Members Estephan Rodriguez-Torres Posted April 27, 2012 Members Share Posted April 27, 2012 I received a Boss DSD-3 in the mail today, and out of curiosity plugged the CV out of my Goatkeeper 3 into the DSD-3's Trigger In. It works, and {censored}, it sounds really good. So long as the Goatkeeper is on the square wave setting, and the depth is above 12, you get some great sequenced delays. Gotta head to work, but i'll try make some {censored}ty demo of how it sounds. 15 minutes with this pedal and i'm having more fun (and finding useful sounds) than all the other delays i've owned. Link to comment Share on other sites More sharing options...
Members cmog Posted April 27, 2012 Members Share Posted April 27, 2012 CV FTW. Link to comment Share on other sites More sharing options...
Members seifukusha Posted April 27, 2012 Members Share Posted April 27, 2012 clip or video or you sleep with a goat. Link to comment Share on other sites More sharing options...
Members 9520575 Posted April 27, 2012 Members Share Posted April 27, 2012 what parameter are you controling? I've plugged the gk into a, timeline and echoultion, results were mixed. Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 The Goatkeeper is controlling the patterns of the delays repeats. The DSD-3 is meant to have a drum track or something similar plugged into the Trigger In, but the Goatkeepers square wave setting is doing the same thing, pretty much. In other words, if the Goatkeeper and DSD-3 are both on, they are sync'd. If the Goatkeeper is off, the DSD-3 still follows its pattern. Make sense? Link to comment Share on other sites More sharing options...
Members seifukusha Posted April 27, 2012 Members Share Posted April 27, 2012 video! Link to comment Share on other sites More sharing options...
Members imbuedblue Posted April 27, 2012 Members Share Posted April 27, 2012 Clips! Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 Uploading a {censored}ty video now to demonstrate. Link to comment Share on other sites More sharing options...
Members 9520575 Posted April 27, 2012 Members Share Posted April 27, 2012 The Goatkeeper is controlling the patterns of the delays repeats. The DSD-3 is meant to have a drum track or something similar plugged into the Trigger In, but the Goatkeepers square wave setting is doing the same thing, pretty much.In other words, if the Goatkeeper and DSD-3 are both on, they are sync'd. If the Goatkeeper is off, the DSD-3 still follows its pattern.Make sense? ohhhhhhh, I dont know anything about the dsd-3. I didn't know, it had that type of input. sounds pretty dope. I want one now . Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 http://www.youtube.com/watch?v=lLEVR9XjVNQ&feature=g-upl Link to comment Share on other sites More sharing options...
Members seifukusha Posted April 27, 2012 Members Share Posted April 27, 2012 dope yep sounds like a dsd.. thx 4 dat Link to comment Share on other sites More sharing options...
Members OMTerria Posted April 27, 2012 Members Share Posted April 27, 2012 Yeah, that's really awesome haha. A very unique effect for sure. Link to comment Share on other sites More sharing options...
Members Texas Noise Factory Posted April 27, 2012 Members Share Posted April 27, 2012 Very cool. Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 Only minor problem with this setup is i'm using the Goatkeeper's CV out for the DSD-3's trigger, which means i can't control the trem speed with an expression. I'm not sure if something could be made to accomodate both...? Single box with one input, two outputs. The Goatkeeper's trem range is soooooo long that it kinda makes the expression application difficult to use, but none-the-less. Scored the DSD-3 for about $160. Sounds great! Not quite as sterile as other Boss delays (there is a slight high end roll off). So many cool sounds though. In the basic delay mode it'll forget what you played as soon as the pedal is turned off (which i like), and in rec/play mode it just becomes a momentary delay (that will remember what was last played when you disengage/engage the pedal). The fact no one really cares about this pedal worked in my favour. I didn't want to pay vintage Boss prices. The pedal itself doesn't even look like it's been used, even after 15 years. Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 Oh, i almost forgot... RANDOM delays too! I should have put that in the video. Link to comment Share on other sites More sharing options...
Members 9520575 Posted April 27, 2012 Members Share Posted April 27, 2012 but the goatkeeper has a cv out and cv in, you just need one trs to to the dsd and the second to an expression pedal. also if you use an expression pedal with a minium knob, you can reduce the range of the trem speed on the goatkeeper. I use a fv500 and just set the min knob to cut all the riduliously slow rates the goatkeeper can go. Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 {censored}, i didn't realise all along that it's the LFO out on the Goatkeeper going into the DSD-3 (HA!). Expression control still works. It's interesting changing the "delay speed" without the change in pitch. And i'm using a Mission Engineering SP-2, so there's no control over the range. Link to comment Share on other sites More sharing options...
Members 9520575 Posted April 27, 2012 Members Share Posted April 27, 2012 well {censored} problems solved. now just get an fv500 ... theres one in the spam thread fyi Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 27, 2012 Author Members Share Posted April 27, 2012 I would, buuuuut..... the SP-2 has two inputs that i'm controlling two effects with (separately). Until i get my hands on an Expressionator, i'll tolerate the SP-2's flaws. Once i get an Expressionator i'll get a different expression pedal. Link to comment Share on other sites More sharing options...
Members aeonrevolution Posted April 27, 2012 Members Share Posted April 27, 2012 Sounds like you need that goofy thing Adam Jones from Tool made for 10,000 Days. It was like a delay/trem built connected in with an expression pedal. I think it was this thing, but modded. http://www.gig-fx.com/products/chopper/ Link to comment Share on other sites More sharing options...
Members PKTrono Posted April 28, 2012 Members Share Posted April 28, 2012 video sounds very cool, always looking for stuff to control with my gk Link to comment Share on other sites More sharing options...
Members jordanjordan Posted April 28, 2012 Members Share Posted April 28, 2012 That was awesome. I bet random mode is tits. Link to comment Share on other sites More sharing options...
Members Estephan Rodriguez-Torres Posted April 28, 2012 Author Members Share Posted April 28, 2012 Yeah, random sounds awesome. Especially with the momentary switching in rec/play mode. Link to comment Share on other sites More sharing options...
Members Operator Posted April 28, 2012 Members Share Posted April 28, 2012 That sounds like a lot of fun! Try running a drum machine in there if you get a chance, I bet you could get some pretty fly beats. Link to comment Share on other sites More sharing options...
Members Faldoe Posted April 28, 2012 Members Share Posted April 28, 2012 siickkk Link to comment Share on other sites More sharing options...
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