Login or Sign Up
Welcome, !
Logout
Join the HC Newsletter
Subscribe Now!

New pedals from EarthQuaker Devices!!!

 

Hey guys! This is just a quick note to let you know about what's up with some of our new devices. All of these are shipping now and available from your favorite dealer! Thanks in advance for being cool and reading the whole thing, watching all the videos and telling your friends! You're totally going to do that, right? Awesome! I really appreciate it!

Like I always say, if you have to do it with a device, do it with an EarthQuaker Device.

- Jamie Stillman | EarthQuaker Devices
 
 
 
 
Gray Channel Dual Dirt Device
 
 
The Gray Channel is a real “twofer” of an overdrive. It is based around a classic hard-clipping gray box overdrive (subtle hint, huh), one of my all-time favorites. Coincidentally, this is the very same pedal that got me started building pedals and launched EQD. It is two channels of a simple hard clipping overdrive that leaves the character of the guitar and amp intact. The Gray Channel retains the classic warm overdrive sound and expands upon it with several clipping options and bigger bass response. Each channel has 3 clipping modes. The Green channel- “Si” (Silicon clipping diodes), “Ge” (Germanium clipping diodes) and “N” (no clipping diodes). The “Si” mode will be bright/loud/fuzzy and has a natural tube type break up. “Ge” mode is a little looser with more lows and warmth and less output. “N” mode acts as a clean boost until you hit roughly 1 o’clock on the gain, at which point it’ll start to saturate the op amp into a biting, loud distortion. Phew! Still with me? Cool, onto the modes of the Red channel. Here, you’ve got “LED” (LED clipping diodes), “FET” (Mosfet clipping diodes) and “N” (again, no clipping diodes). “LED” mode is the loudest, cleanest and most touch sensitive/least compressed. “Mos” mode is the most compressed with a tighter crunch; the biggest hesher of the group. And finally, the “N” mode is the same clean to crazy loud op amp distortion set-up as the Green channel. With a couple of switch clicks you can go from your bypassed tone to warm break up to over-the-top gnarly grind and any/every combination in between. With more and more drive pedals moving onto already crowded pedal boards, having the Gray Channel dual overdrive is like, totally crucial for sonic growth and sustain. Join the fight to stop pedal board overcrowding, because before we can overdrive tomorrow, we must first drive today... or something. Each Gray Channel is built one at a time, part by gorgeous part at a former automotive paint factory by a bunch of smokestacks on a dead end street in Akron, Ohio.

Video links
EarthQuaker Devices
Pro Guitar Shop
Mike Hermans for PGS
GearManDude
 
 
Night Wire Dynamic Harmonic Tremolo
 
 

The Night Wire is a feature-rich harmonic tremolo. What is harmonic tremolo? In short, the signal is split into high pass and low pass filters, then modulated with an LFO that is split 180 degrees. The Night Wire takes the traditional harmonic tremolo a few steps further by allowing the center point of both filters to be adjusted for different tones. The filter frequency has three modes: Manual, LFO and Attack. In Manual mode, the center point can be set to a fixed position with the frequency control. In LFO mode, the filters are continuously swept and the frequency control adjusts the speed. In Attack mode, the filters are dynamically swept according to pick attack and the frequency control acts as a range control, much like a standard envelope filter. The tremolo section has two modes, Manual and Attack. In Manual mode, the speed of the tremolo is governed by where the rate control is set. In Attack mode the speed is controlled by pick attack and the rate controls the sensitivity; the harder you pick, the faster the rate and vice-versa. The tremolo can be subtle and shimmery or full-on throbbing depending on where the depth control is set. With the depth set to zero, the Night Wire will act like a fixed filter, phase shifter or envelope-controlled filter depending on which mode the filter frequency is in. It also features a cut/boost volume control to get your levels just right. Each Night Wire is hand made one at a time in the moonlit village of Akron, Ohio.


Video links
EarthQuaker Devices
Pro Guitar Shop
Mike Hermans for PGS
GearManDude

 

 

Spatial Delivery Envelope Filter with Sample & Hold

 

 

The Spatial Delivery is an oddball, a voltage controlled envelope filter that allows you to step outside the universe of funk while reinforcing your secret love affair with auto-wah. It has 3 modes- Up Sweep, Down Sweep and Sample and Hold. With Range, Resonance and Filter controls you can get super emphasized filter sweeps in the Up and Down modes. The Range, in combination with pick attack, controls the sensitivity and reaction time of the envelope and thus the width of the frequency sweep. The higher the Range and harder the attack equals a faster reaction time and higher frequency sweep and vice versa. Reign in the controls a bit, add your favorite overdrive/fuzz after the Spatial Delivery and you've got a real nice resonant, cut-through-the-mix lead tone. Crank the controls back up and you're a neo-bedroom rock god. In the Sample and Hold mode the filter is controlled by random voltage and the Range controls the speed. Add a sub octave into the mix (before or after) and you've just created a deep fried space droid computer freak-out. The filter can be cross faded between high pass (counter clockwise), band pass (center) and low pass (clockwise) for a wide variety of voices. The Resonance control goes from zero to the brink of oscillation and adds more body and ring to the filter voice. We recommend placing the Spatial Delivery first in your signal chain. However, due to its envelope control, experimenting with pairing and signal chain placement can take the potential of the Spatial Delivery even further. Each Spatial Delivery is hand made bit by damn bit in silver studded Akron Ohio.

Video links
EarthQuaker Devices
Pro Guitar Shop
GearManDude

 

 

Spires Fuzz Doubler
 
 
 
 
The Spires was born from my need to have my big old Rosac Nu Fuzz and our now discontinued Dream Crusher on my pedalboard without taking up all the space. The green channel features a cranked fuzz inspired by the Rosac Electronic Nu-Fuzz, which, for all the unacquainted fuzz seekers, was released in 1968- decades prior to the dreaded “nü” prefix ever being uttered. The original schematic for Rosac Nu Fuzz is somewhat of a mystery so I used my original to make a “sonic copy” that is pretty much dead on. It is full-on fuzz all the time and uses crude wide range tone control to change the character from big and warm to sizzling and blown out. The original was slightly below unity at max so I gave this one plenty of output volume while retaining the original tone. The Red channel is a silicon version of the now discontinued Dream Crusher. There's no need to mourn the loss anymore. Dreams will still be crushed with walls of classic two transistor fuzz, only this time the crushing will be much more stable and less temperature sensitive. It features a very usable, dynamic Fuzz control and tons of output volume, just like the original. Each Spires is hand made one at a time by a white gloved team of professional experts in the dirty, dusty canyon of Akron, Ohio.

Video links
EarthQuaker Devices
Pro Guitar Shop
GearManDude
 
 
No comments
Join the discussion...
Post Comment
More Cool Stuff
Electric Guitars: Design And Invention by Tony Bacon Your coffee table will than...
Dear Musician – Do You Hear What I Hear? Don’t let a critical ear sp...
x
sign in
x
contact us
*Indicates required fields
Name *
Email Address *
Issue Type *
submit
x
message
okay
please wait