Members XeroStar33 Posted December 15, 2002 Members Share Posted December 15, 2002 Could someone explain to me --in detail-- what each mode does to a scale? I'm guessing each mode will make a certain note in each scale a flat or a sharp, but I have no idea which does what. Link to comment Share on other sites More sharing options...
Members StratKat Posted December 15, 2002 Members Share Posted December 15, 2002 In detail its very simple. Take any sclae of 7 notes with an octave on top like C D E F G A B C Start the scale and play through it from C to C and its one mode. Start it on the D and play D to D and its a new mode. Start it on E and play E to E and its another mode. Each note played from one octave to another represents a different mode in ANY SCALE. Whats the purpose in reality? Well, when you play scales using the modes and make them FIT into your leads it gives a natually different flavor from just the plain old normal way of playing a scale. Each note as a starting point in a scale gives different feels and textures. The easiest way to test this is to play a chord progression and record it for three minutes or so. Then solo over it with a different mode in each run thoguh and tape it. When you go back and listen you will see some modes give an arabic flavor, some a haunting flavor, and others have their own descriptions. Its all about versitality. Link to comment Share on other sites More sharing options...
Members thamiam Posted December 16, 2002 Members Share Posted December 16, 2002 I think this is what you were going for. In C major (for example, holds true for all major scales)C Ionian = C D E F G A B C = 0#'s 0b'sC Dorian = C D Eb F G A Bb C = b3 b7C Phrygian = C Db Eb F G Ab Bb C = b3 b6 b7 b9C Lydian = C D E F# G A B C = #4C Mixolydian = C D E F G A Bb C = b7C Aeolian = C D Eb F G Ab Bb C = b3 b6 B6C Locrian = C Db Eb F Gb Ab Bb C = b3 b5 b6 b7 b9 Another way to arrange them is from 'brightest' to 'darkest' sounding, which basically means flatting one note incrementally. C Lydian = #4C Ionian = 0#'s 0b'sC Mixolydian = b7C Dorian = b3 b7C Aeolian = b3 b6 b7C Phrygian = b3 b6 b7 b9C Locrian = b3 b5 b6 b7 b9 Practics them both ways for the best understanding. The second way is a little easier and helps you see the patterns on the fretboard a little more intuitively. Link to comment Share on other sites More sharing options...
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