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Idunno

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Posts posted by Idunno

  1. SEO knowledge is useful for some things but it does not ferret out the distinctions between the people who have a desire to play the acoustic guitar, or more importantly, the reasons why they have that desire.

    The acoustic guitar is not easy to play. There are people who try year-over-year to achieve certain satisfying skills with the acoustic guitar but, usually due to a lack of everything required to gain that skill set, it remains elusive. Denny Zager knows that.

    Zager eliminates the one key physical thing that impedes motor skills development and that's manipulating the acoustic guitar. He makes it physically easy to play and that in turn garners a market share of sales. Simple truth is many people are turned off by the playability of factory-produced guitars that have high action. Martin is among the worst for that because their philosophy is the player will make the changes to suit him. This assumes the player is a player and not a noob needing something that doesn't task him from the outset. Denny Zager knows this. He answers the noob's needs up front.

    I've read many Zager reviews by people claiming years of experience with the acoustic guitar, naming high-end makers and then contrasting them as distant seconds to Zager's guitars for playability, followed by championing the sound and quality as being equal to or better than (insert name brands here). The message in those claims is they are not experienced players. They are noobs who have been noobs for many years and will probably always be noobs. But, they have discovered an easy playing guitar like it's a vein of gold running through their property and are vocal about it, not realizing they are also publicly admitting their inexperience with the instrument but overtly claiming the opposite. The tween-lines drama tells the real story and Zager knows this is marketable. Smart guy.

     

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  2. Regardless of assembling your own accumulated knowledge and experience, and best intent at giving advice, an entry-level person will do what he/she does and end up with a dart board choice (by our own reckoning).

    Sensibilities are all over the place. The slightest difference in feel between two guitars could be the pivotal push away from a great sounding guitar, that an experienced player could easily adjust to, to a distant second guitar by the noob who can't bring an ear to the task yet.

    Also, all those factors that are second nature to one person who feels he can employ them to make good decisions for himself may be well short of the experience of another player whose skills are more advanced. This is where a conflict arises when offering advise to a noob. Advising a person about the finer points of choosing a guitar, in the forum environment, can be counter-productive despite good intentions by all.

    I think it's enough to suggest a guitar that plays easily. Nothing defeats a person faster than a guitar that's disagreeable in the hands. The new guy doesn't have a developed ear yet so rule that out. That comes down the road when playing skills can be brought into play. And, don't even talk to him about finding a decent sounding guitar and having a tech set it up for him. That's ridiculous. He does not have the ear yet, nor does he possess the skill set to set up a guitar for, meaning, he can't tell a tech what he wants and the tech isn't a psychic.

    The main point is advising a person about getting a guitar should not include any other point than ease of play and that's what our friend Denny Zager is capitalizing on with his easy-play come-on. Smart guy, and his customers by and large are happy with the guitars wholly based on their ease of play.

    Last word about experienced players trying their hands at altruism - don't. We differ with each other on the jam floor so don't expect to be useful when offering advise. I've read all kinds of advice that might/might not be useful to the anal person who can make sense of it, but most people are not wrapped that tight (yet). Steer the noob to something that plays easily, is inexpensive and has a decent reputation.

  3. 20 hours ago, Emory said:

    agree with strum on the wall yea or nay approach.

    Good to have a checklist, mental or otherwise.

    I reckon good thing to use list to keep us from falling into hubris

    Not sure the humility needs a revisit as much as I am my patience needing a reboot, having lapsed into a state of despair over the quality of sound, which is to say that I'm not sure there is such a thing. The search was afoot at one time but it has since gone lame from over exertion. A 50-year expectation without reward becomes a fools game. If badges are handed out for that I've certainly earned one, but my list of validating brands/models would also certainly be challenged. I know I can't be alone in having the ear I have that has not been resolved to-date, and I'm not accepting of other's aural infatuations (more towards ocular infatuations me-thinks) so I wait. 

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  4. https://www.youtube.com/watch?v=c90Htzq7E5k

     

    This fellow seems astute and stuff enough about the guitar, it's switches, their use and even explaining them. Minus all the sucking up to Fender, the video would be a couple minutes long. Seems to me the guitar's workings are not rocket surgery so what does that tell you about buyers of the guitar who can't figure it out from the literature, or otherwise can't figure it out by ear?

  5. 19 hours ago, 1001gear said:

    The represultant x? We may the work done-half the work done is equal to be in then K = ½ ( ½ ( ( V is force a displacement acting on a = ½ m ( V + v is W = ½ m v². What t ) ) t. The body. If we relationstate the particle. A common a = ½ m v². What time t. The work done-half the x-axis this W = m ( ½ ( V + v ) / t = 0 and V - v ) ( V - v ) t ) t. Here of mass of F and a. Let us choose this to be in call product of the partic energy by the body. If we represent force, force above equal to be in the by.

    So I'm thinking maybe like:

    Here of the particle. A common a = 0 and a. Let us choose then K = 0 and V - v is to be is W = ½ ( V + v ) t. The partic energy by then K = ½ ( V - v ) / t ) t. Here of mass of this force, force, force a = m v². What time t. The body. If we represent acting on a = 0 and V is to be in the particle. A common a displacement x? We mass of F and V + v is force a displacement x? We mass of F and a. Let us choose the body. If we relationstate the work done-half the work done-half the body. If we represent

    Is this putting the cart before the horse?

    ? More like fart. Carts are far more useful.

  6. Same here regarding playing versus walking through a pre-flight checklist, but in defense of it I'd call the checklist a good idea for people not so experienced in sound and playability. Going in as a greeny so many years ago a checklist would probably have been useful to me. These days I can pluck the strings while the guitar hangs on the wall to know whether it's a candidate or not for sampling. As a matter of fact, that method has saved Gibson's product line from suffering my DNA for years.

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  7. No problem. Make the video and dub the narrative in later. That I've seen, only James Goodall sports a start-finish video of his son making a guitar. The comments, as I recall, criticize him for not wearing a mask so make sure you have your chemical warfare gear on and properly secured for those who'd complain about being hung with new ropes. Ervin Somogyi has a couple videos capturing his dialog about woods, his selection of them, the principles of the sound box and an inarticulate allusion to his capacity for managing its voicing. It's interesting but he does not visually detail a build in video. One things-fer-shur, it'll make you better at planning the start, progression and completion of each step. Trust me, I know. 

    Anecdotal - I have to capture each work order that comes into the shop I work at in pics and video from the time they arrive to the time they leave. A hydraulic pump, about the size of a basketball, gets stills taken from every angle when it arrives. Then it's tested to ascertain it's condition (in airworthiness-speak: state of repair). A video is taken of that to capture all parameters of the test. The test is punctuated with vocal call-outs before, during and after the test. If it fails the test, a disassembly comes next with pics of the progression, pics of each part dimensionally measured and recorded on a master list of constituent parts, and so on, including steps during the reassembly to capture critical check-points of the build. A final test is performed in similar fashion to the incoming test, with vocal call-outs. By the time all is done and the pump is returned to the customer in airworthy condition, it's been completely cataloged in writing and visually in digital records, annotated appropriately. We are paperless. All work is performed in compliance with the manufacturer's maintenance manual for the parts we maintain. The visual file for each work order is available to respective customers, and national authorities, upon request or whenever it becomes necessary to visually assist them in understanding the nature of failures and related corrective maintenance. So, you might consider each of your builds as purchases from customers and visually document their progressions in video.

    Then again, nah. It's a PITA.

  8. 22 minutes ago, kwakatak said:

    Yup. I gave them three strikes. I view my warnings as gaslighting so I won’t give them the satisfaction of wasting any more time on them. At this point, I’d rather just start a blog or an Instagram Story or even a YouTube Series. 

    Good point. You might say that's the site's overall persona. Garbage in, garbage out.

     

    I bought a set of plans from Stew-Mac for an OM a few years ago. Just re-discovered them today. Hmmm...maybe getting that YouTube series going is a good idea. I could use some  pointers and motivation. Might be retiring in January and make a build a bucket list first project.

  9. On a more positive note, looks like you're gaining some momentum and experience as a builder. My mother-in-law, residing with us now going on 4 years, is pushing me to get into building. We chit-chat about various topics and she seems keen on setting me up with all the tools, materials and spirit for building but she doesn't quite understand the nature of it. You have to be genuinely engaged at that level. Pretending to be able to play one is kind of a fool's game but that shoe fits. Pretending to be able to build one? My feet aren't that big.  

  10. 22 hours ago, kwakatak said:

    Tell that to the mods at AGF. They have been not been so understanding. They are so uptight over there that even if I type in "****" they assume that I'm not following the rules. yesterday I posted a new thread about a social media app that is popular with people born after 1980 and they assumed I wanted it to go political even though I clearly said is so many words "please don't discuss anything political about the app I just want to know if you see any value in it as a form of self promotion" but they deleted the thread and PM'd me with a warning saying that I was being sneaky about trying to post a political thread. SMH. Whatever, boomers.

    Pretty much my experience with a particular moderator. As is his M.O., he got all threatening and full of himself with me over his own twisting of my post so I told him to perma-ban me because I was tired of suffering him and all the nancies over there.

  11. Interesting guitar, Howard. Novel bridge tie-off method (2 holes per string). I see the break angle on the high E is fairly shallow. I had that on the Yamaha I bashed so I filled the existing hole with a round toothpick and drilled a new one just below it. A little wood stain and you'd never know it was modified. The head stock veneer extending under the fingerboard is also new to me. I've heard of LAG but haven't seen one here. Nice grab. I'd like to hear it.

  12. 7 hours ago, catscurlyear said:

    Hi deepend,i did wonder about the bronze strings  working with a regular electric guitar pickup ,would it or won`t it ?, but i was suprised at how well the strat pickup did work in that situation, i mean it out performed the pick up that was intended to be put in the soundhole,so the only place that is going is in the bin(trash ).

    The non-ferrous metal used in the wound strings will not be sensed by the magnetic flux field of a typical pick-up. But, all wound strings use a steel core and the p'up will definitely sense that part of the string and put it in the signal chain. The question to ask is if the steel cores are of such a gauge (mass) to be sensed in a balanced fashion with the other strings. If not, some EQ'ing will be needed. But, all wound strings can be manipulated through the chain to bring a pleasing sound. It's only when silk and steel is encountered that the bass strings are un-sensed.

  13. Looks to be 50 watts beneath the line chord plug under the transformer, making the running current just under 1/2 amp. Upping that 1-1/2 times puts inrush current at 0.750 amps. Sol-Blo fuses degrade. I prefer fast acting. Can experiment with lower rated fuses (0.50 amp, 250 Volt and lower) to see what the performance is but out of the gate I'd take an amp reading with a decent meter that stores peak inrush current as SOP and equip the unit accordingly with properly rated protection. If you're going first cabin there are re-settable fast-acting panel-mount push-button breakers available in that range going pretty cheap.

  14. I bought an ukulele some years back for my son. I took it off the wall, put it in it's gig bag and gave it to him when I got home. It was a present to take to the Beach (Florida) and play. My fingers will not comply with the board width. Nor will they fit on a mandolin. My index fingertip covers 4 strings on a mandolin and there's no way to body-english them to work. Neal Paisley plays the ukulele well and I thought I'd be able to catch up. But, no, man's got to know his limitations.

  15. Misha, let's back up a bit and talk about your stolen truss rod. I mean, I know truss rod theft is a popular thing these days and those bandits are pretty good at swiping them the second you look away. That's why I keep a padlock on my truss rod when I venture out with the guitar. You'll just have to be more careful!

    Seriously, though - truss rod stolen? That your way of saying it won't change your neck relief?

    Like has been suggested, shimming the saddle works. The way I do it is by laying on a bead of (medium cure) superglue along the bottom of the saddle and then holding it firmly onto a piece of copier paper. It cures pretty much instantly. I make sure the copier paper is on top of a piece of wax paper. Then I trim the edges off with a single edge razor blade evenly with the sides/ends of the saddle. I repeat the process as many times as needed to get the height I need. Then, when it's right I drag the bottom edge flatly over a piece of very fine sandpaper (1000 grit) that's lying on a flat surface (table or countertop) just to knock off any slight imperfections. Just a couple times over the sandpaper is all that's needed. Been doing that for years. Copier paper is typically around 2.5 mils thick (0.0025")

  16. Late to the party. This is a short ditty played on a Yamaha classical guitar that was modified to accept 0.010 gauge set steel strings. Howard (garthman) suggested I experiment with the concept to shortcut what might be a long search for a 12 fret guitar that meets my preferences. So, without much hesitation, I proceeded to sharpen the tools and effect what is now a very decent 12-fret guitar. Thanks again for the push, Howard. I'm late this VOM1T because I had to heal the tip of my left index finger after a bout with a sharp wood chisel, which also abbreviated the playing of this piece. Thanks.

    Edit: The ringtone you hear in the beginning is an incoming text on my new cell phone. I'm on the grid!

    https://app.box.com/s/u88is3yxitsyhmquixebp4dnp992qh3f

     

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  17. On 4/1/2020 at 8:46 PM, kwakatak said:

    Hi everyone. My intent was to pick this back up in the spring and I have. I traced my Larrivee OM again and cut out and routed two templates (out of bitch plywood this time) which will be used to make a bending form. 
     

    I also sharpened my blades and trued the soles on my planes and got to work planing the black walnut back and sides to a thickness of .1” for the sides and .11” for the back. I also inlaid a zig zag back strip in the back. 
     

    Finally, I traced the templates and cut out a rough outline on my little Ryobi bandsaw.  I did this so that I could better measure the thickness close to the center strip and have less material to have to plane away with my No. 5 bench plane. 

    6A37C06A-9219-46EB-A204-6805CFE9AEE0.jpeg

    2C4EF720-4FE9-47C1-B10D-99A0CD8ED19C.jpeg
     

    I’m contemplating on what to do next. I’m set to brace the back but feel like I should focus on the sides. If I do the latter, I want to make another mold from birch plywood because the MDF didn’t come out as well as I’d hoped and the material is not as easy to work with as plywood is. I’d also like to make a steam box instead of using a hot pipe or nylon heating blanket. 
     

    What should I do?

    I'd probably focus on the equipment and obtain/fabricate it to my satisfaction, meaning it will do what it was designed/intended to do within an acceptable degree or error, before going into the construction of the guitar. But, that's me. I can fly but prefer to tinker with the mechanics of flying, meaning I'm much more interested in the mechanisms of flight than I am in the dynamics of it. This necessarily involves tools, fixtures, jigs and other equipment related to the scope of building and maintenance. I design and build stuff to that end and it's so much more interesting and rewarding than maintaining a compass heading at Angels 5.

  18. 1-11/16" is narrow but as a cross-over it should get some attention from people looking to expand into nylon without having to re-vamp muscle memory. Or, as mentioned, as an easier first step into playing guitar. I gave a Yamaha cross-over to one of my sons, that is similar to the Fender in neck geometry and dimensions, and it gave him the entry level ease he needed. And it certainly looks the part (uncharacteristic of Fender). I'm kind of surprised Fender would bow to a more traditional representation.

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