Members johnnywas Posted July 23, 2009 Members Share Posted July 23, 2009 anybody know any good exercises for moving round the fret board in 5ths to clarify I am practicing my scales in all the positons and I play them fowards backwards and 'up three then back two' i really want to practice going from one note to the fifth so i need some finger patterns its possible that I'm deluded and theres no such exercise but Im sure that some tutor showed me once (should have paid more attention) Link to comment Share on other sites More sharing options...
Members mikey4402 Posted July 23, 2009 Members Share Posted July 23, 2009 IMO what your trying to accomplish is pointless. You should know the notes and not concentrate on patterns. Also IMO the circle of fifths is highly overrated. Your time would be better used learning the intervals between the notes of the scale and learning to appy them and modify them around the fretboard. Im assuming that your tutor told you to do some exercise, such as arpeggeos by fifths. in other word the exercise was ment to practice arpeggeos and not the circle of fifths. Link to comment Share on other sites More sharing options...
Members johnnywas Posted July 23, 2009 Author Members Share Posted July 23, 2009 mike thanks. its come back to me ! i remember the exercise he said john you need to learn all the notes on the guitar. start on a random note and work your way up the neck using the cycle of fifths. arps by 5ths - whats that ? J Link to comment Share on other sites More sharing options...
Poparad Posted July 23, 2009 Share Posted July 23, 2009 Andres Segovia put together a nice little practice route for all 12 major scales and melodic minor scales running forwards through the cycle (C -> G -> D etc). The fingerings span quite a range on the fretboard and get you moving up and down the neck quite a bit: http://www.scribd.com/doc/6233192/Diatonic-Major-and-Minor-Scales-by-Andres-Segovia Link to comment Share on other sites More sharing options...
Members mikey4402 Posted July 24, 2009 Members Share Posted July 24, 2009 mikethanks. its come back to me ! i remember the exercisehe said john you need to learn all the notes on the guitar. start on a random note and work your way up the neck using the cycle of fifths.arps by 5ths - whats that ?J You would just play say Aminor arpeggio |------------10--| |----------8-----| |----------------| |-----9-10-------| |---7------------| |-5--------------|then move up a fifth to E then up to B etc. Up the neck. Try practicing arpeggios calling out the notes as you play them. This is the best way to master the board IMO. You dont have to play by fifths you could play them in any order you like. Link to comment Share on other sites More sharing options...
Poparad Posted July 24, 2009 Share Posted July 24, 2009 Another small note: the most common order to play through the cycle is by moving down a 5th (or up a 4th), rather than up a 5th (down a 4th). The reason for this is that chords tend to resolve this way, and playing up in 5ths sounds a little backwards. That said, the Segovia scales I linked are arranged by ascending 5ths. The cycle in descending 5ths/ascending 4ths would be: C - F - Bb - Eb - Ab - Db/C# - Gb/F# - Cb/B - E - A - D - G - C Link to comment Share on other sites More sharing options...
Members meganutt7 Posted July 24, 2009 Members Share Posted July 24, 2009 A great exercise is actually to just play the scales fro mthe lowest possible note of the scale to the highest possible note in the scale (on the fingerboard, of course) so, if you have a 24 fret guitar for instance, staarting on C major, you would play it from the low E note to the highest E note at the 24th fret... Then descend.. then play F the same way... then Bb... Then Eb... Then Ab... Etc. This will help you to see the fingerboard and what notes change and where they are on the board... Link to comment Share on other sites More sharing options...
Members BlueHeaven Posted July 24, 2009 Members Share Posted July 24, 2009 IMO what your trying to accomplish is pointless. You should know the notes and not concentrate on patterns. Also IMO the circle of fifths is highly overrated.:mad: Your time would be better used learning the intervals between the notes of the scale and learning to appy them and modify them around the fretboard. Im assuming that your tutor told you to do some exercise, such as arpeggeos by fifths. in other word the exercise was ment to practice arpeggeos and not the circle of fifths. The circle of fifths is just about the most valuable thing you can ever learn in music if you actually want to understand what you are playing or writing. Link to comment Share on other sites More sharing options...
Members stomias Posted July 24, 2009 Members Share Posted July 24, 2009 "The circle of fifths is just about the most valuable thing you can ever learn in music if you actually want to understand what you are playing or writing". Yup Link to comment Share on other sites More sharing options...
Members jeremy_green Posted July 24, 2009 Members Share Posted July 24, 2009 A great exercise is actually to just play the scales fro mthe lowest possible note of the scale to the highest possible note in the scale (on the fingerboard, of course) so, if you have a 24 fret guitar for instance, staarting on C major, you would play it from the low E note to the highest E note at the 24th fret... Then descend.. then play F the same way... then Bb... Then Eb... Then Ab... Etc. This will help you to see the fingerboard and what notes change and where they are on the board... Nice - yes agreed this is a great exercise and way to practice. Curious: Where do you do your position shifts when YOU do this? Link to comment Share on other sites More sharing options...
Members Leo Plumtree Posted July 24, 2009 Members Share Posted July 24, 2009 The circle (endless spiral, really) of fifths is more of a conceptual thing rather than something you literally play. Useful scales pour from the spiral through an assumed octave equivalence...that's the real point of the CoF. Six successive fifths gives you the major scale (the fourth mode of it, anyway), four successive fifths gives you a major pentatonic scale. String enough together and you just arrive at the chromatic scale (twelve fifths gives you a complete inclusive chromatic scale, that is, with a doubled root). Ascending in strict perfect fifths without inverses (fourths) or octave equivalence, a normal guitar runs out of range after only 6 fifths. Link to comment Share on other sites More sharing options...
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