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Hmmmm. Any NIN fans out there?


wheresgrant3

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Originally posted by wheresgrant3 on 10-22-2004 09:24 AM

 

I know many of you hate covers... but hatred aside, if you were asked to compliment a live performance of Nine Inch Nail's "Head like A Hole" with a four other players (bass, guitar, vocals, drummer) how would you approach it. For the record I have tried playing this song with other bands and it was never really "there". This band it's teetering on the brink of actually being listenable. It's definately tight, and despite not having and electronic drums, our drummer hits all the cues right on target. For me the big emptiness is in the sounds and sample department. I don't expect to recreate the same soundscape that Reznor and Co. does with all of the proprietary samples, however I just can seem to find the right combination of "noise" and sounds to fill in the gaps.

 

Opinions?

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EDIT 1-14-05

 

Well I finally have a live clip of us performing this song in a club. I just got back a slew of songs we had recorded for club demos. These were just rough mixes taken off the sound board using an ADAT recorder. It starts off into the end of Bon Jovi's Living on a Prayer and then quickly shifts into "HLAH". (Don't laugh... the crowd really digs it)

 

Head Like a Hole-Live clip

 

I'm really 50/50 on what I like and what I hate about how we play this tune. I feel like it flows pretty well until the chorus, then it just falls apart like bread crumbs. I'm trying to fill it up as much as possible. Here is what I'm playing

 

Verse:

Triton Le Fat pad sustained using a pedal for that Pedal tone effect

XP30: JP Stack playing the stabs

 

Chorus:

MS2000 Fat rez stab arpeggiator at 120bpm

 

XP30: Ambient Story pad (for angelic voice effect)

 

I sampled the end og the NIN song (and I mistakenly played a beeper sample)

 

I know I'll take a bashing by some Reznor purists. Some people will I'm sure nitpick our singer, guitar tone, the timing etc... I'm more interested in opinions on the arrangement and sounds used. I'll go find my flame retardent suit and you guys let me know what you think.

;)

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wheresgrant3

 

Hey I'm into NIN. From what I understand Trent Reznor pretty much re-interprets his stuff anyway when he performs live, so you're pretty much following along his ethos...

 

Can you get any of his live performances on Cd or DVD? May be worth a look to see just how he overcomes some of those studio processed sounds, onto the stage.

 

Good Luck though, I imagine it aint an easy task. Hey if you do it can you post a copy of your live performance? I'd love to hear what you do.

 

Best o'lLuck

 

Loreman

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Do what you can do with it.. My band has performed in the past.. Hurt, Wish, A Warm Place and We're In This Together.. and I'd honestly say that none of them sounded NIN'y but with 2 guitars and one synth player.. (and bass & drums & vox of course).. it got as close as we could get it.. and it sounded pretty good..

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If you're covering that song with the traditional 4 man band setup, I would try to make it as dirty sounding as possible.

 

Fuzz Bass! And wah/q-tron action to get that

wattery flow of the main melody

 

Dirty Fuzz Guitar!

 

Trash can lids for the drummer?

 

That should help a little with the "emptiness", I think!

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I would probably try adding Fuzz and a tiny big of Reverb to the Bass.

 

The guitar, LOTS of Fuzz/distortion. Before the guita part come in on the Chorus, maybe have another fuzz/distortion on that cuts most of the low freq. and maybe play with pick scratching and banging the guitars body, maybe with some delay/reverb, see how that works for noise?

 

You could probably make the synth sound during the "Bow down before the one you serve..." section with guitar, a really good filter and delay (set at moderate speed, withhigh feedback and output, but with the guitar volume lowered). try that while speed picking. I use that to make really lush "synthy" sounds with my Super Phaser and DD3.

 

And yeah, I agree, try throwing in weird stuff with the drum set, trash cans, jugs, whatever.... Bob Burt has a c--k ring in one of his sets along with car parts.. go buck nutty...

 

Hope that helps...

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Live the arrangment is made up of 3 guitars(reznor, lohner, finck) keys and drums, the bass is on tape.

 

have you tried downloading a midi file to see if you can track down some of the stuff your missing as far as note data?

 

on a side note: cybermooks, which signiture sound are you referring to? the OB-MX didnt arrive until 1994, the sounds your hear on pretty hate machine are all prophet VS, Obie Xpander, minimoog or EmaxII.

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Well I finally have a live clip of us performing this song. I just got back a slew of songs we had recorded for club demos. These were just rough mixes taken off the sound board using an ADAT recorder. It starts off into the end of Bon Jovi's Living on a Prayer and then quickly shifts into "HLAH". (Don't laugh... the crowd really digs it)

 

Head Like a Hole-Live clip

 

I'm really 50/50 on what I like and what I hate about how we play this tune. I feel like it flows pretty well until the chorus, then it just falls apart like bread crumbs. I'm trying to fill it up as much as possible. Here is what I'm playing

 

Verse:

Triton Le Fat pad sustained using a pedal for that Pedal tone effect

XP30: JP Stack playing the stabs

 

Chorus:

MS2000 Fat rez stab arpeggiator at 120bpm

 

XP30: Ambient Story pad (for angelic voice effect)

 

I sampled the end og the NIN song (and I mistakenly played a beeper sample)

 

I know I'll take a bashing by some Reznor purists. Some people will I'm sure nitpick our singer, guitar tone, the timing etc... I'm more interested in opinions on the arrangement and sounds used. I'll go find my flame retardent suit and you guys let me know what you think.

;)

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how about a crap load of noise samples that create a wall? Run the guitars through a {censored}load of fuzz and distortion, and play them behind the wall of noise that you have in the sampler. Put your own twist on it. But I think you want as little space in between the instruments as possible. It seems any pause or "sunlight" in the wall of sound on that song is the downer that will make it sound poor live and more like hokey common prog rock instead of cutting edge electronica.

 

you could slow it down ,use just the drummers bass drum and put more emotion into it, but you would still need the big wall of effects. Layer a bunch of samples up in your Triton or from a laptop and have them run throughout the song.

 

I think you will always win with that song as long as you can keep it incredibly noisy and as messed up as possible,with no empty space or holes.

 

Get rid of the space. Just use the hi hat.

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Originally posted by Mike51

wheresgrant nice job man! Glad to see the LE is working for you.


I would yank the guitar solo and just use the ride. Replace the guitar solo with some crazy synth noise.


Nice job man, cool to hear your band.

 

 

Well actually... the LE is temporarily out of commission. I powered it up after vacation and I don't have any power to it. I should pick up a new power supply tonite... hopefully that is the issue.

 

Anyway, thanks for the input. I agree... I think our guitarist should lay back a little and add a little more to the rhythm.

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