axeman6969

They're comparable. They both suck! But, I don't use them on any money channels. If I need compression for vocals, I have an RNC in my recording rack that I leave in the trailer unless I need it. On the other hand, I think the Behringer gates are pretty good for the money. They're not Drawmers, but hey, for 99 bucks! ! ! The crossover is the next thing to be replaced. Trying to decide if I want to go with DSP or just a better quality X-over. If a DSP, I'll probably do the VSX-26 from Peavey. Or maybe just a decent Rane or Ashley X-over. I don't rent the system out without me, so, although I should have limiters, I know what the system will do. The rack is an EWI. As well as the snake, patch snakes, and other odds and ends. I love their stuff. I run 4 monitor mixes for my band. Two of the guys are on in-ears, though. Another P7000s is coming soon, as well.

Just a quick introduction. I basically run sound for my band, usually from the stage. I do sound for others when we're not busy. I typically work a couple of specific rooms on the requests of the owners. That is, I'm paid by the band, but the club owners respectfully request that I do the sound. They know that I won't get the Liquor Control Board called for excess noise. The rig isn't much, but it's mine and it's paid for. Here is a quick overview: Mixer: Allen & Heath Mix Wiz 16:2 Speakers: Turbosound TXD 151 High Packs Custom Dual 15" Subwoofers Yamaha Club Series IV 18" Subwoofers Monitoring: (2) Yamaha Club Series IV 12" Wedges (2) Community Style 15" Wedges Amps: (2) Yamaha P7000S Power Amplifiers (15" Subs & Hi-Packs) (2) QSC RMX 2450 Power Amplifiers (18" Subs and Monitors) EQ, Dynamics, and Effects: EQs by Rane, Peavey, and ART Gates by Behringer Compressors by Behringer and Alto Effects by Yamaha and T.C. Electronics Microphones: Vocal Mics by Shure and Senheiser Instrument Mics by Shure and Senheiser Drum Mics by Shure, Audix, and CAD Lighting: (16) Par 38 Cans (4) Pin Spots (1)Elation DMX Controller