Jon Chappell

Delve into the world of Vocaloid for the first time and it's difficult not to be staggered by the huge following these virtual vocalists have amassed around the globe. From a Wiki-esque website to their very own Facebook pages, 'Vocaloids' are worshipped at great length by fans who not only debate the voices but also the outfits worn by these virtual vocalists. Avanna is Zero-G's first release for the new Vocaloid 3 engine as well as the first English female singing voice for the new software. Ideally suited to pop and Celtic music, Avanna can also be used in a myriad of musical styles – whether it´s sweet and pure leads, harmonies or backing vocals, this 'Engloid' can sing anything you like, any time you want! The new Vocaloid 3 interface allows you to import wav files so Avanna can sing along with your compositions from within Vocaloid. Avanna also comes with a default reverb for added realism and you can add vibrato and expression to her voice. Available for PC use only, Avanna ships with Vocaloid 3 Editor Lite (also known as Tiny Vocaloid3 Editor) which has the following features: Piano-roll style note editor, importing functionality from a standard MIDI file (limited for 1 track and 17 bars)
 
Inputting lyrics and automatic conversion to phonemes
 
Assigning musical expression templates from an Icon 
Palette Sending notes, lyrics and musical expression to the Synthesis Engine
 Saving vocal data as a .wav file 
Changing synthesis parameters Effects (Reverb only) 
Playback .wav files The full Vocaloid 3 Editor software which offers the full range of editing features is available to buy separately. Avanna is available to buy now as a DVD or download RRP: £79.95 / €94.95 / $119.00 Interested in reviewing Avanna? Please email marketing@timespace.com with your request.

'Future Pop Vol 3' is the third volume in this best-selling series of slick & professional Construction Kits created and produced exclusively for Producer Loops by Simon Rudd of "The Fliptones". Guaranteed to fuel your next dancefloor hit and packed full of expertly mixed loops and the usual feature set you've come to expect from Producer Loops, this is an unmissable product. Within each of the five Construction Kits you'll find deep basslines, pounding drums and breathtaking sidechained pads all topped off with scatterings of dizzying FX, euphoric keys and powerful leads. 'Future Pop Vol 3' combines all of this with accessible radio & dancefloor-ready progressions designed to inspire and fuel your creativity. As with most Producer Loops products, this pack also includes a number of features designed for professional producers. Read on to find out more. Dry Loops: All of the loops in 'Future Pop Vol 3' have been skillfully processed and effected, but for the more demanding producer dry versions have also been included allowing you to create your own FX mix and apply your favourite reverbs, delays and more. FX Tails: These files allow you to end a musical phrase with the natural decay of the FX applied to it meaning you don't have to abruptly end loops, use fadeouts, or consume DSP processing the dry takes. MIDI Files: For those that really like to get under the hood, MIDI files have been included for all melodic phrases allowing you to play them back through your favourite synth, or create new variations to further expand your arrangement. One-Shots: These non-looping percussive samples are ready to load into your favourite sampler or hardware device allowing you to program your own beats, loops and fills using the same sound set as found in the kits themselves. ACID/WAV & Apple Loops Support: All melodic and percussive loops have been tempo and key tagged meaning that they will conform to the speed and pitch of your project in just about any major DAW, including ACID, Apple Loops, Cubase, Garage Band, Logic and more. Technical Specifications: • 24-Bit/44.1kHz Audio • 5 Distinct Construction Kits • 400 MB of uncompressed content • One-Shot, FX Tail, Dry loops • MIDI included • ACID WAV, Apple Loops, REX and ReFill formats Price and Availability: Future Pop Vol 3 is available for instant download exclusively at ProducerLoops.com for £24.95 / 29,05 EUR / $32.81 USD. More information is available at: http://www.producerloops.com

IRVINE, Calif. — Jan. 30, 2013 — At the just-concluded 2013 NAMM Show in Anaheim, Calif., Sonnet Technologies' Echo Express Pro Thunderbolt Expansion Chassis for PCIe cards received a coveted Best of Show Award from the editorial staffs of Pro Sound News and Pro Audio Review magazines. The award recognizes the best new products making their debut at the NAMM Show. "We were very excited to be making our first appearance at the 2013 NAMM show, and to receive this honor was real validation that the Echo Express Pro delivers tremendous value for audio pros," said Greg LaPorte, vice president of sales and marketing, Sonnet Technologies. "As NAMM attendees were able to see firsthand, the Echo Express Pro is designed to make audio and music engineers' lives easier — simply by enabling them to use the Thunderbolt-enabled portable computers of their choice through integration with a host of complementary pro audio PCIe cards and technologies." At the 2013 NAMM Show, audio pros Jim Roese and Sean Householder demonstrated solutions based on the Sonnet Echo Express line of products. Roese showed a cost-effective, highly portable solution he developed for on-location audio workflows that integrates the Echo Express II chassis with two Lynx Studio Technology AES16e-50 PCIe cards (each with an AES50 port), a MacBook Pro, and a Midas PRO1 console. Roese has successfully applied this solution in numerous high-profile music events, including last fall's Blondie/Devo "Whip It to Shreds" concert tour. Householder, a professional music producer, engineer, and songwriter based in southern California, demonstrated how he is able to build a seamless, highly portable audio recording and editing workflow with just the Echo Express Pro chassis, two Avid ProTools|HDX PCIe cards, and a lightweight MacBook Pro. Today's ultralight notebook, mini, and all-in-one desktop computers now have tremendous processing power, close to that found in full-size desktop computers such as the Mac Pro. Although their portability is highly desirable, these smaller computers lack expansion slots to install specialty cards — designed for use in desktop computers — to connect various audio and video inputs. Sonnet's Echo Express Pro solves this problem by connecting two PCIe expansion slots to any computer with a Thunderbolt port to enable the use of compatible PCIe expansion cards. More information on Sonnet and its product family is available at www.sonnettech.com

WOODINVILLE, WA – January 30, 2013 – Mackie today announces the sale and transition of Tracktion Music Production Software to the Tracktion Software Corporation (TSC). TSC is led by three principals; Julian 'Jules' Storer, the original creator of Tracktion as well as former “Mackoids” James 'Woody' Woodburn and Dave Christenson. “With Mackie’s continued focus on creating innovative hardware solutions, the choice to transition Tracktion to TSC was clear,” said Matt Redmon, Mackie product manager. “TSC is fully dedicated to the development, support and marketing of Tracktion. Their experience with the DAW market and intimate knowledge of Tracktion made them the perfect group to take Tracktion into the future.” Tracktion is a fantastic platform that offers a radically easy approach to composing, recording, editing, mixing and sharing music on a Mac or PC. Based on a simple single-screen interface, Tracktion is the fast, powerful and complete solution for music production at any level. “We are proud to announce not only the acquisition of Tracktion Music Production Software, but that Tracktion 4 is available immediately,” remarked James Woodburn of Tracktion Software Corporation. “New and existing users can download the powerful new software today and start working on their next project.” Tracktion 4 will be made available via the Tracktion website (www.tracktion.com) during the 2013 NAMM show. This latest version builds on the popular features of Tracktion 3, however, with a significant upgrade. The Tracktion engine has been completely re-written such that it is now fully optimized for the very latest operating systems – both Mac and PC – along with 64-bit processing, WMA, AU and WASAPI support. This allows Tracktion to run extremely efficiently on a wide range of computers – allowing the user to get the very best performance from their system – a big plus given that Tracktion is a completely unlimited application. As the new owner of Tracktion, TSC now also manages www.tracktion.com, the new source for Tracktion product information and application download along with product resources and a dedicated Tracktion user forum. As of January 24th, customers purchasing a new Mackie product that includes Tracktion can download Tracktion 4 immediately. There will also be an upgrade path for existing Tracktion users via www.tracktion.com

Dean and Dave Mustaine announced the new VMNT Double Neck Diadem, as seen on stage at the BIG 4 concerts. It has a single LW-MUST humbucker in the bridge position of the 12-string neck, and a full LW-MUST set on the 6-string side. • As seen on stage at the BIG 4 Concerts! • Mahogany Top / Body • 25-1/2" Scale • 1-11/16" Nut • 2 Mustaine Spec. Set 24 Fret D-Shaped Necks • Ebony Fingerboard • Pearl Mustaine Custom Inlays • Die Cast Tuners • Black Hardware • Tune-O-Matic String-Through Bridge • Dave Mustaine Duncan Live Wire Pickups • 3-Way Pickup Selector Switch • 3-Way Guitar Selector Switch • Hardshell Case Included • Finishes: "Diadem" Custom Graphic Check it out here.

1/25/2013 — Continuing an ongoing research and development cycle that sees BEHRINGER bringing in the best and brightest from its sister-companies, the new ADA8200 features MIDAS mic preamps, as well as a host of other new and powerful features. The ADA8200 is a state-of-the-art, 8-channel A/D and D/A converter with 8 onboard MIDAS-designed mic preamps. Users can connect their favorite mics, including studio-grade condensers thanks to built-in true +48 V power, and record directly to a multi-track or computer-based recorder via the built-in ADAT interface. Digital to analog and analog to digital conversion takes place accurately and instantaneously via reference-class Cirrus Logic 24-bit converters, with the user's choice of either 44.1 or 48 kHz resolution. Connections are provided for balanced XLR and ¼" TRS, as well as unbalanced ¼" TS inputs. Line Out connectors provide either balanced or unbalanced connectivity. Digital I/O is handled via optical socket, supporting up to 8 channels of data. As with its predecessor, the new ADA8200 brings incredible value and high performance — with upgraded MIDAS mic preamps — into a piece of go-to gear.

which delivers a new standard in power and bass punch, suited for any sound reinforcement application, from live performances to public speeches. The P-Series family includes two active speaker products: the P1500X and the P1800SX. The heart of the P-Series is the P1500X, a two-way, bi-amped, full-range bass-reflex speaker. It employs a 15-inch woofer and high-frequency compression driver, powered by a custom Class-D amp. With a rating of 1500W, the P1500X is the most powerful PA product in its price class. A proprietary hemi-conical horn provides enhanced sound clarity over an even and wide coverage area. A built-in mixer with I/O connections allows for simple and fast setup, while enhanced EQ, VEGA BASS boost and high-pass filters enable exact tuning and exceptional performance for any event. The P1500X is a versatile product that can be used as a single speaker for a small venue, set in pairs for a larger venue needing more coverage and SPL, or side mounted as a floor monitor for a band. The P1500X’s lightweight, robust polymer enclosure includes a two position pole cup with an adjustable mounting point, as well as comfortable ergonomic handles. These features provide users with versatility and comfort. Built-in rigging points and remote volume port make the P1500X ideal for suspended installation. The muscle of the P-Series is the P1800SX, a powered subwoofer, employing an 18-inch woofer with a custom 2000W Class-D amp. The large woofer and amplifier are enclosed in a hardwood cabinet, the combination of which provides a high level of bass punch and extreme low end response, both Cerwin-Vega! trademarks. Like the P1500X, the P1800SX has frequency-shaping controls, a VEGA BASS boost, and a high-pass filter switch (as a built-in crossover). This ensures that the user has the right amount of bass for a particular venue. While designed for use with the P1500X, the P1800SX can be used for bottom-end extension with competitive products. Additionally, the THRU and MIX output options allow for system expandability and fast daisy-chain connections between components. The P-Series suggested list price for a P1500X is $1199 USD and the P1800SX is $1499 USD. About Cerwin-Vega! Cerwin-Vega!, part of the new Gibson Pro Audio division, is a leader in the design, manufacture, and distribution of loudspeakers for the home and professional audio markets. Designed in the pursuit of dynamic, accurate sound reproduction since 1954, Cerwin-Vega! products are distributed throughout the world via a network of distributors and dealers in more than 75 countries. For additional information on all Cerwin-Vega! products, please visit us online at www.cerwin-vega.com.

— SAM™s are Genelec active audio monitoring systems that also have the capability and intelligence enabling them to adapt automatically and flexibly to their acoustical environments through a set of proprietary tools — NAMM SHOW, ANAHEIM, CA, January 24, 2013 — Genelec (booth 6220), the world’s longstanding pioneer in active monitoring, recently introduced its new Smart Active Monitor™ (SAM™) concept. As part of a new streamlined marketing effort, Genelec has folded its line of DSP monitors under the SAM classification, which now includes all Genelec monitors with a 82xx product name (for instance, the award-winning 8260A Tri-Amplified DSP Monitor System). Models in the SAM range are capable of automatically adapting to acoustical environments to offer an indispensable tool for sound professionals in broadcasting, post production, music studios and more. A SAM system can be controlled with digital networking, enabling users to build highly flexible computer-controlled systems of monitors. [attachment=141845:name] Dr. Aki V. Mäkivirta, Genelec Research and Development Manager, noted, “Smart Active Monitoring is a concept that bundles all the benefits of Genelec’s advanced monitoring systems to a single, easily understandable and descriptive term. SAM is also a concept that describes perfectly the current technology leap pioneered by Genelec in the evolution of the active monitoring loudspeaker – the transition from the analog to the digital world, where digital technologies, along with software features, increase quality and bring unique user experiences to the customers, and enable seamless integration of monitoring speakers and subwoofers to a well-calibrated and correctly aligned reproduction system. At Genelec, we believe that progress towards Smart Active Monitors will open a new era in the development of the audio monitoring industry.” The acoustical features of SAMs can be optimized with automatic calibration for different working styles or client demands. Such adaptations include aligning levels at the listening position, adjusting delays from the signal input to the listening location, and compensating for the acoustical room influences in the frequency responses (equalization). One of these proprietary tools is AutoCal™, Genelec´s acoustic calibration solution that is supplied alongside the Genelec Loudspeaker Management™ software package, GLM™. SAM effectively reflects the most advanced monitoring system features available in the audio industry. The capabilities of SAMs are also future-proof and can be increased later with software upgrades both in the monitoring speakers themselves and in the system management software. Will Eggleston, Genelec USA Marketing Director, stated, “The SAM launch marks the beginning of a new era in audio monitoring for Genelec, thanks to the rise of digital technology and evolving market expectations about the possibilities of audio monitors. Also, designers of systems have shown that digital monitors have some notable capabilities beyond the analog realm. SAM embodies the shift from the analog to the digital world, looking at increasing sound quality and the listening experience of the user while allowing the integration of monitors and subs into a correctly aligned reproduction system.” Using GLM software and AutoCal, a monitor can be turned into the reference it needs to be in today’s demanding environment for engineers. This improves performance and not only helps the user to achieve a flat frequency response at listening position but also handles phase alignment in between monitors and subwoofer and not least time-of-flight compensation, the latter of high importance when retro-fitting systems in existing rooms where equal distance between all monitors and listening position may not be possible to respect. In addition to the traditional building blocks of an active monitoring speaker, SAMs contain the following building blocks: Digital signal processing of the audio signal instead of traditional analog filtering, making SAMs very flexible and precise. Control networking, enabling SAMs to form a seamless reproductions system, fully controllable at the main listening position. Acoustical measurement system, enabling multipoint measurements of acoustical environment at the listening area. Sophisticated automatic system calibration algorithm, enabling SAMs to adapt to their acoustic environments and to be integrated as a full reproduction system. Graphical User Interface, enabling users to interact with all components of the monitoring system and to customize the system to best fit to the environments and applications. For more information, please visit www.genelecusa.com/.

TRIREC features BUGERA's revolutionary INFINIUM Tube Life Multiplier technology, which extends amplifier tube life by up to 20 times, and allows a variety in output tube configurations, all 6L6s, 6550s or EL34s — or the user can mix any combination to create their own signature tone. The TRIREC also has three preamp channels, each with a wide array of sonic options, internal reverb, adjustable and remote switchable boost, an FX loop and three selectable rectifier modes. A Varipower dial scales output power from 1 to 100 Watts, providing tube saturation sounds at low volume levels.

— Acclaimed Softube Amp Room Plug-Ins Transform UA’s Apollo Interface Into a Professional Low-Latency Guitar and Bass Recording System — SCOTTS VALLEY, CA • January 24, 2013 —Universal Audio (UA), a leading manufacturer of professional audio recording hardware and software, is pleased to announce the debut of Softube’s Vintage Amp Room, Metal Amp Room, Bass Amp Room, and Acoustic Feedback Deluxe plug-ins for theUAD Powered Plug-Ins platform andApollo High-Resolution Audio Interface. With the addition of renowned Softube Amp Room plug-ins to the UAD platform, owners ofUAD-2 DSP Accelerator hardware now have industry-leading guitar and bass amp modeling at their fingertips. And, when used with the award-winning Apollo Audio Interface, the Softube Amp Room plug-ins allow musicians and producers to jam, write, and record through stunning guitar or bass sounds with near-zero latency. “We're delighted to see our very popular Amp Room products finding their way to the UAD platform,” says Softube Product Manager, Niklas Odelholm. “They are a perfect match for Apollo, where you can use Amp Room for directly recording guitar, bass, electric pianos, and other instruments through these world-class amplifiers.” “It’s extraordinary to have Softube onboard as a UAD Direct Development partner, “ says UA CEO and Founder Bill Putnam, Jr. “The Amp Room plug-ins are truly best-in-class, and will put some very inspiring tools in the hands of UAD and Apollo users.” Available as part of an upcoming UAD Software release, the following plug-ins and bundles will be available for purchase viaUA’s Online Store: Softube Vintage Amp Room — $199US Three versatile and classic vintage amps from the 1960s White amp model delivers classic, distorted rock n’ roll grit Brown amp model provides warm clean tones, breaking up at higher volumes Green amp model offers chimey-to-distorted tones, plus vibrato/tremolo Detailed speaker cabinet modeling with adjustable stereo mic positioning Softube Metal Amp Room — $149US Extreme high gain amplifier model delivers burly, aggressive metal guitar sound Two speaker cabinet models with fully adjustable stereo mic positioning Fast, program-dependent one-knob noise gate — ideal for palm muting Softube Bass Amp Room — $149US Superior model of a versatile 1970s bass amplifier Thick, solid preamp distortion and power amp distortion at extreme settings Includes three distinctive speaker cabinets (Classic, Rocker, and Oddbird) with adjustable stereo mic positioning Separate DI controls allow for blending of direct vs. amped signal Softube Amp Room Bundle — $299US The ultimate collection of Softube Amp Room plug-ins for UAD-2 and Apollo hardware Vintage Amp Room showcases three iconic guitar amps from the 1960s Metal Amp Room adds raw, aggressive metal guitar sound to any recording Bass Amp Room delivers the dead-on sound of a classic 1970s bass amp Softube Acoustic Feedback Deluxe — $149US True physical modeling of rich, inspiring guitar feedback effect Fully responsive to vibrato, bends, slides, and more Simple controls for level, tolerance, harmonics and subharmonics

Choice of Vintage or Modern Dynamics and Improved Snapshot Operation Lead Feature Updates ANAHEIM, CA – January 24, 2013 – Mackie today announces another update to the powerful Master Fader control application for the DL1608 and new DL806 digital live sound mixers. Master Fader v1.4 launches today for iPad, with a host of new features sure to please DL mixer user including a new selection of channel plug-ins and improved snapshot operation driven by customer interaction. “Try adding an entirely new EQ or dynamics section to your average mixer,” commented Ben Olswang, Mackie Product Manager. “You’re going to need more than a screwdriver. With a Mackie DL series mixer, it’s as easy as updating the app from your iPad. ” Master Fader v1.4 features an entirely new selection of vintage processing. After extensive analysis, development and testing, the new vintage EQ, compressor and gate deliver the sought-after musical characteristics of your favorite industry-standard processors. The vintage compressor and gate provide a lightning-fast attack, non-linear attack/release and program dependent release making them great for drums and other transient sources. The vintage EQ captures the unique interactions between the shelving bands and the gain and frequency-dependent Q structure of the parametric band to deliver the clarity and sheen of classic EQ designs. This EQ is great for getting vocals, guitars and other instruments to sit perfectly in a mix. Now, DL users can choose between clean, surgical modern processing and the new range of classic vintage plug-ins for more flexibility in use. In addition, a huge update to the show management and overall snapshot operation makes DL mixers even better for users with complex shows and multiple wireless devices. With DL series mixers the users can snap a photo of the band with their iPad camera or choose from a selection of handy icons and use this as channel ID. With v1.4 these images are now synched between all wireless devices connected to the mixer. The snapshot system will also store and recall these images across devices and the user can add an image to each show to help with identification. Plus, shows now load in the background, keeping all wireless devices online when a show is changed. And, of course, shows will seamlessly transfer between the DL1608 and new DL806. Master Fader v1.4 will be available soon for free download from the App Store (Existing users will be able to update directly on their iPad) - https://itunes.apple.com/us/app/mackie-master-fader/id511500747?mt=8 Mackie has added an episode to their DL Series podcast regarding Master Fader v1.4. View episodes and subscribe to the podcast series through iTunes - https://itunes.apple.com/us/podcast/mackie-dl1608-video-podcast/id525882695?mt=2 To view the full release notes for Master Fader v1.4, please visit the Specs and Docs section of the Mackie DL Series website – http://www.mackie.com/dlseries. Mackie has also announced the My Fader™ control app for iPhone and iPod touch. For complete details on this entirely new control application, visit the DL Series website. Master Fader will continue to see frequent updates that drastically increase the feature set. For more information on My Fader, Master Fader and the DL1608/DL806 and to check system/device compatibility requirements visit www.mackie.com/DLSeries.

— On-the-go amp also features effects, rhythm patterns and battery power — WINTER NAMM, ANAHEIM, CALIFORNIA, January 24th, 2013 - VOX Amplification has added the Mini5 Rhythm to its amplifier lineup. Combining renowned VOX modeling technology, flexible battery or AC power, effects and rhythm patterns, the 5-Watt Mini5 Rhythm is ideal for any performer in need of a portable, full-featured amplifier. The Mini5 Rhythm provides 11 highly accurate amplifier models, starting with the coveted VOX British tone and including classic historic amps, intense hi-gain amps, and rare “boutique” amplifiers. In addition, a clean, non-distorting amp model preserves the natural quality of any acoustic instrument and can also accommodate a keyboard. A total of eight effects are on-board: compressor; chorus; flanger; and tremolo; plus two reverbs and two delays. One effect and one reverb/delay can be operated simultaneously. A Tap Tempo feature makes it easy to set the delay time. The Rhythm section can be used to help keep the beat, and also as a rhythm trainer for practicing and to accompany jam sessions. It includes 99 rhythms and metronome patterns, broken down by genre. In addition to an instrument input, the Mini5 Rhythm also offers a separate microphone input allowing the Mini5 Rhythm to function as a portable P.A. system. A convenient AUX input is provided for jamming along to a CD or MP3, or for use with any audio source. The headphone output can be used for private practice, as a line out for recording, or for using the Mini5 as a personal monitor when hooked to larger sound system. Designed for true mobility, the Mini5 Rhythm can run anywhere for up to 30 hours on six AA batteries; an AC adaptor is included for stationary use. The VOX Mini5 Rhythm will be available Spring 2013 for a U.S. Street price of $159.99

–U.S. Models feature new, custom look– WINTER NAMM SHOW, ANAHEIM, CA, January 24, 2013 —Lâg Guitars is exhibiting their two solid body electric guitar series, Arkane and Imperator, at the Winter NAMM 2013 show. Based on Lâg solid body models that have been popular across Europe, these affordable guitars feature an updated look and feel that was specially-designed for the U.S. The Lâg Arkane double cutaway and Lâg Imperator single cutaway are available in color combinations ranging from solid finishes to burst finishes with quilted & flame tops. These guitars offer hardware combinations of black and nickel. The Arkane offers stoptail and Floyd Rose options, while the Imperator offers a Tune-O-Matic stoptail bridge. Pickups for both series include offerings from Seymour Duncan and EMG. Available woods for both series include Basswood and Mahogany bodies. Imperator guitars offer Mahogany necks with Rosewood fingerboards, and Arkane guitars feature Maple necks with rosewood fingerboards. All Lâg bolt-on neck guitars feature an exclusive Lâg neck-body alignment design feature that is incorporated during the build process, and allows the neck to stay perfectly aligned with the body at all times. Another advantage is greatly improved sound transmission between the neck and the body because of the way the neck and body bond together. The Lâg Arkane & Imperator solid body guitars are now available with U.S. street prices ranging from $199 - $699. For more information about Lâg guitars, visit: www.usa.lagguitars.com

ANAHEIM, CA, JANUARY 24, 2013—Aviom, manufacturer of the iconic A-16II Personal Mixer and industry leader in personal mixing, is pleased to announce that it will be introducing its next generation personal mixer, the A360 Personal Mixer, at NAMM (Hall A, Booth 6720). The A360 brings new levels of control and customization to the personal monitoring experience with a number of new features that give entirely new options to performers both on the stage and in the studio. Aviom has been known for its “little blue mixers” since it introduced the original A-16 in 2002. The A360 Personal Mixer maintains the simplicity, flexibility, and reliability that Aviom users are accustomed to while also incorporating advanced control options. “The number one feature we’ve been asked for over the years is more channels,” says Chandler Collison, Aviom’s director of marketing. “The key was to provide more content and control for the mix without just throwing more channels and complexity at musicians who are trying to focus on music not mixing.” The A360 features an advanced 36-channel mix engine which can be used to mix up to 17 mono or stereo channels plus mono or stereo ambience. For each of the A360’s standard mix channels, users can adjust volume, tone, and reverb. The A360 also includes a revolutionary Stereo Placement pan-spread control that allows the width of a stereo channel’s image to be controlled independent of its left-right placement in the stereo field. This approach, which is ideal for IEM and headphone users, improves spatial perception as well as sonic clarity of the mix. The seventeenth channel on the A360, the Dual Profile Channel™, allows users instant access to two independent combinations of channel volume, tone, reverb, and stereo placement for a favorite channel. This Dual Profile Channel may be set to mirror one of the 16 standard mix channels, or this channel can be used for additional mix content. In addition, ambience can be added to the mix either using the convenient onboard ambient microphone or by using network channels. Musicians can add or remove ambience with the single touch of a button. “Musicians aren’t engineers, and a mixer designed for musicians needs to respect that,” says Aviom’s product research and development manager, Ray Legnini. “Features like the Dual Profile Channel, One-Touch Ambience, and Instant Mix Recalls allow musicians to adjust their mix during a performance without diverting their attention from their music.” Designed specifically for users whose primary focus is performing, not mixing, the A360’s features are instantly available—no menus to navigate, no softkeys, and no complex programming to get the system up and running. The A360’s master output section includes standard bass and treble tone controls but adds a new Enhance control designed to provide more sonic presence, especially for performers using in-ear monitors. The A360 also offers the ability to easily connect a subwoofer, shaker, or mono wedge monitor using the Mono Mix Out control that feeds a rear-panel XLR Jack. In addition, there are standard 1/4-inch and 1/8-inch TRS stereo outputs. The new A360s can be seamlessly integrated into existing Aviom personal mixing systems. Based on an enhanced version of Aviom’s Pro16 A-Net protocol, Pro16e, the technology driving the A360 Personal Mixer allows multiple 16-channel banks of monitoring content to be delivered over a single Cat-5 cable. Each A360 in a system may use the default channels, or audio channels can be selected and organized individually for each personal mixer, drawing from a network pool of up to 64 channels. “We really set out to give musicians meaningful enhancements so they get a more musical mix without a lot of work,” adds Legnini. “That’s particularly true for musicians using in-ear monitors.” The breakthrough features on the A360 Personal Mixer offer performers more precise control of their monitor mixes and more flexibility and control in building the right group of channels to mix. And the new USB saving feature allows users to upload mixer profiles and mix settings for those situations where multiple users may have to use the same A360 for different performances. Aviom pioneered personal mixing with its Pro16® Monitor Mixing System and continues to break new ground with the revolutionary Pro64® Series of audio networking products. With tens of thousands of products in the field today, Aviom has set the standard for high performance, scalable digital solutions. All Aviom systems harness the power of A-Net®, Aviom’s innovative digital audio technology that simplifies system design while enhancing flexibility and fidelity. All Aviom products are designed, tested, and manufactured in the USA. For more information, visit www.Aviom.com

ANAHEIM, California – At NAMM 2013, DigiTech is proud to announce its first in a line of iStomp Signature Artist e-pedals, joining forces with guitarist extraordinaire Adrian Belew to debut The Impossible Pedal. The e-pedal lives up to its name, giving guitarists the ability to play impossible guitar riffs that you would never think to play. Adrian Belew needs little introduction as a beyond-cutting-edge musician who has smashed sonic boundaries with artists including David Bowie, King Crimson, Talking Heads, Frank Zappa, Nine Inch Nails and others, and over a diverse solo career spanning nearly 20 solo albums. The cries, grunts, squeals, industrial noises, twang-bar-king whammy effects and other otherworldly sounds he can coax out of his instrument make him one of the world’s most uncategorizable guitarists. Available exclusively as an e-pedal for the iStomp, The Impossible Pedal uses two pitch shifters that can be turned on and off in sequence, and guitarists can abruptly “jump” between two intervals by stepping on the iStomp footswitch as they play. “I have been using the DigiTech HarmonyMan for years to create this unique effect,” said Belew. “With The Impossible Pedal in my iStomp I can now do things I never could before!” Two knobs on The Impossible Pedal set the two different pitch intervals and two knobs select whether the pitches shift up or down over a two octave range. By stepping on the footswitch, the note played by the guitarist alternates between the standard (unaffected) pitch and the two pitch-shifted voices, to create melodic passages that extend beyond physical human ability. Even its iStomp icon is an impossible optical illusion that has to be seen to be disbelieved. “Adrian Belew is a fearless innovator and his e-pedal ideas for the iStomp are a perfect match for our vision,” noted DigiTech Artist Relations Manager Tom Cram. The DigiTech iStomp is a new concept in guitar stompboxes that allows musicians to turn the iStomp into any pedal available in the Stomp Shop online pedal store. Offering almost limitless sonic possibilities, the iStomp connects to an Apple® IOS device where musicians can use the free Stomp Shop app to load it with the e-pedal of their choice. The Stomp Shop app comes with ten of the most popular pedals and gives access to more than 40 additional e-pedals they can browse, try out and purchase. More e-pedals are added on a regular basis. At NAMM, DigiTech will be giving away six special edition silver and blue iStomp pedals signed by Belew as part of a Facebook sweepstakes that is taking place during the show. Please visit DigiTech at the Anaheim Convention Center, Anaheim, CA Booth #211B. The DigiTech The Impossible Pedal e-pedal will be made available at the beginning of NAMM at a suggested retail price of $19.99. The DigiTech iStomp is currently available at $229.95 suggested retail.

ANAHEIM, California — At NAMM 2013, HARMAN’s Crown announced the introduction of the USBX, an accessory that enables Crown XTi, CDi and DSi Series amplifiers with a USB port to be operated via an Apple iPad/iPhone using the “Powered by Crown” App. “Our new USBX greatly expands the control options available to users of our XTi, CDi and DSi amplifiers by adding iPad/iPhone operation and wireless connectivity,” said Andy Flint, Business Segment Manager, Portable PA, Crown. “It’s perfect for setting up, monitoring and troubleshooting amplifiers in a wide variety of applications including small to medium fixed installations, mobile PA systems, movie theaters and other situations.” The USBX allows Crown amplifiers equipped with a USB port to be controlled via Ethernet. The USBX plugs into an AC outlet and up to eight compatible Crown USB products can be connected to the USBX. The USBX has built-in Wi-Fi, enabling wireless control of connected Crown amps via an iPad or iPhone and the “Powered by Crown” App without the need for a separate wireless router. The “Powered by Crown” App allows wireless control and monitoring of Crown Ethernet-enabled devices and JBL loudspeakers that are equipped with DrivePack® DPDA built-in amplifiers. Since this app uses the same protocols as HARMAN HiQnet System Architect™, users can import custom control panels from System Architect into the “Powered by Crown” App for added functionality. A strategic long-term commitment to Ethernet technology by Crown means that users have the benefit of this simple-to-use, cost-efficient program as well as seamless integration of their legacy and future Crown products through the app. The Crown USBX will be available in February 2013 at a suggested retail price of $249.99.

Ultra-compact, powerful and sonically advanced new system sets bar high for portable market ANAHEIM, CA – January 24, 2013 – With the launch of the DL806 and the first showing of DLM Series Powered Loudspeakers at Winter NAMM, Mackie proudly presents a new technology-packed live sound solution – the DL/DLM system. “With a DL Series mixer and DLM loudspeakers, you have an extremely powerful and portable PA system with a level of innovation unparalleled at the price point,” commented John Boudreau, Mackie SVP. “We’ve invested heavily into technology and it shows. Both products are great on their own, but the combination is truly greater than the sum of its parts. If you are ready for a system refresh, now is the time.” With a range of DLM loudspeakers and a choice of input configurations for the DL mixer, a DL/DLM system can easily work for a wide variety of applications. Never before has such a powerful system been available in such an ultra-compact design. The groundbreaking form factor of the DLM Series alone reduces size by a third and eliminates nearly 20\% of the weight when compared with traditional 2-way loudspeakers. But it’s the advanced technology that really sets this new system apart. Using premium components and boasting superior DSP, a DL/DLM system offers a better sonic experience than ever possible before. Innovations like the DL’s wireless mixing ability, choice of channel plug-ins and robust recall system offer professional features previously unavailable at this price point. Equally innovative are the DLM speakers, with unmatched power and performance at a size and weight that changes the very definition of the word portable. Features like multiband feedback elimination, alignment delay and an ability to store presets set a new standard in the world of portable PA. “And since the system is all Mackie…,” remarked Boudreau. “…the technology never gets in the way. A DL/DLM system is extremely easy to use and the advanced features fit naturally into the workflow. New users will get all the benefits right out of the box. After all, we are dedicated to creating technology that empowers the user. We want you to simply plug in and be awesome.” Mackie’s DL Series digital live sound mixers include the popular DL1608 16-channel mixer and all-new DL806 8-channel mixer, both of which feature total control from the Apple iPad. There’s also the My Fader control app for use with an iPhone or iPod touch. With the ability to mix wirelessly from anywhere in the venue and the best user interface available, DL mixers have proven themselves in the marketplace and have garnered rave reviews from users and industry alike. DLM Series powered loudspeakers are showing at NAMM for the first time and aim to change the shape of sound with their innovative form factor, hefty power ratings and the first-ever onboard digital mixer with a host of channel mixing tools and system processing. The DLM8 and DLM12 are full-range, 2000W powered loudspeakers with an integrated digital mixer complete with 16 effects and robust system processing. The DLM12S is the companion 2000W subwoofer with ample system protection and processing. For complete details on Mackie’s DL/DLM live sound system including links to videos, specs and more, visit the Mackie DL/DLM website – http://www.mackie.com/SimplyAdvanced DL Series Digital Live Sound Mixers with iPad Control include the DL1608 and DL806. DLM Series 2000W Powered Loudspeakers include the DLM8 and DLM12 full-range models and the companion DLM12S powered subwoofer. The DL806 will have a RRP Inc. Vat of £719 / €899

Perfect for power-hungry bassists that demand uncompromising tone ANAHEIM, CA – January 24, 2013 – Ampeg today adds a high-powered flagship head to the popular Portaflex Series — The Ampeg PF-800. The PF-800 delivers the superior performance of Ampeg’s Portaflex Series bass heads in an ultra-compact 800-watt design perfect for any high-power bass rig. “An ideal companion to any of pair of Portaflex cabinets, the PF-800 packs the most punch in the PF line…but is still compact enough to stow inside the PF flip-top cab models,” remarks Ampeg Product Manager, Zane Williams. “Combine the powerful 800-watt output and the Portaflex form factor and feature set and the PF-800 is easily the most flexible amplifier in the Ampeg line-up.” The Ampeg PF-800 has exceptional headroom and can handle its own on stage, offering the flexibility and features needed for venues large and small. Classic hi/lo boosts and 5-position midrange control offer a wide choice of tone and onboard compression delivers tighter, cleaner tone at higher volumes. It attaches right to the flip-top lid of the PF-115HE or PF-210HE cabs and is perfect for the ported PF-410HLF and PF-115LF extension cabs. The Ampeg Portaflex Series also includes the PF-350 and PF-500 bass heads and PF-115HE, PF-210HE, PF-115LF and PF-410HLF bass enclosures. The PF-800 will be available in late Q1, 2013. The PF-800 will have a RRP Inc. Vat of £519 / €649. Visit Ampeg during the 2013 Winter NAMM show upstairs in demo room 209A/B. For more detailed product information, please visit www.ampeg.com.

2x2 hybrid multi-host MIDI interface with audio support for Mac, PC, and iOS Anaheim, CA., Winter NAMM Show, Booth 1774, January 24, 2013 – iConnectivity, developer of innovative interfaces for musicians, unveiled iConnectMIDI2+, a next generation MIDI interface for Mac, PC, and iOS. iConnectMIDI2+ is a 2x2,10 port multi-host MIDI interface that features iConnectivity’s unique multi-hosting and audio pass-through technology. Being a multi-host interface, iConnectMIDI2+ allows for up to 2 computing devices to share the same interface as well as access and share MIDI resources over its 2 pairs of MIDI DINs and its 8 additional user configurable ports. This enables workflow such as, sending midi from a controller or synthesizer to DAW and an iOS device simultaneously, setting up redundancy in a live MIDI environment, sending MIDI from multiple computing devices to one another, and more. As a part of its multi-hosting capabilities iConnectMIDI2+ also features audio pass-through. This technology enables 2 computing devices (Mac, PC, iOS) to not only pass MIDI data but also act as an audio interface between them, seamlessly bridging each computing device into each other’s audio and MIDI environments. In addition to its expanded connectivity iConnectMIDI2+ includes iConnectivity’s Port Manager software for Mac, PC, and iOS allows the user complete control over how MIDI is routed, remapped and filtered to and from all devices connected to it. iConnectMIDI2+ Features: 2 In & 2 Out Pairs of MIDI DIN Connectivity Multi-Host Capability - Connect 2 Computing Devices Simultaneously Supports MAC, PC, and iOS Computing Devices Audio Pass-Through From One Computing Device To Another Integrated MIDI Manager With Snapshot Preset Storage - For MIDI Thru, MIDI Merge, Filtering, and Advanced Routing Control USB MIDI Class Compliant USB Bus Powered Supports 10 Ports of 16 Channels of MIDI I/O Per Port Plug and Play - No Drivers Needed Charge iOS Devices via Optional Adapter The features of iConnectMIDI2+ are patent pending. The release date of iConnectMIDI2+ is TBD with an expected MSRP of $89.99 and street price of $69.99 from iConnectivity.com and iConnectivity resellers worldwide. For more information please visit www.iConnectivity.com

—Three Designs for Distinct Styles to Launch at Winter NAMM— BUENA PARK, Calif.—Building on the success of the award-winning THR10 and THR5 guitar amplifiers and computer recording interfaces, Yamaha introduces three powerful new models at the 2013 NAMM Show. The THR lineup, the first hi-fi stereo amps to offer realistic multi-effects and classic amp modeling, are designed to serve as a guitarist’s third amp, after their stage setup and practice rig. Winners of a design award, the THR amps look as good as they sound. Like other members of the THR family, the new models are geared toward at-home practice and recording, combining the power of Yamaha’s proprietary Virtual Circuitry Modeling (VCM) technology with outstanding playback capabilities in a low-profile, retro-style design that fits on a desk or table. New guitar amp sounds and modeling effects are now available in three distinct styles that appeal to a wide range of players: hobbyists, professionals, educators, home recording enthusiasts and guitar aficionados. Each models come with the Cubase AI6 Digital Audio Workstation for professional recording and the THR Editor, available as a free download, offering the ability to customize any amp and effect parameter. They also offer hi-fi stereo playback that blends music audio with the guitar sounds. The THR10X (MSRP: $460), for Extreme, is designed to deliver commanding high-gain distortion and the response of a cranked, high-output stack – even at low volumes. Ideal for hard rock, metal, alternative, punk and other heavier music styles, the THR10X features five different channels from three amps. A sturdy, olive green shell gives the unit a sense of presence. Players who enjoy jazz, blues and country styles will appreciate the sound and feel of the THR10C (MSRP: $460), or Classic. Providing the unmistakable response of a boutique tube combo and five different amp modes, the THR10C enhances each players picking dynamics and playing style. A dark metallic navy shell enhances the vintage look. The THR5A (MSRP: $330) offers a new way to experience acoustic-electric guitars (including Yamaha’s Silent Guitar™ models) by providing simulations of classic tube condenser and dynamic mics, combined with studio-grade effects, to create recording studio tone direct from the guitar and will appeal to the singer/songwriter, folk, fingerstyle and acoustic blues player. The gold body color borrows the look of the legendary Yamaha AG Stomp. “When we originally launched the THR line, we knew the concept was a game-changer,” said Dennis Webster, marketing manager, Yamaha Guitars. “These three models expand on what has proven to be an exciting series. Different players have different styles, and now, we’re able to offer each of them a useful and fun product that not only sounds great, but really embodies the ‘one box’ concept at a tremendous value — not to mention they look good in the office, living room or studio.” Fully portable, the battery powered THR amps also include an input for an mp3 player, a USB direct input, near-zero latency computer recording and hi-fi stereo playback that blends with the guitar output. When connected to a computer, the THR also functions as a monitor and thanks to Yamaha’s Extended Stereo Enhancement feature, it sounds great when playing back audio from a plugged-in iPhone, iPad, CD player or other external device, a feature unique to the THR. In addition, the free THR Session app lets guitarists learn songs faster by slowing down selections without losing audio quality or changing pitch. “This is exactly the kind of forward-looking amp that the guitar market demands,” said Armando Vega, product manager, Yamaha Guitars. “In addition to being a useful and fun product that does so many vital tasks very well, it looks great in the office, living room or music studio and with the expansion of the line, Yamaha has all the bases covered.” The new THR models are targeted to ship February 2013. For more information, visit Yamaha at the 2013 NAMM Show in the Anaheim Marriott Hotel, Marquis Ballroom; write Yamaha Corporation of America, Yamaha Guitars, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; visit http://4wrd.it/yamahaguitars

—Renowned Models Revamped With An Eye Toward Quality and Value— ANAHEIM, Calif.—Yamaha Guitars got its start making handcrafted nylon string models in conjunction with some of the top builders in the world and with over 40 years of tradition and innovation, Yamaha became the top-selling classical guitar around the globe. Once again, Yamaha has set its sights on excellence and the result of this dedication and determination culminates in the new GC Series of top-of-the-line classical guitars, which will be introduced at the 2013 NAMM Show. Expanding to over 10 models, with an estimated retail price of around $700 up to $18,000, these redesigned Grand Concert guitars provide enhanced sound characteristics with a thinner soundboard, new bracing pattern and a thinner finish. The new lineup, which offers handcrafted quality at affordable prices, includes solid Spruce tops for a clear, rich tone and solid Cedar tops, for a darker, warmer sound. “The new GC line embodies Yamaha’s tradition of innovation, quality and handcrafted perfection in every aspect,” said Dennis Webster, marketing manager, Yamaha Guitars. “From wood selection to build specifications, from start to finish, the new GC Series of classical guitars are our best yet.” For more information, visit Yamaha Corporation of America at the 2013 NAMM Show at the Marriott Hotel, Marquis Ballroom; write Yamaha Corporation of America, Yamaha Guitars, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com; visit http://4wrd.it/YAMAHAGUITARS

—Gorgeous Look and Deep Sound At An Unprecedented Price Point— ANAHEIM, Calif. — Yamaha adds the AK4 folk body and the AC4K concert shape models to the wildly successful A-Series guitar lineup, two limited edition issues constructed with all-solid Koa back and sides and a select solid Koa top. To set these guitars even further apart from their Mahogany and Rosewood counterparts, Yamaha has added stylish ebony tuners and abalone inlays. Like the A3 Series, the Koa A-Series is equipped with the incredible S.R.T preamp/pickup system, which includes mic modeling. Only 100 of these special instruments have been created, with 30 of each body shape being allocated to the United States. “Like the Bear Claw models introduced last year, these new all-solid Koa guitars offer an unbelievable value and they look and sound great,” said Dennis Webster, Marketing Manager, Yamaha Guitars. Featuring a slim neck profile and premium build quality, the A Series is designed to be the workhorse of the performing and recording guitarist’s arsenal, providing a memorable playing experience. The handcrafted A-Series acoustic-electric guitars have received excellent reviews in the guitar press, feature a new look, a new feel and a new sound for Yamaha guitars, launching the company into a previously untapped market segment by providing a professional instrument designed to be the workhorse of any steel-string guitarist’s arsenal. From the headstock design to the touch-of-class rosette and mahogany binding, Yamaha has focused on every detail to create the feel and playability sought by today’s acoustic-electric guitar player. Featuring a slim neck profile and a rounded fretboard edge, the A-Series delivers ease and comfort. Yamaha also increased its traditional string spacing and lowered the action to accommodate today’s players. In addition, the semi-open pore finish on the necks of the A-Series maintains the wood’s feel, yet also enhances playability. Tone is always key to an acoustic electric guitar and Yamaha has overachieved with the A-Series. Dreadnought and concert shapes are offered in Mahogany back and sides and Rosewood back and sides. All models feature solid spruce tops and are outfitted with new S.R.T. (Studio Response Technology) electronics developed by Yamaha. The new S.R.T. preamp, an exclusive Yamaha technology, incorporates a piezo pickup system with a built-in microphone modeling technique specific to each guitar model. The S.R.T. system lets players choose from three different mic settings that can be blended with the piezo pickup, delivering on the often-elusive dream of providing studio-quality sound while playing live on stage. In addition, the S.R.T. system’s feedback detector cancels feedback frequencies in live situations. For more information, visit Yamaha at the 2013 NAMM Show at the Marriott Hotel, Marquis Ballroom; write Yamaha Corporation of America, Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; email infostation@yamaha.com; or visit http://4wrd.it/usayamaha

—The Arius YDP-142 and YDP-162 Deliver Advanced Connectivity, Touch and Sound— ANAHEIM, Calif. — Yamaha Corporation of America, Keyboard Division, continues to expand features of its remarkable Arius line of digital pianos, with the new YDP-142 and YDP-162. These new Arius models, which will be unveiled at the 2013 NAMM Show, offer users a digital alternative to an acoustic upright piano for the home and are suitable for pianists ranging from beginner to intermediate, respectively. Both the YDP-142 and YDP-162 provide unique benefits, including dual headphone jacks that allow two pianists to sit at the bench to practice or play in total privacy. Intelligent Acoustic Control automatically adjusts EQ to your preferred volume setting, ensuring the absolute best tone at any playing level. A two-track song recorder allows players to practice with one hand while the Arius plays the other, at a comfortable tempo the player can select. “The USB HOST port brings these Arius models into a new level of connectivity,” said Dane Madsen, Yamaha Digital Piano Marketing Manager. “Yamaha apps like Piano Diary, NoteStar and Visual Performer make for a fun pairing with the optional iUX1 iPad cable. Now you can learn, record, share and see your music in ways that were unthinkable just a few years ago.” The new Arius YDP-162 and YDP-142 digital pianos provide authentic piano touch and tone fit for pianists and aspiring pianists alike. The Graded Hammer Standard (GHS) action of the YDP-142 builds proper fingering technique for an easy transition to playing on acoustic pianos, while PureCF sampling delivers expressive recordings of Yamaha’s CFIIIS 9-foot concert grand piano, a first for the Arius line. Using a special design and position within the instrument, the Acoustic Optimizer physically adjusts the acoustical flow, which controls resonances and enriches the overall sound. Available in either rosewood or black walnut finishes, customers can choose between the Arius YDP-142’s 32” cabinet or the taller 33” cabinet of the more upright YDP-162. Additionally, both models feature Duo Mode, which splits the keyboard into two 44-note keyboards each with their own middle-C, perfect for side-by-side or group practice environments. The GH action with Synthetic Ivory Keytops, available with the YDP-162, gives players that classical piano touch and provides a moisture-absorbing surface for sustainable comfort during extended playing sessions. . Both the Arius YDP-142 and YDP-162 will debut at Winter NAMM 2013 and are available at an MSRP of $1,499.00 MSRP and $1,999.00 respectively. For more information, please visit Yamaha Keyboards at the 2013 NAMM Show in the Marquis Ballroom, Marriott Marquis Hotel; write Yamaha Corporation of America, Keyboard Division, P.O. Box 6600, Buena Park, CA 90622; telephone (714) 522-9011; e-mail infostation@yamaha.com or visit http://4wrd.it/YAMAHAUSA

[attachment=141726:name] BURBANK, CA, July 18, 2012— Aphex®, the leader in sound enhancement technology, has introduced HeadPod 4™, a compact, portable headphone amplifier capable of driving four separate stereo outputs with individual level controls from the selected input source. HeadPod 4 combines four independent Aphex stereo amplifiers and high quality converters in a rugged metal case and offers ultra low distortion and wide frequency response with headroom to spare. Headphone amp designs built on a single channel of amplification suffer from degraded sound quality and volume levels when multiple, mismatched headphone loads are connected. HeadPod 4 overcomes the limitations of typical headphone amps through the use of four completely independent stereo amplifier channels that ensure minimum distortion and crosstalk regardless of the headphone loads connected, resulting in consistent volume levels, crystal clear audio and no clipping. Top panel controls include a separate level control for each of the outputs together with a master level control, and an input source selector. The rear of the unit houses a pair of balanced quarter-inch jacks, a single stereo headphone extension input and a digital S/PDIF connection. HeadPod 4 is suitable for a variety of applications, including desktop audio production, recording and broadcast studios, language labs, quality assurance listening stations, rehearsal and tuition rooms, and live sound venues such as houses of worship and schools.

— REDD.17and REDD.37-.51 plugins truly deliver the enhanced dimension, richness and depth of the original coveted classic consoles — NAMM SHOW, ANAHEIM, CA, January 24, 2013 — Waves Audio (booth 6824), a leading provider of audio DSP solutions for professional, broadcast, and consumer electronics audio markets, has again teamed with London’s legendary Abbey Road Studios to offer the new REDD Console plugins. Abbey Road Studios were at the epicenter of a seismic shift that rocked the world of music during the 1960s, and changed the course of popular culture forever. The Beatles, The Hollies, Pink Floyd and countless other luminaries made musical history at Abbey Road Studios, trailblazing a revolution that resonates to this day. And at the heart of it all were REDD consoles, custom-designed, built by and named after Abbey Road Studios' in-house Record Engineering Development Department (REDD). Renowned for their silky smooth EQ curves, extraordinary warmth and lush stereo imagery, there's something magical about the REDDs that simply sounds like no other console. Waves meticulously recreated the unique color, character and tonal complexity of the original desks: the REDD.17 still belonging to Abbey Road Studios, and the REDD.37 console now owned by Lenny Kravitz. The result is REDD: an impressive pair of plugins that truly deliver the enhanced dimension, richness and depth of these coveted console classics. Mirek Stiles - Head of Audio Products, Abbey Road Studios, stated, “Ever since I first heard the word REDD at Abbey Road Studios almost 13 years ago, to me these consoles have had a legendary almost mythical aura around them. Most of the original REDD consoles have been lost over time but by using the few examples left over and studying the original schematics and design notes from the archives I believe Waves and Abbey Road have revived an important part of musical history that will enable producers of all generations to discover and fall in love with the lost sound of REDD.” Controls: Amp Type determines the type of amplifier (REDD.37-.51 only). Channel Select determines the channel configuration. Bass Lift controls the 9 dB low shelf that compensates for low frequency loss caused by using condenser microphones in a Figure 8 configuration. EQ Select toggles between Classic and Pop EQ types. The Classic treble EQ features a shelf boost or cut at 10 kHz; Pop EQ is a peak boost centered around 5kHz, with a shelf cut centered at 10 kHz. Both Pop and Classic settings feature a continuous 10 dB of boost or cut at 100 Hz. (REDD.37-.51 only). Tone High controls high shelf equalization. Tone Low controls low shelf equalization. Monitor controls the source of the monitor output. Spread selects stereo processing mode (Stereo component only). Drive controls the amount of drive added to the signal. Lower values result in a cleaner sound; higher values result in a more distorted sound. Analog controls the level of modeled noise and hum. Output controls the output level of the signal. VU Meters display output VU readings. Both REDD.17 and REDD.37-.51 are Native- and SoundGrid®-compatible and are available at a U.S. MSRP of $349.00, with a special introductory price of $199.00. Visit www.waves.com for more information. REDD Consoles – The Sound That Changed the Course of Music History: Since its opening in 1931, Abbey Road Studios has been widely regarded as a bastion of recording excellence and innovation. EMI's Recording Engineer Development Department was established in 1955 by Abbey Road Studios technical engineer Lenn Page to address the needs of the then-burgeoning stereophonic format. Within a year, the team's efforts had led to the production of the REDD.1 console, Abbey Road's first dedicated stereo mixing system, which consisted of a REDD.8 mixer and a rack that housed its amplifiers and other components. In 1957, its successor was created: The REDD.17, designed by Peter Burkowitz of EMI's German affiliate, was one of the first desks to conform to the design the industry has come to expect from mixing consoles, with EQ on each of its eight channels. Like the REDD.1 before it, the REDD.17 was a mono/stereo board. Later the following year, in response to the growing popularity of the four-track recording format, the third in the series, the REDD.37, was unveiled. Both the REDD.17 and REDD.37 were powered exclusively by legendary Siemens V72 valve amplifiers and, in the case of the REDD.37, at least 31 of them! The REDD.37 was followed by the REDD.51, which used newer REDD.47 amps, and offered lower distortion and more headroom than the V72s. Originally created in 1959, it was not until 1963 that the .51 found its way to Abbey Road. Four of the .51 desks were ultimately built; by 1968, they were slowly phased out by EMI's next generation of solid-state eight and sixteen track consoles, the TG series.