Members Delle_Rose Posted December 15, 2006 Members Share Posted December 15, 2006 I should put the disclaimer that, when it comes to theory/time signatures/technical things, I don't know what the hell I'm doing. Ever. I don't even know what time signatures mean - I've just learned to recognize basic ones (akin to a kid "reading" by memorizing the book). Now... Ohk, so I have a song, and I'm not sure what the time signature is. It's played in what sounds like 8th notes in 4/4 time, except the very last note is cut off, so: 1 & 2 & 3 & 4 1 & 2 & 3 & 4 1 & 2 & 3 & 4 ad nauseum Or, in my head, I think of it as "1 2 3 1 2 3 4", and have basically used the mental trick of making it two bars (though given the speed it's actually only one?) - the first in waltz time, the second in standard 4/4, just so I can make sense of it. Um... anyone know what that would be? Thanks!!! Link to comment Share on other sites More sharing options...
Members Stackabones Posted December 15, 2006 Members Share Posted December 15, 2006 Looks like 7/8 time. Link to comment Share on other sites More sharing options...
Members Delle_Rose Posted December 15, 2006 Author Members Share Posted December 15, 2006 Originally posted by Stackabones Looks like 7/8 time. Thank you!!! I actually just thought that might be the case like 2 minutes ago when I realised "All You Need Is Love" is in that timing, so I searched for the time sig for that, but I still wasn't sure. But yes... you suggesting it makes me more certain of that (ie: someone who actually knows what they're talking about, rather than me randomly guessing). Thanks! Link to comment Share on other sites More sharing options...
Members recordingtrack1 Posted December 15, 2006 Members Share Posted December 15, 2006 So is the song "Money" by Pink Floyd. RT1:thu: Link to comment Share on other sites More sharing options...
Members Stackabones Posted December 15, 2006 Members Share Posted December 15, 2006 Originally posted by Delle_Rose Thank you!!! I actually just thought that might be the case like 2 minutes ago when I realised "All You Need Is Love" is in that timing, so I searched for the time sig for that, but I still wasn't sure. But yes... you suggesting it makes me more certain of that (ie: someone who actually knows what they're talking about, rather than me randomly guessing). Thanks! If I remember correctly, the verse in "All You Need" is in 7/4 and the chorus is in 4/4. Been a long time since I've heard that one, so don't quote me! Money's in 7/4, yep. For a classic CD with odd time signatures, check out Dave Brubeck's Time Out, which contains the evergreen "Take Five"--in 5/4. Check out this list of tunes in odd time signatures. WOW! Link to comment Share on other sites More sharing options...
Members bluesway Posted December 15, 2006 Members Share Posted December 15, 2006 yeah...money's 7/4. that's 7/8. good times. depending on the groove, there are alot of ways to count it. where's your accented beats in the rhythm? a popular pattern for 7/8 (totally killed and overdone by dream theater in their attempt to show us how talented they are) is 1 2 1 2 1 2 3 - accenting the ones . Link to comment Share on other sites More sharing options...
Members Delle_Rose Posted December 15, 2006 Author Members Share Posted December 15, 2006 Originally posted by bluesway yeah...money's 7/4. that's 7/8. good times. depending on the groove, there are alot of ways to count it. where's your accented beats in the rhythm? a popular pattern for 7/8 (totally killed and overdone by dream theater in their attempt to show us how talented they are) is 1 2 1 2 1 2 3 - accenting the ones. hehe. Eh... I don't like Dream Theater, so nothing like that. Actually, the song started as me trying to rip-off Jacques Brel's "Les Vieux", and as it progressed I also started ripping off Regina Spektor's "Braille" (both of which are 4/4) and it took its own identity from there. I was just playing in that timing for some reason and suddenly I thought "wait - that's weird"... so I tried playing it in 4/4 and it just didn't sound right. The accents are... well, as I said, I divided it between waltz time and standardy time, so it was 1 2 3 1 2 3 4 ... and sometimes 1 2 3 1 2 3 4... depending on what sounded better with each part. And then every now and then there's a short 4/4 part to break it up. What exactly is the difference between 7/4 and 7/8? Sorry to ask so many questions... if you know a site that explains it, that'd be cool, too (I did a search, but nothing really explained what I want to know). As of last night I started "experimenting" with different timings (well, weird note counts, as I don't actually understand the concept of timing)... a phrase of 5 notes here, 7 there, etc... It's weird how just adding or removing a note can completely change the mood/feel/etc... of a song. So I'm interested now. Link to comment Share on other sites More sharing options...
Members Delle_Rose Posted December 15, 2006 Author Members Share Posted December 15, 2006 Originally posted by Stackabones Check out this list of tunes in odd time signatures. WOW! yeah... that's actually one of the things I found when I was trying to figure it out. That's some weird {censored}. I know so many of those songs, too, and never realised how odd the timing was... like Roxy Music's "Amazona"... that entire song is just a mess of time signatures apparently, and I had no idea. I just asked this below (er... above), but what's the difference between 7/4 and 7/8? Anyway, again, thank you! Link to comment Share on other sites More sharing options...
Members Floophead3 Posted December 16, 2006 Members Share Posted December 16, 2006 7/4 has 7 quarter notes in a bar, with 2 half notes and a dotted half note as your beats. Either 1 2 3 1 2 1 2, 1 2 1 2 3 1 2, or 1 2 1 2 1 2 3. Unles you're on crack and divide it incorrectly for some reason.7/8 has 7 either notes in a bar, and the beats are 2 quarters and 1 dotted quarter. Ultimately they're the same thing, but on paper they are different. Link to comment Share on other sites More sharing options...
Members bluesway Posted December 16, 2006 Members Share Posted December 16, 2006 expanding a bit more on what floophead said, (although he pretty much got it), i would have to say that they are very much NOT the same thing and they both have a purpose. there's a feel difference in 7/8. usually, there's 3 accents in that measure (which supports floop's quarter, quarter, dotted-quarter setup) - 7/4 has two at most...."money" is only accented on the "1" - so that's just 1 accent. a more foolproof way to get to the bottom of it is by feeling tempo. a fast 7 (or 2,2,3) note passage will always be 7/8....a slow one will always be 7/4. same thing with 5/8 and 5/4. listen to take five (learn the tune, also - nice bridge change, nice head)..that's a slow series of 5 notes - countable as 1-2-3-4-5 and subdivisible, if necessary. 5/8 would be much more rapid and felt as 1-2-1-2-3 - accents on the 1's. if you want to shed this, play with 3/4 and 6/8 to get the basic idea. 3/4 is just 3 quarters - like that omm-pah-pah thing from europe. 6/8 is more of a backbeat feel divided by 3 instead of 4. 123123 - accent on the second '1'. a perfect circle has many tunes in 6/8. the best way to determine (really) is by going with your gut...and as long as you're following along, it's all good. Link to comment Share on other sites More sharing options...
Members Aaron Cheney Posted December 20, 2006 Members Share Posted December 20, 2006 For a lesson in giving odd time sigs an undeniable groove listen to just about any Led Zep album. Their song The Ocean off Houses of the Holy would be a perfect example of what I'm talking about. John Bonham was incredible that way. Tons of Sting songs too.... A Link to comment Share on other sites More sharing options...
Members rcb Posted December 20, 2006 Members Share Posted December 20, 2006 Originally posted by Aaron Cheney For a lesson in giving odd time sigs an undeniable groove listen to just about any Led Zep album. Their song The Ocean off Houses of the Holy would be a perfect example of what I'm talking about. John Bonham was incredible that way. Tons of Sting songs too.... Another great odd-time signature Zepplin tune is "Four Sticks" (5/8 with a 6/8 B section). And speaking of undeniable groove...what about the beginning of "Scatterbrain" by Jeff Beck? Holy crap, I never knew 9/8 could sound so good until hearing that drummer (Richard Bailey, I believe). Link to comment Share on other sites More sharing options...
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