HC Confidential #148
By Guest |
Issue 148
Topics News User Reviews Forums Articles Videos Classifieds
Dear Musician |
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“Wanted: Guitarist for up-and-coming band with major label interest.” There was a time when, if you were advertising for a musician, all you had to do was print the magic phrase “major label interest,” and the world would beat a path to your door—if you were foolish enough to include your home address in the ad. Once the masses arrived, you could qualify the statement with, “Well, there’s no money yet, and we have to travel far distances and play long hours at obscure and under-attended venues, but we have major label interest.” And to a person, the teeming throngs would cry, “Sign me up!”
Although I still see this cliché in classifieds, I’d like to think that musicians searching for opportunities and positions are a little more discerning these days, and wouldn’t fall for the “major label interest” hook—at least to the exclusion of any other compensation or benefit. Why? Because there is no “major label interest.” This is primarily because the majors aren’t majors anymore, and the surviving recording companies simply don’t have the resources to cultivate a band from obscurity to stardom the way they once did. ruggedness of a dynamic model. But another consideration is that a loud amp can vibrate other objects in the room, and while the loudness of the amp itself might drown out any obvious sounds, they’ll still be in your track and contribute something you don’t like—but can’t really identify.
The obvious place to start is the drum kit—making sure the snares are turned off—but there are plenty of other noise sources. Doors or windows that aren’t sealed can vibrate as can thin tabletops. Objects sitting on top of surfaces that vibrate can also cause problems.
One way to track down some of these potential noise sources is to feed a sine wave (e.g., from a synthesizer) into your amp and go for the cleanest sound possible. Turn it up, and because the signal shouldn’t have harmonics, it won’t mask spurious noises as readily. Use your ears, but also use your hands—touch a variety of surfaces, find out which ones are vibrating, and apply pressure to damp the vibrations and see if that reduces noises. Sometimes all it takes is a little magic from some duct tape, applied in strategic places, to neuter these nasty noises.
— Craig Anderton
Forum Watch |
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A few of this week's top discussions from our ForumsGet the lowdown on the Epiphone Les Paul Ultra-III, check out clips and videos on DigiTech’s iPB-10 multi-effects, keep up with the latest Universal Audio plug-ins, find out why Geist has its own flock of fanatics, and more. The Winter NAMM show is still about a month away, but the rumor mill is already buzzing about possible new pedals—and some have even been confirmed as official releases from press notifications and manufacturer websites. Get the scoop here! Getting Started in the Solo/Duo Market What does it take to get a viable gig going as a solo or duo act? The thread starts off slow, but then the suggestions pick up—as do realistic evaluations of what, and what not, to expect. Did someone say . . . modular synths? This thread is loaded with ‘em, and just in time for the ongoing modular synthesizer comeback. Amp Dilemma: What to Do, HC Amps Forum? The poster has narrowed down his lust to four amps—but is having a hard time deciding which one to get. So what does he do? Why, post a poll, of course . . . but it’s not just the poll results that matter, it’s also the comments. Unlike rhythm section players, who develop their skills collaboratively, songwriters tend to work in a vacuum. Therefore, their sense of rhythm can sometimes be, shall we say, a little shaky. If you’re intimidated by the study of rhythm, meter, and time-keeping, heed the advice from songsmiths who’ve learned to deal with these issues. My Proudest Moment as a Musician As well it should be . . . and especially this time of the year, there’s nothing like an inspirational thread to get us all thinking about what we can do to help make the world a better place. How Do I Make My Yamaha FG700S Less “Jangly”? The advice in this thread is pretty useful to anyone who plays acoustic guitar and wants a somewhat smoother, darker sound. A Simple Guide to Gain Structure Find out how to set up the correct gain structure on a mixer for a live band—with a highly useful thread that has references to some good videos, and cogent, helpful answers from experts in response to basic—but important—questions. Should you apply EQ to drums as part of the recording process? Many DAW engineers prefer to save EQ for the mix, but when recording drums to a reel-to-reel multitrack with a finite number of tracks, a different approach may be in order. |
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Editorial Craig Anderton, Editor in Chief • Jon Chappell, Senior Editor • Phil O’Keefe, Associate Editor • Chris Loeffler, Reviews Editor
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