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Help, first songs


Fine_Young_Fool

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These are the first songs that I have written. I want you guys to help me and make them singable, help me arrange them, come up with intros, whatever.

 

These are just ideas, nothing is set in stone, I think you know what the really good/important parts are.

 

I can take criticism, just don't be brutal.

 

Song One

 

Well yes Iam fired up

and I am ready to go

Yes I am here and I am real

and I want you to know know

That I am fired up.

 

I am ready to go

and I want you to know

that all you people

are moving way too slow

'Cause I am fired up

 

All you people are draggin' me down

Sad boring people all around

You guys are leaving me with a frown

 

But I aaaaaaam... fired up

 

They say what are you doing

I say I don't know

I said i'll turn it up

they say play it low

 

Oh no no no

 

Song Two

 

I am living in my own world

Can't you people see

the dazed expression in my eyes

I'm where I want to be

 

Master of the world!

Master of the world!

Master of the world!

 

From time to time I venture there

when this world seems too real

Floating mindless in my world

where I don't have to feel

 

Master of the world!

Master of the world!

Master of the world!

 

When you scorn me and my ways

I can go and find a place

Just to sit back and erase

the memory of your awful face

 

But where do you have to reside

on this world you cannot hide

In no one else can you confide

for fear of mental homicide

 

When the slings and arrows are hurled

Their flags of hatred all unfurled

I strike back with my fist curled

I am the master of the world!

 

Song three

 

Sitting on a grassy hill

under a firmament of scarlet blue

I feel a tingling down my spine

the wind changes directions anew

 

Strolling down the moonlit path

Witches fingers o'erhead

I hear a voice inside the wood

something triggered in my head

 

In the old and eeire church

I hear a familliar sound

all alone am I tonight

with the darkness all around

 

By the pricking of my thumbs

something wicked this way comes

 

 

 

 

In the first song, I was going for a punkish feel.

In the other two I was thinking Sabbath proto-metaly.

 

Or maybe not. I just am lame.

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They seem pretty well developed for first songs. The first certainly cries out to be some kind of rocker, that much is clear. As long as it has energy and you repeat the chorus/refrain enough you should be good.

 

The second gers pretty rhymey in there (four rhymes in a row over with those short lines might make it feel pretty rhyme-bound). A lot would depend on delivery, of course, whether it sounds cool or not.

 

I'm not sure about firmament as a choice. But I realize some goth/metallers like to get pretty purple with their lyrics. Maybe the stilted, dated feel is what you're going for. It seems more of a set of hints than a full song but that may be ok.

 

 

Anyway, pretty good for early efforts. It'd be interesting to hear these with music.

 

Keep writing!

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Try some different rhyme schemes... maybe longer lines (or only rhyme every other line).

 

And, rather than having four lines with the same rhyme -- A/A/A/A, if you will -- try alternating, A/B/A/B....

 

Or like I was saying you can go A / B / C / B (where only the "B" lines rhyme)...

 

Really, there are no rules, per se (not the way I do it, anyhow :D ).

 

 

 

BTW, I think you've identified one thing that's a frequent issue for new songwriters today...

 

Rap, of course, is crazy with rhymes, rhymes that make sense, barely make sense, or are sometimes there just because they rhyme. And they fly at you so fast, that's often ok. But in a song (or a rhyming poem fo rthat matter) if the rhymes are too tightly spaced or if it feels like the only reason a phrase is there is so that it will rhyme -- it's going to "stick in the ear" -- but not in a good way. (Obviously, there are songs that defy that... like I said, no hard, fast rules.)

 

And, of course, the rhythm and meter of the words is important for making them work as music. Now, you can insert pauses (rests, in music terminology) in your vocal delivery or go double time with syllables, or syncopate, or even stick two syllables in a word that really only has one (as some singers do)... but the rhythm of your delivery will be important.

 

While you can play tricks with that delivery -- it'll be much easier to learn and sing the song if the words have a good meter on the page.

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