Members Terry Allan Hall Posted November 29, 2003 Members Share Posted November 29, 2003 Independent Labels By Diane Rapaport Virtually every town in America and Canada has at least oneartist or band that puts out their own CDs. Artists withlocal and regional followings can sell as many as 5000recordings a year at performances; artists with followingsin several states can sell many more recordings. Record labels that focus on particular genres of music canhave gross incomes of up to several million dollars a year.According to SoundScan, sales of indie recordings in theUnited States accounts for over a billion dollars annuallyor approximately 15% of the sales of all recorded product. The actual income generated by sales of indie recordings maybe much higher. Many indies do not bar code theirrecordings because they sell them at performances, by mailorder to fans and on the Internet. And, SoundScanstatistics do not include sales generated in many nonrecordretail stores. If you add consumer purchases of concert tickets for indieperformances and sales of promotional merchandise, it iseasy to realize why independent recording is a multi-billiondollar industry. Other benefits for indie artists and labels: Training Ground for Major Labels Artists, such as Loreena McKennitt, bands like Pearl Jam,and whole labels, such as Windham Hill and Interscope havesigned deals with major labels. Indie labels have spurredmajor labels into marketing genres of music they previouslyspurned, such as hip-hop and Latin. Control of their Careers Artists that make and sell their own recordings profit fromtheir careers, without surrendering their passion andartistic control. Revitalization of Regional Economies Indie labels hire employees, contract services from localvendors and buy or rent musical and audio equipment fromlocal retailers. As artists expand sales beyond theircommunities, they import money, which further increases thecommunity's economic base. Indies Under Siege For all its successes, the indie record industry isincreasingly under siege. - Competition for the Leisure Dollar Consumers are bombarded with advertising, largely frombusiness giants, for an array of entertainment and leisureproducts, which compete for their leisure dollars. Indierecordings have difficulty competing for consumer attention. - Control of Access to Popular Media The large conglomerates that own major labels, televisionnetworks, popular magazines, publishing companies and manyheavily trafficked Internet sites are exercising increasingcontrol over popular entertainment media. Many people areexposed only to the music and videos that theseconglomerates own. - Retail Store Consolidation. The increasing consolidation of retail stores and the lossof mom-and-pop stores make it difficult for indie artists tohave their products available. Moreover, major labels paystores for floor, wall and bin space and for selectionsfeatured in listening booths and in-store play. Few indiescan afford to pay the prices. The Internet: A New Ally The Internet is an ideal medium for serving niche interests.Accessibility to hundreds of genres feeds a public that isincreasingly interested in music that is not available onpopular, large entertainment mediums. Although there is agreat deal of hope that the Internet will compensate for theincreasing consolidation of retail stores and radio stationsand help indies expose and sell their music, there are somepotential pitfalls. The proliferation of Web sites means that indie artists andlabels must find methods for getting people to them andreturning. The competition for audience share and theincreasing presence and dominance of large Web sites byentertainment conglomerates does not make this an easy taskfor indies. Their sites can easily get lost in cyberspace. Indie labels have spurred a music renaissance andrevitalized music by enriching and widening the spectrumthat is available to the public. The advantages that indieshave are their decentralization, flexibility and smallscales of operation. While the major label industrycontinues to homogenize and narrow its focus to only a fewmusical genres, the independent label industry hasdiversity, passion, vitality and creativity. Nevertheless, new strategies must be adopted to maintain andincrease the gains indies have made. By taking steps tocounter the new challenges that confront them, independentbands and artists can continue to prosper. Excerpted from Diane Rapaport's book, A Music BusinessPrimer, published by Prentice Hall. © 2003 by DianeRapaport. The book is available on Amazon.com and at majorbook stores. Link to comment Share on other sites More sharing options...
Members j powell Posted November 29, 2003 Members Share Posted November 29, 2003 interesting stuff! im waiting to see how napster type sites affect indie labels...hoping the increased availability will help them, if they can push thier music onto the major downloading sites. support your local revolution! Link to comment Share on other sites More sharing options...
Members Blackwatch Posted November 29, 2003 Members Share Posted November 29, 2003 Great post.....I really need to keep hearing this stuff...... http://strangerbytheminute.com/music/music.cgi Link to comment Share on other sites More sharing options...
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