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I own both of the 1981 yellow dod 250 with mylasia 741 chip & a 1981 mxr with led and the same 741 mylasia chip in it with 270 germainium diodes. the mxr is warmer has the vintage randy roads/ evh tone sounds good by itself. The dod 250 has more volume clean boost and will cut throught the mix live better and you have to play with it to dial in the sweet spot. IMO i like them both but the mxr has the tone to die for.
The dod 250 mtches beeter with my strat and the mxr is a match made in heaven with my les paul. I find myself liking the older pedals and amps and guitars. i am selling my ocd v1 70's fulltone pedals because they sound to modern or solid state to me. The older pedals seem to enhance the gear you all ready have. All my music heros are dead or retired. 50's,60',70's some 80's after that it seems t orientated to the masses for revenue only.
If you're a fan of either the DOD 250 overdrive or the MXR Distortion+, then you probably already
know that the two circuits are nearly 100% identical with the exception of a few component values...
Yea, I'm noticing in the rabbathrecording schematics that some of the parts are slightly different values, for instance, the MXR has R2, R3, R4 values of 1M whereas the DOD has smaller values there... and in addition those LED's and tone stack...
...but what does that mean in theory? Despite the similarities, should one have more gain or treble or bass than the other, or what?
To my ears, the DOD 250 has less distortion, it's more of an overdriven sound as the name suggests. I have a vintage MXR "Script Logo" Distortion + to compare it to, though. Not sure how the newer versions compare.
I was super disappointed with my DOD-250. The first one I got was a vintage model that was broken when I got it (first and last time I used ebay). So I got a reissue version. It sounded good, but when the gain was above 12 in bypass mode the distortion bled through into my clean tone. The higher you turned the gain, the worse it got. I don't think I will ever buy a DOD product ever again.
My only experience with the MXR distortion + is playing it in the store but it sounded amazing and I'm definately gassing for one.
PH-3>BBE Green Screamer>Big Muff>Whammy IV>Mojo Hand 442>Boss TR-2>Boss-GE-7>Boss-DD-6>Humdebugger>Boss Volume>Line 6 DL-4>SMM/H
Fender Hot Rod Deluxe/Marshall AVT2000 50 watt combo
The DOD250/yjm308 is the perfect compliment to stack on a Distortion +. Both have clean circuits and no intrusive tone control. My addvice is too run a the YJM knobs at 120, and the distortion + knobs @ 7/10. You can have them on together, or separately so you get a wide range of distortion levels. To clean up the signal running to the amp add a ISP decimator to the chain and finally a MXR dynacomp for strength. Use your amp to EQ anything out of tone.
That chain will keep you intrested with variety, and wont let you down.
The YJM clip will scare people away. Bad example , but nice gesture.
good transactions with- 1923ford, kung-fool, AnalogMike
-I recorded LITTLE WING on reaper, with a line6 UX2 standard vocal preset, all sm58 mic-ing, stratocaster through AVT20, , brave voice dry, monte opto CS-3 compression on guitar.