there are two aspects to consider.
First, the quality and clarity of sound of The Atmosphere is superb (24
Bit A/D converters at 33.2kHz sample rate); and second, the effects produced
are amazing and unique.
we consider something traditional and basic, the Plate reverb sounds like any
other plate reverb in some respects (if kept subdued), but as you tweak the
controls to affect pre-delay, bass, resolution, tone and decay, it no longer
sounds like a plate reverb. It may have
plate characteristics, but it morphs into something on a grand scale. Couple in the fact that you can â€˜freezeâ€™ the
reverb into a drone (as you continue to play, or not) and you would be hard
pressed to think of it as a simple plate reverb. The latter aspect is what makes The
Atmosphere so usable, as you can have a hint of reverb to fill out your sound
(even the crazy ones sound apropos when low in the mix), but can create
enormous and flowering sweeps that go far beyond the typical canyon and space
reverbs currently on the market. Some of
the bizarre and utterly fascinating sound-scapes on The Atmosphere include
Smear, Swell, Filter Mod FX, React, Aether and Alias (at least those stood out
for me as being more unusual and original, but hats off to all the algorithmsâ€¦
not a stinker in the bunch). And to make
these sounds even more dynamic is being able to include an Expression Pedal so
that you can affect the reverbâ€™s volume, mix, decay, etc., as well as the two
elements controlled by the Ctrl knobs (e.g., controlling the low-pass and
high-pass filters with the Filter algorithm).
As stated, although The Atmosphereâ€™s Multi footswitch can be assigned to
do several things, you would be hard-pressed not to assign the â€˜freezeâ€™
function â€“ nothing like a mesmerizing spaced-out drone to play a melody over.
A standard sized pedal, The Atmosphere measures about 120
mm (L) x 65mm (W) x 65mm (H) with knobs (4.7 x 2.6 x 2.6 inches). The heavy-duty metal chassis has powder
coated and textured blue that blends/shades from dark to light. You can feel the paint texture of the
graphics, indicating a good paint thickness.
The eight knobs (Res, Mix, Vol, Tone, Decay, Ctrl1, Ctrl2 and Patch) feel
of heavy plastic and will withstand normal use and abuse (they are far removed
from the two footswitches). All knobs
have good quality pots (smooth and very
solid when turned without any static or noise, although the Patch knob has a
â€˜clickâ€™ factor when turned and when choosing patches). The two soft footswitches (Multi and Bypass)
are solid in feel with a good spring to them.
The LED screen is near the footswitches, which is inconsequential since
the switches sit well above the screen. The
cable input/output and power supply are located in the back, keeping any small cable
inserts away from a stomping foot. The MIDI output is located near the front end
on the left side, which may eat up a bit of pedalboard space (no way of having
it in the back due to the pedalâ€™s size).
The Atmosphere does not run on batteries and requires a 9VDC 300mA power
supply, which is included.
The Atmosphere is not a
budget pedal at $399 USD, but the tones, sounds, and flexibility (besides many
of the original algorithms and MIDI capability) make The Atmosphere a must
have. The best way to think of The
Atmosphere is not as a traditional pedal, but a computerized multi-effects unit
(this may be a â€˜reverbâ€™ unit, but there are modulations, delays and other
effect elements involved). There are
some basic industry standards here, including Spring, Hall, Room and Plate
reverb, but even then there are some unique features that turn those basics
into massive and spacey reverberations.
And then you have some unique â€˜atmospheres,â€™ including Alias, React,
Swell and Smear. In total you have
access to 16 fantastic algorithms, each being a Preset that you can edit and
save (if so desired); as well, you can take an algorithm/preset and manipulate
any of the elements on the fly to produce sweeping sounds, glitches and
anything between. Two of the more
entertaining functions include using the Multi footswitch as a Freeze button,
so that you can create a drone that you can play over, and adding an Expression
Pedal to produce unusual life into compositions. This is such a high-end effects unit
(producing awesome sounds) that the only thing lacking is a stereo out. Nonetheless, the uniqueness of reverbs and
soundscapes will make The Atmosphere a much desired addition for any ethereal
When turning on The
Atmosphere, it picks up where you left off (when it was turned off last). There are 16 Presets that you scroll through,
each being a different algorithm or â€˜atmosphereâ€™ (scrolling can be done via the
Preset knob or the Multi footswitch).
For instance, the first preset is Spring (spring reverb), and you can be
in preset mode (as created by the factory) or you can tweak any of the elements
(e.g., mix, decay, etc.), which takes you automatically in default/editing
mode. And you see all this information live
and on the LED screen (it takes mere minutes to learn how to use The Atmosphere
effectively). You can save your changes
as a new preset of that algorithm if desired (and thereâ€™s also a function to
restore the pedal to factory default).
With any of the reverbs you can adjust the resolution (slower, longer
and grainer reverb vs. smooth and refined), the overall mix (wet/dry), the
volume, tone (more bass vs. treble), decay (how long the reverb lasts) and then
two other elements. Those other elements
are set by the Ctrl knobs, and the two elements differ from one
preset/algorithm to the next. For
example, and with the Hall reverb, Ctrl 1 affects the amount of pre-delay,
whereas Ctrl 2 affects the amount of bass.
With the Smear reverb Ctrl 1 affects the diffusion, whereas Ctrl 2
affects delay time. Any of these can be
manipulated to produce real-time changes and effects, done either by hand or via
Expression Pedal (you can assign things like mix, decay, resolution, volume and
the elements associated with the two Ctrl knobs). The Multi footswitch also can take on
different roles, whether you assign it to select different presets, used as a
â€˜freezeâ€™ switch, a tap tempo, etc. Two
roles can be assigned to the Multi, whether you hold the footswitch or click it
Brian Johnston is a guitar gear
enthusiast who likes to develop reviews and demo videos on stuff he likes. His YouTube channel is CoolGuitarGear.