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Pope on a Rope

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Posts posted by Pope on a Rope

  1. The treble bleed mod can get you jangle with humbuckers.

     

    With humbuckers I use a .001uF capacitor on the bridge volume pot. The neck pickup I'll use .022uF or the .001uF depending on what I feel like at the time. The 001uf cap doesn't cut the highs so much when you adjust the volume down.

     

    Set some dirt on your amp and roll back the volume on the guitar. Lowering the volume cuts and cleans up the lows leaving the dirt on the highs. It also adds a bit of a compression effect.

     

    It's certainly worth trying before changing out the pickups. Cheap and easy to undo.

  2. I'm sorry -- I think that's a bit of a specious argument: You're comparing a guitar where: 1) different saddles (granted), 2) vastly different bridge size, design, etc., 3) vastly different pickup (P90 vs Tele bridge), 4) Bridge PU mounted to body rather than bridge), Need I go on? That's so many variables, I think it's presumptuous to proclaim that the lack of twang must be attributable to the difference in saddles....


    FYI, I have a modern (read MIM standard) tele with a six-saddle bridge and Alnico 3 pickups and that thing twangs like a mutherfucker when I want it to...

     

    Oh yes. I Am sorry. How presumptuous of me to post an answer based on personal observation and experience.

  3. I havent found that. I have a trad tele in every way except the bridge pickup is a p90. It does not twang. Maybe a little playing dead clean, but all my other Teles its very hard to dial the twang out. You can hear the twang unplugged BIG TIME.....Rather that trying to enhance some gossimer link to twangness.

     

    How are the saddles on the P90 guitar shaped? I suspect that they are not barrel type saddles like on your other guitars.

  4. I would use 400 grit to sand it all down. Then 600 grit for sanding the primer coat after respraying it.

     

    Even though you used only a couple coats it will still leave visible edges and a noticeable dip if you prime over that now. You have to sand each coat back (feather), using a block to make the surface as flat as possible to prevent the edges of each coat from standing out in additional coats. You should have more primer exposed between the color coat and the bare wood.

  5. By feathered out you mean lightly sanding the areas around the sanded areas? How far should I sand them?

     

    Sand with a block until you can't feel any edges between the wood and the top layer of paint. You usually need to sand quite a bit away from the actual chip or whatever you are trying to repair.

     

    At the stage you're in now, I would feather back all the edges, rough up the rest of it and prime the whole thing again. The way you are doing it now is just a lot of extra work. It's quicker and easier just to work on the body as a whole rather than pecking at bunch of little defects.

     

    If you find defects that need attention after you prime you should use the filler over the primer. I would use polyester putty. It's meant for filling small defects and scratches and can be used over bare metal, bare wood, paint and primer. It also sands easy and does not shrink. I wouldn't use wood putty unless I was trying to match wood for a stained or another transparent finish.

  6. so sand down bigger spots? Don't see how it'd look bad. 4 coats of sand and sealer, 3 coats of primer, 3 blue coats (obviously sanding between all of these) then lay the rest of the blue over the whole guitar.

     

    Any imperfection that gets painted over will be magnified just like Angry Tele said. Those edges will stand out. the edges of the sanded areas should really be feathered out before applying sealer and primer.

  7. Probably the humidity (or lack thereof). I live in Maine (where it gets REALLY humid) and I had a guitar tech tell me that if you have a guitar with an unfinished neck, it must stay in its case during the summer. Or else.
    :evil:

     

    If that were true my SG would be a pretzel. I left it hanging with no finish for two years in a non climate controlled environment in New England.

     

    If wood was as prone to warping and twisting as many people seem to believe, historic buildings and antique furniture would look like they were designed by architects and carpenters from Whoville.

  8. It's not simply that the strings are off, it's that most people don't remember to loosen the truss rod as well. The vintage and replacement necks were fine because they were never set up and the rods were never tightened under string tension.

     

    I've left necks around for months at a time and a few for multiple years without loosening the truss rods and never had a problem when I put them on a guitar. It may take a little more time for it to acclimate to to the tension again but there were no other issues what so ever.

     

    Unless they are being stored in a drafty, old barn a damp, musty basement or on the dashboard of an Arizona pickup truck I wouldn't worry a whole lot about it.

  9. Which ain't much. You don't need a lot of back bow for the center frets to raise. I see it quite frequently with people who don't know how to set their truss rods. I laugh to myself when they walk in and say I only turned it one complete turn.

     

    That's the n00bs for ya.

  10. It absolutely depends on the amount of backbow and the quality of the fret work. It IS a possibility even on a quality instrument so I'd rather play it safe and either leave the instrument at tension or take the strings off and loosen the rod.


    Wood can take a set as well if left in the same position for a long time. Once that happens it's really hard to break the woods will and get it to do something different. If it's left with a back bow and the wood sets that way it may bend to a slight S curve once strings are put on. I've seen this on some neglected vintage instruments.

     

    From some posts it sounds like they believe the neck is going to get bent out of shape just from leaving the strings off or leaving them on which is very unlikely, barring extreme climate changes and neglect.

  11. If the back bow is too severe you could eventually have issues with frets loosening and lifting out of place.

     

     

    That would have to be a hell of a lot of back bow for the frets to start working their way out. I would only expect to see something like that in a defective neck, a neck that is stored somewhere with extreme environmental fluctuations or in the cheapest of cheap guitars.

  12. It's only dangerous if the truss rod isn't loosened to compensate.

     

    Even then it's not dangerous. The strings just pull the neck back to where it was before. The truss rod isn't going to continue bending or twisting the neck after you remove the strings.

     

    Once you remove the string tension, that's it. The truss rod is where it is and it can't apply any more force than it already is applying.

     

    Many people seem to think that guitar necks are made of wet noodles. They are not. They can be stored long term or short term, with or without strings or with the truss rod loosened or not loosened. Just don't store them in a bath tub or a sauna.

  13. PlectrumPete... leave the Tele??!!! I couldn't leave my Tele - it's my number one player.


    I will admit though the Maton is nice guitar. I bought it in 2004, so it's got the shorter 24.5 inch scale. I'm now more comfortable with 25.5 inch, which is why I don't play it as much these days.


    However the Maton sounds great (came with SD pickups) and looks fantastic. I think the Mastersound caved top shape would have to be one of the nicest guitar shapes going... and the big headstock really sets it off beautifully. One sexy geetarrr!


    I think taking the strings off completely would be dangerous as there'd be no tension on the neck. I'm not game to go that route
    .

     

    It's no more dangerous than leaving the strings on. If the neck could be damaged from being without tension, then strings on the guitar would be just as bad for it if not worse.

  14. Ok, well I went to clean the strings and give the fretboard a good cleaning, and i think this problem was pre-existing. I probably just didn't notice until I'd played a bit. When I went to clean the strings, the black didn't come off, and the underside of the string is very rough and jagged - definitely not safe to play on. I'm thinking some nasty strings were just installed at the factory.



    Is this guitar used? The nasty crap on the underside of the strings is something I have only seen on guitars with old strings.

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