall over box 1 of A major, obviously that is why it sounds good.


So am I understand that I can play a minor pentatonic, and then play the major scale with a root 4 frets down? Please correct me if I am wrong, and in any case shoot me some links that explain this business or just explain it to me. Thanks!

It would be 4 frets up.A is the b3 of F# minor

Link to comment
Share on other sites

  • Members

I'm basically a newbie to theory, but everytime I learn something new theory wise I immediately apply it to my playing. I am obtuse, it takes a whap on the head and an explanation that one would use to inform a 6 year old to get to me.


Last night my band was "creating" and we were playing a riff based song using A major scale. My pianist told me to play F# pentatonic minor over it and it would sound good due to relative keys. I see that many of the notes of box 2 of F# minor pent. fall over box 1 of A major, obviously that is why it sounds good.


So am I understand that I can play a minor pentatonic, and then play the major scale with a root 4 frets down? Please correct me if I am wrong, and in any case shoot me some links that explain this business or just explain it to me. Thanks!

 

 

 

 

A major and F#minor are related because they have the exact same notes.

 

You don't need to switch scale positions to play one or the other. If you are playing a pattern that is A major, you are also playing a pattern that is F# minor. Same thing.

 

In standard pentatonic scale fingerings, there are 5 shapes. That means you have 5 shapes that are A major. Those exact same 5 shapes at the same frets are also F#minor.

 

Another way to understand it is to write out the notes:

 

 

A major pentatonic = A B C# E F#

 

F#minor pentatonic = F# A B C# E

 

Same set of notes.

 

 

 

So when you a practicing a pentatonic scale pattern next time, make sure you know both the major key and minor key you are playing in.

Link to comment
Share on other sites

Archived

This topic is now archived and is closed to further replies.

×
×
  • Create New...