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promo pack


Walters9515

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W...I gotta ask...how old are you?

How long have you been playing?

How many bands have you been in?

 

You are asking questions that can be easily answered, but it seems like you are totally clueless about the entire process....

 

A good promo pack, for a start-up band is different from a band ready to go on the road.

 

Start-up:

A recording of the band, preferably LIVE, 3 or 4 songs. Make sure your contact info is on the CD/Cassette...

A brief bio of the band and its members...how long together, influences, etc

A clear picture, and please...do not pose in front of a brick wall, do not pose on a stairway...and do not wear t-shirts with other bands' logos on them!

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Im im my mid 20's sorry but im new to this stuff most of the bands i been never had a promo package or a demo actually and didn't even want to play out that much so i don't know how to do this all by myself now

 

whats the step by step processes of making a promo package?

 

1.) I record a demo

2.) play out live

3.) record the band live

4.) play open mic gigs

5.) get a bio of the band

6.) Pictures of the band

7.) what else?

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Originally posted by Walters9515

Im im my mid 20's sorry but im new to this stuff most of the bands i been never had a promo package or a demo actually and didn't even want to play out that much so i don't know how to do this all by myself now


whats the step by step processes of making a promo package?


1.) I record a demo

2.) play out live

3.) record the band live

4.) play open mic gigs

5.) get a bio of the band

6.) Pictures of the band

7.) what else?

 

 

1.) play open mic gigs (we already covered this part, right?)

2.) record the band live at the open mic

3.) write a bio of the band

4.) take digital pictures of the band

5.) piece together a demo from the live recording from the open mic

6.) put together promo pack and shop it around

7.) get a gig and play out live

 

Ok...now...cover band or originals? The original scene is easier in LA if you need to get started...there are plenty of places that will put you on stage as long as you pay them for a certain number of 'tickets'...we call this "pay to play"...an abhorrent but typical means of everyone making money except the musician.

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More like:

 

1. write some songs

2. play a few open mic nights

3. record a demo

4. write a bio

5. set up a website

6. contact clubs

7. send demo/bio or website info

8. make flyers

9. beg friends to attend gig

10. contact every media outlet you can think of about gig

11. keep going...

 

Ken

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Originally posted by kenm

More like:


1. write some songs

2. play a few open mic nights

3. record a demo

4. write a bio

5. set up a website

6. contact clubs

7. send demo/bio or website info

8. make flyers

9. beg friends to attend gig

10. contact every media outlet you can think of about gig

11. keep going...


Ken

 

Websites are not usually all that beneficial to startup bands, which is why I left it off. Once you are out gigging regualrly and have a following, then the website is worthwhile. Too many band websites exist where the bands are long gone...:(

 

Also, in LA...the media outlets...forget it...no one in the media gives a crap about club gigs unless you are a signed act. If the club promotes in the LA Weekly, Rock City, Times, Daily News, OCR, then consider yourself lucky.

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To answer your original question:What is a Promo pac?

At a bare minimum it is a Demo CD, a portable CD player, headphones and your ability to sell yourself to a club owner or manager. Years ago I would take a Cassette Tape around in a sony walkman (state of the art at the time- dating myself). I would already have an idea that I could pull off a gig at the place. Go during the day or when they aren't crazy busy. Then ask if the club manager/owner (or whoever books music) was in. Most of the time they would sit down and listen to the tape, talk for a few minutes, ask questions,(how much, do you have a following, etc. ) I was able to work steady in S. Florida this way. I usually ended up with a house gig and a reasonabley stable pay check. I did know an agent through a freind, but the gigs I got myself were allways better and payed more. As far as expanding from just a CD: A promo picture (like you see hanging signed on walls of places), a set list, any newpaper articles that have been written about you, a letter from the freind that the last club owner became after getting to know you (references). An equipment list (or an idea of how your gear and the clubs will work together). But most of all, be a decent human being that is confident but not cocky. They may give you a shot if they like your personality even if you aren't the greatest musician they have ever heard. That hardest part is getting the work. The work itself is the reward. Good Luck! p.s. once you are there get e-mail addresses so you can send out lists of where your fans can find you.

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Thanks alot for you information

 

 

club promotes in the LA Weekly, Rock City, Times, Daily News, OCR,

 

How do u get club promoters to write in those mags about you?

 

Do you have to pay money?

 

 

If i don't have a Following how do i get one because i can't play out if i don't have a following?

 

 

Where is the best places to give out your demo?

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Originally posted by daddymack



Websites are not usually all that beneficial to startup bands, which is why I left it off. Once you are out gigging regualrly and have a following, then the website is worthwhile. Too many band websites exist where the bands are long gone...
:(

 

You are kidding right?

 

A website is extremely beneficial. It gives folks a place to learn about you and your music. Sure, not a lot of people are going to find it on their own, but you tell your friends, you promote it at gigs, you have to have one these days. It is the new 8x10 glossy photo! I do most of my booking by e-mail these days and mostly point bookers to my website.

 

Ken

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definately start with myspace. It is a great way to meet other bands in your area. Once you have a site there, search for bands near you with similar influences and add them as friends. Then e-mail them and try to hook up shows and stuff.

 

ken

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Originally posted by kenm



You are kidding right?


A website is extremely beneficial. It gives folks a place to learn about you and your music. Sure, not a lot of people are going to find it on their own, but you tell your friends, you promote it at gigs, you have to have one these days. It is the new 8x10 glossy photo! I do most of my booking by e-mail these days and mostly point bookers to my website.


Ken

 

 

No...not kidding...I guess you didn't grasp wha tI was saying...what I said was that the time and expense for a start-up band is usually not worth it. I know of too many bands that put together nice websites, registered domain names, paid for hosting for a year, only to break up after six months. Once you are established and gigging regularly, then the website is absolutely part of the marketing plan!

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My advice to you is to join a working band and learn the ropes from someone who's already doing it. Since you have a thousand questions and don't seem to have the slightest idea, (it's no crime, just a fact) you're ripe for getting your teeth kicked in from a very ruthless business. These things aren't learned overnight; they may take years of trial and error, and joining up with someone already doing them can save you a lot of the error part. That, or hire a manager.

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Promo packs are hard copies of your promo to put in the hands of prospective employers or agents. Websites are for fans or prospective consumers of your product. If you think that promoters, club owners or agents are going to take the time to go to a computer and log on to your website, well...it' ain't likely to happen. They want it so all they have to do is open your folder, look at your pics and read a short bio, and if they're intersted, they'll pop in the CD. In other words, they want all the work done for them.

 

Kind of like someone else here, I might add. :eek:

 

(like you , maybe?)

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