Members wrongnote85 Posted May 24, 2012 Members Share Posted May 24, 2012 wow, this thread turned into the asshole lair while i was out. Link to comment Share on other sites More sharing options...
Members soundgardener75 Posted May 24, 2012 Members Share Posted May 24, 2012 Tune to this- Also, when you use words like -lemme,gunna and troof -and have the audacity to call someone else a r3+ard or douchbag...your forebearers should've stayed in the trees. Link to comment Share on other sites More sharing options...
Members wrongnote85 Posted May 24, 2012 Members Share Posted May 24, 2012 i'd like to be that 'r'. Link to comment Share on other sites More sharing options...
Members t3ch Posted May 25, 2012 Members Share Posted May 25, 2012 I heard the r is for racist. Link to comment Share on other sites More sharing options...
Members Metalman X Posted May 25, 2012 Members Share Posted May 25, 2012 I heard the r is for racist. Nope...it stands for "Rape here" Link to comment Share on other sites More sharing options...
Members exafro Posted May 25, 2012 Members Share Posted May 25, 2012 Guys, he spent a ton of time on that Paint shop pic. He's gotta get his use outta it. Link to comment Share on other sites More sharing options...
Members DeadNight Warrior Posted May 25, 2012 Members Share Posted May 25, 2012 I don't think any of my 7s are that well intonated for the B when you go higher up the neck. Some are better than others. It doesn't particularly bother me though, as I usually play higher stuff on higher strings. The 12th fret for example, I'd generally prefer the sound of the 7th on the E anyway. It might mean a bit more jumping around the fretboard sometimes, but I do that anyway, e.g. if I want to stick to wound strings only for a bunch of chords. Link to comment Share on other sites More sharing options...
Members t3ch Posted May 25, 2012 Members Share Posted May 25, 2012 I don't think any of my 7s are that well intonated for the B when you go higher up the neck. Some are better than others. It doesn't particularly bother me though, as I usually play higher stuff on higher strings. The 12th fret for example, I'd generally prefer the sound of the 7th on the E anyway. It might mean a bit more jumping around the fretboard sometimes, but I do that anyway, e.g. if I want to stick to wound strings only for a bunch of chords. Try to stay on topic, please. Link to comment Share on other sites More sharing options...
Members ::fred:: Posted May 25, 2012 Members Share Posted May 25, 2012 I don't think any of my 7s are that well intonated for the B when you go higher up the neck. Some are better than others. I know of a good local luthier and he's very techy in building his guitars... math/physics/material sciences etc.. he uses all of them. I recall him telling me that it's practically impossible to build a balanced/well intonated 7-string without it looking horrendous (no headstock etc). Link to comment Share on other sites More sharing options...
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