Members 335clone Posted August 18, 2003 Members Share Posted August 18, 2003 Low to high: 010112 E-Bb-D-Ab-C-F# Link to comment Share on other sites More sharing options...
Members GuitarShredder Posted August 18, 2003 Members Share Posted August 18, 2003 Not sure...it doesn't sound very nice though Link to comment Share on other sites More sharing options...
Members lazaraga Posted August 19, 2003 Members Share Posted August 19, 2003 Originally posted by 335clone Low to high: 010112 E-Bb-D-Ab-C-F# E9b5b13 it is symmetrical too, in that chord quality does not change in inversion. aka the whole tone scale played as a chord. peace Link to comment Share on other sites More sharing options...
Members Steve L Posted August 19, 2003 Members Share Posted August 19, 2003 As a stand alone chord, outside of the contex1t of a progression, I would spell the chord with the low E as the root...., the Bb would be flat 5, and the D the seventh. It is pretty rare in Western music to have a flat 4....so I w4ould rename the Ab enharmonically, a G#(the major 3).....C would be a flat 6, and F# a 9......that gives us an E9b5b13, (b5 aka half diminished)..... Link to comment Share on other sites More sharing options...
Members musical_lucidity Posted August 19, 2003 Members Share Posted August 19, 2003 E+9(#11)is possible, it sounds to me like an augmented chord more than a major chord or a diminished chord. Link to comment Share on other sites More sharing options...
Members 335clone Posted August 19, 2003 Author Members Share Posted August 19, 2003 Originally posted by lazaraga E9b5b13it is symmetrical too, in that chord quality does not change in inversion.aka the whole tone scale played as a chord.peace The inversions are what I find interesting. I'm not that great on theory, but my chord generator spit out some interesting results. C add 9 flat 5 aug 5 7thD add 9 flat 5 aug 5 7thE add 9 flat 5 aug 5 7thF# add 9 flat 5 aug 5 7thAb add 9 flat 5 aug 5 7thBb add 9 flat 5 aug 5 7th I thought the terminology was a bit whacked, but was intrigued buy the chord symetry. Any others like this that you know of? Link to comment Share on other sites More sharing options...
Members lazaraga Posted August 19, 2003 Members Share Posted August 19, 2003 Originally posted by 335clone I thought the terminology was a bit whacked, but was intrigued buy the chord symetry. Any others like this that you know of? i think about any chord you build from a symmetrical scale (whole tone, diminished) will have symmetrical qualities. i like the whole tone scale for dominant chords. G F B C# low to high on the guitar is a good one, and only has one inversion, and then repeats its shape. peace Link to comment Share on other sites More sharing options...
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