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  • HC Confidential #148

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    Issue 148

     

    Topics     News     User Reviews    Forums     Articles     Videos     Classifieds

     

     

    Dear Musician

     

    “Wanted: Guitarist for up-and-coming band with major label interest.” There was a time when, if you were advertising for a musician, all you had to do was print the magic phrase “major label interest,” and the world would beat a path to your door—if you were foolish enough to include your home address in the ad. Once the masses arrived, you could qualify the statement with, “Well, there’s no money yet, and we have to travel far distances and play long hours at obscure and under-attended venues, but we have major label interest.” And to a person, the teeming throngs would cry, “Sign me up!”

     

    Although I still see this cliché in classifieds, I’d like to think that musicians searching for opportunities and positions are a little more discerning these days, and wouldn’t fall for the “major label interest” hook—at least to the exclusion of any other compensation or benefit. Why? Because there is no “major label interest.” This is primarily because the majors aren’t majors anymore, and the surviving recording companies simply don’t have the resources to cultivate a band from obscurity to stardom the way they once did. 5359a184060c3.jpg.180e9a8679fc5714b735655ba444128e.jpgruggedness of a dynamic model. But another consideration is that a loud amp can vibrate other objects in the room, and while the loudness of the amp itself might drown out any obvious sounds, they’ll still be in your track and contribute something you don’t like—but can’t really identify.

     

    The obvious place to start is the drum kit—making sure the snares are turned off—but there are plenty of other noise sources. Doors or windows that aren’t sealed can vibrate as can thin tabletops. Objects sitting on top of surfaces that vibrate can also cause problems.

     

    One way to track down some of these potential noise sources is to feed a sine wave (e.g., from a synthesizer) into your amp and go for the cleanest sound possible. Turn it up, and because the signal shouldn’t have harmonics, it won’t mask spurious noises as readily. Use your ears, but also use your hands—touch a variety of surfaces, find out which ones are vibrating, and apply pressure to damp the vibrations and see if that reduces noises. Sometimes all it takes is a little magic from some duct tape, applied in strategic places, to neuter these nasty noises.

     

    — Craig Anderton

     

     

    Featured Industry News


    This week's pick hits from our News section

    NOTION Music Releases NOTION Notation Editor App for iPad Featuring Real Samples from the London Symphony Orchestra

    Martin Guitar to Unveil 15 Exciting and Innovative Instruments at Winter NAMM 2012

    Arturia Announces the Shipping of the “Oberheim SEM V”

    Cakewalk Launches SONAR X1 Advanced Workshop: Next Level with Craig Anderton Video Tutorial

    Now Shipping: 4pre Audio Interface with 4 Mic Preamps and Mixing

    Peavey® & Guitar World Announce Devin Townsend Exclusive Online Concert Event

    Agile Partners Announces GuitarToolkit 2.0

    New 13th Editions: Blue Book of Acoustic Guitars and Blue Book of Electric Guitars Are Hot Off the Press!

    New Native RTAS Versions of SSL Duende Plug-Ins Now Available

    Introducing a Trio of New Releases from Big Fish Audio

    Switchcraft Releases SC702 Series Stereo A/V Direct Boxes

     

     

    Forum Watch

    A few of this week's top discussions from our Forums

    Latest Pro Reviews

    Get the lowdown on the Epiphone Les Paul Ultra-III, check out clips and videos on DigiTech’s iPB-10 multi-effects, keep up with the latest Universal Audio plug-ins, find out why Geist has its own flock of fanatics, and more.

    NAMM 2012 New Pedals

    The Winter NAMM show is still about a month away, but the rumor mill is already buzzing about possible new pedals—and some have even been confirmed as official releases from press notifications and manufacturer websites. Get the scoop here!

    Getting Started in the Solo/Duo Market

    What does it take to get a viable gig going as a solo or duo act? The thread starts off slow, but then the suggestions pick up—as do realistic evaluations of what, and what not, to expect.

    Modular Madness Megathread

    Did someone say . . . modular synths? This thread is loaded with ‘em, and just in time for the ongoing modular synthesizer comeback.

    Amp Dilemma: What to Do, HC Amps Forum?

    The poster has narrowed down his lust to four amps—but is having a hard time deciding which one to get. So what does he do? Why, post a poll, of course . . . but it’s not just the poll results that matter, it’s also the comments.

    Rhythm for Songwriters

    Unlike rhythm section players, who develop their skills collaboratively, songwriters tend to work in a vacuum. Therefore, their sense of rhythm can sometimes be, shall we say, a little shaky. If you’re intimidated by the study of rhythm, meter, and time-keeping, heed the advice from songsmiths who’ve learned to deal with these issues.

    My Proudest Moment as a Musician

    As well it should be . . . and especially this time of the year, there’s nothing like an inspirational thread to get us all thinking about what we can do to help make the world a better place.

    How Do I Make My Yamaha FG700S Less “Jangly”?

    The advice in this thread is pretty useful to anyone who plays acoustic guitar and wants a somewhat smoother, darker sound.

    A Simple Guide to Gain Structure

    Find out how to set up the correct gain structure on a mixer for a live band—with a highly useful thread that has references to some good videos, and cogent, helpful answers from experts in response to basic—but important—questions.

    EQ’ing Drums to Tape

    Should you apply EQ to drums as part of the recording process? Many DAW engineers prefer to save EQ for the mix, but when recording drums to a reel-to-reel multitrack with a finite number of tracks, a different approach may be in order.

     

     

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    EditoriaCraig Anderton, Editor in Chief • Jon Chappell, Senior Editor • Phil O’Keefe, Associate Editor • Chris Loeffler, Reviews Editor

     

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    Production Editor Carrie Brown




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